I author archive august and I archive the actual I author archive the secretions of an organism I artist around archive archon or arkheion and I aim oxbow anarchis I meander mirror body motion, the choreography of archive I archive body Taryn tularemia, stone steppe or sprawl language spiral / don’t sweat the technique I archive body bodies non-binary lions and ligers lambda library Book archives apartment angels animals asteroids anthropology (thrivin’ on a riff) and I riff on rhythm changes Rhythm roll romantic Rhythm rosters rabbit and I give chase radio alice reflection rotation translation Rhythm ragged razors rivers, the bridge rhythm changes I collect contrafacts, rhythm rest rhythm jam sessions (for contemporary musicians, mastery of 12-bar blues and rhythm changes chord progressions are critical elements for building a jazz repertoire) I jazz january collecting chord changes matchstick books and I arc antibiotics anthropology / thrivin’ on a riff I study the Charlie Parker Omni-Book for Bb instruments but I could never tenor turnaround even the melodies / but anyways, Bird Lives I tag BIRD LIVES and the street strums stanhope hotel The street screams same old shit – Jean-Michel Basquiat paints Bird (DIAL RECORDS SAX SOLO 1032-A BIRD OF PARADISE) I realized by using the high notes of the chords as the melodic line, and by the right harmonic progression, I could play what I heard inside me. That’s when I was born. I play language lassa fever and I hemorrhage huntsman hyacinth and hibiscus I play language loiter litter liminal and I terra trash thirteen trickster / pulp or porno pianos pantonal I press the language I pincer the tongue tuba catastrophe and Book blasts bottleneck / harmonic progression humanity I found that by using the higher intervals of a chord as a melody line and backing them with appropriately related changes I could play the thing I’d been hearing The interval as infant insects: wing woman and woman exoskeleton invades chord changes Insect improvises the influx / point panther parallax Insect infects indigo, blue bather tenor tuning twisted cyclone In the Spring of 1936, Charlie Parker sat in on a jam session conducted by Jo Jones. He faltered musically and Jones showed his displeasure by throwing his cymbal at Charlie Parker’s feet Play write no exit Write play no exit I play pirate radio flat flesh ontology I write river rascal whitewater, a woman in trouble contra woman I play I write no exit but suicide ah fuck this terrible writing; I lost my way Still, I want to put this entire page under erasure I anticipate my own disappearance I anticipate her own disappearance trace traffic or tropic the body topology, becoming indistinguishable from the wallpaper or crumbling store of the derelict building I anticipate her own disappearance, salmon silhouette waterfall woman and I write her body or my body rivers ravines rayon The body nadja pastels photographs, black-and-white jazz and the body bebops here comes betty The body charges nadja another alice and photograph gores flesh blood granite The body gyrates jazz an advertising jingle or body drum thunder dragged into daylight, and I improvise language chalk or graphite under photograph I could no longer play. I could not play by instinct / I instinct the bread into the chalice, Christina channel Christina The play sage rosemary and thyme tumbles theater, actress action imitating or pretending my own body I continue to play even though I could no longer play / I boomslang slow syrup sheet music And I had forgotten how to read music / music never lasts I am the music while the music lasts I forget her flesh fresh flowers and her body brailles music I obsess or object her body brailles music skin symphony symmetry Then at one point I did not need to translate the notes; they went directly to my hands My hands halo hundreds My hands hale hail hers, the helm of her body border cathedral and I church her church on being an angel Beauty will be convulsive or will not be at all / the carcass cores a candle, wax woman wick woman I convulse elliptic integral epilepsy / shard seizures saxophone My cranium convulses tenor madness, jazz jubilee computer God I convulse her apparent evaporating on celluloid / I photograph phantoms phantasm tallow electricity She arts axe chop camera flash flood phonemes and I write the shaman’s rattle shivers canvas cable canticle of canticles Many shaman have expert knowledge of medicinal plants native to their area, and an herbal treatment is often prescribed. In many places shaman learn directly from the plants, harnessing their effects and healing properties, after obtaining permission from the indwelling of patron spirits. The use of totemic items such as rocks with special powers and an animating spirit in common I shake and serpent Shaman, slab slade blue bathers The water wires west woman, some disorders interior geometries / God Giant Gorgon the pause in plants I wake woman (she regularly poses naked for not apparent reason) I worm woman shaking splatter gorguts God (she hides, she partially covers herself, she reveals a foot, an arm, a view of the back of her shoulder) I shaman synthesis, sign symbol signature, and I write the trance I write the trance Taryn’s body teton flesh spirit tectonics Trance troubles trigger a tether to antiterritory trance trembles testament, total map to body / body byzantine and baroque and the body massages the message Message meanders the cooling curve body to body / a map mirror body becomes desert I feel the written in the body: body lesson body language the luminous body stacked ladders and letters I feel the woman in body word whale world / listening to it, we become ocean I serpent and snake shaman stained glass stainless steel the contemporary cathedral convulsing Christian cargo, and I cauldron the mushroom meets Sonoran Desert The written disrobes altered state of consciousness, body canvas conlang close columns The written diodes altered state of consciousness, body rock body stone body boulder / that which is not stone is light The desert decides my vision and the body images red rock and sand stone The desert drives my vision and the beach beats polyrhythms and I paint the ocean onans desert I paint pentads and pentagons wounded gazelle woman and from her femur I fashion the bone flute She reincarnates as a cave bear and devours my carcass mystical marriage The cave bears speaks for me The brown bear speaks for me The etruscan bear speaks for me I anticipate the animal and the Son of Man animals oil canvas crucifixion I paint the plant that pulses position / the plant poiesis planets The plant plays zebra and zodiac microcosm-macrocosm body-mappings and the map photographs (She was once ejected from the Museum of Natural History in New York by a security guard who was astonished to find her stripping off in front of the ancient exhibits in order to photograph herself with them My body book bombs plant animal carbon My body birds bone burn the bonfire that fission plant and animal My body burlap bells bone and I bank bath / her hook hollows my hindquarters The animal antelopes an acid jazz jenna and I meet animal an eye for an eye bone needle Animal shadows woman, a medium swirling in ectoplasm, and the altar keters the core collection: a cross, a crucible, a crayon I draw the circle in the desert and I drum the driving dream / drone dagger deluge I draw the IT IS WRITTEN overlapping circles mouth ouroboros and the desert diamines design diagonal crossing diagonal The desert drones bone bianca, a blade Benjamin rushing jazz / trance tempo tempest Shamanism shuttles technique of religious ecstasy, and I eva electric ecstatic I river repons ecstatic elephant exegesis and I ender exit experiment experience I rattle ascending rungs, rain ribbons erasure / I dissipate desert Desert disintegrates Benjamin body sand body or body stone body erosion by ecstasy Desert calls-and-expands the rare river sailing stones and stones sing a little littoral the blurring of body boundaries Desert drones deconstruction, my body difference God without God and Religion without Religion and the desert delirious derives derive, the body psychogeography The first prophecies were the words of an oak; I listen oak and stone I prophesy oak and stone river repons desert dialogue I prophesy river repons desert dialogue I prophesy earth Asia Rain ground woman god woman animal and water / whale and ocean octogonal projection
Month: November 2022
Art Avant Arche Ellipses
