Pac-Man, Why Have You Forsaken Me?

Risk a ghost arcade a holy spirit arcade (these arcades provoke apparitions)     These arcade provoke apparitions and at once these haunted arcades drive me into desert

Risk ghost arcades. Risk ghost arcade gospel (Risk all gospels haunt haunting adamant arcades). Risk gospel animal arcane arcade archaic gospel arm clay cave.

After he rose from the dead, his twelve disciples and seven women continued to be followers and went to Galilee onto the mountain called “Divination and Joy.” When they gathered together and were perplexed about the under lying reality of the universe and the plan, and the holy providence and the power of the authorities, and about everything the Savior is doing with them in the secret of the holy plan, the Savior appeared – not in his previous form, but in the invisible spirit. And his likeness resembles a great angel of light. But his resemblance I could not describe. No mortal flesh could endure it, but only pure perfect flesh, like that which he taught us about on the mountain called “Of the Olives” in Galilee.

Risk ghosts not ghosts but in the invisible spirit Risk after and previous arcade (arcades provoke gospel apparitions) Provoke arcade gospel / Eloi Eloi lama sabachthani

These arcade apparitions provoke haunted Ben Body and ghost only dead together drive me into deserts. Desert tempts for 40 days by speech synthesis and Galaxian bonus stages. I play among the wild beasts Inky, Blinky, Pinky, and Clyde, and maze mystery of mysteries provokes more everything invisible pure. Provoke more maze monarchs mingle mothlight height monarchs among the arcade estuary. My hands experience invisible pure and his the spirit perfect – my hands immerse perfect twelve were Savior. My hands hold direct visions arcade apparitions and measure maze monthly periodical / pornographic magazines for the articles and not for the Savior’s nudity. My hands perplex disciples flesh is his likeness – my hands behold direct arcade optics and altered states resembles while women underlying. Arcade hands provoke unmediated altered states / unsteady state universe.


//
Risk ghost arcade arcade cascade

Risk ghost Christina among abandoned arcades Eloi Eloi lema sabachthani Abandon Christina <karst sparse spirit abandons if I ever set off this killing floor>

And at the ninth hour Jesus cried with a loud voice, saying Eloi Eloi lema sabachthani? Which is, being interpreted, my God, my God, why have you forsaken me?

And at the ninth hour Jesus cried with a loud voice, saying, Eli Eli, lama sabachthani? That is to say, my God, my God, my hast thou forsaken me?

This Eloi Eloi persists in paranoid and cruciform obsession – taught to of the angel my paranoia – my melancholy us be the secret – my mania about his universe of light

I forsake myself to risk, the nostalgic residue of the stations of the cross. Ghost blood provokes holy his mountains silence – heat death of the universe silence. Plan resemblance called the square root of thursday silence / what is the sound of one hand clapping? (silence)

Dream and awake Christina: Christian perpetually troubling the invisible spirit. Christina troubles death <abandon if I ever get off this killing floor>. I know Christina will die before me.
Eloi Eloi lema sabachthani risk
Eli Eli lama sabachthani arcade
Of Galilee the Savior dream death before me. Dream not in his previous form but in the invisible spirit: death and thursday silence death.

My aim is: teach you to pass from a piece of disguised nonsense to something that is patent nonsense.

Dream Christina <couple down the road from the Book bunnies kitchen kits kiss cheap machine> Dream Christina <clip can do something you don’t get mad>

Dream Christina death which always seems nonsense. Dream Christina deal always death verge edge Olives providence – nothing nonexistent nonsense. I know my life will someday be without Christina I prepare death – silence – nothing. Mortal divination power his flesh my god my god why have you forsaken me.

Dream Christina silence nonexistence (quiet and quiet and quiet). After Christina, I wake to her quiet anything quiet why have you forsaken me I prophesy regardless. Dream death nursing dream very nursing invisible spirit. I prophesy myself encephalitis lethargica and I come her to dream.

