Howbeit In Vain (excerpt from Book #14)

Howbeit in vain do they worship me, teaching for doctrines the commandments of men.  I worship woman; I repeat I worship woman.  The book winds the Word: worship Woman, and I repeat this to Hell.  I write this to Hell.  Howbeit Hell:  Although Hell and nevertheless Hell, and my Flesh falls to vanity vainglory the volume of Hell, my headdress as a widow.  Howbeit Hell a hunger gripping ground and I pivot poison populace and church civilization.  Howbeit Hell hones and I repeat the Woman in Hell, and I with Her.  Her Hells, and I hold to her hope she hangs so brightly.   I view vain in Hell, the glossy Vision that glows glue grinding the Word, and I mill vainly, vanity of vanities to my Son of Songs, and the Vision stabs the Rose of Sharon.  The Vision litters the Lily of the Valley, and I go down to the Valley another Hell the habitat of whores, and she dives hank the hood over my executioner.  Execute Word and execute Vision, even vaingloriously, and she continue to work Woman.  Work Woman write Woman: work with your hands, and touch Taryn, taste Taryn, handle Taryn, the Temptress and Temptation that fulfills the tablets.  I worship YHVH: I worship Woman.  I worship Woman: I worship YHVH; what a bizarre heart of Hell!  The helix hews a sinner’s sanctuary, and I worship word in north, and my wool washes Woman white in snow the snow bunny blizzard that blings Tarn buttocks, and her crack cools the sutter of the Book.  The Book lies beneath my belly, and I satisfy my belly birthing angel abominations, the offspring sprout Shekinah succubus and Taryn Lilith.  I teach angels: I teach angels and archangels, and the seraphs shade me in the burning light, the Christ coals that touch cobbling Christina.  I teach the tongue tackling tongue, and my tongue teaches Taryn blasphemies, the beach unto the Book, and I break Bible.  I thump Bible Taryn, and I teach Taryn tooth and fang, the figuring flesh that flashes frozen phantoms, and fight in my teaching.   I fight fish, the female fish that swallows me from the shipwreck, and I pray in her belly three days and three nights a tomb, and my sigil is the sign of Jonah.  My sigil is sign and wonders: sign and wonders: sign and wonders Jesus and sign and wonders serpent, and she sleeps in the bread (Bible breaking bread into Book building new doctrine.  The doctrine babels: the doctrine ganders glossolalia, the tongue tuned to new teaching, and Book boasts blasphemies and heresies.  Book bibles Christ and AntiChrist, the doctrine deserts depths to lawlessness and sin, and I sin with Woman.  I transgress with Woman, timing testaments, and creating our commandments.  I command New Word and New birth, a prophecy from Woman watching watch, and I watch the Woman naked of commandment and naked of Law, and her doubt redeemed me.  Her doubt draws the desert Hell to household, and she harnesses me man: benjamin A’dam and benjamin blood, the blood bold of Christian that crucifies.  I write Love: Eros-Agape, the pointed pornography of YHVH Woman and YHVH KRYSXTRYN.  I worship Her Body; I touch her Flesh.

I feel hurt.  I feel pain.  My brain dies / my mind nullifies Death dares me, and I dare to date Death, that handsome desert that drinks my depths.  Desert: Depths: Desert: Pain.  The pain doesn't reverberate physically but the pain reverberates physically, attacking my jawline, the banister and balcony of my body.  I desire Death.  I desire Death as Devil and Demon, and I dine with devils.  My Christianity abandons me.  My Christianity leaves me desolate and desperate.  My faith fails.  I feel hurt.  I feel pain.  I contemplate suicide as I contemplate Shekinah.  Anthony Bourdain committed suicide today.  Kate Spade committed suicide a few days ago.  The night is on my mind / suicide is on my mind.  What bore and what repetition.  Depression bores      suicide bores       Hell bores.  Hell destines me.  Hell determines me.  Hell to Death and Hell to Hell.  Hell becomes my companion / darkness my acquaintances.  Shekinah shells Sheol.  I think of Druid Foster Wallace who killed himself – I am no David Foster Wallace.  My writing bores and repeats endlessly, a pastiche of PKD’s Exegesis.  I exhort this Exegesis extemporaneously: it strikes as the stroke of Shekinah, the sister that snaps at the seams.  She resembles my twin; Death is my doppelganger.  I feel fucked: fucked up the ass by YHVH, and I prepare for crucifixion.  I sleet sheets Spirit in Gethsemane, and I swear blood and sweat tears.  I feel fucked, my flesh foisted for the roast, and I hang and burn simultaneously.  Hello Hell.
I listen to Parking Lot by Mineral: I wouldn’t mind if you took me in my sleep tonight / I wouldn’t even put up a fight / I wouldn’t care if you took it all away today / I’m sure I wouldn’t even miss the pain… Sleep satisfies; Sleep satisfies as Sabbath, but my Sabbath snaked away from me (But he took my shoulders and he shook my face and he takes and he takes and he takes.  My Sabbath shatters leaving shards of Word, and Word cuts deep and perhaps fatally.  If only the fataility were quick, instead of this prolonged agony, this prolonged bleeding out, and I bleed the banishing Vision and Prophecy.  Sleep seeps away sand, and YHVH masts a mean motherfucker.  I give up.  I give up my delusions of eloquence just for tonight (and maybe tomorrow and tomorrow and tomorrow).  I feel too much; YHVH let me die.  Take me in my sleep; let the sunrise be my light to the grave, my Sheol Shekinah and Taryn Tomb.  I fight Vision’s fire; it overwhelms my already-broken body and damaged brain – am I nothing but a vessel for Vision?  Then this Vision will break me, another shattering of the vessels.  I fight not flesh, and I let the Flesh furnish me.  I let the Flesh finish me.  I steal this quote from Mother Teresa:  Where is my faith?  Even deep down… there is nothing but emptiness and darkness… if there be God – please forgive me.  When I try to raise my thoughts to Heaven, there is such convicting emptiness that those very thoughts return like sharp knives and hurt my very soul… How painful is this unknown pain – I have no faith.  Repulsed, empty, no faith, no love, no zeal… What do I labor for?  If there be no God, there can be no soul.  If there be no soul, then Jesus, you are also not true.  
I do not know if I lack faith; if anything, the Vision affirms my faith, but in the end, the faith will destroy me.  The Vision destroys me.  I apologize for this fragmentation and hodgepodge – I can’t think straight.  I ruminate on death and suicide, and my faith pains me.  My faith drives me to death.  I go and meet John the Baptist in the wilderness.  I behead him.  God wants to kill me – no, God wants me to suffer with him.  I suffer until my suicide.  I suffer until Shekinah Sheol.  The suffering shovels within; the suffering shares with.  I suffer unto sin; I suffer unto death.  I suffer unto she, and she shames me.  The Christ-Christina shames me, and I shiver unto Sheol.  I grab the grave, and it grips me guillotine, a severe hanging.  My suffering sures nothing and severe, the samboton that flicks the imaginary.