Content Warning: extended description of suicide Art avant arche ellipses eclipses Book the shadow of hermeneutics and deconstruction I interpret book among guitar, newspaper glass, and bottle Art avant arche archaeology Book archives automorphism automobile car crash sex I collect collections bootless mashups remixes and I stitch Book Body Doctor Frankenstein my mallard hammer monstrosity Art avant astronaut archegrammar primordial God primordial ocean primordial Book and in the beginning was and is the Book When in the Beginning, the Book, latex, fiberglass, and plastics The plastic poses internal photographs camera caravan carillon The plastic pockets body polymer alligator agon They were related because they were together but they weren’t related in one completing the other / I relate to the entirety of material, a non-mechanical repetition Relations repeat Book and of course the Book is a Library, sentence sinew sinner sentence and sentence saw sentence Relation repeats Word World Woman, a map mirror mine book body book-body body book Her work embodies elements of minimalism in its simple shapes, delicate lines, and limited colour palette / palette points paint pink laser beam god in process The Path through Yahweh is process and repetition, the pile-up of simple polygons / curved triangle Triangle troubles / a woman in trouble Triangle trills / woman tassels totality, the tremor of Book Art acid advertising the photographic process dark room posse and I pen a purple pigment made from the mucous excreted by snails I photograph flesh, the body photo Book I photograph repetitions, doubled bodies and blurred bodies / photograph after photograph canvas Christina a painted nude body She turns dilapidated rooms into sacralized space, a place for performance of adolescent rituals, games of hide-and-seek with identity, games in which one goes from chaos to cosmos and back I photograph flesh and body repetitions, body blur bridge bewitchment The Book is self-portrait, Benjamin Body embodies embroidered / cassette tape tapestry I read a suicide note by Francesca Woodman: I finally managed to try to do away with myself, as neatly and concisely as possible. My life at this point is like very old coffee-cup sediment and I would rather die young leaving various accomplishments, some work, my friendship with you, and some other artifacts intact, instead of pell-mell erasing all these delicate things… She eventually commits suicide at 22; shit, I’m 37 and I haven’t succeeded yet I need to find a tall building to leap from (I think of Evelyn McHale, “The Most Beautiful Suicide”) Suicide seesaws wallpaper, teeter-totter tail talk ran over by a truck, endless ghost pictures I mistake pictures of ghosts for angels, but they equally haunt or attach attack my apartment Ghost pictures cain coptic the hidden contours of the body, and her joints enjamb foam her haze or halo encircles shade shadow black-and-white vapor vore vision Francesca Woodman On Being An Angel #1 / Angels visit me pinhole pornography The painter constructs, the photographer discloses / suicide surrounds symbiotic Every moment of Francesca’s life was in preparation for a photograph / I live my life in preparation for a book I walk wheel work the word My Body my Book / no difference I birth the Book the Book births me with beginning I birth Book the Book births me metamorphosis metempsychosis monastery Her oeuvre contains over 800 photographs; many of the black and white, square format pictures include herself and other female models. She was often nude or half-naked, and usually obscured by an object within the frame. The use of slow exposure often hauntingly blurs her body, toying with the visual ideas of transience and the vastableness of time I want to photograph everything; I want to archive and document everything I encounter I believe in the archive / the archaeology of the library To write is to record, a paper magnetic tape language as virus I write suicide I write Francesca Woodman and I feel slightly jealous she was able to jump before I did My living folds a series of failed suicide attempts The photograph files filaments tilted door or door leaning woman and I film flesh phantoms all skins surfaces The photograph floors fluorescence, ada or ardor angler fish fucking / and then at 2 in the morning he looks up at my pictures and says he doesn’t see what that has to do with art anyway I look at my pictures or I look at my Book, and the art sometimes eludes me The art evangelion edits esper, gospel in video Art bone awl bone folder finials flesh, final flesh cinema and my bone structures wrenches wretch lucky strike cigarettes I anticipate art or a successful suicide, potassium salt syringes sevens penny slots skeletons I study suicide / the action that foresee has nothing to do with melodrama I study suicide as scripture and scripture as suicide (Saul said to his armor-bearer, Draw your sword and run me through, or these uncircumcised fellows will come and run me through and abuse me. But his armor-bearer was terrified and would not do it; so Saul took his own sword and fell on it) The sword swerves curves the contours of body, a Taryn topology or compact space and Yahweh always converges clearing crater car door The door is sword square wave summer woman, and her wings shuttle sail secrets / I exit enter the Morro Bay Estuary The sword is stone deep earth deep history and I write oracle bones genetic code RNA world Sword splits sleep and I sleep suicide / I write the shape of jazz to come periodic comets the Christina bombardment Yet another day alone – I wake up in these white chairs The chair chews coastline and I bathe or bar beach Chair concrete beach combines collections sea shells she bikinis barefoot Chair clusters or connects chords crowds crickets / musical chairs blur bodies beach She is accompanied by her own image of herself, having been taught and persuaded from childhood on to survey herself continually I think Taryn or Elaine their nude body, her body in a schoolgirl uniform, and I gaze the gallery of girls I grasp gaze girls ballet the circle sacrifice in spring I know nude or naked body-in-motion ghosts en look at women, while women watch themselves being looked at by others, usually (but not always) men I look at women, I gaze at women, I write women pornographic I look at women, Taryn or Christina, and she multiplies image inside image the turn in aleph, and Christina chopped column repetition multiplicity multiplicity I write Woman writes book scribe scripture signature and God gazes camera colour kodak, the snap snatch Christina Gaze God mutates or mills matter the mineral body and Christ’s body palms spectacle / a woman a mirror a woman is a mirror for a man God gazes Eva nude in Garden and her material misdemeanors gnosis / Her body repeats a woman a mirror a woman is a mirror for am an God mingles miscarriage adonai abortion and the body buttresses breastplate and I blast body with blunderbuss / black powder black mirror almost a batmobile Turning her back to the mirror, she hold a sheet of glass in front of her naked body as though trying to squeeze herself into the frame, she were viscerally turning herself into an image Her body mirrors matter Alice estuary and body ocean creeps backwards forwards spirals Her body merges mirrors inflict infinity, Christina cardinals coven continuum Mirror machines body multiplicity, movement moment monomania and her body borderline regens ribbons / basque body bathing suit body swims sword imageless image The Glass Glas God gloves woman garrison and I sheet shore swimmers she / my flesh soft sophia My flesh soaked saturn melancholy, a mirror mothering image’s repetition Body repeats body God orgasm Body repeats Body naked and I nurse negation space repetition / the nude reel the very real The figure in front of the mirror and her rendition in the mirror blurred distorted fragmented (Body rotated the self-similar fractal Body in living in Body Her body puns nude palindrome barracuda backwards, backstop backboard dark room and her flesh enfolds photography The photograph fire fuses flesh, Taryn bullet train tasmanian devil The photograph fucks angels, Taryn arlington crosstown traffic and I jaywalk jazz asphalt woman junebug Photograph mirror monster medicine woman jumps jazz trance tunic Taryn tonic Taryn terrain Taryn and mirror masquerades Mirror never unmasks but machines myth / photograph narrates woman’s body The female body structures random point drawings, and I photograph the ritual I photograph in the realm of the unreal The photograph squares a scandal sandals sandy desert and desert dirigible deerkills descent / she methodically whitewashes her own naked body or compares her torso to images of classic statuary I vero video camera voluptuous Christina, and I tape torso tempesta her hurricane higgs boson blues I videotape or photograph francesca furniture music, skin sculpture structure she-wolf woman, and I camera tracks and corners I nest recursion notebook of dictations and compositions, and I improvise jazz over body the blessingway I sin sine wave woman her and she shells, some disorders interior geometries, and I write she Book bizarre and bazaar, a deranged miasma of mathematical formula, photographs of herself and scrawled / shaking serpents and handwritten notes names numbers annihilation I would like words to have the same relationship to my images as the photographs have with the text in Nadja Nadja nulls nervous nitroglycerin Nadja knocks nebula nights the dance forum or fang art photograph body slew body / I like the rough edges that photography gives a nude Nadja joins or joints cathedral, corners carnage carthage Nadja grinds or grounds cathedral, concrete carousel kaleidoscope The Body is Building The Body is Building camera videotape swerveswirl surveillance and I watch Woman I watch Woman static television and the Factory pops polaroids instantaneous Body bevels edge eros, glass guitar god engine Body bevels bog bayou