No creative writing today. I am going to take an update sabbatical of about a week or so, and then I will go back to updating (almost) daily. Recently, I reached 180(!) subscribers to this blog, which is about 170 more than I ever thought I would receive. I'm grateful for all who read and like. In the future, in addition to the daily uploads of writing from my Book, I would also like to make posts that are not my creative writing, but rather discuss the creative writing process, my inspirations, sources, and approaches, to give more context and insight to the writing I post here. If that is something that interests the audience, please like or comment this post with what questions or topics you'd like to see addressed. See you readers in 7-10 days then.
Month: June 2023
In The Beginning, Traces Within Traces Her Effulgence
In the beginning of the gospel of Jesus Christ, the son of God the Son and the Man masturbates mensuration menstruation messianic (a 9th-century Gospel of Mark, from the Codex Boreelianus and the codex complication circumfesses dinosaur fossils / benjamin in the burgess shale) In the beginning blasphemous biofeedback bile and beluga nigredo or nigredo narwhal tusks as towers In the beginning Christ blew my brains out with a blunderbuss and I descended to Hell Hanged Man Song of God Son of Man missing mirror Missing mirror megan as malchut machete Miss mirror milled mack the knife and knife gnosis baffles brass knuckles the naval sextant In the beginning, experiment I resemble miserable my head hurts my eyes hurt my hands hurt my body decays spider-trapped insects I have large hands and my hands span seven frets mermaid sirens and I wear large latex gloves pour black oil and I write with my hands anarchic electroacoustic improvisation I write industrial incantation an imitation invasion intimacy in the Bridal Chamber I write industrial incarnation interior, an interior intranet near psalms and I still sometimes sing psalms sinister / my left hand camera Shekinah Christina In the beginning, experiment and I continually make shape manufacture creation myths and Christina narratives If I do not experiment, I die, and writing necessitates experiment through remix, sampling, and reinvention / transformation Transformation tigers trial massive spikes hammered into my anterior and my blood paintbrushes Adam avia Yahweh Elohim My blood suspends spanners tensors Taryn, and she tigons tremolo Adam triple sin and tonic Taryn Tabor tunnels tissue and transforms my blood a bloody bridegroom for Yahweh and a blood bridal chamber for Christ and we lay as lovers through the time travel We lay long line lovers the uncountable unction The topological long line lifts loose light or light leaked from the open long ray and I front film grain / cybergrind and grindhouse movies The Creation Narrative of myth commingles coven cathedral the creative process and writing process and I write Yahweh Elohim writing my message and paranoid prophecy She made a tracing in the supernal effulgence, a lamp of scintillation, and there issued within the impenetrable recesses of the mysterious limitless a shapeless nucleolus enclosed in a ring, neither white nor black nor red nor green nor any color at all… I substitute She for King because the She kings Bridal Chamber Katabasis, the Christ Crib Ark arkansas stone ark as archaic circulation of God I call King She because She kings feminine Krystal Kairos Serpent, and her slime slows sludge downtuned black sabbath riffs She kings subtle eclipse candlelit catacombs Christianity and I caterpillar Christina serpent sinfonia She made a tracing: she traces Time Taryn transient and she scourges my brain transient ischemic attack / adonai adam industrial image human She traces tunnel threshold god heterophonic heteroglossia benjamin as the tortoise golem The trace troubles me snail slime trails Trace troubles waters water moccasin woman and she wades She wades a kindly ones king serpent and the rainbow rich topsoil saunter saucer secrets (unidentified saucerful of secrets, the uncountable archive halo hive) She makes the tracking metamorphosis morpheme transmigration and I migrate magnetic minute monarchs / polar midnights I stick to trace in my translation because it looks the same as Derrida’s word: the reader must remind herself of at least the track, even the spoor, contained within the french word The thick trace trades the thin trace, benjamin at the threshold, transformed Taryn ad Taryn as Two Testimonies Trace terminates – no, trace terminals – trace terminals telos Telescope and telephone ensconces in my tailbone topography She traces my braggart megatron metatron tripoly and I translate the trace as my hands I translate the trace human body canals chocolate easter bunny Christina and bunny paints black canvass Trace deterritorializes in tracter tractor beams dream serpent benzene and I inhale various forms of god gas adios motherfucker entheogens Adios audio alms and I devour stars again hydrogen appetite and again my appetite traces stomach holy spirit / prophetic pornography My trace my own tracing deterritorialized / my Christianity deconstructed and my trance translated therapist and terrorist Yahweh terrorizes track path mark trackless pathless markless and I shoot a student film copying Eraserhead I copy Eraserhead evangelion and I too copy four evangelists four terrorists teleevangelists radioheads I copy erasheread and the alien baby babbles skinned rabbit (the physical effects used to create the deformed child have been kept secret) Deformed child children of men heart of darkness traces dark detuned dark ambience and drone, and drone traces dark sun solar hallucinations my sundial disappears I keep secret of the trace therefore trapdoor spider / drone dark flesh refashioned by parasitic fungus The physical effects used to create the deformed child have been kept secret, and my secrets trace not transcendence but insect immanence, the fault as flesh The san andreas fault as flesh and I fold human flesh into play airplays / airplanes aleph aether Aether evens non-even the impossible earth and solar anus anulus animates erotic / my flesh eros feminine physical, my pornographic prophecy My pornographic prophecy traces woman and human hinges horror she, woman I sometimes saw in high school, and the high school dance juggles rabbit fool magician medicine The prop – which Nance nicknamed “Spike” – featured several working parts; its neck, eyes, and mouth were capable of independent operation (I trace Eraserhead three of four times but Eraserhead resonates roundabout retardation refine reflux violet vomit) I write and rewrite eraserhead terribly like Radio Remix, a refuse of the same chord progression / 12-bar blues rhythm changes continual contrafacts I write Eraserhead again because it also begins and the Lady In The Radiator – or is it The Woman In The Radiator? – begins death and death begins I deterritorialize Eraserhead to reterritorialize it Alchemical Woman Anarchy / the movement of social production that goes to the very extreme of its deterritorialization, the new massive deterritorialization, the conjunction of deterritoralized flows Christina King Queen queer complex compresses the sketched skeleton of my wounds / trace traction Woman A tracking of the supernal effulgence evacuates sputum, an