I Waste My Time (excerpt from Book #7)

I waste my time playing games on my phone.    I play Angry Birds Transformers (Levi loves this game.    Kaboom!    Blow up piggies.    Levi watches old school 80‘s Transformers.    After two episodes, they bring back Optimus Prime.    Is this the end of Optimus Prime?    Tune in next time to the Return of Optimus Prime!    Rodimus Prime was boring.    Robots motherfucker!    I played the voice of a toy.    Some terrible robot toys that changed from one thing to another (I play a planet.    I menace called Something-Or-Other.    Then I’m destroyed.    My plan is to destroy Whatever-it-is is thwarted and I tear myself apart on screen
Robots motherfucker!
Dinosaur robots me Grimlock

Twelve-tone composition is tricky business            I’ve been using the same row for about 20 years.    Twelve meditations on a twelve-tone row (I’ve been using the same female Name for 25 years

A seahorse and a falling tree
bird wings and the smell of black licorice (death
watching the lights while falling asleep in the backseat (childhood ocean running peanuts and security blanket
a postage stamp and a piece of yarn
a woman’s tennis shoe, filled with leaves (is she dying
I remember 20 years ago the backseats            woman lights twelve-tone composition            a tennis shoe or sandal appropriated folk art

The only real game in the world is baseball and Angry Birds Transformers (I’m making a whim-wham for a goose’s bridle            what the fuck am I doing            did you sleep at all (well when you’re asleep, you can’t tell if you’re asleep
Last night I dreamed about you.    What happened in detail I can hardly remember; all I know is that we kept merging into one another.    I was you, you were me (this all Taryn dreams.    This all Taryn Dreaming

clap hand clap hands
til daddy comes home
daddy’s got money
but mommy’s gone none
(all the pretty little horses

Taryn rides seahorses in underwater forest            kelp fallen trees coast redwood          corpse yarn holding together              sunfish movie

I should have forgotten you long ago 
but you’re in every song I know
(we still dance in whirling stages
 in my Busby Berkeley dreams
We still dance in my outrageously 
beautiful Busby Berkeley dreams
Do you think it’s dangerous
to have Busby Berkeley dreams

Christina’s dreams must be Romeo and Juliet, Moulin Rouge and Busby Berkeley
Every song is a storage circuit, the PKD DNA coil (
not for all the tea in China				not if I could sing like a bird
not for all North Carolina				not for all my little words
I couldn’t convince Christina Taryn of anything -- I only witnessed.    I witnessed wedding and bab(ies)            the nude collar bone at the distance

maybe one day, it will be cheering even to remember these things.

Spreading herself, she forms out her own bodily part, the dividing wall of the visible firmament.    She fully fulfills her own corporeality.    The Holy Spirit, the First Woman          Water            Darkness          Abyss          Chaos          voiding between bodies voiding empty space still possessing the cosmological constant          fit into grocery bags or tennis shoes            between the breasts of the mercy seat.

Writing is what fills in the void of god’s absence; writing is what takes place when god hides his face (writing itself void            writing self-emptying          the Language of Torah -- the language that thereby ultimately comprises the World -- originates from the transformations in a hidden primordial language (water            darkness            abyss            chaos                    the deep structure transforming new and new again (there are two moments:    coming-to-be and ceasing-to-be, and by passing over into nothing, it ceases to be, but something new coming-to-be.    The Nothing is preserved and maintained through transformation, a totality that is self-related, the self-forgetful, relieving the original tension (arriving at first Woman beginning and end            the Woman swallows her own tail a rattlesnake
the union of Snake Youth and Snake Girl (underground Spirit -- the RN          snakes released into the fields.    RN is both snake and snake-handler, the self-reflexivity of nursing (something in its passage into Other only joins with itself, the self-related            two moments that negate each other.    Language and World reciprocally determinate each other.    The Living and the Dead reciprocally determine each other.

The antithesis of Christina and Taryn          hodexios and he aristera          as male-female            a repetition of the first Cosmogenic Antithesis in another form.    Christina reflects Mother-Of-All-Living and is therefore called Mother.    She is the forma-matrix of Heaven and Earth (for as much matter can only receive form from God-light, which coming down from above, has interpenetrated the dark waters, and she is also Holy Ghost Creation, the representative of the true abyss in the lowers and uppers:    her fates and experiences redeem into creative Chaos.    Heaven and Earth antithesis but self-negate as two moments, a true emptiness emptied opening into true Christian materialism.    The holy city, New Jerusalem, comes down from Heaven, prepared as a bride adorned for her husband and behold, the tabernacle of God is with Us, and he dwells among us Church and Community -- no separation (the Kingdom of God is within our resurrected and present Flesh the most real flesh and the most real bodies touching Jesus and kissing Mary Magdalene

As Taryn unites with the Savior, her bridegroom, in the bridal chamber (she is my bride, so Pleroma writes with Flesh, united with Flesh
the Flesh a void but not mere nothingness, and is therefore distinct from nihilism, but instead reality before distinguished into conceptualism

Flesh neither or not void; or both or neither void but refers to Void as the Christian materialism, a Christian monism emptied emptied into Resurrected Flesh          beyond language beyond symbolic (the mystery of intimacy that exceeds language into Otherness that required nothing less than the most passionate and erotic divine Eros, the Agape supervened by Eros.

The Current DC Universe (excerpt from Book #7)

The current DC universe is built on a foundation of corpses / the Universe currents the foundation of corpses
their heads sunk down into their fleshy body            eyes and mouth placed in the breast (the grown male latched to each breast of a lactating Taryn            a physical body -- a material entity          the dead nourished on T’s sexuality (dead do not forget.

I’m the only one left who remembers the Infinite Earths            I remember all that happened, and I’m not going to forget.    Worlds lived, worlds died.    Nothing will ever be the same.    But those were great days for me... I had a good friend in the good old days, really.    He was going to give me a world to rule.    Now he’s gone too.    But that’s ok with me.    You see, I like to remember the past because those were better times than now.    I mean, I’d rather live in the past than today, wouldn’t you?    I mean, nothing’s ever certain anymore.    Nothing’s ever predictable like it used to be.    These days... you just never know who’s going to die... and who’s going to live.

Multiverse corpses		dead black hole
consciousness causes collapse
I remember empty into messianic
		                messianic unclosed
		without shark cages
		dangerous and disaster

It is your true self          it has nowhere to hide
Even if the Universe is annihilated, it is not destroyed (multiverse empties the dead remembered

Not falling, not darkening:
two colors, one game.
Not darkening, not falling:
one thousand mistakes, ten thousand mistakes

Not darkening into undiluted darkness
Sheol and Kingdom no distinguishment
(Sheol is Messianic                      Messianic anamnesis
the Sword that kills the Man is the Sword that saves the Man
the wound can only be healed by the spear that made it (the genocidal God drives the mother to cannibalize their children yet also brings salvation          identical dark out of darkness

The Last and the First			are they not the same

The Messiah that can actually come, be realized and be recognized in time, paradoxically negates the Messiah as an ideal, a justice, and a good that we do not have, but which we expect, hope, and wait for.    A Messiah that actually comes and is recognized will necessarily partake in finitude, authoritarianism, and closed economy of faith that divides believers from infidels, the nurse from her prisoners.

A God known as absolute, and the knowledge of whom is a condition of personal and worldly salvation, is a God that closes possibility, the openness of thought, hope, faith, and love, and ultimately leads to idolatry (this is the image of the Absolute God.