banyan, the edge ephemera Body bevels bog body bastard / extracurricular activity projective construction #1 (domestic scene) I bring my body bevels boulevards ash asp avenue and body bites bog or bayou / Asia slates swamp snakes and I decorate wall wash with snake skin Everything patterns: everything structures: everything connects deep basket abyss Body bears printing press and I roll riot paper tic-tac-toe text Book banisters a gutenberg bible and bible barks cigarette cards cabinet paintings Book curates a cabinet of curiosities (all collecting was marked by curiosity Book catalogs collection of collections (it is whole house and garden is a paradise and cabinet of rarities and that of the best collection, amongst medals, books, plants, natural things) Book mixolydian remixes museum, toffee text coffee Book lattices library, ladder light latter rain and river brings together objects in the world, manipulating rum, working with spatial arrangements, and presenting earth silt sediment fluvial flesh My medium is museum: my length-width-height horrors library I mirror matter reverses the repositioning of historical objects and manipulation of exhibition labels Object oscillates ouroboros / Book completes the circle Book no ceiling no floor sphagettifies the spiral spirals spirals no stitching Artifact architect assembles UFO hauntology: ghost first variations ghost second variations ghost nude female body I write ghost photographs woman weathering steel and her curves corner curtails cabinets or tilted doorway Steel stalls halfway highway woman and I meander bride body rues rattle, the trance shaking steel Steel envelope erins shaman steel ebbs evelyn, nurse gnosis knocking door untilted Untilted ubiks nautilus, raw rainbow industry indigo / parlor pink light overlaps Untilted I manufacture the miniature circus / wire cloth string rubber cork Tile tarot tourniquet, I bricoleur motion motive mobile, the movable three-dimensional melody I sculpt structures strata in language and I suspend language hanging Son of Man I warp wire woman a twist tangle tree, alphabet aborescences I weird wire waves carved wood woman, an open structure steer constellations / I try to collect everything I collect without hesitation or filter and I accumulate concurrent canons / countermelodies, a hundred instruments with individual parts particles points
I River run Microtonal Ramifications
I river run microtonal ramifications, and water woman divides dizzy drop draft / river ram river I river or stream spirit in stalks SCRAMS skull structures and bone breaks brook bloodstream, valley vessels vicodin Bone basks bibliomancy bibliomania brook stream rivulet rill Book rotors / watershed woman witch woman at the Book and Blood Woman mouth monster I eat or edit estuary, exact flow microfilaments exoskeletons, and the writing rivers over shell and hard bodies I aeon aestuarium and aestus, tide Taryn tiller / flux find finish subterranean I sing subterranean homesick blues and subterranean homesick alien and Christina onscreens castles coy drawn hanged and quartered Benjamin The river rithron tags at the dragon’s threat, beast from sea or sirens wail skinwalker the liminal body Book flows flood body barrierless barrier no borders but the flat plain / spread or sprawl floods serpents Noise nests body labyrinth, circle cicada circle vestibule valerie I balance the bone outer wall, Woman from the west migration The bony labyrinth is studied in Paleoanthropology as it is a good indication for distinguishing Neanderthals and Modern Humans / I hang bone and web river Woman, the meander that masts bone clipper ships shortening canal corridor lighthouse The Lighthouse is Labyrinth river red rover red rover I call Christina over The Lighthouse is Labyrinth solar symbols sprinkled on the spiraling conic, the marriage of heaven and hell halo I cycle sun cross and solar wheel, amber ombre oculus I sync sun and rivers syzygy, a human body photosynthesis, and I sign sun signature or scripture Son of Man Sun shards shrills archimedes spiral and I stretch solstice streaming streams simultaneous I strop Sun Gods a razor solar barge on subterranean river, and sun cuts earth other orgasm, the solar anus annulus Leonardo’s unique equilateral triangular design applies on a world map / an octant projection puzzles piecewise a triangulated ouroborus Triangle and map tetras meridians / diagonal division I curve triangle Taryn, body map world map woman and the projection panels purple I curve circular triangle Taryn, her body brachial ray tracing tent revival, and her body maps world map woman wails pentecostal I wail woman glossolalia and xenolinguistics, god grammar gossamer meridians crisso-crossing my body, and the map shakes maracas straight eight notes four organs The map minotaurs Woman, minimalism and post-minimalism the ap mazes woman maize, corn dolly desert or I motor the mojave Woman mallets malleable mappa mundi and World Tree / ouroboros opal opus World map margins multiplicity, multiple Son of Man or master of the animals / anarchy animalia I arche antipode antithesis (Yonde in Ethiopia ben the Antipodes, men that have theyr fete ayeast our fete) I armor absurd antipode pan antipode, the triangle with circular arc edges and immelman Carbon convex circular triangle trilobites circular horn triangle, chain quarters chassis or cobra The triangle teep kicks the braided river, aits eyots ralliendo and the sediment saucers map maps moment of symmetry I antler amassona, benjamin boat destroyer or map deconstruction I riverrun natural rubber, bayou chaos (everything connects to everything everything follows everything) / chaos crisscrosses my body chaos chords across circle, map monster magnet Map membrane skins human, body blizzard or kickball backstop and map plays bridge body multiples Map plays dream the oneiric ouroboros, and I see circle colors melted crayons sleeping The circle oaks anaconda, serpent tonic Taryn spiring spectral fish schools The circle alvs anaconda, the curl climb cartoon compositions, and I compass map maverick material Material matadors the Amazon basin, rainforest riot or the shaman rattle Material rifts rabbit, guise god to underworld and I travel soil subterranean I cat cadillac underwater cave system, criminal catacomb I cat cadillac underwater cave system and jazz jagged saxophone stalactites stalagmites lemon honey limestone / cave scratches self-similar cameron or camera coastline Any arbitrary part contains an exact replica of the whole figure / Book homunculus theater watching theater infinite miniatures Book selves symmetry asymmetry spin spokes the rare emptiness within emptiness its wheel Wheel wagons river map chaos basin, the whole delta daniel water wart woman Wheel registers rivers in octave equivalence, Nile null number Nile no thing but its mirror polygon It has been taught: The Book of Concealment, a book balanced on scales The Book bends or the Book blends apocatastasis and apocalypse self-similar, and the language limits language The language laughs its own language layers light litmus lamina book adles apokathistemi, Alphabeta in the beginning and with beginning, Book book antapocatastasis stems stamen starlight / flesh flood flash flood flood forceps Book blades elephantine ekpyrosis, circle catastrophe circle kataklysmos Book bodies conflagration, black smoke flesh oily ouroboros Book clades solar cycle siren and the cells scream compact overlap, nevada valloton or variation I prefer structures to sculptures and Book styles sterling the rush of motion / desert dante dynamic I book paste-ups, mechanicals and photostats spiral staircase and the paper extends towers, pyramids, and geometric progressions The structure stands strands Book as cube and I move through Book open modular I decided to remove the skin altogether and reveal the structure ; my body and Book skeleton Book the radically simplified open cube creeps wood and canvas / cobra roll woman and cobra roll Christina I draw wall Book, graphite then crayon then india ink eyelets I draw wall whalefall woman, the female binding Book and Book hours House or Hospital Hellmouth Book voyages Black Iron Prison Vision god geometry: vertical, horizontal, diagonal left, diagonal right Rosy the Riveter as God I do not write Book but I draw Book, all combinations of two lines crossing, placed at random, using arcs from corners and sides, straight, not straight, and broken lines Each person draws a line differently and each person understands words differently / difference recursion deconstruction Book I like wood and I like paper, so I work: my hands draw the angels that appear bookwise and booklength I decided I would make color or form recede and proceed in a three-dimensional way, Book peninsula and archipelago I enjoy the physicality of the object: I enjoy the physicality of the Book
Edit Emerges