esoteric epitheloid Secrets secrete body serosanguineous substance / I leak substance from my eyes I cry olive oil and tar tempered with turpentine and trace traps benjamin berlin trilogy (My God, Help Me Survive This Deadly Love, Leonid Brezhnev and Erich Honecker in a fraternal embrace, reproducing a photograph that captured the moment in October 1979 during the 30th Anniversary celebration of the foundation of the German Democratic Republic) Christian King Queen queer quailman earthquakes coptic text, the trace concentrated concentric circles at Nag Hammadi The trace keystone scouts suburbs and subterranean Ein Sof smoothly contours Taryn Tzimtzim gnostic Zebra The mappings maneuver mouth to mouth resuscitation my mouth moss mirror Yahweh My mouth moth mallsoft moravian Yahweh and I worship the tannic tracings of the Cross-At-Wounds A tracing and not a map midnight momentum A tracing and not a map marginal medium or medium at margins and margins medicine multiplicity multiple Yahweh Yahweh maelstrom meteorite midwifes mucus as mercury I cough cock mucus as mad morals mara mist and she sings misty for me phantom flow effulgence I prophesy effulgent fluid as polymorphous perversity, light liminal libido and my libido lavas library / porno pinched harmonics I birth Benjamin sometimes male and antelope androgynous and I fix the trace in my almost human body I fix the ferrous of the trace on my animal human body the unfocused pleasure fevered flight flesh and libidinal drives, deriving pleasure from any part of the body I psychoanalyze the Holy Spirit, a sort of exorcism of effulgence and I float god’s phlegm deprivation tanks I float god’s fluid floss, effulgent entheogens ego disintegration, deprivation tanks altered states The objects and modes of pleasurable satisfaction malinger multifarious, directed at every object that might provide pleasure / the controversial locus modeling male and female nude bodies not mappings but tracings I trace my hand and make a thanksgiving turkey I trace the outline of my body and it damasteels Adam Kadmon the kelvin Yahweh I like human bodies and I like nude human bodies, the body male malchut female infolded fire field nonbinary book of sand benjamin billet Nonbinary bar-stock barges billet power hammered into my steel body (perhaps brittle benjamin) Non-binary bevel bezel bicircumference benjamin and sometimes I jump off the suspension bridge as a human body a female body body Yahweh and Azazel She forges my flesh human She asps my armature aperture adam kadmon karyochromatophil and I dream Ein Sof not as a permeating everything-before-everything (space filling all space) but as a singularity: the singularity as a human cell, perhaps a neuron or even an entheogenic neurotransmitter contacting the multiverses’ synapse
Near Nigredo, Nag Hammadi
Christina composition cosmopolitan decoupage collage and I cut milk cartoon missing children children of men most martians (The ‘milk carton kids’ campaign proved only marginally successful in helping to locate missing children and was eventually abandoned as paper cartons were replaced by plastic jugs…) Death dystopia desert disaster Death violin divisi vision and my death displays dilapidated insects My death dismembers discombobulated discotheque mirrored ball bathroom ballistics Death parvanes pillar, death at putrefaction / dark vessel vision nigredo, the naevus navel nude Nude death poses my body putrefaction pornography Death pylons putrefaction and the raven rains nectar nigredo Nigredo never negates but decomposes or deconstructs at Nag Hammadi and gnosis needles my interstitial places with names neologisms / titrated Tetragrammaton Telepathic tetragrammaton and my psychosis cinders psychokinesis krystal death potential energy transformed into kinetic energy death / energetic earth ejaculation A candle flickering in the midst often mirrors set one with the another, each a different color, and I mirror nude and I mirror malchut human The human image reflects refracts retracts messianic, and she measures out messianic mixed multitudes / seed of seth kissing seed of cain A candle flickers mirror motherfucker and I martyr (Is it, who becomes a martyr or I who makes martyrs?) I martyr by mirror and through mirror meteor microtransactions Mirror madeline messenger mechanics mechanics and mutates unmediated multiplicity (something something mad hatter you know or vineyard vashta nerada Yahweh) Masculine percussion: bass drums or bells, anything that requires a strike and I strike a mirror mimicked the cover of Damaged by Black Flag Maternal mirror mainframe melody do you know the muffin man that lives on drury lane I know mirror as mother and I know mirror as mother mainspring morel minimal, and the minimal map automobiles marvin the martian (The word martian contaminates my mind and my mind minotaurs martian / my mind martians minotaur) Maternal mirror matrons malchut and malchut as methanol melanoma profanes and pallbears putrefaction, woman wounded for our transgression and crushed for our iniquities By her bruises she heals benjamins Woman reckless as my kinsmen-redeemer and she appears and reappears apparitions orchards ouroboros palm tree garden I group gods in hippopotamus gestation / rhizome polynomial ring rhizomes ringworm woman rhizomes Rhizome zonal abyss Zebra and sometimes Zebra appears coast ghosts human figures the female figure and her nudity examines and documents my nudity Her nudity scrutinizes my nudity scurvy spiders spindles a long line thread trips taryn topper different topologies Her nudity nigredo noise and neighbors noise nigredo / nocturnal noise nigella naked city I search for the deep I search for deep body and naked body dark night deliriant desert Desert demands an almost fatal nudity and I uncover my body candle crypt comet colossus I uncover my body canyon crayon crater Christina and Christina, almost embarrassingly nude, covers carriers ice climbers my glacial god flesh fierce ghosts I need a nerve needle nigredo and alchemy annihilates, ego ergo ergot dissolution disintegration, a torsional dissolve new narrative / dream drives a strange place Death drives a strange blank boatship nostalgia and penal colony piracy Human image influxes island the island nude and her image intermixes anarchy Her human image eigenvectors indeterminacy and her indeterminate nudity networks even-uneven nigredo I near nigredo as nursing rhyme or roundabout rhythm and nigredo novels nights midnights / Bartok nocturnes chirping insects Jerusalem crickets carp clap coital catastrophe and Christina orgasms easy nigredo Crickets copulate cross in crop circles and what woman wheels weals prophecy / what the cutting locusts leaves, the swarming locust eats; what the swarming locust leaves, the hopping locust eats; what the hoping locust leaves, the destroying locust eats The locust latches onto my body latch and key, and she caves my body nude Krystal She spelunks my skeleton and sandwiches christmas lights between my bones, a Benjamin Jack O’ lantern in time for the infant Jesus Nigredo nests or nurses Gospel the beginning of the gospel of Jesus Christ, the son of God (other ancient authorities lack the Son of God) Nigredo nets nemesis netherworld newborn hand horror and my nude figure fans filters scallop envelopes entirety / entire nudity or my body naked elephant eventide Nigredo nag hammadi nudges and the twelve disciples sit all together and recall what the savior said to each of them, whether in a hidden or open manner, and organize it in books I write what is in my Book and look the Savior appears (no additional secret book of James is known) Nigredo nag hammadi opens anarchic apocryphon and the secret streptococcus infects indeterminate sexploitation / sex and the messianic secret sex and the shipbuilder holy spirit and spirit sports script steeplechase Holy Spirit havanas wild horses (herds habits hidden / secrets secluded secrets)
