Patchwork Girl Tells

Patchwork Girl tells the story through illustrations of parts of a female body that are stitched together through text and image     Book steers steers steer Christ cattle slaughterhouse five     Book stalls graveyard spiral, story Fibonacci Archimedes, and the nautilus shell mansion maths macroscopic waves macrocosm     I stitch story superflat it’s about the bomt (Tim and the Princess lounge in the castle garden, laughing together, giving names to colorful birds.  Their mistakes are hidden from each other, tucked away between the folds of time, safe)     It refers to Hiroshima and Nagasaki’s becoming, literally, super-flattened by the bomb / bomb births bodies     Bombs birth bodies female, womb fuzz pedal big muff     Book non-electronic exudes electronics: dyad digital, tape to tape reel technology     The sustained grind of the Big Muff was later an integral part of the sound of many alternative rock bands through the 1980s and 1990s, being used extensively by The Smashing Pumpkins, Dinosaur Jr., NOFX, Bush, and Mudhoney     Book superfuzz big muff dinos distortion / we wanna be free to do what we wanna do…     I free Book parody and pastiche or collage barrage detourment     Lettrists disrupted a Charlie Chaplin press conference for limelight at the Hotel Ritz Paris.  They distributed a polemic entitled ‘No More Flat Feet!’ which concluded:  the footlights have melted the makeup of the supposedly brilliant mime.  All we can see now is lugubrious and mercenary old man.  Go home, Mister Chaplin.
Charlie Chaplin Charlie Parker Charlie Chop-Off (all the victims of this assailant were male, and the majority of murderers committed by this individual involved the genital mutilation or attempted genital mutilation of the victims     Charlie Chaplin Charlie Parker Charlie the name given to the Neolithic skeleton of a three-year old child     Charlie composition contrafacts I Got Rhythm and How High Is The Moon, and I improvise the upper triads on changes, flatted fifths Yardbird Yahweh      No more flat feet, only flat fifths, and I formula tintinnabuli Taryn-Benjamin Baphomet     I formula Book as Mantra and Inori, fifths superflat cartoon Charlie, and I watercolour Women     In the car I meditate free formula and melodies mode mappings the Eastern Theater     The footlights meet mastodon mammoth moths, Ice Age Attacus Atlas diamond mine lasers     The most urgent expression of freedom is the destruction of idols / I mine igneous rock footrace magmatic, giant wood moth, and it molts my metamorphosis     The laccolith limes Benjamin blister sheet, and Patagonia pines horror horizontal Book ink intrusions     Sheets irritate top soil skeletons, chaotic mixture magma mime mercenary Metal Gear Solid, and sheets saturate SOCOM television     I mime magma igneous incarnation, and magma chamber emperor gum moth mattes Bridal Chamber, a seal on the horizontal sheet or bedsheet butterfly frying pan pantonal pansexual parsons     I do not destroy idols but I transform them      I melt them down alchemy and chemistry and transmutate their banal properties into Princess, a concerto for orchestra     I do not destroy idols, but cast them in my cauldron double double toil and double fire burn and cauldron bubble, and I stew story and mythology the Earth religions     I cook Christ post-crucifixion, the body boils flesh off bones, and his body baroque base between female body / female faucet or fountain body hercules beetle and tiger emerald beetle     I stitch together text and image, the icon female body pin-up cabaret and stitches stalagmite water woman formations     Christina cave drippings prayer puddles     The text elastic stretches stem STEM ascension / disintegration Father Son Holy Ghost rivieras ghost forests devouring trunks texts earthshakes     The patchwork propeller picayunes a graveyard     a journal     a quilt     a story     broken accents     Graveyard gems garnets glueballs buckyballs geodesics     Graveyard giraffes vertebrae, a Winter’s Tale tapestry on Faerie Tale Queen topography    Graveyard generations gravity drooping god geology, Zeir Anpin     Zeir Anpin – Microprosopus – Zeits Zebra     We are within Zebra’s body: We are alive with messages     Zeir Anpin the Lesser Countenance cobbles Christina, female cyborg female assemblage female robotics     Journal jamboree adjusts jubilee, a Sabbath Sabbath or Sabbath Time Sivea, and I jump seven gambit