Edit emerges Entomology and etymology emerges, the algorithmic Christ in insects Christ programs algorithm goliath beetles, desert drum machine composition of causes giant’s causeway Edit evicts edith emerges, Christ arising in novel and coherent structures / patterns properties possibilities process complexity and self-organization I write row rift radical novelty, units neon nemesis I write reed ram radical novelty, Ben binding or Book binding of Isaac, and the brood bythos abyssos blows blood desert deity I write Christ coherence correlation cacophony, the body simultaneity and body free improvisation Christ correlates chaos, chaosmos Christina chains commingling Christ chambers shine shimmers, serpent light tangent serpent light, table or tangle hypnotic gnosis I write Book Body random motion radon balloon Edit emerges ensemble electricity, rudder random and random river rivers rocket, and I eat the elephant electrons I generate God emergence eklesia pseudorandom sequences surfaces god patterns gravitons pile-ons traffic jam I generate gala layla gorilla girls god, goose garnet machine music I write God machine matterhorn hosiah, the hanging one in unison I knock narrow neon noise, white scritch pink scratch god cloud strata Book knocks neon desert Last Vegas Strip and garden god Disneyland Door bulldozer desert throws dice divination / fate fucks fume furnace phantasia Computer Christ crashes chemical contrails / atmospheric negative noise and I program Christ castle crucifix on cattle mutilation unknown flying object machete Noise newborn non-rotated stressed ribbon bridge, tension tannin tenet, and Bridge swoons bloom biwa Noise theurgy or noise nucleus ribbons portal strut and bracing sway bracing lateral bracing baraka Benjamin and Book always bridges Book god cellular twin slabs and web Book webs bridge breaker bridge random desert dialogue campus-in-chaos (everything connects to everything everything follows everything) Noise newton nitros nonlinear, the overlap gap-no-gap simultaneous ouroboros outside ouroboros Ouroboros interlaced loops ouroboros nervous noise narcosis / nonlinear overaggressive moving average and ectogenesis inputs I write generative grammar, gloss god gatling / deep structures surface structures strictures starling stall starling I write generative grammar wrapping paper polypentad melody, a deep structure desert Christ’s body Christ’s body sinews syntax, order offal other and Word wobbles thread dialect dust desert Syntax tacets Taryn anarchic cryptic code no hierarchy everywhere a flat surface and a flat relation I listen language music canon imitates canon metal gear speedy gonzalez I listen language melodies heterophoni, God gagaku orchestra teeming tinning tone clusters / each instrumental voice typically assigned its own set of tempos A structural polyrhythm, where a very slow polyrhythm used as a formal device, and she floats Book sentence strata, flat steeped stalks simultaneous I aquatint timewave zero, Taryn Zebra Zoe I navigate novelty, harmonic angels oscillating ouroboros, and the graph ghosts god, the apophatic area of a triangle the negative network of the circle inscription indole inscription The Event exams correspondence / code crypt experience Experience as above so below bellows and the number nickels novelty Ouroboros outlines outward omega point omega weapon Ouroborus obscures oceanic omega point odyssey / Universal Christ Christ in human-cosmic dimension Christ animator of evolution Everything that rises must converge and convergence cooks crux, crossings crossroads complex Body performs prayers still stella tesselation, and I move body bath body bodywork I chop wood and gaze for hours at webcam footage of a road in Ketka, Finland Body performs process possession, a polysemic sine wave The body carolines coyote / I like America and America likes me I my body begins spectrum colors arranged by chance chitlin children (canvas writes paint changes color) I didn’t want to compose pictures: I wanted to find them / Donatello among the wild beasts
I Machine Writing
I machine writing I sculpt writing solid spheroids angles edges violet or indigo vertices / door is an illusion I ramrod rib writing, black powder perihelion / sonic sun dogs I rabbit writing press brake stretch press wrought iron and I write Richard Serra / Tilted Arc axe apex mechanic As I move, the sculpture changes contraction and expansion / to remove the work is to destroy the work To remove the work is to destroy the work Christ is context Christ is context / There is no Taryn outside the text and I sculpt vortex Vortex elastic laces visionary woman raw steel / twisted spheres I write continuous tension discontinuous compression Christ cross chronos cronus I eat my young I eat my Yahweh material matter cursive italic I paint play dynamic maximum tension, Taryn wire tightrope tower to tower I go outstairs and instairs, spiral spirolina spiral / Taryn tetrascroll Torah Taryn tents twin shell structure, Holy Ghost revival in line elements and surface elements I construct language line elements, earth beam pillar post curved concrete / House language hyperboloid benjamin I document or build structure a saddle roof rowboat I dream rut and record rare groove vinyl and sample psychedelic soul, machine music masters The Book sargassos surveillance and I voyeur vision camera catalogue Christina I like boring things / the notion that life could be captured simply by aiming a fixed camera at subjects usually regarded as boring and later projecting the unedited footage I write I film I project without any cut at all objectivity fades away Archive / the secretions of an organism Archive / anchor arular library I admire archive and Book berserks branches I begin archive library Benjamin In the actions I had a synthetic existence as Shaman / Shaman slates serpent sidereal and I kiss serpent psychosis art ayahausca Shaman slides time sweet, kairos krystal lattice and action hydras many medusa several serpents circles I cross circle and I circle cross coptic California / PKD seeing Rome superimposed on Southern California Cross creeps code and cipher, Shaman zone zero and Shaman zero zebra (He used shamanistic and psychoanalytic techniques to manipulate symbols / my myth migrates music) I study a carrier wave attempting to swim off my own species range of semential and the sounds I make I steal from the animals The greatest composer here is the thalidomine child (every human is an artist I shaman space that sees I apprehend light, the event shaping and containing light I stain struck red stuck blue battery shaman, viewing space sensing space The space speculum shines dartlight darklight or superluminal darkness, event act apophatic Space spiral jetty juts primordial sea / Taryn Tov Tiamat I spin space additions subtractions alterations, environmental elephant estuary I divide the space language partitions and curtains / body woman wall and ritual I displace space I move the object from one side of the room to the other I space dialysis, a game an adventure a number of activities engaged in by participants for the sake of playing The space plays space language Book environment and I edit Earth witches’ coven camera Space happens and the event happens Book closet language corner language The happening allows the artist to experiment with body motion, recorded sounds, written and spoken texts and even smells / my body blurs body bright blue bathers berry blue bathers entrance into water My body whirls or whorls space of water and woman shuttles between My body always spaces between body or body the liminal happening and my body always approaches threshold theta Taryn antelope archetype / I dreamt I was in a happening in my maidenform brassier I return to the Exegesis of Philip K. Dick: I saw as an active agent, a gold and red illuminated-letter like plasmatic entity from the future, arranging bits and pieces here: arranging what time drove forward… The doorway there is no doorway only desert Desert drips darklight lunar ladder landscape the dunes and red repetition restructures desert / the shape of jazz to come deconstruction Desert Doorway Desert and Doorway space diagonal division, and the superluminary dark delights gold and red rectangular I play free I pay free and spraypaint gold and red ubik free improvisation, and I dip dark desert dopaminergic the free full fall forest The Letter Logos landmines light: dark-light desert-light daemon-light photo fractions suites Ornette Coleman The letter lydia lambdas light: dark-light dense-light light-dionysius and I etch the letters glow god abiogenesis Lady of the Lake letters liminal house hospital heterotopia and I arco ambiguity I bow vibraphone resonates letters and I raga slow ritual: my body sway swing quiet movement ava attacca The letters lambs liminality, Benjamin between Book and Book The letter levants liminality, Library lego Library Myth minx liminal an oval letter laboratory, and I experiment alphabet Alphabet rituals difference desert separation transition incorporation and alphabet ebows ambiguity Alphabet arrows hermeneutics exegesis eisegesis gold grammar / no desert no doorway No desert no doorway but passage the forest of symbols and I myth betwixt between becoming Christina coagulates communitas (for the fluid, ethereal substance is none other than AIN Suph AUR, the universally dispersed, living loving liquid ocean of super-conscious light that assumes a static of corporeal density into the alchemist’s physical body) Communitas coros Cross anti and I chymistry commixtion crucifixion, blood body broth I immerse body in body bourbon alchemical alcohol I brass body in body / bog body boil the twins permanently liminal (Shaman serve as liminal beings, mediators between this world and the other world; her presence between the human and supernatural)