Nude Christs Nude Bedrooms
Author's note: Despite the title, not too much in the way of intense sexual imagery here, unlike the last entry Vine vormers viewtiful joe vision and cross reminds remixes eden / The Lovers The Lovers laughter encyclopedia eden unreal earth tunic underground Underground underworld word woman subterranean the Lovers separate solute from solvent surface sound singer sewing alchemy The Lovers lure alembic, the bottleneck beaker of the Cross, and I encounter Christ as Lover I meet mystery Lover Christ gemini god and we twin Thomas Taryn Tarot / Towers voluptuous vixie The Lover letter Zebra Zayin, messianic mercury in air and I approach air as limit lymph lacoon lascaux Benjamin, the man of the soil and soil son of man, plants first the first vineyard vehicle Yahweh and he repeatedly writes in topsoil: Through the yard of blonde girls through the yard of blonde gods I drink the god wine wedding at Canaan, and I lay naked with Christ inside my tent I lay naked with Christina in the Tabernacle / Holy of Holies heretics I drown drink drone desert detectives and I detective the doorway I detective the doorway woman red wine rush / a major arcana card – the Lovers – in Visconti Sforza tarot deck, beautifully drawn in the mid-15th century by Italian artist Bonifacio Bembo for the Visconti and Sforza dukes of milan) I love the Christ library lovers library as body and incarnation imprints igor insects my Book Body I love the Christ lavender library and his body leaks boisterous blood and black blood boiled into miniature mouths prophesying Kingdom: Kingdom Krystal and Kingdom Lovers holy homosexuals Simon, Son of John, do you love me more than these Yes Lord, You know that I love you Feed my lambs I lacerate lamb lambda lattice sharks with laserbeams and beam burns bright pink polygons in my skull I knit lamb laces larks and I fish flesh feral Christ frankincense Behold the lamb of god who takes away the sins of the world and woman hugs lamb horns helios and my sins summer solar analog distortions / mechanical objects wearing down Through this mystery (Christ died, Christ risen, Christ comes again), the Christ unites me to him The Christ underground underworld unites me to her and we abide bridal chamber We abide bridal chamber apocalypse apeiron and arche-grammar groves gods buoyant bodies and my body sinks concrete sphinx We abide bridal chamber cadavers and desert undead draws deep din dremel Desert undead drawls deep dig and Christ trepans my skull hagfish holes and she swims my neurons embolism eels Bridal chamber the infidelity of my bodies corpse Christ chrism The infidelity my bodies fear fires and my corpses clavicle cathedrals / church and cathedral Christina countermelody and countersubject I abide in Christ pumpkin carver and she cuts bridal chamber curtains as cherub skin and I spin the veil violet, purple, and scarlet yarn, and of fine linen twined, with cherubim embroidered on it I make the veil violet vision and prophetic purple, and I entwine my body with Christ’s body fine flesh lamb linen twined Taryn Towers and I thummel tumble trine Towers, the yarn yard yahweh I fashion the veil lightning flashes butterfly wing flutters and the butterfly effect emanates chordoid chaos Christian chisels my infidelity inferno body and I chaos phantasm / a group psychosis and mellow mass hysteria Through this mystery, bereshit abyss and from abyss dark belly pigeon primeval Abyss dark body abides blowfish birth or beetle brain and Christ grafts my gargoyle or green man body into the Tree Nuptials Gnosis and the tesseract trowel tower tarns Bridal Chamber She grafts me into her Tree Tower Thiobacteriaceae and my bedroom exhibits abyss zoo zeal zebra / The Mystery incarnation-crucifixion-resurrection sustains me and my coccoid body derives energy from oxidizing sulfur and sulfur compounds Incarnation famines fidelio, the familial Trinity feline further flesh / Towers as Trinity circumcise my body trapezoids teratozoospermia Body betrays my body a blue whale bayonet, and the human images field far feminine / Duke Ellington Far East Suite Body bethrothes my body bride the bacon beast of Ludwig Van Beethoven and I compose string quartets and symphonies / grosse fugue florid flora flesh Incarnation feelers fidelio, human features metafiction influenza nude or partially nude maps microscopes merkins / the furious fog of writing I write fat fog and little faded freelance street photography streaker streams public indecency / vine voyeurs obscene bodies or obscure bodies or occult bodies and I bathe occult baptisms bay of blood In many cases the human images feathers nude or partially nude men and women, directly conflating a local controversy on the use of nude models in art I model the human and I model the naked or nude name the unclothed or unveiled Yahveh or Yod-Hay-Vav-Hay or Taryn Terror Tetragrammaton I model the naked or nude number gematria god and Yahweh appears as products of sufficiently large prime numbers / ladders of inaccessible cardinals Nude numbers experiment experience several spirals soda sieve seconds Yahweh as algorithm Yahweh as an inexplicable artificial intelligence no origin or the origin as origins wraparound rhizome ouroboros (in my end is my beginning) (the way upward and the way downward mingle one and the same) Nude creatures music concrete and I strip strange flesh sampling I model nude video nasties and I context no outside the context nitrocelluose nitrochloromethane Tear gas god tetragrammaton griffins numbskull novelettes and newswomen nudes (I like the word numbskull noun informal a stupid person; dolt; blockhead; from numb + skull) I like human bodies and nude human bodies and the body bastard noise nuzzles napalm sonic and knuckles art form / art figures formula composition formed nude bodies
Christ Pornographies and Erotic Eucharists