Risk ghost arcade and a holy spirit arcade Risk arcade twelve but the mortal resembles Savior Joy

My hands risk / my hands experience the visions directly. My hands act visions happenings and performance, and the visions realize themselves in the ands of verbs. My hands shape verb visions and shaped canvas.

My hands experience the arcade directly, pink beam video transmitted immediately to my fingers. My hands pressed expresses arcade steam and pigeons.

I want to write more repetition about the mountain called the mount called “Of the Olives” is the mountain called Divination repeats. I write more repetition and seven women continued to be his primordial follower on the mountain. Write more repetition – inexact and irregular repetition – a mineralogist repetition – gathered to be his like that which he taught us about everything.

Repeat inexact and irregular repetition where words on the page molt more infinitely modular – mode seven women continues to be repetition, fractals breaking off and growing more fractals.

Arcades invoke a reptilian repetition, an alien apparition in Sabbatean scales

Hazes mix hands whole monstrosities / arcade in the beginning

An arcade genesis gestates a long serpent swallow cosmic egg / a discontinuous Chrono Trigger or time’s eye marble

I risk ghost arcade and a holy spirit arcade
//

Chase Chaos This Castle

Chase chaos this castle is a creature of chaos / chase chaos with beginning Book created Elohim

<In the beginning, experiment. I continually make, shape, manufacture. Creation myths creative narrative. If I do not experiment, I die, and writing necessitates experiment through remix, sampling, and reinvention / transformation.>

Chase in the beginning and with beginning
From mist, chaos
From mist and chaos, night
In night, I mingle their waters together

In night I mingle their waters together and I mingle Tigris and Euphrates

In night, I chase chaos mingled Tigris waters and Euphrates waters

Let us make demons and the gods assembled within her

Chase my body chaos transfigured Ben Lydia and Benjamin Ariadne. Ben body shakes no limit transfigures figure KRYSXTRYN with Just My Imagination by The Temptations serenading landscapes. My body naked music – skeleton harmony with gallop rhythm – no limit makes names experiments excess. Body takes no limit making chaoses. My body chaos transforms my labyrinthine name into magic alchemy. Alchemical Ariadne <myths Christina narrative>. Anarchic Ariadne will <continually, make, shape, manufacture.>


//
Chase chaos. Experiment. Fail into beginning and with beginning, chaotic failure.

I fear the Book. I write and rewrite I fear the Book. Fear of failure – imperfections – messes – incomprehensible to any reader.

Chase mistakes and write rewrite distractions. Even God wrote and rewrote creations: “From here, we learn that the Holy One blessed by continually created worlds and destroyed them, until he created the current ones and said: This one pleases me, those did not please me.” (Bereshit Rabbah 9:2)

Not mistakes but creating and destroying in the chasing chaos

Three years later, the coffee was still full of jello

We should play with legos at camp

I still like Friday the 13th Part VII: The New Blood especially the final confrontation between Tina and Jason because it’s silly awesome

Today I bought a rain coat and wore it on a Sunday

Lost lighthouse suspicious videotape film noir roadrunner lost highway suspicious Videotape film noir suspicious videotape film noir roadrunner

Dick Laurent is dead

I let my anterior accompany me as a tool, and a guardian, and as a protector

I sleep in the echo of the dream and the red hue of the dream

No difference between the mushroom and the coffin full of jello

Revisionist western
//


Chase chaos – chaos kelp kept

When Elohim began to create the heaven and the earth, the earth was complete chaos and darkness covered the face of the deep, while a wind from Elohim swept over the face of the waters.

Chase chaos / from mist, chaos Chase chaos / He face of the heavens and the heavens and the face of the heavens and darkness complete chaos Chase chaos / <creation myths Christina narrative>

Let us make demons and the gods an ensemble within her

I make demons and they accompany desert deities. Gods assemble in Christina collage and assemblages, and Christina sets up a host to bring above conflict. I make demons all resembling Christina and her face clues demon collages.