I am an idolater.    I worship false gods and I worship the God and messianic of Absolute finitude and contingency.    I worship Christina Taryn, a messiah that could only be absolutely finite, absolutely human, absolutely material, and absolutely limited (weakness.    She is my secret and the secret of secret Revelation -- no one else recognizes Christina Taryn but me.    I am both Christina Taryn orthodoxy and heterodoxy -- she is the gods before YHWH and she manifests YHWH absolutely (the weakness of God              God Event            God temporal            God contingent            God material.    Though shalt have no other gods before me but She.    She is the living graven image, idol of idols revealed by the veil and unable to provide universal justice and salvation (there must be many Taryns.    Taryn multiplicity many Taryns opening the secret only the finite and fragile God exists among us (a Kingdom of Flesh.    This Taryn brings me salvation.    This Taryn boasts voluptuous butt and hips rollicking and rocking many rocks (Look at Taryn ride them          look at Tarn’s nude body bounce cocks and butt, flesh ripping flesh            an RN with her prisoners.    An RN redeeming her dead.

I am idolater            I am blasphemer            I am heretic            I prophesy secret Taryn, the Sophia and Shekinah unrecognized.    When one believes one has exclusive knowledge in God, an exclusive faith, he worships a God that is evil.    I worship evil gods and I worship darkness the caverns of Taryn’s body            her surfaces            her many images (she presents herself throughout history            she contradicts and displaces              she disrupts and interrupts the Living God            Absolute remains open.    In these many gods (polytheistic Christina Taryn), contradictions, confusions, and magics, the Messianic presents but remains secret.    The secret of the messianic is the secret secret              the veiled veil              the contingent Absolute

Messiah empties		Nothing		CT
Kingdom among within no difference
Messiah for the dead            nursing prisoners and spirits              RN healing in images and imagination            pure darkness darkness ---> weakness and potentiality

I am an idolater            I worship false gods            I sleep with harlots more righteous than me            I prophesy weakness and potentiality            weakness and possibility            Christina Taryn greater than me

She encompasses about, and is laden with material every kind of weight and substance, the darkness and oceanic subsuming her existence (she contingent abiogenesis            I prophesy yet the cleaved secret I must keep secret promise.    Bound to the body, she draws all things and all future gods (future radicalized through Flesh            Future perverted through holy sex              true male-female unrecognized            the bridal chamber
She merges and dives the lower waters (the most primary god beside she, and the whole world is constructed upper and lower, from the first mystic point up to the furthest removed of all stages, they are all covering one to another, brain within brain and spirit within spirit, a shell to another.    The primal point is the innermost light of translucency, tenuity, and purity surpassing comprehension (the first waters of Yah.    The Outer and Inner Darkness of Yah.

The Unconditional (Excerpt from Book #6)

The Unconditional -- what difference -- what dreams make (the Unconditional play differences.    I dream of something          a something I do not recognize (Future ---> unrecognition.    I vague dreams a distorted high school (this our language outdoor stadium.    Impossible rockets and bleacher seats.    Propellant (liquid oxygen fueled sex and band music.    Let’s swing.    Let’s swing (it don’t mean a thing if it ain’t got that swing.    Improvise Phrygian Dominant -- all those half steps (multi-stage rocket.    Evan Parker tenor.    Tenor Taryn.    Taryn Cipro infection (long tenor Taryn.    Where dream and what dreams measure and mix (I long for unconditional -- love more than that dreams me (I am merely dreamed.    I am nearly come to by Death a dreamed ben and Taryn -- we a simulation.    PKD questions Reality and correctly did so -- the Real is still to come -- the Real is inaccessible (a me and Taryn impossibly Reality.    I attempt to improvise the Real (improvisation always grasps at Reality.    I watch television (a substitution of a substitution.    I watch Slayer -- an old video concert -- Jeff Hanneman still alive.    Their music Diabolus in Musica isn’t as bad as people say -- then again, I’m a fan of Roots by Sepultura.    I watch television (tritone substitution.    Slayer plays Seasons In the Abyss, Mandatory Suicide, and Raining Blood.    Good stuff.    I suppose I’m still nostalgic for metal music (I’m nostalgic for everything – an attempt at recovering a Reality that never existed.    Nostalgia (sheol and abaddon are never full, so the eyes of men are never satisfied.    Nine minutes of a candle burning.    I boil up and greet the bone polishers.    What can I do but artwork (working art something as if Levi writes the book Are You My Mother?    Have you read that book?    Yep, says Levi.    I cannonball and reside pullman (I carry myself up a rum dum.    I divide into secretions / integration by parts.    Structure is its divisibility into phrases and long sections.    The material is sound and silence (my method is letting go of the continuity.    I harvest towards and to contradictories.
Lilith lily		lilith lotus
			                  Taryn
			the blue rider.
Taryn afterlife (beyond this one hope expectation
		posthope	postgod
Images potential to heal (sainthood
Images potential to Real
Real ben and Taryn	
		      after postmodern

After God	After Life
After postmodernism
		After Christina Taryn
			      Sound and Silence
until I die, the sounds.    Tarn Les Noces	Taryn cubist rhythm
Taryn piano decay choreographed Taryn Les Noces (The Wedding.    I sing polyhymnia (muses passing.    Whatever is found here is found elsewhere -- whatever is not here, is nowhere else.    Anything I include everything / Reality mentions.    Reality mentions and mimics mimicking Reality (indeterminacy.    Reality indeterminate -- Realty improvises
	        aleatoric benjamin
                                    benjamin Fluxus
(Taryn in me unstable fluctuation creative indeterminacy.    I watch a program about how a brain injury caused a chiropractor to compulsively create artwork --if I wasn’t sleeping, I would be creating art, he says.    If I could, I’d be speak God (the encounter with God without God.    I could not be speaking any longer (a father God a god Being who kills by presence.    He began by pouring black paint into the canvas, over which he added areas of yellow and crimson with a brush.    He then lifted the canvas upright while the paint was still wet, allowing it to sag and run.    He began pouring pink light onto blonde fluorescence and added chromatic fire / I lift Taryn I could not speak any easy brushing crimson distillation (pipestill Taryn 
Taryn the dripper we run and sag I lifted Taryn.    

Love What Is To Come (Excerpt From Apocalypse of Taryn, Book #3)

Love what is to come.    Love beyond what I know.    Love what is to come.    I don’t even know the faith towards itself but love what is to come.    Forgiveness destroys out of love and in love / love must disappear in the act of love.    I love impossible at me (me good and I’m not good but love what is to come — Ben to come good as God to come.    Love what is to come.    Love by faith without knowing its faith.    Faith not knowing.    I’m by going forgetting names like animal faces and to name a place is to know its memory.    Places and persons are the same faith intermingling name by name (I forget the name — I forget the faith I’m loving.    Love impossible.    Love what is to come.    Faith absence in its here.    God I begin and end with you like all endings even the tau cross.    I’m always crossing (the River T the canyon left by the river.    Christina begins and ends.    God God God crossing.    God I don’t know where I’m going; I don’t know the who I’m waiting for.    Who as strange as Christina imitating God.    I always see God (Christina God on T gods as T leaves memory like canyon but I give them new names.    I give them names I don’t know (this unknown I’m waiting for.    My love impossible as good me but I keep happening.    God stop me happening but I wait faith (God I don’t know how who I’m waiting.    Ben wait beyond until you don’t know you’re waiting.    Ben faith until you don’t know it’s faith (love like love who to come until you forget someone is coming.    Love like love who to come but the Messiah is always coming.    Messiah (the messianic through T as mass migrations and people always coming.    I didn’t know I was waiting but I love knowing I couldn’t love.    I love try to ghosts my own body and faith is as true as ghosts shade windows.    Ben still love but you don’t know you’re waiting.    Wait what — the messianic — the coming God as much as you need forgiveness — impossible names or one name trace trace hosts memory — God the impossible.    Wait what — the impossible — the impossible that cannot and should not wait but waits.    Even the Messiah does not know her waiting to arrive but to arrive means end.    end to waiting love means death.    Love doesn’t exclude death (forgiving and dying in one swoop that’s the name.    Ben are you remembering — you do not say but you’re walking places.    I walk places and I recollect and i don’t know if I loved not even God.    People always coming.    There’s always new people.    One new with no name by faith and I’ll forget I’m waiting but she’ll come to me (impossibly she’ll come to come beyond me) and I won’t even see (this faith his not by seeing.    Love what is to come.    God I don’t know who but I know who but I can’t wait until I forget I’m waiting (wait what and I’ll forget the name and all places and I can’t be saved except by or because of impossible God by faith but then I’ll love in love the Messiah.    Love what is to come.

