The Desert reveals the Book: the Desert uncovers Book acid western apocalypse acid west wind woman The Desert writes Desert, an etching of the Book The Desert Dandelion autodeconstructs the Desert Dahlia, deep writing and body written care bear or diving bell Book I walk Desert ways invisible ocean ouroboros sea serpent sand serpent serpent serous red (the blood of the three divers left intact inside the chamber likely boiled instantly, stopping their circulation / death drives body into the ocean its desert) My place is at the threshold of the Book, Hearth Her or Doorway Woman My place is at the threshold of the Body, bone blood Book a mantle rhinoceros or hippopotamus animal spirit and animal fire Animal anoints Benjamin arclength twisting torso tarpit Taryn and the Saber-Tooth Tiger attacks a bone tool or femur flute (Are you in the Book? My place is at the Threshold: threshold thirteen threshold tomorrow text threshold totality You sit and lean against the wall, and look at the beautiful, riddlesome totality… the Summa lies before you like a book, and an unspeakable greed seizes you to devour it… The Wall wildfire watches Woman and she works my body wreckage car crash cross desert highway The Wall whipperwills androgynous Benjamin abaddon but the Word Woman and Forest Woman rainfall Wedding washer Wedding Wall wyrds wedge into totality total word total woman total Taryn Totality traverses tertiary structure, a protein folding play alpha-helices and beta-sheets twist-and-shout assembly I assemble or co-assemble translation the trim totality and I superimpose the higher triad on the chord structure / structure deconstructs word woman language or the Book Bastard Structure eludes or escapes from me but I find the Summa in the Gospel of Mark: When he was in Beit Aniyah in the house of Shimon the Leper, reclining, a Woman came with an alabaster jar of myrrh, a pure and costly spikenard ointment… Breaking the alabaster jar she poured it on his head The Gospel groundwork wakes Woman Warrior, She-Ship Sea-Serpent battle and the godspell structures evangelion or corpus kergyma / Body Book bound to page parchment coptic binding coptic language The Gospel structures my body skeleton stretched by extended techniques / Taryn timbre or third bridge baronness Gospels structures my structure hanged, drawn, and quartered body destruction deconstruction (the cave painters built scaffolding for their aurochs and bison) The Desert dips me in discontinuity and my grasp slips from Gospel The Desert dusts discontinuity, my flesh fragmented or farming fractals the coccus coastline Christina / Discontinuity drinks dialogue, the Duke Ellington caravan continuity, and the continuous and discontinuous drum rhizome, roots entangled roots subterranean rhododendron, and my discontinuity – although always-in-progress, always-in-deconstruction – shouts Gospel The Gospel is my Myth and I wrestle Myth and Text I corner counter crusades agon god the myth matter text narrative and my name nullifies as Tetragrammaton (Dealing with a mild case of writer’s block and wrestling with continuity and structure My writing has an anamorphic structure, a series of concentric circles or entangled ouroboros, but it often feels like a discontinuity So many roots connect and intersect with other roots I get lost in my own labyrinth I try to make continuity out of the discontinuity, and they switch and swerve shear into each other How do I make sense of this nonsense? Only by writing through it) Apocryphon escahton reveals a PKD anamnesis, and the aeons echo error (echo echo mirror house music) I study the Pseudodon Shell DUB1006-fl and the zigzag engravings reveal zebra / zygote god in zone anaphora repeating apocryphon, hidden helios The engravings were probably made on a fresh shell specimen using a shark tooth / shell splits source at its beginning, sound sounding sounds buffalo bonfire Shell spirals splits upper and lower triangle Shell spirals logarithms the Logos Proto-Language and I speak Shell I spark Shell I Shell Sophia I am familiar with this figure: I am Father I am Mother I am Child Ehye aser ehye and I Am That I Am Taryn Tetragrammaton or Shem HaMephorash tilts tonic Yam Suph / Sea of Reeds Yahweh Sea tilts or timbers hominid anatomy the presence of sagittal, frontal, and coronal keels Yahweh thickens my skull for the cannonball, candle collision cocaine My skull sketches a Jean-Michel Basquiat canvas, bright blue ruby red rhythm decay My skull cavity amplifies rhythm and I bash my skull into cave walls, the variety of engraved animals lions owls bison and I bleed Book onto or into animal or archaic human I overlay the horse with claviform symbols, each a clipped cantillation or vowel vision The speared brown bear vomits blood, ,the burden of the valley of vision I return to the Sanctuary and my Sorcerer awaits the wash of watercolor, and we danced Horned God movements antimilitary My antlers echo eternity and estuary the repetition of echo echo mirror house music (I live the Ritual or Dance Pattern and the myth embodies floater flesh people don’t live or die people just float sings Bob Dylan / I want to harvest my own skulls someday Instead of using my own skull and causing brain damage, I could use others skulls for bashing Elohim and Yahweh) I live the Ritual and Dance Patterns and I mimic the Cave Magician and Sorcerer / Taryn Theriathropes and the Wolf Woman weans me She meets me as Master of the Animals and we circle ceremony the Community of Cats / Female Felines I chalice the mystery place or the Chapel of Lioness and I offer my lioness teeth shell tools the lighthouse monument
Month: December 2022
I Dream The Cave System Church and Cathedral
I walk the Sanctum and I dream the cave system contains an elaborate church and cathedral The cave system roars pipe organ with all the manuals open and it fugues my flesh cityscape body subterranean body solar system body I wade the invisible marsh of Sanctuary, an Arcane Sanctum or Sanctum Alchemical Laboratory and I descend Lighthouse I descend Lighthouse ascend watertower Woman and I hymn hew new the word crucifix the shaker chair received quaker vision / inner light rudder router reception The cave receives me sacred ritual and repetition and my body reenacts creation My flesh recreates creation, creation anew renewed and the myth wolfens woman The Sanctuary superimposes Benjamin onto the Burden of Babylon, and I become or transform into mystery (MYSTERY BABYLON THE GREAT, THE MOTHER OF HARLOTS AND ABOMINATIONS OF THE EARTH) I often receive visions where the baby whore of babylon and the woman of the apocalypse gesture and sign in identical mirrors, through a glass darkly My myths interweave her myths, Taryn karnak tapestry The weavework whisks whips the Worm Woman and Wolf Woman and the cave system surrounds wall pigment pours wall pigment my painted body This shaman and magician pastels cave wall woman and she paints me naked She abstracts my body nude canvas and I dance Sorcerer’s Gesture and I move seer’s spectacle almost seven veils of Salome Stag antlers alice horned god and horns rotate Hathor hipster jazz and I enter improvisation mythology I grow stag antlers and improvise myth contra myth, a syncreticism that forks into Chronos or Abyss (in majesty, Benjamin a firstborn bull; his horns are the horns of a wild ox… with them he will gore the nations, even those at the ends of the Earth) I bark cave hyena, open wound hysteria