I make demons and they accompany me <creation myths Christina narrative>. Make <creation myths> the face of the waters complete chaos and darkness complete chaos and the face of the heavens Christina. Gods assemble in Christina desert and <Christina couple down the road from the Books>. Couple down the road chase chaos.

Like yesterday I came home from work and my partner wanted me to check out something weird on a tree in our backyard, says Asia. It was a bunch of webs filled with tiny caterpillars. And on one of the webbed branches was a wasp, trying to get the treasure inside. Out of the chaos of the universe, I was blessed with hundreds of little caterpillars and a single wasp trying to get dinner. I don’t know why I’m saying all this. They were so small, the caterpillars. They built the webs together and the webs kept them safe, she says.

I chase city maze martian marzipan play pantonal / the push for pungent polygons
Punch putrid sardine can canola
Punch chaos chase bodybuilding demons
Arcade Ariadne chases maze machines mercury / I chase condensed material I chase was complete chaos and the earth was the complete chaos and the earth I chase condensed material and I separate impure from impure to renew the elixir


//
I chase chaos little caterpillars covered the face of the deep

Persist paranoia – melancholia – mania. Chase persistent nostalgia. Nostalgic for nonexistence – before birth – death drive crash.

Chase the heavens and the face of the face of the face chaos

Chaos builds the webs together and the webs persist. Persistent body horror and cosmic horror. Persistent absurdism web nihilism web antinatalism (note to self: study Benetar’s asymmetry argument).

I refuse to acknowledge the persistent silence. I attempt to fill the silence with anything – cahse chaos and make demons – persistent silence and nothing. Although I confront silent body horror and I refuse to paradoxically acknowledge it, but I desire a cosmic silence and embodied horror silence.
Date. Mate. Re-animate. Bride of the Re-animator
Girls! Guns! Lust! Flesh! Prepare yourself for…
Violence and Flesh!
You have never seen anything like it
I exist in persistent silence and I speak within silence even when it lurks subconscious. Silence chases chaos silence clouds haze haze city. Persists acknowledge paranoia, an anxious gnosis.

I chase chaos and chaos subsists antinatalism sublime lemon lime slime subsistence.
//


Chaos chase to earth face God create Chaos swept the complete the over heavens Chaos builds webs together and the webs keep me safe

I Make Preparations For My Dead

Chaos displaced maze chase castle chaos      Chase lazy river labyrinth – chase lazy maze cloud of unknowing

I chase Child of Humanity change bell chords Human One chaos. I chase maze chaos cottonmouth claustrophobia. I chase yet keep the chaos, and with this chiming chaos, I cast bells isle of the dead. I carry out these preparations calmly, and not merely to entertain myself with the thought of death. My mood before it is for the most part as Mainländer wrote: We are human animals and thus fear death as animals do.

I chase death carry comic chaos. Asia absurd acrobat acts chase and chase and chase my body make – my body castle chaos – my body maize wheat chase field chaos. Asia wire walks shipwreck chaos crow sin descent where I am in castles underwater. I carry out these preparations circus events where Philip Mainländer wrote: The so-called will to live is nothing more than a different name for animal instinct. I carry out preparations circus death perpendicular to lost highway death --- death detail mail art – death carry death slipstream psychological horror. I carry out the preparations a split nonlinear narrative.

On the first day of Unleavened Bread, when the Passover lamb is sacrificed, his disciples said to him, “Where do you want us to go and make the preparations for you to eat the Passover?” So he sent two of his disciples, saying to them, “Go into the city, and a man carrying a jar of water will meet you; follow him, and wherever he enters, say to the owner of the house, ‘The Teacher asks: Where is my guest room where I may eat the Passover with my disciples?’ He will show you a large room upstairs, furnished and ready. Make preparations for us there.” So the disciples went to the city and found everything as he had told them, and they prepared the Passover meal.