The Body Is The Grotesque Body
Content Warning: body horror in the first section The body is the grotesque body: the body is the crucified body Body belly burden slits disembowelment, a fallout of radioactive guts and intestines The intestinal strangles incarnation I obsess body the Christ body a male body sodomy and I sow sodom and gomorrah gehenna I burn body brimstone, martyrs son of man and mary Body borders borderless bottle body blood body body bride to bridge body / the body paint palette videotape vision Vision is Vision of Body and Body branch borons beyond Body vinyl envelope mails male the nude warhol or mapplethorpe body and I bicycle bondage / tied up Taryn silk sadism I obsess body and I love body (the bizarre sentence anecdotally strengthens yam arthroscopic play modulo a awake revolve economic, military block) I obsess body and I love body the robotic and prosthetic body the artificial-into-organic body and all I have written is body The Book is body and embodies, flesh depths surface Book is body butchering body, flesh slicks sections segments I paint body and I paint with body: I write body and I write with body, dragging Christ crucified body across stage mage page Body at the balcony brushes porn pigment / Christina canvas Much of the work features distorted flesh, high-caliber brush strokes and patches of oil color Flesh distorts dispels darkens, scar shadows and scalpel I cut into Flesh dolly distortion, a loud light white noise I dice Flesh for Desert and the dry heat mummifies and poses body polaroid mystery plays Body always plays Body always games Chess chest breasts blanket body, checkerboard body In her most recent work, she employs graphite, charcoal, and pastel to explore overlapping forms suggestive of underdrawings, movement, hybridity, and gender ambiguity Body overlaps body, outline inside-out outline and borders blur Borders bend and blend body, and I sketch the scratch spine skeleton I scarab skull or I clean skull with flesh-eating insects, and insects skim skirt bone surfaces I skate or bone surface feeble grind or fifty-fifty grind and bone dusts desert I overlap the body disorders the body disordered, Christ chaos cryptids I overlap body borderless body ouroboros, skull eating skull and skull devouring femur fog forest I draw the body circle and conic, pelvis parabolas I draw the body ellipse and hip hyperbola, curves intersecting curves and bodies intersecting bodies I collide body, a body meeting a body in the rye, and the field folds flesh camber Christ graphite God graphite smears carbon Christina, a pencil shadow black-and-grey god graphite gulls gills the fish sign / secret Christina secret gnostic the desert city body Graphite body glints gulls granite, an interior K-Pg boundary / I date body by its sediment layers I date body by charcoal calico cardboard, book balance book If I draw through previous bodily forms in an arbitrary or contradictory way, it gives the work a kind of life force or eris: destruction, regeneration, a cyclic rhythm of emerging forms Body circle body no centre Body circle body interior and exterior Body annulus body concentric circles bicycle bipolar polar bear mauling body The body are angles angels, an atmospheric alchemy Body circle circus circuit cuts chord body, Krystal Krikos and Krystal contradicts Krystal contradicts desert God the gesture Yahweh alien to Canaan Krystal body contradicts kuklos krikos concrete, skyscraper flesh fencing skyscraper flesh cavalcade Krystal body contradicts God geometry planet overlap planet bizarre orbits / three bodies into three bodies My body works wave woman chaos / destruction deconstruction desert My body red wagons radio flyer flaying flesh destruction deconstruction dracul and dracula she is more interested in the raw and vultured female form (I photograph Taryn nude in circles cycles kleptomania I photograph Taryn naked circumference no center the breasts of El Shaddai Ashely The female form fellates the circumscribed circle and circle cums Christina cosmic Circle climaxes Christina area aria irrational, pornography and pulp in cartesian coordinates I paint flesh because I’m human: if you work in oil, flesh is the most beautiful thing to paint Flesh folds cut flaps origami ouroboros / paper airplane ouroboros Flesh smooth contours curtains caskets Flesh floats fountain, the spray of bodily fluids / Christina covered in sweat or semen She paints skin with all the subtlety of a swedish massage: violent, painful, bruising, bone crunching Skin sleeks solvent, a film dissolve Skin shivs scapegoat, god sacrifice god / the book body divine I concentrate skin body circles circlets interlacing interfacing flesh I like flesh I like body all circles sinister similar I like flesh I like body straightedge-and-compass construction / girl gallery geometry I contemplate Rachel Whiteread’s Ghost and ghost grips God possessed in the negative / negative numbers nested numbers knurled or gnarled line liminal line Ghost garbles God gallium a melt of silver serpent coiled negative space negative room the interior of body Ghost always loops light liminality, a between topology and I stretch or distort its ghost not-quite-there circle Ghost between mummifies the air in the room, raw shapes shadows slinking invisible inches Ghost between adders air room fumes flesh shapeshifting slime or mushroom woman / Eucharist is Ghost The Eucharist spindles Spirit flesh fata morgana wyrd witches Ghost is language, inverted circle void negative Ghost grammars abandoned building, the empty body room ravager Torah alphabet Ghost edges hedges house, organ room orgasm / liminal lovers allspace nospace spectacle House hangs ghosts, god gallows hollows heavenly horror House became a popular visitor attraction with thousands of visitors a day; Graffiti was later added on the side reading “Wot for?” with the enigmatic reply “Why not!” All I have ever written about is House, a book body god living space Living space always ghosts, god liminal at the walls witching woman and she spells magic circle skyclad the orphic serpent Ghost graffitis God: why god and why not, the knot gnosis anamnesis and House trunks Tree of Knowledge of Good and Evil House concretes monstrosity, a twisted god body cartoon contortionist chainsaw massacre and I bury body parts nobasement no ceiling empty room Book is House Ghost of House and House of Ghosts, haunted god and haunted labyrinth circling inside circles overlapping circles Book harbors House ghost maze music and the sentence jumps ghost god crucifixion The sentence sandwiches ghost shadow God white concrete and House harvests ice: lymph intestine serious fluid formant / sound round spirit I have mummified the air inside the boathouse and it stalls baseball, a bedroom with play Boathouse blends room and body, building building building, and the boat sketches catches skin The Boathouse colors camera ghost pictures or photographed Yahweh and I photograph the frame inside frame-and-flesh I frame myself as I frame the other corners compasses catalogues archive fever I frame my body doorway front entrance to the House and I live with ghosts women goddesses There is a recurring pattern in her work where she plays and mocks the idea of the artist as anthropologist (I am the artist as archivist I am the writer as its own library / babel babalon beast All I ever written about is the Library Library liminal laces light labyrinth, maze mesa marauder desert I photograph the desert camera library I photograph Christina in the desert in the valley oracle oranges the library citrus cinnamon the camera collects / each photograph is a number The photograph is body human body animal body ghosts The photograph is body doll body articulated body and I move house slightly off at its four corners I find objects / photograph and they frame my face Christina face-to-face and we kiss catastrophe We kiss revelation (your lips my lips apocalypse) She cut up his bondage trousers and heated one of his sex pistols vinyl records on the cooker to turn it into a fruit bowl I find objects Wyrd Woman Wild and I cut paper Matisse jazz circle compositions triangle improvisations The Wyrd Woman sisters serpent and every sentence snakes library Every sentence shadrachs sculpture, House fire frankenstein and the sentence sings scrap parts scavenging skin and skeletons Sentence sharks the found object as archive, the human body byzantine serpentine I find the sentence shark and sheep arching the human body byzantine serpentine scaffolding art noises The fluidity if the paint is so gorgeous I felt like I wanted to conquer it and control it / I control nothing but photograph fluid flesh I control nothing, not even the sentence Sentence sprawls a book swamp library, and I swim black ships the shape of apocalypse I swim the library hexagon the Apocalypse will blossom I paint houses hospitals be my husband and I’ll be your wife I paint play or I play paint sonoran desert dust devil avalanche, and its snow upsweeps waking whorl woman Saguaro cactus cocktails