I write god notebooks     I write god notebooks KRYSXTRYN + Asia With Weevils     Notebooks prophesy weak language / wild wide powerful languages     I work very wide vav and I work radical vertical notebook visions   (visions fairy dust doll parts desert)

(My wife borrowed my notebook and wrote in big block letters: He is more sure of himself than God)

I point to partial gods and gods divisionism.  I layer blocks of colors next to each other: colors luminescence and synthetically brilliant.  I juxtapose blocks of color bioluminescence and living colors.  I point to demiurge mistaken for demogorgons and these greens and yellows mimic a jealous god.  I point to this god hammered into my spiral column and my spinal column bursts into earth and sky colors.

Sky pelican pointillist earth interior helical immanent pointillism

Sky skips skies human skin     Sky skips strips human skin end flayed fires

I write god notebooks     Notebooks knot notebooks block letter     Book multiplied Book notebook knot gnat notebook gnosis / I knot now new knot notebook bodies without organs notebook knots nameless city of the accursed / notebook horror and foreign gods

Maybe when you are feeling low, says Asia, you can write in your notebook but take up lots of space with fewer words – make them big or put lots of gaps – play with space.

This statement by Asia makes me recall a conversation with Violet:  I edited it today, I say, but I feel its sort of representative of a direction I’m heading to – like push the language farther into constellations and clusters, so I wanted feedback on that seed direction, I say.  Yeah, that’s the first thing I noticed with this one, says Violet.  To be honest, I think you’re becoming limited with the medium you chose.  Like just one string of words in a standard typeset and seize weight.  I think you can capture it a lot more resoundingly if you expanded the medium a bit.  Maybe adding variable weigh to start. […] Weight is boldness.  So like light, semi-light, roman / book / normal, semibold, bold, semiheavy, heavy, black.  But size would be interesting too, says Violet.  Let me meditate on it, I say.  I think that’s a good idea although I’m tempted to try to push the limited constraints to their limits first.  As far as I can go.  Yeah, I agree, says Violet.

From what I can tell, I can’t easily change font weight in my current word processor, but I can experiment with bold, italics, size, space – although transferring those aspects to my blog will be another obstacle – one worth problem-solving though.

Notebook knots notebook large space     Space     Space with fewer words make this BIG     Put lots of space with     Space with spacewith spacethe fewer words     Make up lots of gaps notebooks

I know now new play with fewer words     Play with fewer words make up lot of space     Lot of space wide vav vowel vav lot of space illuminations      Take lots of space with fewer words     (Fewer words Asia fewer words Violet but with weight)     I weigh space gap and fewer space width

I point to space this is where time becomes space     Time space points to holes and gaps displace time-space     Mostly holes melt slake hell cell snakes     (I snake towards notebook hole and whole, the very void amen)     Shake hole cell shakes praise: I praise space flux in fires     Gaps and weight flux body hole body void sensitive to initial conditions

Where I begin: here I begin getting rid of the glue.  Glue makes up the gaps (play with spaceith   spacewith space with spaceace   spaceith fewer words   make up lots of space with fewer words   space weight).  Where I begin: the hole and chasm in the god notebooks, and words widen the gap wild.  Words give gap wild blue horses and fish magic.  I begin in the shaking cells cell hole gap and gap hole: wholly of the notebook without gods.

Where I begin: getting rid of the glue     (Rid glue everything is glue     Blue glue hole space     Maybe when you are feeling low you can grade is your notebook, but take up lots of space with fewer hapax – make knot big or red with lots of yous – play with space     Everything is glue and get rid of the glue)

Here, I begin getting rid of the glue not the necessity to sticks sound together to make continuity but to get rid of the glue so that sounds can be themselves     Sounds themselves words themselves     Phonemes themselves morphine themselves notebooks 
  
(Lots of gaps play wth spacewith fewer words     Make up lots of space getting rid of the glue)

Sounds themselves sounds used give / getting rid of the glue     Sounds notebook knots tree tag Taryn and knot Tree of Knowledge of Good and Evil     Tree of Knowledge makes holes and gets rid of the glue notebooks     Notebook improvises gnosis tenor body tangent to my body     I tenor textbook bodies and body improvisation: I improvise rhizomatic night notebook

Sounds themselves sound themselves     Word itself selves itself word (All my recipes are scattered over several notebooks and index cards and most of the time one recipe is divided over several pieces of paper or I only write down part of it, says Asia.)

Sounds themselves and I believe in my notebooks: multiple holes and gaps without glue     Sounds by themselves divided divides: of paper or I only write down part of it     Sounds themselves I tenor notebooks bodies and body improvisation themselves sounds

Sounds themselves divided over several pieces of paper or I only write down part of the time     Down sound themselves red glue     Weight speak without glue

All my recipes are scattered over several notebooks.  This recipe for getting rid of the glue.  Glue and hole leads me to dead end.  Dead end?  Endling.  Continuous dead end – one sound leading to the next, sound end in transition – dead end.  End dead I cut my arms off I cut my arms off.  Dead end.  How to end the letter?  How to end the notebook or god pointing to the gap hole-space?  The alphabet cuts endless letters / alphabets / words into the gap no direction.  Should there be a direction?  Both directions at once.  Multidirectional.  Should there be a direction?  Direct into the gap or hole or notebook.  Dead end.  Dead end.  Immediate or initiate.  No question.  No question all glue all wholes and not holes.  How to extend any particular direction?  Break on thought to the other side (of the page, of the gap, of the weight, of the space).  Jump into the holes and chasms and gaps.  Jump.  Get rid of the glue and jump between – between dead end and dead end, between notebook and notebook.  Interrogate the holes and different papers and index cards.  Interrogate space and large letters and weights.  I weigh the question – extension dead end extension.  Any decision in the gap but undecidable.  Live in the gap and space of notebooks and Tree of Knowledge this is where time becomes space.  I meditate space and gap and gap word.  Space space with space large words.  Jump into the question.  What does this harmony have in common with harmony?  What does this melody have in common with this melody?  Gap.  Space.  Weight.  The question is in common.  Break through the dead end of the page.  Get rid of the glue.  Dead end.  Let rid of the glue, sound themselves and gaps themselves – jump into the space.  Dive into the weight.  Dive dive dive with me.  Strange gap weird weight.  Dead end window weight.  To repel ghosts – to get rid of the glue.

I write god notebooks     I write god notebooks KRYSXTRYN + Asia With Weevils     I write god make one over time     One over time it when down big fewer and cards (Down space card gap)     Cards space words my them with write KRYSXTRYN (Asia with write or lots put scattered you of index)

I write god notebooks KRYSXTRYN + Asia Rhizome – what was the question – question of holes and direction     Notebooks hole notebooks multiplied Book     Notebook hole gap notebook gnosis     Hole Tree of Knowledge and Good and Evil notebook KRYSXTRYN + Asia Wild Word     I prophesy the index card jump into gap space