In 9th century BCE, the Yahweh religion began to separate itself from its Canaanite heritage, with the rejection of Baal worship (associated with the prophets Elijah and Elisha).  This process continued over the period 800-500 BCE with legal and prophetic condemnation of the asherim, sun worship, and worship on the high places, along with practices pertaining to the dead and other aspects of the old religion.  Yahweh all twilight, the Who or When Woman     Yahweh wyrd writing in the warp, Winter or Wolf Woman a little music chittara sarabande sylvester     Yahweh looney tunes and merry melodies, the absurd Adonai woven in the womb woman     Yahweh Tom and Jerry     Yahweh Sylvester and Tweety     Yahweh chases Christ Christina gloomy sunday an hungarian suicide song / Billie Holiday hums honing the lyric or strange fruit lynchings and Yahweh doubles death     Yahweh depends on death, Cain slewing Abel in the name Yahweh, and name renews necropolis     Name negates annihilates naked disaster, incal improvisation and I invent word worship     I invent an other origin, origin additive origin, and origin always accumulates and aggregates: Yahweh yer blues Yahweh map Method Man and Wu-Tang Clan     Enter the Wu-Tang (36 Chambers)     Eastern philosophy picked up from kung fu movies, watered down Five Percent Nation preaching picked up on the New York streets, and comic books     I devour gnosis; I swallow pulp fiction street knowledge, the secret satchel letter permutations     Letters Christ combination, name numerology Yahweh, an other Origin organizing origins     Yahweh, bring the motherfucking ruckus and kill him with classic soul samples / Yahweh the sonic collage and esoteric assemblage spot pot rauschenberg ravens     dense battle rhymes potent with metaphors     Truly I tell you, this generation will certainly not pass away until all these things have happened.  Heaven and Earth will pass away, but my words will not pass away     Word Christ and Yahweh breakbeats Benjamin, a pseudo-prophet pinpricking Elijah and Elisha over blood fire chariots     Word and Yahweh freestyle serous simplicity, science fiction phantom fluid the guts of generations     Generation genres gods     Generation gambolistas god gift guillotine, the swell of guts and beheadings     Word welts Wile E. Coyote, Taryn Trickster Roadrunner pecking prayer bird seed     ACME Adonai drops dynamite, assimilating the pantheon of Canaanite gods     Words whams big Bad Wolf, Canaan cartons conducted by Carl Stalling     Yahweh peaks polystylism, El and Baal concerto grosso     Yahweh bearded baroque bachs contrapuntal Canaan and Baal figured bass, an elaboration on El and Eloah     I felt every moment there to be a link of the historical chain: all was multi-dimensional; the past represented a world of ever-present ghosts, and I was not a barbarian without any connections, but the conscious bearer of the task in my life     Taryn the tissue of textures / intertextuality and human hyperlinks     I ego mystico, Elijah and Elisha wielding Mahler’s hammer / the goal of my life is to unify serious music and light music, even if I break my neck doing so     I unify the Ur-text or Urgrund and Universe, Word the mallet of Word and Word the grenade of Word, Canaan landmines     Features of Baal, El, and Asherah were absorbed into Yahweh, and El became a generic term meaning ‘god’ as opposed to the name of a specific god, and epithets such as El Shaddai came to be applied to Yahweh alone

Origin opens oaring oak, Rex Nemorensis or Necromensis / dance dead death canal architecture water flows ancient flood the chymist camera obscura      Origen oplines osmic, metal desert density drawn Taryn tenemos, and Eden sentient ends cherubim     Flaming sword to flaming tree, terra gnosis, and tree swallows saber and saturn     Tree solars Sabbath and polynomial rings, aqua regia dissolving gold gods and grove gardens     Abraham planted a grove in Beersheba, and called there the name of God / when the women wove hangings for the grove     Origin split origin orgy ovum, monarch multiplicity engenders plural genesis     Origin spike origin Elohim gardens, Palm Tree Garden grafted into the Arche-Multiplicity always-already multiply El and multiply Abel, gift genesis phantom Field Yahweh the Terrifier     Multiply Baal and Multiply Benjamin Book blood fertilizing feminine, Antioch Asherah and Asherah Adonai, the ax arrow impact Abel’s skull     Arche Origin opal and opus Book chaos     Book chaos leafs light, the unaging Chronus producing Aether and Chaos, undifferentiated origins     Book arche origins apeiron, Adam and Adonai having the same similar source     Book the upper limit of Earth borders on air: Book the lower limit reaches down to the unlimited, divine gods and Christ slain from the foundation of the Earth     Earth rumbles Chaos and Outer Origin (Rumble utilized the technique of distortion and tremolo, then largely unexplored in rock and roll.  