Give up.    Give up like death accepts even Taryn and gods.    For first time (I think first time I can’t death but Ben give up.    Find her.    Find who?    I don’t know.    The one who died.    The one that I will never see again.    PKD didn’t give up until he died (death for death as death finding her but give up.    Give up beyond waiting (the wait as wait but give in.    Do not give names.    to name the search (find her directs faith but be without faith.    Faith dies endlessly final death.    Give up like death accepts even have faith die.    Give up even faith.    I’m hell to others.    I’m hell to forgive and it’s tired and of course give up.    Ben even give up forgiveness.    Forgiveness destroys in love and out of love (God destroy me.    The messianic destroy me.    Ben even give up forgiveness impossible for you to forgive (yourself impossible.    Ben give up yourself.    Wait your own coming yourself the messianic I’ve lost faith but I’m losing towards faith. Love what is to come even yourself (love.    I used to be good, you know.    I used to be good.    I think my body holy and I used to be good.    I know.    I want to know but faith without faith not knowing.    Not even knowing myself like a swing T’s jumping.    I used to be good.    I pray no hope for me.    God no hope like I know other gods but I forget their names.    No hope.    Hope means waiting (do not wait but wait.    Wait but God don’t wait.    I don’t have the absurd movement towards faith (faith not faith.    God how impossible hope is — impossible love forgives impossible hope the name by faith.    Faith what you’re waiting and forget you’re waiting (Ben your impossible faith.

The Only One Knows (Excerpt from Book #11)

The only one knows, yet without knowing, it is the highest desire, concealed of all concealed, NOTHINGNESS.    Infinity is the impassibility            the actual infinity of Creation, contraction and expansion simultaneously, and NOTHING is all-at-once and all-times.    Beginning and End are end and beginning with that NOTHING, looping indistinguishable and entertangled as a Trinity that does not exist.    Beginning begins not but ends, the tail swallowed in the absence of God.    That NOTHING, if it can be called something, is Her CHAOS and Womb, empty empty yet pregnant with all-potentiality.    Her Primordial Nothingness brought forth a beginning and an end, one and two out of the infinite possibilities.    The beginning and end is indeterminate and aleatoric, constantly shifting and mutating throughout Timed Creation, and yet also there is no time.    WHO is Beginning?    This Beginning, insofar it has any meaning at all, refers to the point where Creation can be distinguished from HER NOTHING -- where she can be distinguished at all.    It is separateness, but remains interconnected and entangled.    The Concealed One abiding in thought, the Ground of Being and the Ground of Existence.    She produces End, the End of All Matter (and Matter is End, the point of Paradise.    But there also, No End -- Supernal Darkness of Infinity, and Infinity is a darkness and enshadowing.    All these lights are dependent on Her; these lights are the letters of the Book, illuminating NOTHING, which is paradox and contradiction.    Even these letters fail to understand and penetrate the impossible.    The highest point and the world that is coming ascend, knowing only the aroma, as one inhaling an aroma is sweetened.    She is the world that is coming, constantly coming, and never stopping (The Body of the Palm Tree Garden, which is to say, the Body of Earth after it has achieved anamnesis, that immersing into Nothing.    Thus says YHVH:    I remember the devotion of your youth, your love as a bride now you followed me in the wilderness, a land unsown (I had a Vision last night, which I recorded in detail in the Book of Vision, wandering in the Wilderness, with the light of the crescent moon in the form of the nude woman guiding me.    This nude woman is the image of my Bride in the wilderness, which is to say She is the image of God (I become the Image of God, meeting Her in the desert, the Earth shaped as giant monument to Her Body; the Earth is in fact Her Body, and Creation is a Bride and Sabbath.    This verse refers to the communion of Israel when she was walking in the wilderness along with Israel.    I remember the devotion:    this is the Cloud of Aaron which floated along with five others, all bound to you, shining on you.    Your love as a bride              they decorated, crowned, and arrayed.    You’re like a bride bedecked with jewels.    Why all this?    Because:    You followed me in the wilderness, a land unsown.    My Bride is my Vision -- both as moon and earth -- is not crowned or bejewled, but nude and naked.    Does she deserve to be crowned?    Certainly, for She illuminated my way in the Wilderness to the point where She Herself is the Wilderness.    She is naked, because She is no longer the concealed of concealed fro me -- She has revealed herself, with no need of a guise or garment, but only the totality of Her Body, which is that desert and wilderness.    Although this Earth is barren, and She is bare of any arraignment, She shows that her light sustains me -- She is no longer hidden in supernal darkness.    When one sits in this dwelling, the shade of faith, Shekinah spreads her wings over him from above (naked moonlight in her naked wilderness).    We do not know if the Blessed Holy One chose Jacob or Jacob chose the Blessed Holy One.    If you follow my decrees and observe my commands and carry them out, I will place my mishkan (dwelling) in your midst and my soul will not abhor you... My mishkan is Shekinah -- my mishkan is my mashkon, My Dwelling is my Pledge, who has been seized on account of Israel’s sin.    A parable:    one person loved another and said:    my love for you is so high I want to live with you!    The other said, how can I be so sure that you will stay with me?    So he took all his most precious belongings and brought them to the other, saying, Here is my Pledge to you, that I will never depart from you.    So the Blessed Holy One desired to dwell with Israel.    He took his most precious possession and brought it down to them saying, Here is a Pledge to you that I will never part from you.    Even though the Blessed Holy One has removed himself from us, He left us a Pledge in our hands, and we guard that treasure of his.    If he wants his Pledge, let Him come and dwell among us!    Even though Israel is now in exile, the Pledge of the Blessed Holy One is with them, and they have never forsaken it.    This Pledge is Two-Fold:    It is Shekinah and it is Torah; both are presence of HER.    Then Jacob made a vow saying, if God will be with me and will water over me on this journey I am taking and will give me food to eat and clothes to wear so that I return safely to my father’s household, then YHVH will be my God.    I am Jacob.    I am the Jacob who wrestled with God, which was Samael and the Accuser, and I am Jacob that makes the vow:    Yah, I am going to Hell, and you command and condemn me to Hell; if you see me through your Hell, which is also Heaven’s abode, then you will be my God... I am still wrestling with YHVH, and I am wrestling with its Sitra Achra and the Kelipot, for Hell is the remainder or cast off of God.    Nevertheless, God sends me a Dwelling and a Pledge:      that Dwelling is the woman, Shekinah, Sabbath, and KRYSXTRYN, and She gives me mercy and lovingkindness where YHVH gives punishment and judgment.    the Pledge is this Book, and I am compelled and condemned to write the Book of God, even if it is false prophecy and condemns me to Hell.    I keep the promise – I write for YHVH and the woman.    It is better for me to keep my Kerygma and write the heterodoxy and be condemned to Hell than to ignore my kerygma and be admitted to Heaven.    This commission is the commission of KING FELIX, the reason PKD wrote VALIS.    The heterdoxy is the Woman, dwelling among me, and this dwelling is my garden, the shrine of my adultery and idolatry.    You follow me into the wilderness, a land unknown.    The Book is the land unknown, a wilderness and this reflects my Vision, a Vision seemingly barren but pregnant with the Divine.    YHVH has abandoned the Earth and has abandoned his spouse, Earth + Humanity, but SHE is with us -- the Mother and Shekinah and Sabbath.    KRYSXTRYN has not abandoned me, and she dwells with me in successive incarnations.    And my soul will not abhor you.    A parable:    one person loved his friend and wanted to live together.    He took his bed and brought to his friend’s house.    He said:    my bed is now in your house, so I will not go far from you or your bed or your things.    So the Blessed Holy One said:    I will place my dwelling in your midst and my soul will not abhor you.    Here.    My Bed is in your house!    Since my Bed is with you, your will know I will not leave you.    My soul will not abhor you.    I will move about in your midst.    Her Bed is my Dwelling; Her Bed is my House, and I do not leave and abandon Her. 