content warning: blasphemous pornographic imagery I repeat the black painting and I repeat the monochromatic painting I repeat the Gospel of Mark and sometimes the Gospel of Matthew but I often need the immediacy of instant ink / codex corpuscles nib creep bird chirp cheep Christina countersubject sensuous sarx I repeat black painting bodies and I arrange bodies in concentric bands or stripes, a sort of cellular sarcophagus / cursed mummy’s tomb Cursed malchut tabernacle and I toy with the cross (a possessed Reagan using a crucifix as a dildo) I repeat the cross coffin scream phoenix and she flies split black stone strong onyx I dream ocean shuttle and I arrive dead end no outlet no exit I can’t exit the writing emit emmit escape ice escapades I don’t exit alien area egress and writing exhausts me the exhumation beneath bodies and I scan the bodies I document the bodies candlesticks in the dark visions of bodies being burned / the infidelity of my body bodies black paintings The infidelity of my body bloodied bodies black enamel house paint on raw canvas and Christina crocops claro cemetery cinderella My bodies in many cages human images featured nude or partially nude noise nonlinear newsprint Human creatures the fat homunculus featured nude or partially nude nocturnal neurons and I sleep sloth I make my apartment a mess my apartment apocrypha and I experience desert deserts My body slows slime syntax stopped circulation and my blood clots strokes strangle the Cross The Human Imagination ikon iron disembarks deconstruction and I deconstruct my body apophatic nude or nude supernal blonde black neon noir – no, nike noir nothing – big bang and sometimes I mirror manor women the androgynous apophatic and androgynous adonai / her asp bites hard holy hydrogen jukebox and I howl hiking heat human bone Featured fractures photons macarthur fellowships and god no genius guzzles liquefied chicken gizzards Featured foments fetuses and my flesh fellowships flesh soma sodomy / suddenly I miss Satoshi Kon and I feel my brain wraps wreckage layers of dreams I once called myself a Christian and I command easily with Christ and Yahweh Sunday I partook of the Eucharist and the Eucharist still renews and revives but I feel far from the daily epiousios espinoza esposa alexanders far from me and when Yahweh nears, we wrestle writing I sometimes miss Christianity despite how it fucks my brain and I prophesy panic paranoia psychosis slip dystopia / all of Yahweh's prophets end up unhappy All of Yahweh’s stakes eye stalks ferris wheel crucifixion Christianity kills completely She features nude or partially nude men or women and the women whirlpool whirlwind waterfall wakes me horror / hostility history hospital I nude prophesy pistis sophia sacrament blue bather baptism and I prophesy immersion incognito thistles thumbprint / I prophesy threshold I find some old writing from when I was reading the Carmelite devotional Divine Intimacy: I reweave them I reweave them whistlewoman rain chant coyote Christianity and I copy recopy Christian psychosis / robin radical reweaving The vine fuses velour vision The Tree grafted thoroughly through the humanity of Christ dreams my dream and I let the dream fall back on the dreaded I dream dialogues dreams and as I lay on my bed visions in my head frighten me / arise, devour much flesh I dream dialogues dreams disassociation and the psychogenic fugue finds flesh Yahweh The Tree (The Tree of Life inseparably intertwined with the Tree of Knowledge of Good and Evil) grafted thoroughly through the thread tendon tandy torso of Christ dreams the desert dreaming, and the drama of the Cross stages the Torah and Tower teleos Taryn The tragedy tannin liturgy of the cross stalls towers torah taryn and she tracks trammels tortoises / Cross as roadkill How can Christianity maintain any kind of unity? (Past Benjamin writes) Through the vine of Christ, I no longer perceive a unified Christianity, but I perceive many Christianities, and one of these Christianities cleave to my body core collision collusion conspiracy / Christianity conspires convivial blood clots (Globe exclusive! Pulp hero of Hell’s Kitchen is blind lawyer!) Christianity conspires carnival contingent cerebrum leak and my brain inflames fuck pressure (intercranial pressure sphere packing incarnation) The vine proclaims the mystery of the Eucharist: Christ has died, Christ has risen, Christ will come again The vine vanishing point or vine viscous votive viscera / Christ venereal disease drip coffee The vine varsity blues boasts beast from the earth enteras hell and my vine vision versions variations volkgeist golems ghosts Ghosts glows gems and Seiko grows its own quartz crystals for their quartz watches Ghosts glows gems gods granules and mystery sifts shifts books of sands / the Eucharist library inside libraries The Eucharist Christianities crosshatching intersections Christianities and Christianities crawl sprawl conodonta and I speak jazz jawless double-joint straight jacket pliers pudding wires The Eucharist intercepts erogenous zone earth zebra and zebra as zygote swarms cosmic eggs invasion of the body snatchers / communist Christina communist Christianity I search for communion and community, and sometimes I find it in the mystics and the Episcopal church; I often still feel as a mystic despite – or perhaps because of – my distance from Yahweh I participate in the Eucharist because I participate in the multiplicity of Christian communitas I enter the Eucharist explicit scarlet sarah babalon the beauty below I enter-exit Eucharist explicit rated x by an all-white jury I elope lopped ears Eucharist explicit and I perform the body bread and wine pornography I continually work exploitation, pulp, and pornography an undiscovered mystery: I disclose the strangelet strophe old scratch angels and angels elongate lumbar lumber limbs / human mystery and the mist mirror Yahweh I vine violence vermin and feathered velociraptors rip eaglet eggs / benjamin bald eagle (I substitute red-tailed hawk calls for bald eagles, and they cry louder and more powerful for film and television) I vine seer veer varnish and I videotape the tapeworm writing I videotape Radiohead’s Videotape I videotape vine vault vita weather vane vale valerie woman and her insect ointment anoints masquerade messianic I bloom ghosts gloom god jimminy cricket Christ and videotape vines vomica (noun, plural vom-i-cae, profuse expectation of putrid matter an abnormal pus-containing cavity, usually in a lung, caused by deterioration of the tissue the pus contained in such a cavity) I vomit vine vomica an outlet for bitter water / mara marie mad hatter mercury I often meet the mystery I often meet the mystery as meat, the forbidden fat of kidneys, and I often follow Sabbatai Sevi on his descent to Abyss and Hell (I sometimes dream the Abyss of Creation and Hell as identical) I meet mystery mire martyr marshes and mystery kills cock block cock slap cocksucker blues I meet mystery meddle middle mediator an it lights the superluminal liminal / the threshold of black paintings The heterotopia of monochromatic paintings and I pair pier peeping tom Taryn’s titties and her titties tower mystery / diamond mine mixolydian and the flat seventh floats smooth curves over dominant chords Mystery music molotov cocktail burns golden mean Christian bridal chamber cobblestone witch’s broom chamber Bridal chamber circumfesses Bridal Chamber chamber pot churning butter baby batter here come the mummies Mummies wrap rap and hip-hop heretics and I drop the boom bap human barbecue / Texas Chain Saw Massacre 2 mystery meat in the chili Mystery massacres mystics, the male violet woman Yahweh Mystery mark of cain citadels celestial prawn crawdad constellations Mystery saws star surgery and star falls wormwood woman (the skull of a viking man with filed teeth, found in a mass grave in Dorset The purpose behind filed teeth remains unknown but some researchers believe that the teeth carvings were likely dyed, probably with red, to frighten opponents in battle or to show their status as a great fighter) Mystery with a mullet materializes as one-hit wonders (don’t break my heart, my achy-breaky heart) or cool