talon Christina and the desert doovils weevils Alice wonderland alice underground and I play subterranean nuclear explosions The desert rhythms all fucked up, two fucking and two watching, and I rot ringed rivers rattles, the trance thrak dance I play paint pantonal pulp or pornography I god game gonzo pornography pivot pitch pathogen / language is a virus Language reel-to-reel magnetic tape archives architect brutalist benjamin, concrete concrete chevrolet and my body plays My body plays bagatelles always webern vision compositions, a cartoon opera odyssey My body plays Carl Stalling, quick cut acme orchestra metamorphosis / word painting pavillion I play fourth grade four square no corners no hitbacks fry your eggs and bacon and the street games ghost cellular phones foam the camera triskelion I play House hopscotch white chalk chassis torso tremolo I play House symmetries trees spirals meanders waves form and stripes / that the flat leaves have them in regular series House haloes spiral growth patterns of animal horns and mollusk shells The shell sheldrake mandrakes orchids ouroboros / hummingbird and peacock tail The shell shoulders shimmer the glowing ghosts body starfish sea urchin sea lilies All the branches of a tree at every stage of its height when put together are equal in thickness to the trunk / Benjamin bifurcation branches chaos Christina, woman reflecting woman reflecting woman (ad infinitum) Chaos flows meanders mirror microcosm mirror / organs ozone ouroborus oscillation Chaos waves wasker woman, witch medium is the massage recursion in language Waves dune crescents rem long straight lines linking star dome parabolas into shaped serifs I edit house exoskeleton, flesh fullerene God goose geodisic dome Exoskeleton excavates ghost town ghost mine even eversion / the long body burn underground Antler ossifies flint flesh ouroboros obsidian and the curl circle hobbles skirts horn Horn hacks hell hue rose rainbow weapon and I sprout horns and antler, acid aggregate animal alia Antlers appear to replace tusks horn kiss casper crackles / beam palm bay royal
Myth Magick Movies
Myth magick movies intermedia and I row ritual primordial Myth and ritual rival racer benjamin bumper cars and I car crash cosmic (the car crash is a fertilizing event rather than a destructive one) Ritual rhyme rhythm oral tradition triggers strange topology or heterotopia tropic of cancer Ritual lambs liminality, Taryn Threshold Liminal myth and ritual ravens Taryn Trickster, bugs bunny baphomet benjamin Myth mergers god demigods demiurge gnostic co-creation Myth writes ritual and Book bonfire fuses myth ash ritual carbon pelican palimpsest Myth, the story of the gods the story of Yahweh the story Christ Christina crepuscular theory of light, and light ladders liminal Light lancasters liminal stone tape machina microcassettes cold war spy spells the myth of possession Book molds mythology plastic soul plastic process / Bakelite Benjamin Myth monastery mythos maths metamorphosis, insect incarnation Maria Myth mosaic mythos melodies metric, moth measurement mermaid / She Sea Poetics Myth the massage is the medium mattes maximum, polyphonic polytheism or neoplatonic emanations Book emanates imitates exodus, the desert dying-and-rising deity Book processes pulses or quintuplet swing and the ritual improvises chorea choir Christina I tell stories I storytell Spirit and Serpent, First Myth First Creation I storytell and nest narrative, sega genesis in the beginning Elohim created and sometimes syringes The story myth multiprocesses and dual diagonal desert leaking desert labyrinth I had a Sega Nomad and while it was useless as a portable console (6 AA batteries lasting 2 hours), it was fun to play the Genesis library When in the beginning Elohim created the heavens and the earth, the Earth was untamed and shapeless / Genesis grains glass god, Elohim out of Nothing and No-Thing Myth is Language / Unconsciousness is structured like a language Myth is language / Desert dialectics Writing is Archaeology / Writing is Archive Writing morphs mythopoetic magma, a stream manic mayhem Writing mustangs mythopoeic montage, ouroboros Odessa Steps I make myth material, middle matter hammer horror, and myth martyrs horrific Writing wrestles horror Yahweh, weapon woman myth mammoth / tusk Taryn terror I apply myth pigment, pink matrix and the laser beam balances boatman / to remember and to wake up art absolutely interchangeable I wake up woman painting myth body and body storytelling, mass movement chronography geology I make up Woman color crossroads chromatic bone red and pink and I paint to the blood I wake up woman water color well whale cave floods flesh frission Color matures in myth, meg saturation Color mellows in myth, corn whiskey woman hell horse hacksaw hues Universe ungulates ultramarine, an expanding hoop serpent swelling cosmological constant Universes inches etches ultramarine, mythology mathematics music miming trigger triangle I layer ladder lapis lazuli blue: blue sea sister sequence ultrasaurus ultramarine and I grind god into bright blue pigment I paint with ground god gold and vermilion / vermeer vision I paint god gallops myth and writing, archive fever flesh flower fountain / aqueous acid water woman scorpion woman spider woman Poetry resembles painting / I paint poetry god urgrund ultramarine Myth pages poesis, palimpsest cut-ups collapsing columns celluloid collage I cain color cobalt blue, a blessingway and cross station I capsule kaleidoscope cobalt blue, rabbit rosary blue color works and I work wash woman I ink indigo diamond desert and the blue burrs rainbow I intro indigo blue cellophane corridor door daniel apocalypse and revelation bursts intense blue the originall or primary colors are red, yellow, blew, and a violet purple; together with orang, indico, and an infinite varitie of intermediate gradations I bathe blood blue battery blue electricity and the prism chrism brides blue Blue myth beetles solar barge, the birth underground / underground comix underground pornography Web color indigo inlays solid iron, spear spikes spindle modern myth mytheme mathematics Inlets aisle raw rainbow: doublets twins full circles Rainbow rivens monochromatic blue: blue bison or blue buffalo bull blue, spectral fireworks Rainbow rifts benjamin bifrost, and God walks my body bridge Rainbow ribbons subtle serpent, sand sidewinder and savoy records gnosis Charlie Parker improvises serpents and ladders, the play of Rainbow and Blue Benjamin mythology I walk under rainbow woman and she sings my body electric She dances my body female the shroud of colors colloids chryslers Every shot is a frame within a frame canvas Christina painting / it was all as ephemeral as a rainbow Judy Garland sings somewhere over the rainbow / Dio’s Rainbow in the Dark Myth magenta and blue minotaurs story: story snakes labyrinth Taryn technicolor (why did you call me at the office today? I had nothing to do. I wanted to hear your voice) Myth magenta and blue bustles we raised our indigo which he cut in the morning while the dew was still on it and I cut Book halves quarters fights the divergent desert The eastern indigo snake snaps rood rainbow I eat indigo inrush interior and the iris rabbits rosary, the alchemical Fool descending nether nigredo I eat the desert Book of Sand leaves dune diamondback deconstruction, and Book bellies serpent, its sinew interlinking page language Crayons color colossus the orioles flying ouroboros Crayon colors canyon cascade, cerulean crescents, and I dip myth in bright blue dye, desert oasis I paint the desert music from the canyons to the stars, and blue stings stride rhythm / a pause incorporated into the sequence I paint rhythm red rabbit, Wassily Kandinsky improvisations-compositions blue clay color The rabbit guides the Fool Alchemist to the rue ultramarine underworld, a nile nigredo These pauses allow creative force to intervene and add new creations: form, melody, coloration The form flattens superflat, paint to pour surface The form falsetto flutes bone bone flute flares, and paint perfects the pour, amorphous polygons or god gasoline gallons / fire form fire Melody martens master of the animals, Adam Kadmon between the animal Yahweh bull bosom bull Jesus Christ between Elohim grasps golden calf cartilage golden calf the Din Yahweh Demon The human figure has animal elements horns host hybrid and the animal upper body ballards high-rise reptile I paint animal emergency, running rhythm eyelet escape into desert / desert dip desiccating its dead Book the network of networks paints woman guerrilla girls gods polyphonic polytheism Book the web of webs paints woman warp and water reflects rings rainbow Yellow is the color of middle C on a brassy trumpet / Yahweh Taryn C mixolydian Black is the color of closure and the end of all things / nigredo benjamin decomposition (all alchemical ingredients must be cleansed and cooked extensively to a uniform black matter) I paint black matter black hole hollows, woman hurricane sugar cane cadillac colors I paint become ocean become river become desert what is written in the stars / star books star library star language Remember a painting – before being a warhorse, a naked woman or some story or other – is essentially a flat surface covered with colors assembled in a certain order Canvas castle or canyon colors chupacabra and cryptid cocaine in kilograms / absurd chemical unfamiliar pigment flat future famicom canvas curios cubist collage, a collage of newspapers and charcoal Canvas inks another indigo image text word word wraps radical radial radian, unit circle across unit circle The text turrents trapdoor spider Taryn The text turtles cellar door Taryn tavern table tablet I’m drawn to bodies that emanate a sort of state of in-betweenness: hermaphrodite, transvestite, a carcass, a half-alive / half-dead head I paint body benjamin fat flesh phantom female I paint body Taryn nude nylon knots shibari and I shape with color corpus callosum dual consciousness net of nets / net annihilates El Shaddai Hermaphrodite chops half bodies halves and the torso torques crisp colors / color me blood red Yahweh Saboath totals transvestites, crossdress crossroads / I went to the crossroads, fell down on my knees asked the Lord above, have mercy, now save poor ben, if you please Her published sketches and documents include surgical photographs of liposuction, trauma victims, deformity corrections, disease states, and transgender patients