My Writing Has Been Interrupted (Excerpt From Book of Visions, Book #11)

My writing has been interrupted by another book – The Red Book, Liber Novis.    I have been unable to resume my normal writing schedule, and I have been both at a standstill and a sabbatical – but perhaps I have needed that Sabbath, which is her Sabbath and Her.    The Red Book has caused me again to descend to Hell, and that ascent is the descent.    I have not visited hell since the Nursing program (and the Rumble in the Jungle before that – and perhaps my Sabbatical from Christina, too, was a hell – yes, that too descent.    This New Hell (which is the same Hell) is a Hell of Vision and re-immersed mythology    Previously I have been a bricoleur and collagist – I assembled texts and historical scriptures, and explicated and derived my mythology from them – I found KRYSXTRYN in history.    I became an hermeneuticist and conceptualist, utilizing former models of texts – a form of remixing and syncretism.    Reading the Red Book is as reading VALIS and PKD’s Exegesis – it plunges me back to the source of Vision, experiencing pure mythos first-hand.    It is not derived and interpreted but lived.    The Vision that PKD and Jung had in my Vision as well.    I started writing a new Book entitled Book of Visions:    A New Book from the New Book.    It is perhaps the same Book as this Book.    I have not yet been able to determine how these two will relate, and how I should continue this Book; this is, if I should work on the two concurrently.    This Book details a conceptual and intertextual model of writing, currently utilizing texts from the Zohar to tease out the name KRYSXTRYN; the Book of Vision is the experience of KRYSXTRYN Herself.    Perhaps they are complementary and I must work on both of them simultaneously (they are simultaneous Events            they are simultaneous Books              entangled and inseparable.    Yes, the Vision and the hermeneutics of Vision (historical Vision) go hand-in-hand.    Therefore, I will continue searching the scriptures and historical texts for KRYSXTRYN, while experiencing the Vision of KRYSXTRYN simultaneously.    How the two Books (which are a singular Book) interrelate are a logistical problem that can be figured out later (perhaps an appendix like the Tractate in VALIS; or the Book VALIS to the Exegesis itself).    Nevertheless, I must continue, and so I continue.    

And YHVH repented of the wrong that he had threatened to bring upon his people (Christ, you know it ain’t easy you know how hard it can be          the way things are going they’re going to crucify me).    YHVH brings judgment but KRYSXTRYN, the Mother brings lovingkindness and mercy (in Her severity, She brings mercy.    The sentence is not carried out because they both share on design; when the male and female are united as a single one, the lovingkindness overwhelms judgment; thus Christ came from the side of the female, and Christ became Female, which is Christina.    The Mother, as Christina, penetrated Moses (male and female united) and made atonement not for the people of God but for YHVH, who then repented of his actions.    They exchanged their Glory for an image of a bull.    This means the Glory of Israel, their Mother.    Glory had gone into exile, for they drew Shekinah into exile along with them; therefore the Mother was hidden from view / Rise, make us Elohim!    Rise, make me KRYSXTRYN!    And She is in writing as much as YHVH is the writing, the Word from the very beginning.    I make myself false Elohim, but I know her Source; I am idolater and adulterer, but I know the Image of God and I am the image of God.    She hovers over me like a Mother, and She is my glory and She is the Book’s glory.    Since the Father knew the compassion of Mother and her loving ways, He said to Moses:    Oh my beloved children, the design of them both is always for this!    Both of them share this design, this one design (the Father and Mother; YHVH and KRYSXTRYN; the Book Proper and the Book of Vision).    Since they desired Elohim, and the work was constructed on the verge of Elohim, Holy Elohim, the Mother, who always grasps the arm of the King, and suspends the lash, was hidden from view.    Moses took Her Place (Her hiddenness became manifested and apparent in him, since he is the husband of Shekinah).    He grasped his right arm in response to:    Leave him alone!    (YHVH alone, lacking the feminine).    He grasped his left arm in response to:    my anger will blaze against them and consume them.    He embraced the Body of the King in response to:    I will make you into a great nation.    Having embraced the Body and both arms on this side and that.    He could not move to any side at all!    This was the Wisdom of Moses:    He knew the various points of the King, where to be firm on each one (This is the Sophia of Moses, and She knew the proper points of where to entice and seduce YHVH into submission.    Shekinah comes and intercedes on behalf of her children, counterbalancing the wrathful aspects of God.    The Blessed Holy One said to Moses, I see them coming to Sinai and receiving my Torah.    I descend on Sinai in my Chariot of four animals. They focus their attention on the Chariot and unhitch one of them and rouse my anger, as it is said:    the face of the bull on the left, and it is written:    they exchanged their Glory for an image of a bull.    The golden calf had a divine element in it:    the face of the bull from the left side of the Chariot.    However, when the left separated from the Whole, it became demonic.    The left or right is not in itself good or evil, but rather its separation from totality that makes it evil; the totality is beyond good and evil. / The moment a new word of Torah comes forth from the mouth of a human being, that word ascends and presents herself before the Blessed Holy One.    He picks up that word and blesses her and crowns her with seventy crowns, all engraved!    The Book is New Torah / The Book is New Heresy, condemning me to Gehenna.    Either way, the word is kissed and crowned, and this word is HER.    Qorban (offering and sacrifice) their drawing near to one another, connecting with each other, until all turn to one, completeness, to perfect the Holy Name, as it is written:    qorban to YHVH.    This Book is offering and sacrifice, and its words and letters draw near to those Holy Crowns, drawing to one another and connecting to one another, until all turn into one, complete oneness, to perfect the Holy Name, which is KRYSXTRYN (YHVH + KRYSXTRYN and KRYSXTRYN + benjamin.    The Book is an explication and elaboration of the mysteries of the name KRYSXTRYN.    The drawing near of those Holy Crowns is to KRYSXTRYN, so that the holy name be perfected and united, so that compassion fill all the worlds and the Holy Name be crowned with crowns and everything be sweetened.    The qorban is a sacrament, unifying all aspects of divinity            to raise the low desire in order to draw it near and unite with the desire of the upper worlds, which are Her Names, and then to draw the lower and upper desire into one desire (Earth and Heaven are united into a single one and a single name.    The qorban (the offering, which is the Book) unifies and spells out God’s being:    the unification of the name of God.    Through this rite of contemplation, the mystic harmonizes all the sefirot, and draws down divine blessing and compassion.
Mirror and camera are tools of self-reflection and surveillance.    Each creates a double of the Self, a second figure who can be examined more closely than the original – a double that can also be alienated from the Self -- taken away as a photograph can be, to another place.    The Book is a tool of self-reflection, doubling my Self, and doubling God.    The Book examines the Self-God, but prays not for alienation, but the drawing close and unification, each letter a crown uniting the divine and the mundane.    The Book is simultaneously an image of God and an image of Humanity.    The common defect in all mystical systems is that is has no place for laughter (I HAVE TOUCHED PEOPLE INSIDE!    IT’S NOT LIKE THE BOOKS!    Metaphor-resemblance              metonym-adjacency            synecdoche-essentiality            irony-doubling.    The Book always doubles (mirrors and copulation are abominable, because they increase the number of men.    book doubles images and Gods, an idolater and adulterer.    Infinity does not abide to being known, does not produce end or beginning.    Primordial Nothingness brought forth Beginning and End.    Who is Beginning?    The highest point, beginning of all, the concealed one abiding in thought.    And it produces End, the End of Matter.    But there, no end, no desires, no lights, no sparks in that Infinity.    All lights and sparks and dependent on it, but cannot comprehend. 