sister sentinel     I write journal and its text telescopes kaleidoscope scalpel color     Human color open heart quadruple bypass / blood cellogram     Quilt quavers mantra melody (a quilt is a multi-layer textile, traditionally composed of two or more layers of fabric or fiber     I quilt text, topamen textile texture not melody     I quilt Book no beginning but beguiling arboresences circular ruins circular bloomings     Saving or salvaging small scraps of fabric was a part of life of all households     I save and salvage texts, quotations, linguistic fragments… Language ambient light a light in the attic, and I spin attic Greek weaving Wheel Woman     I concoct text crazy quilts, blocking baby Benjamin beam blanket







Meditations on Karlheinz Stockhausen’s Inori

Inori is a further development of the ‘formula’ concept Stockhausen first began in Mantra, and would eventually be fully explored to its ultimate realization in the 29-hour long Licht opera cycle…  A minute long, 5 measure theme is basically stretched out to an hour and twelve minutes, with each note and its properties given corresponding durational expansions, as well as ‘prayer gestures’ which 1 or 2 mime soloists enact on a raised platform above the conductor…     Prayers     Invocation     Adorations     Inori     Inori inspects cosmic inflation and inflationary epoch chrono triggers time travel / closed timelike curves     Inori irradiates cosmic rays glue galaxy (quantum fluctuations in the microscopic inflationary region, magnified to cosmic size, become the seeds for the growth of structure in the universe     Inori ingests inner model, dorian or mixolydian mode, and prayer pugilists mathematics, bare-knuckle boxing elohim     Inori mimes universe contraction and expansion (space itself expands     the scale of distance within the universe itself changes     Yahweh distant from Yahweh)     Inori infiltrates as Zebra, zootic or zoonotic a little midnight music (George Crumb passed away today     I listen to a little midnight music cobwebs and peach blossoms     Inori infiltrates as Zebra, twelve fantasy-pieces after the Zodiac, and stars stone stasis the dream of water poison     I dance or mime Inori two bodies (Zebra is body or brain or both.  This fits within my noetic impressions that we are within Zebra’s body)     I zebra body zip genesis, and I invocate incantation     I invocate and evoke vision FORMULA (She rens basis for Mantra is thirteen note motif; formula, allotting each note specific characteristics regarding duration, rhythmics, intensity, and so on… The thirteen-note formula is the mantra.  Mantra consists entirely of a continual series of the formula, of the mantra, with superimposition of itself… FORMULA:  I meditate on Stockhausen’s Formula, and I think it very much to my techniques of writing     My formula is TEXT:  Text LOGOS and LIBRARY     Logos letters formula in flesh fiction friction mound mythology, and myth logos prophorikos and logos endiathetos / Written Torah and Oral Torah she speaks spear spells Malchut Magick     In principio erat verbum, verb vision variance, and I vowel Logos     I vow Logos Zeithout Zebra, and Zebra bronze brass bull my body     Lego Logos Library, my Book of Sand and Book Continuum     I count I tell I say I speak the letters spread awl sprawl ink and ink augurs Inori     Ink messages metric mantra, space transformation     I ladder ancient librarian, and I logos pathos ethos datum desert ghost towns and ghost mien silver     To every logos an equal logos opposes, and giant octopus apply appendage applique     To every logos an equal logos opposes, and I cut scales collage logos dynamic ballast movement     I kinder logos contact improvisation, touch Torah and Testament, intimately mystic or gnostic, and Logos lusts anima mundi     Philo wrote, The Logos of the Living God is the bond of everything, holding all things together and binding all parts, and preents them from being dissolved and separated     Lepidopterist logos butterflies Book wing woman Faerie Queen     Logos arche archaic aurelian, and my Book butterflies / Queen Alexandra’s Bird Wing, Woman of the Red Wheelbarrow     I sawcut Pseudohydnam gelatinosum Woman woodlands and Logos leos dead drunks, logs, and stumps     I saw-see Insectorum sive minimorum     Animalum Theatrum or Metamorphosis Naturalis tinsel transmigration, and I collect the Library     I collect the museum     I horde the catacomb and mausoleum     From Hell, I bird watch or butterfly binoculars the scopes of Weeping Woman     Inori innards insects, the beetles bent just intonation incoherent language / formula firefox and logos litters melody melodies text micropolyphony     I was sitting next to the driver, and I just let my imagination completely loose… I was humming to myself… I heard this melody – it all came together very quickly: I had the idea of one single musical figure or formula that would be expanded over a very long period of time, and by that I mean fifty or sixty minutes.  