The Cross Archegrammars Sacred Anarchy
The Cross archegrammars sacred anarchy The Cross compacts cosmos, the non-linear labyrinth teetering The Fool I fool Kerygma and Gospel, and Kingdom kronecker delta blueprint dives desert deconstruction Fool drives derives deconstruction, and the labyrinth and Cross intersect I fool a kind of postmodern madness woodwose wilderness, and Cross crowds Christ flesh forest famine The Flesh and Fool funnel labyrinth / I leave to several futures (not to all) my garden of forking paths The body of Christ is a prayer labyrinth, house of the double axe The Flesh of Jesus maps multiroot rhizomatic, and the garden gods goregrind blood oranges Labyrinth curves lines light lime, the lemnina labyrinth etching body the category of vessels vocal vision and nerves nail nile All paths foolish and madness lead to the Cross / the narrow street reeks labyrintoio pothia, the galactic potmaker or stephanie who unleashed holy spirit on PKD The Fool fashions the tombs of the sacred crocodiles, Christ dipped in a solution of saltwater I fool Zero Zebra the null set and I improvise numberless no changes I improvise chord concubines Christ crevice Valley of Hinnom and I Ben Hinnom God Gehenna glows blue fire flesh on green fire flesh, and Christ’s flesh forks secret letters of Torah Christ’s flesh furrows Fool’s Journey and I trace the letters of the hidden divine name Body traces tracks nonlinear labyrinth loop body quantum gravity Body bends bark Bible, and Book begins Labyrinth book begins beguiling Body, Cross contra Cross criminal, and the garden jams gods galilee, Her Sea She Sea Circe I walk labyrinth which is body wall woman I plain the garden of forking paths, Book Body Book bridge / ladder light labyrinth I peer pier patterns that connect, Fool to Sea see-sawing She I play connect the dots or paint by numbers I play plein air incarnation impasto The play polychromatic pyros punk, pedal point pocket The play paints punk mechanic pinball, a god game metronome I play the play writing polytonal polychromatic polyvalent mobile macromolecules and I chain carbon to carbon Christ to Christ The Cross crosses Almost instantly I saw it – the garden of forking paths was the chaotic novel I play chaos chaosmos myth macromolecules and myth mixes remixes the pattern of the labyrinth and monastery I love labyrinth and I play intersections innervisions incarnation I love Book Body and I play binding blinding babel, crayon chaos crayola chaos chatter scatter chaos / the Morro Bay coastline I live Book Body Mad Maze, and I play maze superimposed on Labyrinth / the Empire Never Ended Maze mania spirals starburst bannebranches, book blossom blue bathers Maze mystic marches molten metal, a raw material magic and I play magic circle spirangles I mass maze major arcana and the Fool follows chaotic circles / sign symbol ring modulator I mantra maze Taryn tarot tessellating Minotaur, and I fool forest: dense autumn red and rattlesnake taunts venom-in-revival Beyond and Behind Book, play and I play double helix alphabet a spirit spiral galaxy Spirit logarithmic spiral Spirit golden spiral The staircase salts spirals a cylindrical Tower, and Tower tattens tarantella Taryn
Music As a Gradual Process and Philip K. Dick
content warning: mention of suicide Steve Reich wrote an essay called Music As a Gradual Process, and he states that he wanted to hear the process happening in the music: I do not mean the process of composition, but rather pieces of music that are, literally, processes… I am interested in perceptible processes. I want to be able to hear the process happening throughout the sounding music… A lot of his early works involve a simple process called phasing, when the same melody plays against itself, and slowly shifts out of sync (It becomes its own counterpoint and harmony) Similarly, one of the themes in my writing is the creative process I want my creative process to be as transparent as possible (it would be impossible to be completely transparent – how would I show the backspaces, deletions, and rearrangements – maybe that’s something to think about) I want the creative process to realize itself in the process, mirrors staring into mirrors The infinity and recursion fits into the other themes of God and Woman – the transcendence and uncountability, but they can be realized through immanence and attainable processes The lines, arcs, colors, and brushstrokes juxtaposed seemingly at random, as if the entire composition was an improvised memory of a jazz performance Line light locust swarm flight flesh conflagration Line light lunar ligands legato, moon mirror process Line lustres chaotic moon chrism chasm Christ, and Christina loops process repetition Process repeats line lake line link to the past patterns plusses panels Process phases melodies congruent streaming similarities color counterpoint or canon Canon cloud canon cantilever counterpoint pivot pitches pizzicato amplified process distortion overdriven clipping canon Adonai arcs Asia Adelaide anti, aurora almonds alien architecture / parabolic process marionettes Adonai arcs arroyo, Taryn seattle soil semen sans sequences in Sonoran Desert or Salton Sea salinity Salt arcs rock river death valley Salt lines colors folded paper concrete and I throw airplane prop processes: writing process jazz process process polyphony I begin with CG Jung or Philip K. Dick, Book Library Zebra Zoroaster Zodiac / arrangements rune grammar knots in rope After the pink flash, he had visions of abstract paintings and unfamiliar engineering blueprints – streams of fiery energy, of liquid fire, he said, seemed to weave throughout his environment and inhabit his body… The pink flash processes jazz phasing improvised polyphony The pink flash melody against melody processes paper, paper image imago spontaneous appearance apparition language, and it molts myth into myth, night narrative Pink flash foams narrative night and nyx, the net shadow diagonal Night narrative knocks night music crickets clouds and clocks chasomos I choose chaos in cycles, an oneiric ouroboros, Jesus boat asleep storm galilee I chamber chasomos, raw material refined by last language leviathan I peak pink flash: I pillar pink flash Christ colostrum circular ruins Ruins rocket process contrail tail Taryn Ruins ribs first human wall raw woman, and I hunt horrera cave magic I hunt haven abstract artifact, ark all ark reed river railless I paint huntress woman abstract serpent sarah Sarah syringes paint uncut pure liquid pigment mass mall mule Sarah saturates paint a pineapple grenade glena green exit explosion I paint everywhere floor color ceiling color sky sketch paint scotch tape hard edges I paint spine spool thread ligaments or muscles directly attached to the exoskeleton, candle cradle clockwork Rome hides in nursery rhymes / The Empire Never Ended A local daycare centre appears as a Roman Prison Vision fills the vacuum excess, overflow order adder ouroboros Serpent slides Menger Sponge, cube corner cube a cartoid, and Serpent slinkys slew slow silhouettes bare shoulders Devastated by the Spirit’s apparent withdrawal from his life, Dick overdosed on his blood pressure medication, slit his wrists, and then took a seat in his car with the garage closed and the engine running: he threw up the medication, the blood coagulated, and the engine stalled The Spirit of Elijah left me, and suicide sages sarsparilla and sarx, the sugar body syrup raptor residue Suicide salamanders singularity, strange point thrown into the clearing / unknowable death existential death singular death breath beast apocalypse and Philip K. Dick saw Apocalypse Elephantine Revelation Revelation or apocalypse architecture vultures vision autocephalic vision Zebra vision / loops blood and back lace corset knots nonlinear netting The doorbell rang and when Dick opened the door he was stunned to see a girl with black, black hair and large eyes very lovely and intense wearing a gold necklace with a Christian fish symbol The