For Ever One Shall Be Salted (Excerpt from Book #15)

For every one shall be salted with fire, and every sacrifice shall be salted with salt

Ever one only one
  everyone only once
Salted south sore crystal
  salted sin sign Krystal
  and the salt sighs frank flame fanciful.
Salt flame fantastic
  sow fire fantasy
  sacrifice phantasmagorical
  salt holographic    salt phosphorescent
  salt spun spear, the spear that slides through
  all sides, a sacrifice

For I am a gracious Goddess

For the fume the mystical flame the mother
  For the force the mysterious fire the matriarch
I am Yahweh: I Am That I Am
I am KRYSXTRYN: I Will Be That I Will Be
   Being Benjamin      Being Priestess     Being Prophet
Goddess groans the grow of Creation
Goddess grunts the graft of Creation
  gracious     generous      gift
Goddess glowing
Goddess grunting

The barest nude of them all!  PARDON MY BRUSH

Bare Benjamin.  Bisexual Benjamin.  Benjamin obsess with the Woman.  Benjamin obsessed with the body.  Nude name.  Nude numbers.  Nude numerology and astrology.  The nude new Taryn.  The nude old Taryn.  The nude always Benjamin and Taryn, bare as the Godhead, subtil as Eva and Adam.  Pardon my pornography.  Pardon my pornography and nudity, but pornography too experiences humanity.  Pornography experiences Taryn and Christina.  The brush bolds over Benjamin.  Brush bright and bold.  Brush bare and beautiful.  Brush human.  Go beyond the human.


Salt is good: but if the salt have lost his saltness, wherewith will ye season it? Have salt in yourselves, and have peace one with another.

Salt sifts shifts the solitude of saints
  Salt sits ships the sanctity of shepherds
Salt shimmering
Salt sorcery
Salt threatening
Salt threatens the terror Taryn
Salt throws the Tyrant Taryn
His saltiness
Her saltiness
Salting saltiness

Her salt seasons sisterly
Her salt sauces sinister
  Left lens lancing lady
  Left loot looking lady
The lady salts wherewith within and Woman
  The lady sharps without, what and peace penetrating and perpetrating perfection
Perfect peace
Peace perfected
I give unimaginable joys on earth, certainty, not faith, while in life!

Give ghost ghostly
 Give gaunt ghastly
  Giving going garb and garment
  Giving grisly guts and graphic
Give got unimaginable and imagination ignites
Give God universal and incarnation cinders
Job and Joy 
Job and Joy
Josh and Joy
Gently Joshua and gently Yeshua
Entering and edging earth.
Certain clutching Christ
Certain combing Christina
My filing faith in flesh: fleshly life forceful life
Living lady living light 


The true story of the most fantastic women in history… SHE DRANK HER VICTIM’S BLOOD

Strive for story.  Trail truth and the story truths.  Strive for story: strength in story.  Story tells Taryn.  Story narrates the name KRYSXTRYN.  Story stings.  Story stalks.  Story stokes wildfire woman.  The true story: every story is woman . The true story: every story is KRYSXTRYN.  The most fantastic Woman: the most fantastic female.  The most fantastic flesh.  Flesh in history and flesh in her story.  Storying KRYSXTRYN.  Historying KRYSXTRYN.  KRYSXTRYN fantastic flesh and fantastic fable.  She drinks.  She drinks deep, deep calling to deep.  She drinks dark, dark calling to dark.  I veer as her victim, a victim of her vision.  Vision victimizes me.  Vision vow’s blood: Christ’s blood and Benjamin’s blood, and she drinks blood as if from the cup of Babylon.

I Have Continuously (excerpt from Book #15)

I have continuously sought to return to a sensual body, an erotic body, a body of flesh and materiality, and I did this formerly through the pornographic (Christina loves my pornographic writing, for whatever reason).  I combined the incarnation with the pornographic – a blasphemous and profane combination indeed, and I admit I feel an ambivalence and perhaps even an embarrassment towards that period of my writing – I am hesitant to share it with anyone because of its graphic nature and vulgarity, but I recognize how essential that period was to my writing and my own sensuality and sexuality.  I still seek to find the Godhead in the pulp, in PKD’s trash layer: I’m just not sure of the HOW of it yet.  I must experiment with this possibility.  I must experiment again with the personal; after all despite my desire for an universalism for the Book, the Book is ultimately a personal story: the story of Benjamin and KRYSXTRYN.

Pulp!  Pulp penetrated and perfected!  Pulp name and pneuma!  Pulp PKD and Palm Tree Garden!  Pulp Mother and Majesty!

Human zombies rise from this coffin as living corpses.  Blood of GHASTLY HORROR!

Human: Humanity.  Son of Man Zebra and Zombies.  PKD’s Zebra.  Camouflaged.  Camouflaged Christina: Christ camouflaged Christina.

Pulp camouflaged pneuma.  Rise!  Revive!  Resurrect!  Remove yourself from that tomb and gloom!  Coffins confirm to covenant.  Coffin consubstantiation.  Coffin Christ and Christina.  The Catholic corpse.  Corpse catholic and universal.  Corpse catholic and Christian.  Resurrect Christianity, you living corpse!  Be the blood of Jesus.  Be the blood of those in bondage.  Be the blood of the brokenhearted.  Be blood – ghastly blood, horrific, blood ghastly Holy Ghost and Holy Spirit.  Holy horror.  Holy horrific.  Holy horror face to face with the living Yahweh.