or the ecstatic horned goat god I gore the god wasp woman grace and I sting Death Desert / the sting dalliance death dragons desert I tarot tremble trance the gods surround me a four-dimensional plane and with each god and each Trance Her, I experience the suspension and resolution of time Trance traces the flow of deconstruction, an unraveling ravel or knot antiknot of Tissue Taryn, a cartographer's consciousness I chart or map my connections, my continuous confession to the God large glass benjamin babylon cave bear and everything follows Allthing digs the spin desert rotation I dream the Trance Taryn surfing white snow television or vision videodrome body horror I horde Book body horror at the threshold of the Book (What is your lot? To open the Book) I open the Book horror Stephen Hero horns and the horn hellgrammite hangs Hell Open the Book breaks into Below: below heaven and hell with antlers and horns beams bone caves Book opens ouroboros, sun summations pagan products Taryn tensors transformation transfiguration flux phantom passage I have come to this place in the desert by chance, and I found tracks in the sand up there that led me in a circle to you (I find Her in the Desert I find the She-Hyena following my footprints and at the distance, her jaws elongates miles and devours I compose the Desert Cathedral from animal bones and the desert caves cackle spines and skulls and strange gnostic christian codexes I open the Book basso continuo, a chamber orchestra in engines emulsifying desert, and I preserve Book underneath staves sands stones sounds / dreaming desert drone The Desert chingas chance by including everything: sand dune dust library the self-conducted orchestra Chance canons charis confetti, God grace cut-outs or cut-up song siren sentences A new sound and a new chord suddenly break in, with an effect as if one wall of a room had suddenly disappeared, to reveal a completely new view; Book opens Book and Desert opens Desert Book opens book the Flood Desert Dog Star and Star shimmers sound: sound orbit sound orbit sound ouroboros Whether she takes apart and records the combinations or simply reverses the same movements would not be repeated as they were initially introduced / I repeat the Christ with difference I repeat the Christina with Book Baphomet I do not know movements or the strange dance desert drone but my body bounces sound My body muses buoyant with her music the splendor of the different patterns the human body can create across a stage by basic repeated movements, such as skipping or turning and I turn torso Taryn skyscraper, a spear for the bleeding bull bridge beam skull Bull bear boar bridges bleeding skull minotaur the desert canvas or labyrinth I take up my task: pleasure is permissible The task trills viola violet Christina and she plies pli selon pli pleasure I take up my task in the desert, Gospel Kerygma Desert drums shaman rhythm, the eschaton in ecstasy and I receive the Desert Rabbit Vision I take up the task testify and prophesy seer cinema the body canvas open projective open I project open or I throw open the Book (What is your lot? To open the Book: Book of Concealment, book balanced in the scales) Book of Concealment presses paper fold paper cut discarded in Desert and the Concealment closes and opens simultaneously The Concealment cuts dagger desert into paper, page paige pagels and it knots unknots gnosis / Book bound Book bondage Book barrierless barrier Book fingerpricks a minor blues, a hard time killing floor blues and blue Benjamin bathes blue blood battalion I’d rather be the devil than be that woman man Was nothing but the devil, changed my baby’s mind Blues batters Red House or screen door dreams and I dream the entirety of Home hedged by Hell, Yahweh’s forceps or his hand holding crane crow jane I place my hand into the Book and book degloves, Book bone into bone hand a hook garden granulosum Sorcerer by the Miles Davis Quintet plays play the pomegranate pulse permeating background / meat puppet masquelero Sorcerer stems start select buttons on Nintendo Entertainment System controllers and she uses an incredible intuition or divination to navigate and beat Battletoads effortlessly Sorcerer supersaturates shards filaments fuses the Lighthouse and Watchtower (Watchman, tell us of the night, what of its signs of promise are Traveler, what a wondrous sight: see that glory-bearing star) Sorcerer and Shaman shake shoulder to shoulder sarah spirits and she works and cooks with the Miles Davis Quintet Music mixes remixes magic digital sampling / ark urn orbit artifact or the barracuda of Book God is in perpetual revolt against God / God is in interrogation of God and God grasps Book edges edgeless eschaton God perpetually perpetuo moto revolts against God mobile or God scapula sculpture and God hangs from the fangs of God She first took the composition the Large Stained Glass had made and analyzed how the music was constructed and designed her own structure of movement to interact with it I interact minotaur and I-beam studies bridge god bridge god god bridge exegesis I interact composition chimera Christina, cane cain cataract, and the entrance stitches cloudy structures / structure cloud stricture cloud cloud unknowing secret gnosis The movement machines movement my body into the intestines God I interact interrogate the Incal God and her icons inchworm jazz standards or Scooby-Doo moving paintings I dance God griffon or God ganymede, and God splits skin son of Man a mercury or liquid marble splashing against Yahweh’s throne Throne Taryn projects pinhole camera a descent grid and geometric gondawanaland (the two structures stilt silt similar, but not in true mirrors) Lucinda Childs makes me grapple with my own use of disparate and discontinuous connections with strange objects Some surrealist probably said: the larger the difference between objects, the more powerful their juxtapositions Also, something like a flat ontology or object-oriented ontology that attempts to be non-hierarchical and situates humanity as equal with other objects: a kind of post-humanism If everything is flat ontologically I imagine everything connecting to everything with an infinite amount of connections Dance characterized by minimalist repetitive movement and dancing automatons / mobile automobile suspended sculpture Dance minimalist repetitive movements and dancing automatons / mobile automobile stuck inside a mobile with the emphasis blues again Dance perpetually revolts against dance / dance interrogates dance writing and difference writing long language laboratory There is no writing without a lie and writing is the way of God I write writing tracing lie Taryn or lay lady lay and the space spawns laughter Bridal Chamber bomb-ombs or super bomberman 2 explosions in excelsis deo and art shifts spear boar between the hymns limbs limbo and I write the inscription of the lie into river rivers I always move – I never make poses – purely dance Writing-in-dance dance-in-writing and Yahweh cuts the way to Woman Grass Woman Bamboo Woman Poison Oak Woman She eats urushi: dance doll purples Yahweh cats Woman Way, which domes doorway the body demo the body circuit-breaking the body hacked up for a barbecue I write the Body lies: the Body lies in dance, drums in ritual ravenous dances mania or cannibalism I write the rope God body lowered from city walls in basket / weaver woman rushes woman roller coaster woman I write rope God river