Girl Holy Ghost The Girl God Glue The Girl Graft and Grail She shines sun glare sun bear baphomet and her Christianity shells secret: river rainbows black raft oil coiling serpent chrism Girl gleams genoa god grapple Christina and Christina pikes pigeon Black Iron Prison, plain plunge pyramid Secret Christianity provokes pyramid: paint pylon chamber chatter chamber Christianity, and the Christian draws filament abstract The Christian crayons canyon the door in empty space conforming to the golden ratio The door shines red sparks, flag interlacked in flesh quivering Queen of Faeries I open door delicious desert Philip K. Dick saw the vision of the door in empty space, and the door glowed red and sparks. It was perfectly proportioned to the golden ratio. Did he open it? says Asia. I don’t remember. I’m going to open it. It opens into a desert. The desert where secret Christians inhabited. They made the desert their city. They were anchorites and also gnostics escaping persecution from the proto-orthodoxy. This is where they gathered together the Nag Hammadi Library. They were eventually captured and killed by the other Christians, but they left their souls with the library, I say. I open the door delicious desert and I realize immediately I’m a secret Christian: I know the secret teachings of Christ and he has gifted me with his Spirit The Spirit of Elijah and the Spirit of Prophets is with me: it never left me I was blinded temporarily; I have been prophesying this whole time without realizing it. The Empire Never Ended At the center of my psychosis I encounter her, says PKD. Beautiful and kind and most of all, wise, and through that wisdom, accompany and leading me through the underworld, through the Bardo Thodol journey to rebirth – she the embodiment of intelligence: Pallos Athena herself. So at the core of a shattered mind and life lies this epicenter – omphalos – of harmonie and calm. I love her and she is my guide, says Philip K. Dick The Empire Never Ended; but also, she persists: Zoe Eva Christina giving birth to Yahweh daily Pallas Athena Christina cains covenant modal modulation and each connection chains transform Taryn Tabor net long carbon or carbon massive the center is everywhere The center is everywhere no root multiroot rhizomatic entangles ribbon ravens Christina hypostasis She surrounds sounds matter material collection, and she carries clay a cobbled children cabbala no corners all constellations My psychosis selects sequence She, Christina Arpeggio Catholic, coastline self-similar coastline My psychosis timber satire, a jester Christianity and fractal Yahweh fanning firmament feathers Carcharodontosaurus Christina / the remains consisted of a partial skull, teeth, vertebrae, claw bone and assorted hip and leg bones Teeth talon Taryn carnivore caverns / creep city television Taryn triceratops radio wave woman The Empire Never Ended but enters exists Christian ruins: churches, catacombs, desert city I emerge from the Christian ruins I converge canopy, catacomb, and cathedral / Taryn Tabor theopoetics and autopoesis The Labyrinth lockbox liquids light: light nonlinear light legend light laminated The Labyrinth loops lacuna stella mares, moonlight madrigal and mass, and I study the stations of the cross Stations labyrinth multicursal, lydian abbeys girl lagoon, a glade god guillotine Stations strike stretch labyrinth, Taryn thread double-bladed, and Axe swings Allwhen the wire Stations swings sound serpent, clockwise winding the bronze ouroboros cross cinder slender woman wisp of the cross / cross caravans guile god glossolalia and I speak spirit speech spillway
Here Is The Labyrinth
Here is the Labyrinth: a labyrinth of symbols an invisible labyrinth of time Labyrinth and ladder loads light: light transparent light ultem light microcosm / this little light of mine I’m going to let it shine Labyrinth lodes in layers strange loops light lynx and light lore myth lingering Labyrinth endures as the stone tape and stone book / I excavate rare ruins I cave dive strange species alkaline water limestone light littered nothing Labyrinth books dark disorientation and dark deconstruction, page god basilisk and mandrake (go and catch a falling star get with child a mandrake root) Labyrinth dark disrupts light linear and light parallel and dark drams crossroads dawndusk light liminal the doom dream demon Labyrinth leaks blue souls, a weaving woman at the loom Labyrinth loops lysis, leaking dead biomatter material Asia atom smasher and I gather god particles god nothing a none near annihilation or apocalypse I like labyrinth because it mirrors Book multiplying Son of Man Wall Woman Wall / I touch the wall rose compass Christina I like labyrinths because their concentric circles emanate Malchut Taryn or Malchut Benjamin and we speak Oral Torah We recite Written Torah Labyrinth and ladder lock light in light and light from light, a compact contracting retrieving light in the middle of Adamas nude body holy behemoth Labyrinth ellipses eclipse shadow serpent coiled around the Tower of Babel, and Labyrinth spirals upward wall woman golden ratio parabola sections Labyrinth concatenates Tower hyperbolic hysterical historical liturgy of the hours and I pray Tower I pray Tower Taryn Tarantula, web woman wick silkfire and her flame consumes brick Her flame consumes brick benjamin book barricade and the whole Book has a common language and a common vocabulary My common language constructs Christina abstract anchorite building ordo and I partake eucharist through Woman Window My vocabulary vines voluptuous vision, vision body embodied burial resurrection Book risks resurrection, itself a labyrinth Bible letters labyrinth, every syllable a sigil and symbol (everything is a cipher and of everything he is the theme) The theme threatens and then thrashes labyrinth: the word breach plum or beach Benjamin The theme Taryn tears from red blood body Book and Book body blood baphomet my imaginary gods Sign sigil symbol labyrinth myth and myth themes Taryn Tyrannosaurus Tarantula: Tower Testament Tower Sign sigil symbol earthworks Etemenanki Zebra Ziggurat and she zooms jagged vision image hallucination benjamin System theology and philosophy is overrated; it’s best to be inconsistent Embrace paradox and contradiction Marry polarities and oppositions The desert dactylographic deletes god backspace benjamin babel bubble brain black box barracuda The desert dings complex numbers the superluminary labyrinth and its surface sound zero subdivisions: Book interior to Book, Book time times half-time Book and I rush punk time paragraph nail numbers boxing crucifixion I write height universal library, Babel bubbling nebula name numbers Yahweh I write fight Erik Morales boxing Manny Pacquiao technical knockout neurosis gnosis name number, Taryn Tetragrammaton / I compile KING FELIX I codex palimpsest prayers rosary rotary Nag Hammadi Library, length liquid light labyrinth I paint cave constellations dark ark labyrinth, stellar shaman and hunting magic MICROWAVE AND VIDEO X-SISTANCE “BIG-MAC CERTIFICATE” FOR X-MAS… SAMO©… I microwave mercury matins conic sections, a cut curve car crash Microwave wattles woman curved canvas saturated serpent Wave web wobbles nonlinear eccentricity, an arcade current currant still life locomotion Dead animate Dead, desert dozer dozen deconstruction, parameter pivot pitch or desert plane embedded polygons gone god Dead register dead octave equivalence and I loop lambert octave order ovum, cosmic egg and language monogenesis / Book begets Book an anterior and antelanguage Book before language births Book, archegrammar and anteletter / the space between letters the space between pages I have mixed feelings about Pierre Boulez’s music: on one hand, his timbres are so sensual and rich, and his music jumps so active and joyous; on the other, I have no idea what's he’s doing structurally and I can’t figure out his development at all Perhaps this is why his vocal works are so successful: one can follow the text as a method of navigating the music (Now that I think about it, my own writing is the same way structurally: I have a meta-text in mind, but it’s not easy to navigate it or explain it I revel in the ravel repons: follow the next as a method of navigating the music There is meter, slightly irregular on one level, but very regular on another, the series of harmonies which are all symmetrical I sign and symbol symmetrical asymmetry, a strange axis axon net neuron from the chaotic electric activity, consciousness Consciousness musique concrete concerto poetry pottery fragments follow the text through the music I like virtuosity because its dangerous virtuosic vellum violet vision danger music (crawl inside the vagina of the whale woman whale fall whale woman deep sea sea floor no boundary but let the text play the music Text improvises music monothematic and polythematic simultaneously, the theme Taryn Tarantula growing centre labyrinth Labyrinth laments the dance desert dangerous, and the conch cavity caresses contact improvisation I touch Taryn, tema body naked trunk tracing the divergent rhizome record cassette player PURE NOISE and I live NOISE I live Taryn scrambled white snow signals multidirectional
Vision and Mysticism 