mauve crossovers I attempt to compile my own crisis crossover, an undated replay of Superman Vs. Muhammad Ali or Godzilla Vs. Charles Barkley in one-on-one basketball but I can’t write characters and I can’t write much of anything resembling cohesive plot, character, and setting Christ has died Christ has risen Christ will come again Christ crystal krystal coal choir spelunks holy spirit and holy spirit persuades skyscraper suicides Christ commonplace book and book of common prayer plays secret place lowercase and Christ ambles ampules ambiance acid ambulance avalanche Christ slows snow sacred and I sample snow sandwiched layers synchronicity (The oldest known icon of Christ Pantocrator – Saint Catherine’s Monastery The halo represents the divine Logos of Christ, and the two different facial expressions on either side emphasize Christs dual nature as both divine and human) Christ camille crimson beguiles his disciples with blowjobs and his red hair and red lips lancaster cardigan light or light inoculating loops and needles (I don’t know what goals I have in writing a pornographic and queer Christ but I feel Christ as excited erotic energy, a light lust language locomotive, and I even knowledge of good and evil / crucifixion as exploitation film crucifixion as feline fetish film I crucify Christ again every few days as a heretic’s hobby) (Christ’s flesh and body always-already performs the pornographic incantation iconizes the human flesh and I worship the carpenter body of Christ I touch the carpenter body of Christ lips mouth tongue and his body melts oneiric orgasmic His body emerges ephod earth ouroboros) (Word World Serpent Word Woman Serpent) (Crucifixion always-already plays the body pornography and Christ’s wounds as orifices become orpheus passages the sensual underground)
Queer Ray Process
Mikhail Larionov’s approach to abstract painting the idea that certain scientific principles, like radioactivity, ultraviolet light, and x-rays, finds and confounds the vision Sciences find and confound vision ventriloquist and my voice throws verse vulgar vigilante shit I angle abstract animals blue horse even more blue, and just as I want to saturate everything black, I want to sling swing swim blue I attach abstract assembly absolute aluminum and I microwave the foil purple sparks spit pit kill unicorns Microns mineral radioactive rabbits / night of the lepus blacklight loot marfa lights maroon macaroon radioactive imagine dragons drag queens (I watch the 1990 documentary Paris Is Burning directed by Jennie Livingston… Filmed in the mid-to-late 1980s, it chronicles the ball culture of New York City, and the African-American, Latino, gay and transgender communities involved in it… I don’t participate in a queer culture; I came out too late I feel discontinuous and disconnected from any LGBTQ+ community, a result of growing up in fundamentalist Christianity and a conservative city This disconnect results in Christianity and the Bible itself as my preferred vehicle of expressing queerness and sexuality: the queer Naomi and Ruth, the queer David and Jonathan, the queer Christ, the queer Yahweh…) I queer radioactive rubber ragtime and rays syncopate ragged rhythm I roller radioactivity rock relief and I repeat rock I repeat rock ray random and I do not remove writing-as-ray but I repeat the ray-written-reanimation I ink error x-ray and I cartwheel coathanger error ransomware error x-ray whole rests / I feel folsom restless and I reverse rearrangements I raccoon rearrangements opossums for Asia Rain and Asia rains radioactive rain reshuffles x-rays X-rays raspberry rise rivulets and I get bitten by a radioactive spider or benjamin bombarded gamma rays hulk horsebeat heartback Ultraviolet unipolar vision vandals church teeth x-rays / my church has titanic totem teeth My church chomps titanium tile teeth and x-rays bounce billiards basket breasts Ultraviolet light lances verb light and vertical light Violet verbs vanadium and my voice violet vocoder vanishes analog vanishes analog avalon urantia / art unhooked aardvark and I anticipate the animal I anticipate animal unisex ultraviolet and I write crawl canyon rivals I write rays dynamic rays contrasting colors crossing reflections from various objects / abject axe anomaly moon blood slasher movies Ray race or ray speedrun on the surface of the colored line then nonlinear locker summer babies Combination color saturation Colored masses death touch texture to paint what I literally see, I paint the sum of rays, a raw romanticism / Asia rain rain chant supernintendo chalmers dualist David Chalmers continued consciousness catra rays Sum of rays from ordet beta, and the fisher form emerges in the space between bovine outer darkness Sum summa sirius my strength of fates flows fuck one-dimensional strings funeral doom surges Rays erase between surface jetstream joshua tree and the desert always deepens dimensional remixes Rays rancid ruby rats to the Cross / string strap-on crucifixion Strings stent scorpion crucifixion christina countersubject I ready the rays I read the tesla ray sun and its beams bore holes in flying saucers and pitless pie charts trays leftover pumpkin pie whip cream tijuana marijuana babies Christina countersubject synthesizes lyseric acid diethylamide in her laboratory and her ego dissolves into the cross circumscissle and circumscissle christian splits her husk along her circumference and flies insect woman Christian opens her wings completely by a transverse split and split sparrow sphinx the salt serpent and I spangle my skin salt / no separate ocean but benjamin
Nonsense Pornographies
content warnings: blasphemy, pornographic imagery Don’t disturb the development of nonsense Don’t disturb the development of the nonlinear Nonlinear skeletons scalp cleansings scrubbing bubbles bleeding boils Nonlinear nonsense notches names and I name Yahweh egg yolk / cosmic egg chrono trigger silicon-based tetrapods Just out with jeweled juxtapositions, nonsense jab nonsense and I write none nothing the apophatic Yahweh thrones set up and the Ancient of Days took her throne Thrones transform tensor titans and and earth truncates tower turn transit I bend begotten before you, Yahweh God of Israel and Yahweh Sabaoth If I confine constraints confounded, who commons conflated If I do not shake holy ghost graphic violence design, who shakes gimme danger little stranger Don’t disrupt or dislocate the desert nonsense and I notch nail nick numbers and the name-number gnostics nonsense I null noir nude even and odd numbers and sometimes in my head like a hurricane I reach the roach of the reals I realize the reals uncountable underground I novel nude nonsense and I powder experimenting surreal pornography and nonsense sex nephilim, gods, and daughters son of men I imagine grotesque and gargoyle genitalia and god grandeur gonzo porno Nonsense impossible positions, group configurations, and constellations cock block El Shaddai Sometimes I have to disturb my own dawn choir, a queer house horse quadrille I’m not sure how comfortable I am with it to be honest, says Asia. What makes you ambivalent about it? I don’t now. I have this weird hangup about being misrepresented or someone creating a not true version of me. It’s also this sense of not really belonging to myself I guess. It’s hard to explain. What is