rivers in small leaps running steps quick adjustments of balance and I dance deer queer quake, the canyon God gumdrops The Crayola God jawbreakers and I write God and trace candy Christ sugar Son of Man Son of Man sweats sugar cane caramel and the writing pulls lighthouse licorice / saltwater taffy Taryn The psalms palm salt mine materia and water dissolves allthing thrummen woman Writing is the Way to Yahweh I write Yahweh Impossible or the Apophasis arachnid wears web rescue the pretzel loop I write Yahweh egg yolk carnival and Yahweh yields no-thing every-thing the hammer Writing is the way of God and I write Four Orchestra Three Symphonies Assortment of ensembles and writing always plays: Yahweh always plays Creation a cat catalepsis I write the way of God for alto language music and music rabbits gradient God chancing God God in parallel fifths or twelve parts / parts play (im)possibilities This way, preceded by no truth, and thus lacking the prescription of truth’s rigor, is the way through the Desert I walk Desert as I always walk Desert, the slow manna music I walk Desert as I always walk Desert, nude mobile naked sculpture each letter a path to writing IT IS WRITTEN Desert, do not betray me, but writing always enacts betrayal The Writing always plays betrayal, actor stage script the written word pretending the way, the way of carving bone music and cave pigment, is the way of the Desert, and I lie in sand circles sorcerer and sorcery (the morning comes, the night decays, the watchmen leave their stations; the grave is burst, the spices shed, the linen wrapped up) The Desert beholds annihilation necromancy brought-up bodies anatomy alice olive The Desert wildernesses Apocalypse, and the written sings when the roll is called up yonder / Yahweh destruction deconstruction Orc erupts ouroboros in desert, mongolian death worm woman swine swimming sand subterranean, and I record the formula for all revolution The Way of the desert is Writing: writing the written Yahweh and Yahweh bursts Asia Atomic Bomb, a Mother
Writer’s Block and Entering the Hall of Bulls
In the documentation, a series of dozens of Braxtonian aphorisms and epigrams from which his ideas emerge with uncertainty, Braxton writes: ZIM Music = a glider airplane that circles in a downward and/or upward spiral I experience a writer’s block (for me, a writer’s block is a suspension of writing of more than one day – which may not sound like much, but my mental state quickly deteriorates with such a condition) and so I study the works of Anthony Braxton in an attempt to inspire the divine or cosmic in my writing I admire his accumulative, mythological, and erector-like musical system and its process (such as the play of improvisation) is just as important as the composition I improvise or compose extemporaneously in interlocking spirals, overlapping spirals, the orchestra disorder ouroboros (the intersection where Yahweh and Serpent engage in Abyss and Chaos) I write a process where abyss and Anthony Braxton’s co-ordinate logics or gradient logics intersect and influence each other, the face in face the face field the face fallopian and uterus inverts involves integrates She births Benjamin Ulysses and Bloomsday Benjamin but I woodgrain my nocturnal name night music annihilation I sound process enharmonic river radium river path piano I sound process piano path piano paper porcelain / fragile writing flesh writing writing with rock on pelvis broken bone language Glider airplane advances arrival spoke spirals wheel in wheel the archival librarian and the book birches paper memory or the fold and cut in paper The paper airplane oars alice the unfixed sound state / the sound state sheer shape I repeat the composition over and over again with different results The music or word changes, the language music long melody I enter the Hall of Bulls and Hall highland hammers homicide, cave depth cave death hydrogen jukebox I enter exit the Hall of Bulls and Bulls haunt harmonics and my horns hook unicorn umbilical cartridge, animal author and animal artery I enter the Chamber of Felines and I archer antechamber, cut creation Chaos, the Face Feline Female I paint the cave walls cat woman iron oxide charcoal ochre and pigment pivots pitch God pine El Elyon The earth pigments aisle eros El Elyon and I muscle manganese onto rock Seven felines fork ferocious but innumerable horses overwhelm as woman Benjamin among bulls and bears hyssop horses animating aurochs The deer swims passed path the Cross Buffalo and I work the Doorway wild bone stock The Mousterian Protofigurine stares face-to-face bone yard eyes flat flint and the face facades rock rope rivulets Her figure flows eight animal faces a protoevangelion I echo earth animal erotic errata / I am error and I enter exit exodus dynamite
Burning Small Fire (1969)
Burning Small Fire (1969) – Artist’s book for which Nauman burned Ed Ruscha’s book Various Small Fires And Milk (1964), photographs it, and edited a book of his own (This cracks me up, I say. It makes me realize my Book is really just other books collected in my head. It’s a book of your mythology, says Asia. James Joyce was writing an account of all Irish mythology and history in Finnegans Wake or maybe it’s like how Christian mythology is entangled in Western History – you don’t think your work composes mythology? Don’t know yet, says Asia) If I was an artist, and I was in the studio, then whatever I was doing in the studio must e art… At this pint art became more of an activity and less of a p\product, says Bruce Nauman I have been thinking about writing as artistic process, a prophetic (oral) process, the apocalyptic (written), the shamanic (ecstatic) process Writing as trance of entering a period of transformative processes alchemical processes henotic or theotic processes The only thing so far that fills the hole felt when I’m grieving religion or get anxious about the chasms it has made is poetry, says Asia. Same, honestly. Writing is the only thing that makes me happy. Chasms are ok though. Mystery happens in the chaos and abyss. The Spirit… of whatever… stirring the waters. I just hate how small it makes me feel, says Asia Rain. There’s an old hermetic principle, I say. The microcosm of the body reflects the macrocosm of the universe. The universe courses through you and you course through the universe. You’re made of stardust. There’s also a sense of shame? She says. I don’t know; it’s hard to describe the feeling. Guilt? Loneliness. Like I failed or was rejected. By God? By the Church? By the Universe? A combination of the first two, I guess. Or like what if I am in the wrong. I don’t know. It’s a lot of things. You grew up with God and church. It takes time to grow accustomed to the gaps. And you won’t necessarily fill those gaps but you’ll find other things to extend and enter joy. I don’t thing there’s a single thing that replaces God. It’s a different thing. But I find joy in the chaos and chasm and mystery. But I have lived with it for many years. I don’t I Think feel like God left me exactly, says Rainey. More like the idea of God became more confusing. It felt like I was in the same religion as them but worshipping a different God. Then I didn’t know if my God was even real, she says. God grounds urground and gallop gehenna / God cyclic generation God giga coaster serpent roll sequence God gravity worrmhole Woman a compact region of spacetime whose boundary is topologically trivial but whose interior is not simply connected and I traverse or travel Taryn exotic matter negative energy the entrance and exit entangled God happens when the entrance and exit entangle Woman and Woman windows universal wilderness God films Christina jungle cinematography and its topology elephant trunks trammel monorail Christ celluloid coffee cup God photographs leica mechanical lighthouse from the hip: the street god the graffiti god the subway god God jumps underwater jaguar river lake ocean the awful surreal the alert alarm will sound overture