The single is the only instrumental ever banned from radio in the United States)     From where things have their origin, there their destruction happens as it is ordained      Everything is generated from apeiron and there its destruction happens – Infinite worlds are generated and then destroyed again – and he says why this is apeiron – because only then genesis and decay will never stop     Genesis joins orphic and oneiric, the destruction abyssos apeiron, and dream devastates     Dream returns origin to origins, the devil distortion and anemoessa amplifier     At the origin, amplifier worship and round sound sonic riffs, my punk prayers to Yahweh     I obsess over origin     I examine examen Genesis, the Elohim and Yahweh myth     Myth maps Abel Elohim and Cain Yahweh, and every human being lives Zebra or VALIS    Human at its origins overflows the orgasm of divinity     Yahweh at its origin orders opposites contradictions collapse in humanity, the Adam Christ or Eva Christina     Genesis oxgoads genealogies: genealogy Adam Kadmon and genealogy Yahweh Elohim     

And Yahweh said to Cain, Where is Abel your brother?  And he said, I do not know: am I my brother’s keeper?     Yahweh was the national god of ancient Israel and Judah.  His origins reach at least to the Early Iron Age, and like to the Last Bronze Age.  I am the oldest biblical literature, he is a storm-and-warrior deity who leads the heavenly army against Israel’s enemies; at that time the Israelites worshipped him alongside a variety of Canaanite gods and goddesses, including El, Asherah, and Baal; in later centuries, El and Yahweh became conflated and El-linked epithets such as El Shaddai came to be applied to Yahweh alone, and other gods and goddesses such as Baal and Asherah were assorted into the Yahwist religion.
Yahweh Yes, the Yod and Yam, and I yearn for the letter     I yearn for the letters Yod He Vave He, Taryn Tetragrammaton and Benjamin Babylon     Yahweh out of the dust Woman branding burnished bronze, a Son of Man and a Daughter of Woman polished bronze     Yahweh like one who is a Human Being, icon and image in iron, engine exodus ergot     Yahweh Human Body, inhabiting Abel or Cain yet Yahweh you yob noise the nausea feedback electric intricate intimacy bodies, and I dance before the Ark of the Covenant: I improvise before Yahweh, yirr yardbird blonde Yahweh     Yahweh Kali Yuga     Yahweh barbaric yawp     Yahweh yok yoni, the vermin or varmint veronica viewed vizer and vehicle     Yahweh says and said     Yahweh choirs and chants     Yahweh Cains dominant sevenths and tritone substitution     Yahweh speaks source and origins, James Tenney’s Chromatic Canon for Two Piano, for Steve Reich (Composer’s Note:  Most music involving what Steve Reich has called a ‘gradual process’ has been tonal, although this has always been a matter of stylistic choice, not formal necessity.  Chromatic Canon uses a 12-tone row structurally similar to many of Anton Webern’s rows to produce a music quite unlike that of the ‘Second Viennese School.’)  Yahweh spoke source and origins, plurality and multiplicity stretched over the twelve-tone row of the Chromatic Canon     Yahweh yells yarn wrapped around the knit of Yahweh, knife carved coin Yahweh’s face     Yahweh’s name doubled tripled, diverging infinite body     The name never nets neutral, but nails grind god body     ground gun metal gallons or gallows drip kick gears straight to Yah     Yahweh liminal thrak Taryn threshold, King Felix and King Crimson, crag cask El Shaddai, scorched by Canaanites     Yahweh of Israel and Yahweh of Judah, judges Cain’s strength, not Abel’s weakness     Yahweh Israel and Yahweh Judah, Where – Cain where beware     Cain burning whir baronness     barks Yahweh where Wolf Woman / Cain captures Wolf Woman by murder     Cain knows Wolf Woman he knew her fields Field, a Twin Yahweh knots not     Thus Yahweh says Where: Where Woman betrothed and beheaded Abel, but Woman always-already begins Cain     Yahweh Where walking wobble wild mushrooms     Her hallucinogenic fungi female mixing mycorrhizal network, Zebra deep root     Zebra underground hyphal film, camera and photograph Yahweh-Cain and Yahweh-Abel, secret sentence and mother manna meeting, body in the rye / where a body meets a body in the rye      When a body catches a body in the rye      Cain caught Abel in blood, a Rose with thirteen petals, and the thorns toss torso gently god     Cain meets Abel spear and hand-axe, wheat field and Field Woman absorbing fat flesh     Abel essence energy Yahweh, Second Bereshit     Second Tehom Tohu Wa-bohu War Woman Tiamat assembled Yahweh     god bodies solid ground     god bodies murk marsh everglades Eucharist, Christ carrion and carcass     Cain Vulture Vision (a 4th century BCE silver coin from the Persian province of Yehud Medinata, possibly representing Yahweh enthroned on a winged wheel     Wheel winged Woman metal mazzaroth     Eloah, who created the hosts     Host jazz hipster and hep, bouncing bebop off barrooms and beatnik poetry readings     Host Hevel, mere breath beat fifth flesh to Benjamin, Bird Babylon barricading Cain contra Yahweh     Scholars disagree as to the origins of the god Yahweh.  