And these notes were the centers around which I’d continually present the same formula in a smaller form… I wrote this melody down on an envelope     I muse logos melody memra, and word wams or vars vinegar Tetragrammaton     I meditate Logos music memory, and Yahweh names nomos slat Sirius     Logos marinates Yahweh dissolved and separated Yod He Vav He and sacred letters lingua library     Logos principia mathematics meditates hypostasis soul, nous, and monad / music monads monos monas Mother, damsel of dunes desolation row     Music monads moment mirror matter asymmetry, and I cycle generator grand god sonatas     Sonic youth sonic noise Fred Sonic Smith salmons smithereens, and survivalism sandalwood Woman     Monad musics metalinguistics, laughter language light, and light legends lightning     Monad begets Benjamin Mantra Posthuman, and I sirius Cyborg Christ     Monad begets Dyad, Twins and Twinlets Twins my sister-savior and she speaks numbers     She gestures god gematria and Yahweh and Havayah begin being bereshit bara elohim     Dyad doubles doppelganger god to god wholly Other and Other omnivorous differs and defers     Monad fallopians formula and formula sprawls spreads network flat ontology or cartoon superflat / Superflat is used by Murakami to refer to various flattened forms in Japanese graphic art, animation, pop culture and fine arts, as well as the shallow emptiness of Japanese consumer culture… This often includes lolicon art, which is parodied by works such as those by Henmaru Machino… These works are an exploration of otaku sexuality through grotesque and/or distorted images.  Formula flows multiplicity a thousand plateaus     Formula forces each plateau can be read starting anywhere and can be related to any other plateau, the continuous self-vibrating region of intensities     Formula frames smooth and striated space, holy heterotopias Torah Tetragrammaton topology / splatterpunk Spinoza god geology     Music monitor-antimonitor molar-molecular paranoid-schizophrenic deterritorialization-reterritorialization ensembles and assemblages     Library formulas melody hypermelodia hypertext, and I think of Patchwork Girl by Shelley Jackson:  ‘Shelley Jackson’s brilliantly realized hypertext Patchwork Girl is an electronic fiction that manages to be at once highly original and intensely parasitic on its print predecessors.’     Although my Body doesn’t ecstatic in electronic, its enthusiasmos engines hypertext: text connects to text, text networking text, text layering text without terminal     Book becomes Library: Book millions Monad begets Dyad, other others mixed multitude seducing Israel, and I seduce Israel Golden Calf Joseph Jeroboam     Book fractals formula factions fractions factorial Sefer Yetzirah     book bellows borrows numbers mathematics being Yahweh     







I Listen To Godflesh

I listen to Godflesh’s A World Lit Only By Fire and central fire hearths Black Iron Prison, pus plastered bukkake stag and lion     Broadrick’s low guttural vocals explore the brutality of mankind and the corruption power brings, an approach partially inspired by the book from which the album derives its title     Black Iron Prison brutality bites bloody New Dark Ages poleaxe halberd morning star Christ-Lucifer loosening ligaments deformed bodies     A key component to Godflesh’s reformation and come back album was the reintegration of a drum machine into the band     Drum drags discontinuous desert / disaster of the sun     Drum drowns undifferentiable desert, drop dissimilarity     I hammer hell drum loop beat on the brat Benjamin     I crash ghoul gehenna drum double bass doppelganger, fetch depersonalized dematerialized the ouroboros omen     Black Iron Prison mallets machine, cyborg Benjamin or Benjamin post-human inhabiting shell-carcass Yahweh     Black Iron Prison machines Mahler’s