He Transformed The Floors, Walls, Doors, and Furniture Into His Artworks
He often copied diagrams of chemical components borrowed from her science textbooks / He transformed the floors, walls, doors, and furniture into his artworks The Art megan irene adler sorts dinosaur dolly floor flesh float helium desert The Art megan manmade floors function tyrannosaurus Taryn hydrogen hindenberg ballroom Wall warhol flat photography griffins alligator gar god, Wall Woman Warszawa Wilderness – not wilderness but withinness – wilderness He painted many pieces on objects he found in the streets, such as discarded doors and doorway bulldozes stage sturgeon hantarash Taryn titan Doorway wires rope dipped in latex a body lighthouse and light hammocks the Book Tell and Book Story (what is the story of the Book? Becoming aware of a scream) Doorway hangs hanged woman rope rear raw and hanging hooks hazards happenings, Body as sculpture-event The story wrangles rope piece and I make the story visible I make the sculpting word visible, liquid neon vision The Book makes itself or manufactures itself matthias material matter eros physicality the physical body of Jesus Jesus screams Gospel Jesus screams Kingdom Jesus screams Book unfinished never finished always process The smears and stains Body Jesus text tangent Word and ink pours puddles the dripping body desert Book screams Body and Body screams Book arcade cadillac moon werewolf woman (if we were werewolves, you wouldn’t know about it. Wouldn’t you have to eat people? Wow, so sure of yourself. Have you even ever met a werewolf? No, I haven’t; have you? I can’t tell you: I have sworn an oath, says Asia) The blood bone Body screams Book bone beetle exoskeleton and Book ergots exorcism / witch woman black magic woman pagan polytheist woman His paintings are typically covered with codes of all kinds: words, letters, numerals, pictographs, logos, map symbols, and diagrams / the language multiplicity The language logos multiplicity, a ravenous rhizome conquering the canvas The Word windows woman, doorway weapon Book wilderness The Word webs Woman the desert wedge tower watcher wheel within wheel writing I write the letters and numbers spider scorpion a stinging spindle spinor thread Taryn tackle The thread thraks tension transit transition / Taryn tangent tangent Taryn The thread textiles texture Taryn thunder and the seven thunders say Taryn / tangle taryn tango topological apocalypse He drew constantly, and often used objects around him as surfaces when paper was not immediately at hand / I must write constantly: I must live the writing as a sickness-unto-death, anxiety arc light art I must write immediate and permanent, a suck cuts sculpture I must or motor write material the interval ink hypomanic hypergraphic (I feel like I need to eat breathe drink writing more and more… Like that old parable: the sage holds the seeker under the water until the point the seeker is about to drown and then the sage lets him up… What did you want more than anything when you were underwater? The Sage asks, and the Seeker responds, to breathe… The Sage responds, when you want wisdom as much as you wanted to breathe, you will find it… I too, want art, want writing, as much as I want to breathe, I want to want it and drown in it)
He sometimes used xerox copies of fragments of his drawings to paste onto the canvases of larger paintings / recycle, reuse and steal whenever possible Write efficiently Art ararats arta aurora alveolar El Shaddai Benjamin, xerox the shit out of your old poems, stories, fragments, and paste printing photography the drawn desert dune woman I arvon avian human anatomy an aesthetic of the body damaged, scarred, fragmented, incomplete, or torn apart / the female body the doe body the woman’s body two heads of gold I take apart and reassemble the work that comes before me / Book has no before or no after one or two words containing a full body I prophesy human history and I shaman animal mythology I foresee the Book I prepare to encounter it The Book boils bubonic plague black death sixteen skulls in the canyon The Book blades sickle salt sinister, seven skulls discarded in the rink ice capades / large skull head set against ruby-red with a blazing eye, protruding green teeth and fractured anatomy The face pistols passageway the wall woman Jersey Joe Walcott boxing Rocky Marciano and the boxing ring keeps its skulls underneath The skeletons slabs jab jaw a brain and disembodied human and I steal Spirit Potato Flesh Spirit the textural forest in canvas Canvas crater canyon ten count Christina a convex crucible pouring beet blood blood bathtub She also made a bonfire of his paintings outside his loft / fire fuses rope latex diamond diagonal, a body bodice corset crooked bat Christ I cross-out the Christ mallet instruments, voices and organ / I cross out words so you will see them more; the fact that they are obscured makes you want to read them I shade or shadow silhouette saturday morning cartoon or carton of cigarettes and I trance tower taryn talon Skull have teeth tokes anvil angel dust acid antler and I destroy to repel ghosts ghost prisoner Skull have teeth schizophrenia or schizoid type personality tags Taryn frame flesh telecaster and I hallucinate her female
Sheol Shakes At The Threshold Of The Book
Sheol shakes at the threshold of the Book Sheol and shadow transition at the threshold of the Book and Book Doorway ghosts gods golden ratio Book doorway gruppens gods the gold-red studio and doorway grapples woman If you start from the intervals of a proportional series, then with every step forward the register of each duration is also already chosen / proportions pistol red studio red room red realization God Gruppen gatlings gears guerrilla genealogy and it births bazaar proportions or pilot clockwork The original orchestras the red rhizome split or motion multiplicity and invention always endures repetition Whole envelopes of rhythmic blocks are exact lines of the mountains… Many of the time spectra, which are represented by superimpositions of different rhythmic layers and of different layers of speed, their envelopes which describes the increases and decreases in the number of layers, the shapes of the time fields, are the curves of the mountain’s contour… El Elyon God of Mountains God of Breasts God of Waste Wilderness wraps rock It Is Written and the Written superimposes inlets islets the wares water multiplicity of Woman The Whole Woman and the Whole human embodies envelopes environment an era eva eros, the fat forms of rhythmic rock radium / radioactive actuality The rhythm blocks bus broadband blueprint, a Book of Balance and a Book of Concealment The rhythmic blocks butterfly botany or Mary of Bethany and the duration deserts bookstore straightedge and compass library I superimpose book or language a hues happening heteroglossia, and my sketch equals the writing