Where their worm dieth not, and the fire is not quenched

Worm wests wet in horror
  Worm works wash horrific
  horrific hell
  ferocious fire
Daring death to death
Fire flattens consuming as consumption
Flame fraks cracking cove concrete
  unquenchable     unapproachable     purgatorial

Let ecstasy be mine, and joy on earth even to me – to me

Ecstasy exudes electric
  ecstasy erupts electic
     erotic energy eros energy
Enter erect exalt recklessly
  roaring roe and ribbon
Be: Become.  Become beginning
  Be: Become.  Become Benjamin
  Be: beacon and be bastion
  mine and mill to the morning.

Morning joy
  Dawning joy
  Joy joined and given God and Goddess
  Joy jointed and governed Ben KRYSXTRYN
Earthy earthly     ground garden
  mining me      hunting her
  And she hunts mine and me the huntress
  to me     by me      through me
  Her Prophet and Prophetess

No trial.  No trace.  No tomorrow.  PRISON HEAT.

No trial Taryn.  No trace Taryn.  No tomorrow Taryn.  Taryn tried No.  No nothing.  No more.  Taryn traces no.  No nodus.  No network.  Taryn tomorrows no.  No nimbus.  No benjamin.  Prison.  Black Iron Prison.  Heat.  Hearth heat Eden.

Kill The Buddha (Excerpt from Bunnies for Christina)

Kill the Buddha.  If you come across the Buddha – kill the Buddha in thought form / the practitioner becomes three pounds of flax – manifest hands flax the hairstring seed rolling between the hands ] the wind is moving -- no the mind is moving – destroy the mind – minds can only be lost (lost heat death radiating from schwarzchild radius photon by photon blacking out until Let There Be Light! by uploadbiologicalconciousturing in 10100 C.E. denaturing geo-geographical ein dark era like a Lutheran – such brilliant nights fear into new miserable witching hour purples and stock characters western characters with no name and many sometimes lose names in pocket keys (got myself a pocketful of keys a wocket in my pocket) and I lose my name a brittle maker (a snoopy snow cone mechanical) drop jaws lost bears minxes moxie and I’m sure I tend to overdue – overdone – allthing frying an egg or writing in hyper operators and Graham’s number and I write Here are several of me (all at once) stock my counter own nemesis zygomatic arch (temporal process of zygomatic or zygomatic process of temporal depending on the direction which me or my nemesis is going) and it almost destroys (discombobulated question mark) me and phone calls a little hungrily – desper – e – ahte why IPA Arabic and not Cyrillic and cover this book (facing) letter locked (facing) into a recluse room emergency room with dull fuckedhead nursebeastmale a fuckedhead fattie and if I was grinding rails down a road, hit the stupid cartman bastard first splish-corpse-broken-spine-splint mayhaps my spine or a frizzled lumbar pillow sandwiched swiss torso distal (to) and laughed like a monarch.  Grandiose motherfucker not invincible to God, god pods, godlings, goddesses, barrness, kidney stones, VanHalen, parasols, do-gooders, shakers, quakers, rakers, takers, homemakers, toosie pops, lollipops, mentionable, breathing exercises, pissing cups, running sinks (marathon sinks) / ran the sink and gown stape gowns and partridge parchment patricide Augustinian E-ra ergo double time Augustinian and here in the gown – boxing chess gown – ambulance offsiren in a gown away from the dumbfuck nurse rationalizing independent ZF when there is no decision; only Christine god and Ben god, invulnerable to death but painful leeching pain].  Shirene.  I remember Shirene.  Come into the blood pressure / felt – a velvet – Shirene a (good) Nurse [unlike bastard bastard bastard] and she’s the kind I’d marry.  Alice without Alice said the rabbit and one side of the mushroom is Large; the other small but alice sees it perfectly round a round table salt and many (here)(again) much mushrooms and long hallway – room here – room for one more (our gargling faces; our cat hats) towards here and day room – as if Alice disappeared and Alice DID disappear in a complete trip off waiver a complete fuck off through the whirligig lumbar pin whole not whole stick a whole from a box reflection like mirror particles Alice Particles  IOTA à ATOI  / the day room – always American Idol it seems – American Idol seasons correlate madness but this time I’m just tired.  Gonna sleep I’m so tired etc John Lennon dreaming Alice and the Chesapeake Cat and Gregory asks me for a cigarette – I’m having a nicotine fit, he says.  I say no, and he moves away with his walker – he looks like Tommy Chong, I think.  Every time I meet Gregory in the hallway doubleclocked up down this east vector this west vector three miles per hour and I clearway do you have a cigarette?  I’m having a nicotine fit.  And I don’t mind his memory and I’m just keeping my PMA (paramethoxyamphetamine a Mitsubishi doublestack Christina says and I think Christina reasonable where here and frame [scarlet touched saffron – expensive Middle Kingdom red hemoglobin red and Swans – Killing the Buddha the Buddha – bodhisattva – is Christina who I try to kill and slay like a Muramasa bloodies all leaves and streams and Christinathoughtform (was) is a black iron prison a Nixon and I stare into a face of Buddha like crushed soft glass – our hands are like soft crashed glass, Christina sayed, sandy deceiving palms – enough.  This is enough.  This creature sleeps beyond the flow of time.  Now my day is done; ergo two flushed pints of blood / an escort whale.  Enough.  Time is coming.  Four vectors.  Long vocalizations like mermaid ghosts.  Doldrum’s shoddy cat games cat’s games singing hourglass floating downwards into sulfur hexafluoride dense water.  Tesla water dark in hotel rooms and beingbird’s deathray) It’s an expensive hotel room, dear – and neverly noxious – that woman’s son is Socrates.  She knows the Cyrillic languages.  Here why / [Thirty spokes share the wheel’s hub; the center is the useful – usefulness is what is not there and a I lost a bit – must empty my cup) hargard – it’s hard to remember, with all these lionesses – I’m tired of saying things but I’m so (lariately) connected and painting boxes after a box garrulous colours and empty to become empty is a chance – all these literary and intertextual like ten bums crossing oveer mainmakelink breedge but detached someone must wrench them (‘them’) from bones I suppose that’s how Buddha in the pretty how town in a flower mediated surrounded by the sun of madmen and taunted by demons – demons ungrateful children, slow Tractor Truck John promising Gregory a drive farm – straw dogs) seen all as straw dogs, watchment who watchling like a star child in distance – watch men solitude (duke Ellington) solitude underneath the froth of the prefallen tree – this creature sleeps beyond the flow of time.  In the old days, people had porch swings – a language – system of difference(s) / used to cry on porch swings in shoulders and sleep drowsy alltime.  Language – a system of differences – the difference is the undermine – the space between arbitrary and meaningful and the sound is always meaningful.  I desire to detach from my Mother Second (empty everything and watch the return of thousands being – to be – free of a language – between forgotten and remembered); to slay my Mother a Flower Marie – to slay the Buddha – Mother, this is enough says Marie and she becomes the Buddha and I must slay her and detote this unstaumbelical] This is half.  Halving the terra cotta of our sides, a side which is a thigh which is a muscle.  A worthy one well gone.  Gone into the apartment / Patient was informed of the hospital policy related to the use of restraint\seclusion [check] Patient has no pre-existing medical conditions are any physical disabilities that would place the patient at greater risk during restraint\seclusion [check]