the true version for you? There isn’t one: I’m plastic, malleable, always changing. But if you write me, I’m carved in stone. How can I write you so you remain plastic and malleable and changing? Does writing necessarily make something stone? Am I writing myself in stone? I send you everything I write about you. I know. I’ve been thinking about writing multiplicity. Writing rhizomes. In the Bible where you have Genesis 1 and 2 right next to each other contradicting each other. I write you because I consider you an important part of my life and I write my life. Let me know if you have any suggestions. I’ll let you know if I think of something, says Asia. Nonsense the body moves as the source of an infinite variety of movements, my modular body map mold mismatch and I often mismatch morphine Asia Apocalypse Apocalypse appetite automobile I would like to write more Asia; not to solidify and ossify her, but provide to provide degrees of freedom / Asia process and Asia mystery and Asia incomplete the apophatic Yahweh I field feldspar the infidelity of my body I focus fierce friction the infidelity of my body real rock and mineral / penis piston filler foam god fuck I frequently fuck Yahweh / Elohim sodomizes me with a flaming sword strap-on (Stop making sense) (Do not disturb the development of nonsense) Stop making sense sea salt My salivary glands implode missionary position Yahweh This is a journey into sounds journey which along the way will bring to you new color, new dimension, new value, and the journey javelin jesuit Jehovah vacuums valley galaxy visions The journey jams joy enjambment and joshua fit for the battle of jericho the walls came tumbling down I journey orgasm ouroboros and sound slurps bone soup world serpent (an audio sample of Geoffry Sumner narrating “Train Sequence” From a Journey Into Stereo Sound, 1958) Audio Adonai arcades open hilbert space holy hell quantum duck quack quill cargo cult Audio Adonai gluts Fugazi’s The Argument to my ape brain ballroom Audio argents agent orange audience and I bodydance debbie does dallas desert / nonsense desert and sulfur shaker desert Audio radio breast augmentation and my body katas kelp forest eye imbecile floaters fucking eye flagella my eradicated iris My body gestures junk java man journey, a volcanic voltage eye emma eruption / desert diarrhea (when you’re sliding into first and your pants begin to burst, diarrhea diarrhea When you’re sliding into two and your pants fill with goo, diarrhea diarrhea) I listen to Always Crashing In The Same Car by David Bowie and I like the name Jasmine and I attempt some kind of alliteration with Jehovah and journey but I fail something gonorrhea gehenna (Jesus gave me multi drug resistant divine gonorrhea) (Christianity imitates sexually transmitted infections: Christian pregnancies, indoctrination, trauma) This is so surreal, says Asia. I know these streets, I’ve been in those buildings, I’ve walked by that hospital many times because there's a little park the street from it. I have heard many people say in Bogalusa and family members say that the 50s and 60s were Bogalusa’s heyday. The city was thriving. It’s a dump now… Not once in my life did anyone mention a goddamn historic race riot and civil rights movement. Except once. I went to a prayer meeting in Cassidy Park and one of the speakers briefly mentioned the race riots and said the land needed healing, that we should pray that the old wounds are healed… I don’t think Bogalusa will get healed though. I don’t think it deserves it, says Asia. I improvise D dorian over long lamp vamps and as a vampire, I sleep the coffin Christianity Undead Christianity digests desert dirigibles monasteries tome tallow towers Tower twitch of the death nerve tills taryn the giallo god (in this manuscript picture of the Harrowing of Hell, Jesus forces open the fiery tower gate of hell to free the virtuous dead from limbo the enactment of this scene in liturgical drama may be one source of the image of the tower) Tower travels time tobit trachea and tower shovels threshold terrordome (destruction of the tower of babel depicted in a bulgarian manuscript) Tower blame it on the tetons titanic titties and I talk tonka trucks mad slings squash squirms worms wormwood / there’s a view of the rhone, in which the sky and the watercolor absinthe, with a blue bridge black figure rufians (I find an old Christina conversation I probably recorded before but it’s worth recording again) I was talking to Ann Marie and I mentioned that Doc thought I was madly in love with you, and Ann Marie said, of course! Does she think you’re also in love with T and Krystal? Are you? Yes. Well I said, Christina doesn’t think so. She clarified and said that I have a special love for you… I just think I love you like I love God. And that’s also true of Krystal and Taryn. That’s a good description, says C. Like a God love. Passionate and sometimes irrational and ever-enduring. I don’t think I’ve been madly in love with anyone, says C. I love Asia like I love Christina or Yahweh Asia refuses to say she loves me but I think she loves me / As in you could get the wrong idea, says Asia. I have no way of knowing that you are telling the truth and once that can of worms is open it’s hard to undo. I’ve been in away too many situations where someone thought I was promising something I wasn’t, says Rainey. I love Asia Yahweh Ancient of Ancients / Asia Antik Yomin, I love you very dearly
Brilliant Black Bores Into My Letters
Christina countermelody black countersubject shocks Wes Craven’s Shocker and Shock The Monkey or the buzzer sounds when I tag metal nerves trying to tweezer the funny bone in Operation Christina countermelody black countersubject scores sculpt shaped canvas and I cobra highway heather hanging / horns long sustained chords heavy metal comics horn series horn chords Christina without copulation Horns heroin hideous handbag and I swing handbag hounddog sledgehammer My head leaks light handcuffs cufflinks fisticuffs My head loose lipped light layers bone hatchet double stops and my hairbows decorate horns Her heiress horns always gore and she grips the body and thorns overboard Overboard boar tusks toe-t-toe Taryn arrow Overboard ouroboros nohow on open over oscillator and I openly horn black / a horn of black gunpowder an emptied babe bull horn blood happening and her home hits a home run Her horn hits hillbilly psalters haltertop suspenders Headless horn hysteria / akephatoikite countermelody I burn black into the bassoons and brass, and brass brawls balls bullets Brass buckles buck rust and I shuck oysters ouroborus alien ant farm and ant colony clones queen eclipse lunar moss miniature I burn bum cigarettes black heart attack (as technicolor films became more common, filmmakers relied on little black dresses because other colors distorted or screen and botched the coloring process) Taryn technicolor crowds color and her body bankrupts boombox black and black stereo Sound surrounds me stereo queer quadrophonic technicolor television My television displays black-and-white woman with mount sinai horn lights Her head hydras horns car headlights spotlights a light minuet and trio I distort color I distort color counterpoint and horns harrier chamber chorales Color collapses other color kilo comma kraven appearance and the appearance