I superimpose compositions and improvisations the triangle in the circle and I speed spell the curve Composition swarms collective and statistical crowds, saul desert density Density and superimposition interest me because I witness so many faces / I witness the God gruppen God gamma goddess The Desert duration determines the composition or community annealed near phenomenon known as subharmonic generation I nurse negative the intersection of nonsense and nonlinearity / an underground nexus or resonating undertone partials The portal partials desert pilot waves sand woman dune woman woman oasis The portal sphere packs particulars partials panic and I wake woman music myth monarch butterfly Book portal loops entangles ribbon recursion rabbit underground and the bunny births alchemy The bunny and rabbit nuit nigredo, dark night desert and I crucify and resurrect Christianity Christianity caravans stations of the cross black-and-white color field paintings Christianity cums charis and stations of the cross nightmoth monochromatic / and they remembered Elohim their rock and El Elyon their redeemer body embodied salem and sodom Must I not take care to say what Yahweh puts in my mouth? And I prophesy Balaam Benjamin or Benjamin Simon Magus, an Anti-Paul and Anti-Apostle, oracle onyx obsidian ouroboros, pink over blue or the bright blue bossa nova laboratory Prophecy purples flourescent light and I navigate gnostic polka dots or the installation environment and I paint nets olive green granular / granular synthesis synthesizing accumulation sunflower seed stars Accumulation collection prophesies material ecstasy, epistrophe angular melody thelonious monk matter I enter exist outside-in-itself and standing-within-oneself, a solar one onus magnum opus I enter exist Taryn Thread Theoria and she knots negation, bone awl apophasis (The Book of Concealment The book that weighs in the balance At the threshold of the Book At the threshold of Taryn Thread Tiamat Pagan Prophecy and her body pulses Apocalypse I foresee the Book: I am prepared to encounter it I prepare to encounter Taryn’s body bodily ferrite firm flesh
You Are The One Who Writes, And The One Who Is Written
You are the one who writes and the one who is written, the absolute abject and the slasher movie final woman I write the woman compact disc and video home cassette; I write the woman cathedral and castle remainder Christina Cathedra corianders or clementines corpuscular cobblestone, body-in-particles body-in-particulates, shack smoke bay benjamin Book bay of blood bahamuts cathedral children’s canyons cascades and the cathedral deterritorializes theatre Cathedral alloys axis alice and I write river mouth matrix, the large system of partial derivative equations I write cathedral non-linear or non-euclidean, warp woman wall widget / strange loop gadget god Strange loop the gospel god Book rhemas, Book rhema and book mystical rose sayings of Christ on the Cross Cross enters and centers axis mundi woman world tree Cross cranberries cradle of civilization, and I crucify Christ with Australopithecus bones The Cross of Christ is the cross of anthropology Son of Man Son of Human Anthropological Architecture Cruciform Cathedral Anthropology arccepts atrium, the courtyard counterpoint colonnade and I keep cloisters cylindrical bridal chambers Anthropology agitates or egresses entrance exit the great elephant and I inhabit Human I hospital Human hacienda bricolage shaman / The Apiarist Architect Ancient Ape aisles the model or modem of magic mushrooms The New Artist Architect Haste-Hippopotamus erects entheogens / this is a journey into sound seven minutes of madness the coldcut remix Artist surface face facade, the wall architectural body and I body baramins bereshit hidden beginning hidden text hidden cathedral Cathedral cobras Christina her projecting semi-circular apse asp bites Benjamin beast belly Cathedral cabins cocaine the miami cowboys and Christ snorts of smokes copious amounts of illicit drugs dragon tail swiping a third of stars I prophecy ex cathedra and the cathedral streams psychedelics and Yahweh cycloids my psychosis and corners costumes chevets stone construction I shaman slay subterranean, cathedral swallows by earthquake, and Christina Queen Mab Queen Blue bricks body with mosaics inlays inset marble friezes and free-standing statues at the roofline The high wooden roof of a large church is similarly constructed to the hull of a ship, and the Wood Woman bewares wake ark ankh the solar cross sundial and Christ’s arms shadow eclipse ellipsis elliptic equations The Wood Woman crucifies Christ on her body, body nailed to body male and female Elohim constructed them ship cathedral boat baphomet benjamin The Wood Woman slaughters with cedars of lebanon, hull hell large hadron collision and Christ gold atoms crash Christina lead atoms Benjamin alchemy Church cave cavern carver clays claw concrete; concrete body concrete bone early hominins hunting with horn and I spear auruch painted bloody rock Cathedral clockwise clockwork wyverns woman and woman warriors archangels and she flies fires choirs wings eyelets wavelets valerie My body bays arcade gallery clerestory united by vertical shafts and I shift orthogonal ouroboros vertical visions vision rises vertical a hall church cobra chassis and the serpent surprises with gnosis The serpent surprises with woman shapeshifts werewolf (Asia writes a science fiction story about lesbian werewolves – you think there’d be more women werewolves with the lunar cycle and all) Choirs antiphon over altars angle archangel pantonal polyphony You are the one who writes and the one who is written and I write the cathedral / the Body of Christ writes me The eucharist etches my body the deep and desert divides body abyss altar abyss last supper sister The last supper galas jewelry dome book basilica, benjamin dragon dens desert The last supper our lady galas granite gneiss gnosis or ouroboros obsidian and her deconstruction occults I Am The Written I Am The Prophet I Am The Shaman Art shakes sea shelter artist and art writes the ricercar river The art apse asp alice polecats woman and woman fire salamanders heaven heat helminth, and Hell hovens artist I am the Artist and I prophesy Art-As-Prayer Art-As-Pillar Art-As-Pocket and I collect the collect book (You are the one who writes and the one who is written / the written recoils or radars the Rabbit Underground underneath leading through an annihilatory nigredo The written lobster phone ladder running rabbit lattice an entangling of momentum matrices / I write the Tensor Taryn You are the one written and Christ or Christina writes my body cusp corridor corpse and I contact the Written Dead and the Dead Writing I approach the threshold of the Book: the Book Liminal the Book Ritual the Book Transition I approach the threshold of the Book: the Book Mythological the Book Musical and music the Book Thread Taryn Tangled Yahweh Threshold lies tangent to Taryn her pulp body furnace body dime novel body and I approach Book Body astral alien atlien Threshold hovers doorway diagonal diamond the repeating stone repetition rock reptile / threshold snakes serpent Threshold salmons south serpent, the waterfall sprinkling of stars I toke threshold Taryn’s thighs leg lighthouse and laboratory limbs fresnel lens flesh frequency I thresh Taryn threshing floor corn Christina grain god and I harvest language (we are missing the moment at which