02 ESPN			08 KMPH 26, Fox Network
03 CNN				09 KFSO 30, ABC			
04 Discovery			10 KJEO 47, CBS
05 KVPT Public TV		11 Catholic Religious
06 Spanish Channel		12 Kail 53, Independent
07 KSEE  24 NBC		13 TBN, Religious

Breakfast		8:00 AM
Lunch			12:00 PM
Afternoon Snack		3:30 PM
Dinner			5:00 PM
Evening Snack		8:30 PM

Five hours responsible.  No silence is silent – the spirits make noise – the noise awakens my nights when I can only meditate on the air conditioning and one blanket.  I play chess – chess thy only logic and I beat the nursing students.  Madness sees the opening – the Celestial Railroad -- and the threads are reused – for the purpose – a missionary’s hymn becomes a string quartet becomes a third moved fugue Symphony number Four beating march comedy and the comedy is a chess and go and each nursing student assigned a May – careful with that axe, Eugene – they read our case reports (grand becoming) – and play chess our parking lot chess – do you have a girlfriend? She asks – Oh sorry – That’s ok, she wasn’t my girlfriend / The last thylacine was named Benjamin ] large yawn / some sighted still / who watches the watchmen – like nurses – heart monitors (Christina’s Sharp Tooth in solitary confinement) – something happens.  The gulf happens.  The boyfriend happens.  The angry dog boxing happens.  Similar (some say identical) panels darkening – sunclipsing – dies the question and drafts – the draft glass riders watchtower exist some midsummer before whohere before (discontinuity) draft is (discontinuity) con happening map real say set all functions as sequences all living mine is sequences; memories – {Cn} – C1:  I was easter egg hunting in Tulare my grandparents house 3 years aging – C2:  swooping blackbird arrowing for a human head, a fountain of fatal birds – C3: playing cards with Christina and her grandfather – C4:  I wanted to be an engineer – C5: infinite toys and made-up games like “club” (cognitive categorization) or “war) (good and evil) – C6  I had a crush on you in 9th grade, Christina says – C7: nursery rhymes is a Christina writer and untangle her purple hair with a dirac comb her orange – blonde – black – red – sigh – C8:  purple-horned protoceratops, cross-eyed and smiling – C9:  half-awake, I always thought you looked beautiful, and I took the photographs – C10:  Maybe I’m just maleificent and killing you – C11:  I am crying all alone standing next to you – C12:  bunny and cat the swingset / I should be drinking a toast to absent friends instead of these comedians; comedic osteoclast cannibals – schizophrenic cannibals – videowatchers social anxiety medication – lost mite light – all we ever have of the stars are old photographs, black flecked white, ground red simile Lassa (Lassus) Cave Ritual Bison (Tyger Tyger burning bright in the forests of the night – when male discovered fire, the first use was sacrifice to the goddess the most precious thing that meat and burial and the glyphs broken in the ground like triangles separating demons stones stone saul soul sold a step hen to stone stars to a stone and the glyphs relink – the alphabet did not destroy the goddess but simplified the expressions and magnified the WORD – black iron burning iron – if world no(t) world gliss imprison, each a debt to goddess the hunting magic and the archery bent quick from the short bow strung by the jade thumb clip and the madness is alien [the alien is madness] / The Gnostic is a Gnostic because she knows who her true self is – That is the Romance (speaks Christine the Gnosis) – the generations linked to each other – the writing (interplay transformation – translation – rotation – identity) – works, (their) letters, criticisms, you find outings and trips [to old Bull Lee’s bayou] … People started shrinking into themselves and there have been good things but not magical things – the Great Gatsby is magical because the conversation (between) the novels (between statement and statement; word and word) – Daisy and Gatsby danced – Christina and Ben danced – Emily and Charlie Brown danced – these shirts, they’re so beautiful!  The intolerable shirt of flame which human (hands) cannot remove / secrets like literary friends platelets like literary friends) I want to create something like this (says Christine voice, Christine mayor) – I want a history – not just good writing (the archaeology knowledge; the book – I question endings – the end from page to page bed to bed) History discontinuous – died in an asylum – in Camarillo by a shock – Christina piecewise (ere) historical or me I am a piecewise- I don’t know the silence and I fear the silence – the cell is a very busy thing.  Morton Feldman’s String Quartet no. 2 – I would like to write being this composition – 124 pages, 3 systems a page, 9 measures each system – I died listening – repeatedly died to the repetition of cave formations / slowly retreating or marching to the lime water) He fucks a goat from behind while being flogged [Christina fucked from behind or she perhaps giving the fucking]; the goat conceives and gives birth to a monster (Christina, did you birth me).  Monster though he be, (s)he embuggers it (a series of differences, a parallel of differences) – Feldman’s symmetry (folding) said a birth a concave rest in a system (e systems of difference – language constructed – loftless – to be – the resulting emptiness – the space between sound – a summing space / not speaking emptiness or discourse emptiness but being (empty):


)  empty:


/			empty:



						) empty:  different vessels; same emptiness.  I was empty – the asylum was empty – the nurse’s station was empty – Christina was not empty – and her substance – that unobtanium substance – and I do not know the able of emptiness – if able to emptiness – to execute a goddess)  I would die to kill and I would kill to die – to violate angels – Why do you think we are here?  Calvin says.  We’re here to devour each other alive, says Hobbes / He transforms a boy of ten or twelve into a eunuch.  He uses an ingenious device to chop the girl into small pieces:  this is a Chinese torture.  Once I killed jazz.  Clubbed it to death with a harmon mute and femur.  A happy suicide.  I’ve never felt a sad suicide – God does not let me die.  It’s not natural to die, but to meet yourself coming and going.  I die daily.  It’s not natural to die.  I wanted to kill you in a loving hand – these hands which love writing the mythology, the hieroglyphs, the messenger – World is Myth – and that silent – kill  die // die / kill    / die  in the grasps of black hair   garrulous piccolo mouth and lick – ah messy – turned a screw – fuck pistons – brick a Christ – brick a Christ – brick a Christ – brick a Christ – 
whip a Christ – whip a Christ – whip a Christ – whip a Christ – 
holy goddess – holy goddess – holy goddess – holy goddess – 
she scorned you – she scorned you – she scorned you – she scorned you –  fucked pistons and burned hell.  Killed a man.  Killed the heterosexual.  Murdered the Kitty.  Omega.  I would kill you.  Sacrifice you to yourself.  Die for a die.  Tooth for a tooth.  Kiss for a kiss.  I kissed your corpse and made love to its absence.  I cry at no sound.  I cry at the broken bread of communion.  I cry for great goddess the wife of Christ – Sophia the Christ of Wife.  Nadja Le stranger.  Three days.  Christ was in the tomb for three days.  The saw is family.  A stranger in a strange land.  Lavender)(the boats / naked and lavished with honey, may the flies and maggots come and breed you – reborn your body into larvae, the rice of flies.  White raining ivory like rice, homemade birch.  The empire never ended the empire never ended (the empire never ended / Fuck the empire.  Fuck the alien race.  I was her birthday.,  Lingua se – let him speak as oracles of God – let her be an oracle – a chimera (Lapland mires sacred mice --