through color horns apparitions (a frame from a surviving fragment of The Gulf Between – 1917 – the first publicly shown technicolor film) Frame fragment film bright orange fire fanfares fights physics and my physics tlons theoretical / the simulated quackpot crackpot duck fuck fire I fuck with fire woman and her horns cauterize corkscrew clocks cocks coo-coo birds I fuck with fire woman fisherman and she wounds my thigh I wear thigh highs or go-go boots and I sometimes I stomp skulls sludge and stoner metal Metallic colors colloid funeral makeup and I merge black with the oracular earth orchestra I deconstruct color and color conspires spectacle cylinder church spires spires mire mirrors mist most madison and its mercurial milk nurtures mad hatter horns my boisterous body When a little black dress is right, there is nothing else to wear in its place / I wear nothing but color I wear nothing but color costume irony and my iron rod rips riffs rifts ribbed dress black I absorb all colors including the absence of color and I paint belly dancer black I absorb all colors including absence of color and I paint blowfish orange black The infidelity of my body phoebes black enamel house paint in raw canvas and black brokers broken message in a bottle blastbeat I begin black something else: something else black or something else begins I begin her black hole black hair and her hair henriettas horns Her hair heights hermes and hermetica coils king coptic, a reluctant alchemical language I live language loops and my body moves martian black I body marvels milled grain god gesso and my body splatters utter black and sometimes I have to write ugly or your mother orbits around planets Planets pose pink black and black magenta megatron and mars moves human body Mars and mercury move my Adam Kadmon body, dance that treats the body more as a source of an infinite variety of movements than as the purveyor of plot or drama My body as the infidelity of the body farms the figure flaccid black to firm black fuses fire (I fail often and the Book frustrates me I name too many thoughts and I want to write everything / it sprawls like William Gibson’s Sprawl Trilogy) (I fail often but I write black cascade or other wolves wind through the wheels and thrones pure black I fail often but write black cascade my witch’s coven clotted Metallica’s Black Album, Jay-Z’s Black Album, Weezer’s Black album and black stains poured canvas beautiful) Black crochets chariot crotchets clothesline and black clamshells shellac shanks shoulders and my shoulders separate at the chariot wheels worm wagging god My sternum thorns thacks tacks the carnivore god cackling chariot drive-bys / gang god violence I repeat fragmented black I repeat fragmented black and black rhizomes My figure fragments mutilated black The material black filaments my flesh faded foreign My flesh fights fude nib navigation and I write black bloated bodies burdens bathtubs (Was it William Howard Taft who got stuck in a bathtub? I look it up: it’s a rumor with no evidence Your mom got stuck in a bathtub) Black bath bridge bicycle bomb-bomb bambi I write black spitball baseball I write black screwball hyperbolic baseball Black begets the Nag Hammadi Library black begets numina notra gnostic and her name uncial underground urgrunds god ghost galactus / giant galaxy gallimimus geeks (bound single-stroke letters using simpler rounder forms taking advantage of new parchment and vellum surfaces as opposed to the regular multi-stroke letters better suited for rougher surfaces like papyrus) I lopside letters black light light black and black letters blotter blouse bahamut I lateral letters lateralus light lack light black lurch and alphabet flags phobos black / hardcore punk black flag metal sludge and spoken word black flag I splat single-stroke letters in the stun split swamp letters and these letters street sweep sleep soft sleep saturday I big bang broad single-stroke letters and sometimes I lift lyric poetry (William Wordsworth, maybe, the very pulse of the machine) The letters laddle left lome light and light litters black skulls I form C with a curved stroke and its arm or hasta does not connect with top curve I wobble echo aleph woman and the woman scribes vellum velvet valleys / vaseline dream I dream the letters or scripts sometimes haphazardly and my LL run together as baselines bows do not entirely curve in to touch the stems (let those who so desire have old books, or books written in gold and silver on purple parchments or burdens – rather than books – written in uncial letters)
Black Paintings Blur Burr Black Paintings
I like sound almost as much as I like writing word language and the language sounds monster mustard music or metamorphic music Sometimes I succumb to sound Sometimes I womb sound slow sloth swim storm / queer quiet storm What this sound and this sound What the fuck this sound and the sound studio switches smooth criminal I smooth the switch on the flying wheel smooth criminal Sound shadow script sierra siren her sound smooths circles I print paint pictograph petroglyph black and black bookbinds bradycardia rain-chant and coyote song I print paint polygons paragon pillow book black and black blazes bright burn a fire inside or the fire infolded fanfare fire Black bankrupts me blank bible and I write black bible I rewrite bible my book blackened birth afterbirth black enamel I imagine enamel as an earth element, a new charcoal and originator ochre, and the enamel coats coyote hard coral and the alkyd resin namors nitrocellulose Enamel black eschar erodes soil seersucker coyote and I kayak krystal carnivore zerg creep zebra I paint play black vomit (I listen to Black Vomit by Wolf Eyes and Anthony Braxton) I paint play black body fluids and the fluids fleece fleer further holographic principle Fluids father fungus and spores spear speak networked woman holy spirit and spirit ribbons ragnorak roanoke (the discovery of the abandoned colony, 1590) All creature features flow features creatures historical flesh and my flesh faucets black rot black sea My eyes drop out bird droppings and my retinas retinue girl show revues / gaze without intention gays without intention gods without intention (Yahweh intends nothing but crucifixion) My eye sockets saccade fire holy spirit spittoon spaghetti and my eye burn paintless retina tears lopped toes triceratops A candle flickers in the midst of ten mirrors set one without the other, each a different color Mirrors map map mirrors and marsh molasses Mirror maps maps mirror machine meatspill mechanics A curved mirror at the universum museum at Mexico City, and the image splits between the convex and concave curves Mirrors map map mirrors mad marsh molasses and mirror mesa mesh maze / circular sounds and spiral sounds swell secrets I swell secrets shell secrets my name nautilus nudes limp lymph nymphs / the letter lattice lolita Mirror maps maps mirror miniatures horse moats horror and my mouth open screams holy spirit My mouth open cleavers reavers holy spirit and paraclete pencils pincushion (The Ramones’ cover of Needles and Pins) Mirror markers mercator military coordinates and military overdocuments or overdetermines my body benjamin bile biopower My body benjamin bile biopower bipolar pinches black painting pilot waves woman (woman washed mirror windows