Hammer, Benjamin beaten damascus wootz woman     I enter exegesis or eisegesis dead sea, asphalt-coated figurines and bitumen-coated neolithic skulls     I engine exegesis or eisegesis sacred geology, rock chasm and stone pit prayerholds hobble skirts     I hike heiron apeiron jackals and foxes licorice no limit     I sire cities of the plain rally rockets and root vale of siddim, bodies cooked sous vide      Black Iron Prison islands Aral Sea Salton Sea desertification Aralkum Desert     But the Savior himself saith, He who is near me is near the fire; he who is far from me, is far from the Kingdom     Fire funambulist basks fool, and I acrobat complex analysis, augment augment imagination     Fire flagellum self-flagellates orange-red blood, a bloody bridegroom for Yahweh     I soak fire bright titanium, celluloid colloidal car crash / fire fertilizes auto-deconstruction     Fire fantagites (in an extreme 2% of cases spontaneous orgasms word experienced during a simulated run along the crash route.  Surprisingly, these results parallel the increased frequency of sexual intercourse in new-car families, the show room providing a widely popular erotic focus     Fire faucet flows flux machine matter matryoshkas, and I car chrism Acts of the Apostles, and agrapha ganzo bombs Benjamin buffoon / Agrappha adiaphora cocoon     Car cadillac cocoon fire fawn cremated bodies     Agate ash oil and on the seventh day petals fell in petaluma     I write a cross between James Brown and Kraftwerk     I write typewriter ribbon robot rock future shock     I write using rhythm for its own sake and I rhythm rock em sock em robots     brilliant corners     Melody weaves words inside outside Taryn texture     Thick fog texture lullaby     In 1957, Rollins pioneered the use of bass and drums, without piano, as accompaniment for his saxophone solos, a texture that came to be known as ‘strolling’     I stroll texture transhuman and posthuman, and the texture television territorialities / My body textured polymorphous perversity the psyche deterritorialized     I stroll stratas stimmung Sirius, the three-eyed aliens of Akhnaten and I tingle telangiectasia     Book strolls library the new massive deterritorialization, the conjunction of deterritorialized flows     I flow fortress, force fusion Ulam-Teller pyrotechnical mushroom mimicking mushroom in braids     Benjamin braid groups on n-strands and strands twist and cross (Tim is off on a search to rescue the Princess.  She has been snatched by a horrible and evil monster.  This happened because Tim made a mistake)     I braid blood knot unknot the Zebra zero and I brain the Bridge (By 1959, Rollins had become frustrated with what he perceived as his own musical limitations and took the first – and most famous – of his musical sabbaticals)     I braid the Bridge Blessingway, but I do not sabbatical – I do not Sabbath but Saturn rings resonant secret work and work Kryptos Taryn Talon     I do not sabbatical but prophesy Christ-Christina Sabbatai Sevi, millennium messiahs for mixed multitudes     Reviewing a March 1972 performance at New York’s Village Vanguard night club, The New Yorker critic Whitney Balliet wrote that Rollins: had changed again.  He has become a whirlwind.  His runs roared, and there were jarring staccato passages and furious double-time spurts.  He seemed to be shouting and gesticulating on his horn, as if he were waving his audience into battle…      Change again: Benjamin, change again     Fear stagnation     Fear comfort     Change again Creation evolution and paradigm shift     Evolve through or strikethrough punctuated equilibrium and transform tenor saxophone serpent     Transform terror let the rhythm hit ‘em and I whirlwind wake Woman     I wake whirlwind Woman     I woman wake whirlwind Yahweh distant from Yahweh     I roar Yahweh after Yahweh retroreflection steampunk solarpunk kontra-punkte and Yahweh elodies elastic earth     I map Yahweh roaring rung phyrigian and dorian or stacked fourths forceps test tube baby     Yahweh jealous Yahweh joins jarring jouissance / grindcore machine gun     Yahweh jealous Yahweh yandere, jubilant jarring God homicide     God genocide gesticulating its horns narwhal and unicorn, and I vocalise vulgate vision     I visigoth barbarian language my guttural guitar gelds     I hum hun shape shaman and I nomad paganism animism anarchy     I stand on steppe moated archers and I hang upside-down devil arrows