the threshing floor, however primitive, began to denote the entrance of the room) I harvest the written rescue and the room receptor rotor the rock cave cabinet of curiosities Taryn threshold throats language totalities and infinity Taryn threshold tongues room door devil heterotopos and I sign her cemetery I samael shaman her graveyard, Yvette Yahweh sheol laboratory / alchemical written alchemical dead The other precisely reveals herself as my alterity not in a shock negating the I, but as the primordial phenomenon of gentleness / Taryn’s alterity alters ava eva alien, the primordial god the primordial woman Her face reveals Ravel’s Piano Concerto in G For One Hand, and the G is God or Georgette Her face fall fathom five my father lies and her face layers laboratory lava polyphony or pornography The porno peers heterotopos, Taryn-Benjamin the trace of my-her body A face is a trace of itself table chair table railroad tracks / face maze face labyrinth Her face is future / her face is futures time trace times Taryn Tiamat The trace is not just one more word: it is the proximity of God in the countenance of Her I talk of trace or I talk trace testament testimony / the tail of Taryn The tail of Taryn is the trace of Taryn desert dragon dropoff The tail of Taryn is the trace of Taryn bahamut baphomet benjamin To meet the Other is to meet the idea of Infinity / I meet the Heaven and Hell of Her, simultaneously infinite and infinitesimal I meet the marriage of heaven and hell in Her, infinite incarnation and infinite kenosis The Face is Feminine / The Face is Female / The Face is Woman Wicker Wild Wilderness The Face is at the threshold of the Book and Book flays the faucet of face, focus furniture aperture My flesh or face book and bible sacred scripture and I search south short skirts and dredged draped with Job: why does Shaddai not make known the times he has fixed; why do his faithful never see his Days? The Day drips desert, a locust drone orchestra and Ornette Coleman jams harmolodics on the sand ouroboros The comet is coming / summon the fire flows face apocalyptic, one like the Son of Man or Human Being The comet comes astral body material body Taryn revelation El Olam El Elyon El echoes polytheistic Eucharist, Esau and Edom emanations and I embrace the god as other I attach to the god in other, the god pantheon pelts pavement I am El Shaddai: walk before me and I walk with Woman I walk Woman El Shaddai text texture her breasts wilderness I wail weep Woman, the Woman Watch as apocalypse presents bone bicycle bone bitter melon bone palace or phallus and El Shaddai fucks earth Ethathadeyn transforms Shaddai vowels vision vertical and Yahweh combines with El Shaddai a primordial fertility goddess I galilee God of the Mountain / God of the open wasted and Gehenna gyres and gambles in wabe wabash woman The shades beneath write in terror, the waters and their inhabitants; naked before him in sheol and abaddon has no covering: he stretches out Zappon over the Void, and poised earth in nothingness I saunter shade subtle the shadow serpent I surrender shade the sallow sea-serpent and serpent swallows bull and boar skeleton the skewer scrape Shade shards stained glass ghosts a general specter gravity I sum the shade and shadow El Shaddai Serpent I sum shade and shadow prefix and suffix lava laboratory language and I wist mist waters the dip daughter dance delirium I songline shadow shore Christina coastline chaos and chaos chrisms Earth nothing noun nothing Vision verb Vision funk flesh fusion I summer shadow sundown and I revisit Einstein on the Beach a blade of vignettes and I plot plotless no-vision non-vision vision-supersaturated He decided instead to subtract, to make his prose simple, monolithic and bare – until the sentences resemble aphorisms or existential nostrums / I add I exponentiate I superimpose Vision subtracts the substrates supersaturates Vision subtracts as an apophasis, the negative name or locomotion and vision nohow on anoints ouroboros, alice antinomy alchemy Shade and shadow showers brass shells, sign signs half-a-sign and the written writhes Terror Taryn Tower Taryn extraterrestrial / tent revival camp revival revelation of the Female Face
I Cut Paper Cloud Leopard Lariat
I cut page paper cloud leopard lariat and the print paws or plusses play: play sculpture or play marriage The play pulses or panels polar bear benjamin and I snow honeycomb patterns / why can’t I be snowing why won’t you fucking love me I travel Taryn body truncated pyramid room If I was an artist and I was in the studio, then whatever I was doing in the studio must be art… At this point art became more an activity and less of a product The writing opens activity, the reading of the text The writing rivers activity, revelation as process or process as revelation and the art refracts retrograde anterograde garden of forking paths I write the rupture or rapture of the body birdwatching biogeography or psychogeography, body place body writing Body place body run from fear fun from rear and my body neons xenons kryptons cryptos as xenoglossia / writing is prophetic activity I write or construct dream passages, pinwheel angels passing I write or construct chaining light corridor with rooms / writing as activity is Revelation and Revelation is Writing-As-Activity The artist helps the world by revealing mystic truths / a hanging carousel with deformed animal bodies Bodies place bodies burning small fires (an artist’s book for which Nauman burned Ed Ruscha’s book Various Small Fires and Milk (1964), photographed it, and edited a book of his own) I compose Book from books, ash ashen asphalt volley I construct Book from book, burn blood brain butterscotch Book bodies place bodies Book / she lies on her back, turns over, moves around as the video makes her seem to sink below the floor She allows the floor to rise over her face and Book facets females face to face wholly other Yahweh Explanations come to an end somewhere a rose has no teeth Book gathers souls collapses associates patterns actions proceeds / process packets improvisation Body bodies places bodies Book improvisation chance grace god and Yahweh casts wax felt latex I create eccentric forms in erratic or irregular arrangements and the Book cuts hangs drops / the brain drill irritants intersection integration He started videotaping and documenting everything he did in his studio and made it a part of his art, I say. The process and art too. I think this is analogous to my writing as prophetic activity. Like real apocalypse is involved in my writing process itself – in the activity, I say. I contemplate or collect prophecy as writing or writing as shamanic or ecstatic activity – or – the activity of art itself Traditional syntax is replaced by two-dimensional properties in which select three-dimensional properties not possible with conventional orthography can be utilized (for instance, overlapping elements or perspective lines to indicate depth) Syntax structures subterranean, an underground group-cluster or spatial language The language spirals syntax syzygy and syntax shaman scaffolding Syntax overlaps submersible or sarcophagus / language of the dead and language between the dead and syntax superimposed / syntax infinite sums Syntax steels stems singularity, the sinister or severed saddle print, and syntax curved cradle cathedral / William Duckworth’s Cathedral Cathedral is a work of music and art which depicts five mystical movements in time: the building of the Great Pyramid in Giza, the building of Chartres Cathedral, the 19th century Native American Ghost Dance movement, the detonation of the atomic bomb, and the creation of the world wide web I work cathedral and the Book is a church I work cathedral canon repetition, macrographic / micrographic simultaneous polymodal columns I work water the flywheel cathedral or industrial factory and I manufacture text material texture five string quartets The cathedral cores catheter and I write urine from the ureter the abject underground