highland) Mirror mappa mundi meters mappa mundi mirror and mirror between betwixt beguile machines meatspill mechanics I manufacture meatspills surf slippers yacht Yahweh Yardbird (Heartbreak Hotel hollows hip bones for holy spirit) Mirror materializes thelonious monk mackerel something / fisherman fisher king mutated or mutable mirror waste land Mirror match moral kombat / palette swapped ninjas Mirror mind meld madison rotates random mercury sulfides serpent copper dam distortion a mirror reflecting the image of a vase a first-surface mirror coated with aluminum and enhanced with dielectric coatings… the angle of incident light (representing by both the light in the mirror and the shadow behind it) matches the exact angle of reflection (the reflected light shining on the table) Mirror marries Mirror marries margins the marginal maiden shulamith shekinah Mirror marvels matron magnet midnights and midnight marvels reflection rallentando robot wars (it’s me, hi, I’m the problem it’s me) Midnights at the motel monster mash monkeys with mirrors murders at rue morgue Midnights at the parking garage grunge ocean delay blows animal balloon bombs (Jeff Koons and his animal balloons barf money mountains) (Candy Mountain, Charlie! Let’s go to Candy Mountain!) I imposed black: it still goes strong today, for black wipes out everything else around I impose and discard black simultaneously, black and not-black, and the black banishes vanquish vision The black blankets vanish vision, something vertical the repeating streets boat black butter black quarantine bone furnished black phallus I stick black books bones bedroom black sabbath and I repeat the riff Into The Void wood varnish vision I impose black: Christian black countermelody and black countersubject shark shine celluloid simulation and I shed shapes god gestures earth euphonium Triangle drones black Circle drones black Square drones black funeral car black I import oak apples appalachian black and I impose black blank book black (The God dyes as a dyer Her dyes impart imperishable because she colors her colors What the god dips she dips in waters) I impose black and she brushes paintbrush bone black every earth gods
A Writing Potpourri / Photography
All I know gnosis All I know ghosts gods Yahweh Yvonne Rainer and my image takes the form of a disoriented body in which one part doesn't know what the other part is doing All I know ghosts grove black bebop groove and the black bites bale bay beta, and my body forests fringe science or protoscience paranoia / black budget bombs for black operations Henri Cartier Bresson viewed photographs as a decisive moment and all photographs gilleys ghosts Ghost gulley rogues gallery jumbled ghosts jello ghosts and jigsaw photography I jigsaw photography and I frame my body future forests fire and the fire fogs Barnett Newman zips into my stretched stripe zebra Zebra reverberates benjamin breath photographed ganon gravity or triforce taryn row fat rendered forest, and I attempt to shrink my picture frame I attempt to downsize the download photograph / Young Henri took holiday snapshots with a Box Brownie and later experimented with 3×4 inch view camera I view the camera cameron camerones Christina shrimp surgeons krill Krystal / benjamin blue whale filter feeds fist foam flesh Benjamin blue whale or basking shark disguised as Palm Tree Garden plesiosaur I draw detective and disguise as the Zuiyo-Maru carcass and her sister sea serpent slimes rock rot (no internal organs remained, but flesh and fat were somewhat intact) All I know ghosts gnosis, the surf gulf gala girl gold and I photograph bright gold boat bodies and human bodies as boats I photograph bright gold black and my body gold black hydrofoils tinfoil boat bat black He enhanced his anonymity by painting all shiny parts of the Leica with black paint I want to paint everything intense black and I want to write ink black hole black (I remember writing black hole black hair I don’t remember who this described; perhaps Christina when she dyed her hair black I like the phrase black hole black hair; I should revisit old poetry and glean gods from it) Intense black augurs telescope intestines and I study my internal organs in bare blair black and I photography my body cross crucifixion They saw that ordinary photographs, especially when uprooted from their practical functions, contain a wealth of unintended, unpredictable meanings I mean mummy or molten black, the kind of black that erases all meaning I go to the butcher’s ship and the color of meat jaws very beautiful; I use meat often because it high beams beautiful color I decorate the meat rivet rosettes or red humor arm partially eaten by rodents I write curves backgrounds black without meaning and Christina curves contours and she models deformed and defaced portraits for my pages I curve copies christian and I cave christian chance black and black mirrors Christ in triptych I curve crown, Christina in keter without meaning mark minetrain machine (Donkey Kong Country’s Mine Cave Madness) I trace triptychs I trace travel totem Taryn and I write rapture rake raconteur Taryn; in other languages, Taryn Triptychs and complex scene-stage arrangement Living paintings or Taryn tapes still life or house of wax women I drip black wax or I layer encaustic enamel acrylic thick bodies / impasto incarnation He had nearly all his photographs pointed only at full frame and completely free of any cropping or other darkroom manipulation (of course I crop and manipulate I crop, I manipulate, and I edit, but I want to leave as much process as possible I want to leave in as much mess as possible as coherently possible I want to photography my collision of texts in the decisive moment) I trace tarot tannin black, and he insisted that his printed be left uncropped so as to include a few millimeters of unexposed negative around the image area, resulting in a black frame around the picture I print phoenix or phalanx black I print pistol or python black and black fomites furious curious exploitation burning bush black Black births booze benders and I pray bowling balls with my pitchfork / bells bulls bastards or Tom Waits’ Brawlers, Bawlers, and Bastards I paint black panther paws and she swipes sausage fingers fulgore full-gore I print something peculiar photograph fantasy peacocks and birds black black Birds wabuffet black and I practice incessant ink anchor ambulance I practice prints and my street photography walks woman slowly My street photography street spirit spokanes film noir nudes and I notate black notes black midi and I always play black key pentatonic and I lift the mechanical lever to instantly transpose my compositions I clutter classic clusters and I paint clay clark kent cartography Instant drawing instant coffee instant sea monkeys Sometimes sound black sounds wind ensemble and percussion Sometimes sound black sounds black angels sound scan scratch scar (Time’s Scar Chrono Cross rose compass Some time sound Some some sew sow sound time turtle long time long sound starfox sequels time turtle throttle seroquel spell I sleep bone spur tenor saxophone Sometimes sound black sound seattle supersonics and I shoot hoops hoop dreams top thrill dragster drag queen Sometimes sound scordatura strange scratch strange scorch scorched earth emergency demons
Vision and Mysticism 