The oldest plausible occurrence of his name is in the phrase Shashu of Ywh in an Egyptian inscription from the time of Amenhotep III (1402-1363 BCE), the Shashu being nomads from Midian and Edom in Northern Arabia.  The current consensus is therefore that Yahweh was a divine warrior from the Southern region associated with Seir, Edom, Paran, and Teman.     Roll over Beethoven and tell Tchaikovsky the news / Roll over Beethoven dig to these rhythm and blues     Shash of Yahweh rhythm and blues eschews desert and jumps blues do a barrel roll to the Bo Diddley Beat Suite     Yahweh the Camping Meeting Jubilee (Keep rocking and rolling in your arms     in the arms of Moses     Rocking rapture and real rhythm (let the rhythm hit ‘em)     Won’t you satisfy my soul with rock and roll     Yahweh waves wild whip the boat moat rocking     The Origins of Yahweh is the Origins of Rock and Roll / The Origins of Yahweh is the Origins of the Blues     Shashu of Yahweh wanders wonder the winter Arabian Desert, Woman of the Dunes and Deep Blues     Shashu of Yahweh nomads alien oasis, the gentle sway of sacrificial girls predating Ur-Religion     The rich roaratorio of texts and writing roaming orality in Taryn Tradition and Acculturation     The Word is Written / The Music is Performance     Benjamin ballet and Christina choreography imitating or reenacting Cain and Abel in the Field a sealed fountain of my Youth Yahweh     What they’ve been calling rock n’ roll now is rhythm blues.  I’ve been playing it for 15 years in New Orleans.     The genre God goads gore gravity, the first Goddess converging to Eloah Christina or Yahweh and his Asherah, the assaultive mix of rhythm and blues, record resonance, and earth exchange     Blues Out of Africa Y-Chromosal Adam and Mitochondrial Eve ladders the genetic descent to Desert Yahweh     Edom Benjamin     Taryn Teman     Divine Warrior Woman, Sister Rosetta Tharpe gospel electric guitar     Storm-and-warrior deity dancing devils and angels, Christina courtship and yardbird Yahweh in the whorl whirlwind whistle     War works the writing to music, rock n’ roll baby benjamin swinging from the teat of Babylon     Each musical genre developed over time through changing fashion and innovation, and each one exchanged ideas and stylistic elements with all the others     Music measures Adamah, the Human Being and Book Behemoth Bastard Blues     Blues note and bend blues Adam Kadmon call-and-response Yahweh, the spinor soul spiritual from Field to Field     Music murders Abel with Cain corn cadaver, maize maze music mumming let’s go to the Field: Field bedrock black churches and rural blues with white folk song and black popular music of northern ghettos, swinging Yahweh     It don’t mean a thing unless it got that swing Yahweh, Taryn tuplets tent desert cut through by the Jordan baptizing Jesus     It don’t mean a thing unless Yahweh the storm-and-warrior deity dips into desert and death to one’s enemies, Cain coaxing Abel co-axial the Watchers Peacock natal nephilim     Death births Angels hybrid and angels chimera lifting Abel’s body orthogonal to Field and becoming Covering Cherub to the Chariot     Field and Flesh feathering honking saxophone solos, increasing the use of electric guitar and strongly accented boogie rhythms     boogie boogeyman Benjamin belting 12-bar blues, the blasteroid asteroid archangels in ash adjoined arkanoid asps and rock n’ roll ricochet     Saxophone sings Field or Flesh, the Yahweh where and when intercepting Abel’s body / the dispute over Moses’ body stolen at the Promised Land’s edge exit Benjamin burdocks     The Pentecostal Church has also been identified as a crucial component in the development of rock and roll… The unhinged, wild energy of the church is evidenced in the most important of early rock performers that were also raided in Pentecostal churches, including Sister Rosetta Thorpe, Elvis Presley, Little Richard, and Jerry Lee Lewis     I town tongues, the tackle baptism Holy Spirit     I tugboat tongues, the torpedo baptism Holy Spirit     Tongue Tiamat Taryn toiled Pentecostal Pagan     I write tongues dialogic and heteroglossia, the nervous novel or names Yahweh Tetragrammaton murmuring magic     Muttering magic papyri paleo-script and pentecostal oracle bones     I taste tongue Taryn, pronouncing pagan and Yahweh simultaneously polyphonic, fugue on flesh and fantasy on Abel’s body     Unhinged  Goddess the unctuous universe spinning Spirit     Spirit saxophone and barracks backbeat sharing revival service and latter rain rock and roll     Spirit saxophone and Wild Woman, sister salome swims sinister dance seven veils vision, the rollicking viper and I handle serpent signs and wonders following Field flat to Abel