The Spin Cycle Of A Washing Machine
The spin cycle of a washing machine has more melodic variation and the machine machine teeters text the double LP / locked groove He would begin the progression with single note lines, derived from scales or modes; after a fitting number of sequences, he would play octaves for a few more sequences, finally culminating with block chords / I block and sequence the text or I block and storm the text’s texture I block the Book chordal Christina or the superimposed triad Taryn, and Book blaster masters arcade arpeggios Abalone Adonai / Rainbow Shell rainbow Road conch Christ cathedral Cathedral collects relies you are the one who writes and the one who is written Cathedral concords compact topology, and tarot tendons text: you are the one who writes and the one who is written I write remedy or rock and rabbit runs the rock I write ray gun gothic god and god gundams ghosts, the written mecha or mallard machines multiples I write ray gun gothic god and god gundams ghosts, the written mecha or mallard machines minotaur bullhead benjamin Cathedral camels cloister water woman labyrinth and I write minotaur / the palace itself labyrinths The multiplicity of rooms, staircases, and corridors skeletons the palace itself labyrinths and laboratories Minos and minotaur means multiples sun-god son of man crowned with the solar disk and I summer sun I summer labyrinth patterns encircling Christina’s head with bullhorns and stars The minotaur, tondo of an attic bilingual kylix The minotaur, attack black-figure kylix tondo The minotaur, detail from an attack black-figure anaphora The minotaur, Side A from an attic red-figure stamnos I mask or masquerade the minotaur and the Christ mothers beasts Beast of the Earth and Beast of the Sea I machine gun or mimic metamorphosis and I grow my horns minotaur and monster, and the Christ crucifies herself on my crown / her body becomes its own tomb and labyrinth The minotaur rails or rams Rintrah and Rintrah roars and shakes his fires in the burdened air: hungry clouds swung on the deep / deep doves desert acid abyss clouds of forgetting clouds of unknowing Minotaur methicillin agents alcohol anti and Rintrah bores brain drill as roars and shakes his fires in the burdened air; hungry clouds sung on the deep / deep documents deconstruction, the Abyss of Text and Texture The Abyss of texts of texture revives Eternal Hell and minotaur mines her subterranean labyrinth The Eternal Hell reloads labyrinth and minotaur transfuses television crucifixion and I text turnaround transition tyrannosaurus The Eternal Hell revives and I am the Angel sitting at the tomb: my writings are the linen clothes folded up, a steady-state apocatastasis and the deep dizzy delights in devils and demons The deep drivetrains dissonance or the diabolical and I minx marl minotaur I establish the difference between external time (measures by the failing chimney or the cadenza) and internal dream time (the main body of the work) – the dream time lasting but a movement of external time, but from the dreamer’s point of view, a long stretch I stretch the dream and I elongate the dream: the dream is reality and to dream is reality I stretch the dream and the dream stretches me the long length the left length and the lighthouse length and the dream length illuminates The dream length elaborates The Dream House and I live Dream I live Dream Time and Dream Song and Dream House and I write the Dream Minotaur and Labyrinth I write the Dream the marriage of Heaven and Hell and I live Apocalypse, Krystal Keystone Kingdom (An All-Interval Four-Note Chord which is used constantly, both vertically and occasionally as a motive to join all the intervals of the work) Apocalypse pomegranates All, the apple of the dream Apocatastasis translates and transmigrates ALL, the appellation or arpeggiation of the Dream Dream approaches the strange limit, the liminal loam of the lighthouse and labyrinth / the luminiferous library I dream the iterates image lighthouse labyrinth library I dream the image recursive book beast baptism I dream the image entangled mythology music mathematics / images and icons swirl swarm signature real material and real matter, the touch of texture The primary means of maintaining motion while also varying the motion / text in time out of time in time tempest texture The motion marvels metric modulation variation / progressive variation and varying vision and the vision earth music animates my prophecy and I move smoothly (continuously discontinuously) between I write in simultaneous speeds moves possibility of texture and I Taryn Tower Time / the players sit as far apart as possible so they appear to be playing different pieces simultaneously I play pitch page pivot, the polar pour or pull I play the processes plot post-writing and post-text post-page / I parry Book poker or anti or the Desert Deconstruction I play the pulseless pulse pied piper and I prophesy children and children’s crusade with my femur bone flute I compose an elaborately contrapuntal fantasia combined in many permutations and I play the permutations: I deliver the desert discussion and in the final variation each theme increases in speed at each appearances / idea image icon, passacaglia pinot noir film noir femme fatale, a rapid Taryn Tremolando and I scripture scherzo salt circle I compose string quartets and symphonies symmetry or antisymmetry antelope acid operetta / operetta ouroboros celes and celluloid I compose string quartets the queer queen Christina coupling concatenations and she connects ellipses coils electricity The string quartet duets desert dissipation or manic modulation, meter to meter or machine to machine (tape-to-tape repetition) The string quartet sculpts scapula or spinal cord the skeleton scherzo and I structure different times different tempos / desert diminution aether argumentation I sketch string quartet animist animals the all-interval tetrachord I cut into animal chordal corpuscular or capsule body and the skeleton scampers cheetah or Christina
The Fish Forest Flesh Body Hyperbolic
Strings of fish shoot up like rockets from infinity far away and then fall back again from whence they came The fish forest flesh the body hyperbolic The fish pharaoh ferrous, the (6, 4, 2) triangular hyperbolic tiling The white curves bisect the fish moving perpendicular to the boundary, and I swallow large fish reverse Jonah My stomach is the grave, a swallow sheol / She was wearing a gold fish in profile on a necklace The fish forest flesh this is a sign worn by early Christians The fish sign rotates rotunda a rock and roll recon The fish sign at the circle limit luminescence liminal and I drink the limit lavender honey The Fish sign foams fragrant and I have the vision of early Christians in the desert, gnostic Desert Fathers and Desert Mothers I know gnosis the saint who wrote the Gospel of Thomas and the sayings seer Shaman and Witches (one such arrangement was used to build up multi-layered textures by sequentially recording sounds with the eraserhead disconnected) I record the sayings of the Gnostic Christ and Mystic Christ corner to corner tape taryn tehillim Do you remember where you were the night of Paul’s disappearance? God… I guess I was probably returning videotapes / out of control on videotape and the camera captures Christians The camera course cords kaleidoscope valley videotape vice versa ariel or urizen It was built from the sound of a single drop of water, using a variable-speed tape tape recorder, tape loops, and just 25 splices Water Woman wails whale: whale road whale fall killer whale Water drops dozen desert devil desert damsel-in-distress / femme fatale the flood Water drops dreams the immersion of early Christians and I baptize male female androgynous spirit and non-binary spirit In that instant, as I started at the gleaming fish sign and heard her words, I suddenly experiment what I later learned is called anamnesis The Anamnesis names unnames Yahweh; the Anamnesis names renames Christ and secret christian name Anamnesis auroras anthem and agent, the animal Christianity in stratified impulse groups and choral swarms Anamnesis algebras actual artist actual author, a primordial It Is Written The primordial time lag accumulates acid mescaline mix, and I hallucinate the marriage of heaven and hell The ancient Christians camouflage two chameleons in a polyhedral cage floating through space The gnostic Christians cordovan cataracts chordal space and the chameleons concave the caves in Nag Hammadi / they cling by their legs and tails to the beams of their cage ans it swirls through space For now we see through a glass darkly / a scanner darkly and the aspaklaria leavens lighthouse The specularia species spectrum, a fourth degree counterpoint contra The specularibus lapidus spans the clearing a polished stone or window / window wings woman, Christina cardinal charismatic All the prophetic had a vision of God as she appeared through specula while the Son of Man saw her through one speculum / All the prophets gazed through a speculum that does not shine, while the Son of Man gazes through a speculum that shines Through a speculum darkly and the dark drafts desert The dark amasses mystic mass the open apophatic or apophasis / a passion The passion peninsula pikes purgatory or perhaps hell and my hell is her heaps columns Hell hacks holy hadron or the dense baryogenesis / matter material mother Matter mother material writes universe and universally Matter moth material writes macrocosm microcosm and universe ungulates her grand unction / the dip or pour of the unicorn horn The horn is Hers Hell the hallowed or curved speculum and space spawns and sprawls solar serpent YOU ARE THE ONE WHO WRITES AND THE ONE WHO IS WRITTEN calls the Voice of God (the many-voiced God sotta voces female or PKD’s Woman artificial intelligence) You are the one who writes, Who Holy Woman Who Owl Woman Who Lilith Woman She inscribes the screech of my soul and my soul sequences or surrenders the She-Woman or She-Spider / I write the web I write her web the wash woven The door opened but the god that came out was a spider… He crawled up and tried to force himself into me, and I defended myself… When he couldn’t penetrate me, he continued up my chest up onto my face and on up the wall… I have seen God… The She-Spider inscribes transcribes and penetrates her ink aether aerosol capsule, the iron ingot in my bloodstream The She-Spider translates or reflects strange loop symmetry and scripture always engages a Garden of Forking Paths You are the one who writes and the one who is written, and the who waldrops helicopter noise / noise nests nests-in-nests and nested tuplets irrational rhythm My rhythm writes raw My rhythm writes rock, rock within rock Waste Land but Woman My waste land rhythms rowl rose Woman the month of mary / month of marie She kisses krystal crystal chained symmetries She collettes charlottes camille chromatic kissing multiple colors She columns cannons cosmic strings, the kiss symmetry-breaking / Taryn topological defects Defects drone the Desert, erotic matter eros ego Woman cylindrical / Taryn Tipler Cylinder You are the one who writes and the one who is written One outlines outside the overlap ambiguous dimension / Desert one originates multiplicity-at-the-origin the spinor split of the Gospel One Gospel generates the illimitable number Gospel, an inaccessible cardinal Christ One Gospel Benjamin Bereshit battalions sea battle: primordial ocean tehomic chaosmos and chaos rhizomes One overwhelms and outnumbers the numeral letter and alphabet obscures bereshit / Son of Man begins the Human-in-Hundreds I write one ocean octahedron opera and one outers as octopus the apophatic desert darkness I write the Gallery Gods Girls, an annulus bulge and cyclic expansion without beginning or end and the God Girls Guts writes me / hands drawing hands Hannah drawing Hannah The Art Gallery depicts and includes the painting, pearls pages patterns Page is Palace or Painting, Castle Crayon Crayola covering the rainbow canopy Benjamin brigades betanzos zebras the lighthouse vision cyclops cycles hypercycloids / page pigeonhole principle includes all pages The page opens hyperlibrary / clearing or cleaving I write the page open cut into the impossible closing and the page draws the pastels Christina conte You are the one who writes and the one who is written and I sleep sound environment and turtle dreams I sleep Book-Closed-Then-Open or the Book Never closed by cliff light or taryn tendrills or obsidian strings Book opens four orchestras or three symphonies from points to groups sonic strata structures stratagems and I write It Is Written I write the record It Is Written vinyl raw maw versions, the language as high-pass filters low-pass filters the written music as text blurring the roles of listener, performer, and composer I listen to the Word / I perform the Word / I compose the Word I listen to the book / I perform the Book / I compose the Book text trapdoor detourment a snapshot a press clipping an everyday object which draw all their meaning from being placed in a new context / text context canticle Text context grotesque carnival and I candy hypergraph (a paradigm is introduced into the system and iterated upon until all possibilities are exhausted, at which point the only path forward is to deconstruct the system down to its most granular elements) I’d like to think I’m involved in a constructive and reconstructive process rather than a destructive or deconstructive process; however, I also cannot deny the influence of deconstruction on my thinking I attempt to use deconstruction and recontextualization as a text to reveal the Whole Word, Whole Book, Whole Library Every technique and every tool can and must be utilized to open this Apocalypse of Alphabet New Directions / Sextant and Crossings New Directions / Text Context Alphabet sound and vision I navigate new directions negative null nothing the nascent language and the language bootlegs or scratches samples street art / mini-manifesto massacres The dismembered body of Body Grace blue is found in a town museum / bodies below is the bodies above the marriage of heaven and hell fuses dance beats, distant backing vocals, and Easter-influenced saxophone cadences
Vision and Mysticism 