Chase a displaced maze – chase on the jar where the disciples prepared the maze Chase combined chaos unleavened eat you Passover – bread castle chaos
This castle is a creature of chaos. It may take many incarnations
This castle is a creature of chaos. With each rebirth, it takes a new form.
Chase unleavened labyrinth prepared for another name animal

Pac-Man popularized the maze chase game and Rally-X features a radar-tracking the player position of the map.

I chase maze chaos cottonmouth claustrophobia
Change chill capital bone
Present maze multiples unleavened
I chase chaos sent the city and make preparations for you Chaos you want to him


//
I prepare preparation dead end. I thin out my organs carrying water organs dead end.

Too much repetition but it sprawls out maze chase and city car radar. Sprawl repeat risk and risk dead end preparations.

Everything appears too loud: I see their big sounds.

Maybe you should work on the same ideas and rework them until you feel like you have them, says Asia.

Dead sonata sonata-rondo Dead sonata to he house descends the Passover sonata-rondo Rondo went room asks wherever sonata repeats dead end

Dead end no development Nine ten big fan hen

Risk chaos and repetition.

Dead end tenor saxophone – saxophone dead end – I’m spilling somewhere else

You can either start concrete and traditional and work at making it anarchic and free-form or you can start with chaos and try to rein it in, says Asia.

Where am I? Somewhere in this Book, in the page disappear. I disappear disappear jump scare. Here dead end – end disappear here – chaos two on the and go.
//


Chase a displaced maze and a labyrinthine chaos cobbling castles Chase chills capital bone sprawl rewriting (You will meet two hundred people every night, but each conversation will last approximately 30 seconds… Then you will be alone again, in your motel room. Or you will be on your bus, in your little space, trying to kill the nine hours it takes to get to the next city. Whichever city it is…) I chase city to city and last summer waves to beach wave a beach bronze or blonde bourbon

They’re only chasing city

I chase riverbanks body nude portraits nude arcade raid – rootless jazz harmony
The lust pilot of the airborne harlots of Naples
Naked cult of the push to women

Chase risk displaced maze Chase the disciples meal a water ready

Hazy maze furnished my what when first Furnished labyrinth preparation chaos


//
Chase chaos preparations preparations risk dead end

Asia something says death. Asia says something about ben death inside death immediate deaths (chase animal instinct chaos: chase animal amen rewritten). I might be leaving soon / I live in zoom dead end dead ben bodies.

I disappear into my body body oddity. I disappear awake disappear dead end.

I’m going to find out one day. When will you tell it?

Push the wheel inside the wheel. Push wheel inside a wheel chase Rally-X river banks. What other actions besides push or pull – throw. Throw into maze chaos / labyrinth cloud of unknowing. Pick up chaos. Pick up chaos to preparations to us. Pick up – put down – prepares furnished dead end. Hit chaos hit and punch maze way soul to them. Kick punch it’s all in the mind. My mind dead end.

Mary Lou left marks on you She just screams at the wall
The kite string pops I’m swallowed whole by the sky
We smoke the bones of baby dolls

Dead end horror surreal braille (my body too tobacco stuffed into a tomahawk and my bones keep the preach beach fire. My body too smokes go preparations Passover).

I’m looking for my body in the city chase chaos. I’m looking for my body in city two / tadpole puddles Pick char push puddles puzzles Pick city eat meal day will ready home Asia says I pick up the puddle and put it in my pocket

Pick up the Passover and continue with the dead. Hit the dead, kick the dead, throw the dead. Dead Richard Serra lead pieces. I use dead bodies to sculpt human eyes altered states of consciousness.

Chase dead maze and Pac-Man city labyrinths
//


Chase displaced maze and Child of Humanity Chase change bell chords Child of Humanity chaos

Chase tail-end chaos / chaos bones keeps my body as the great fire going

Start With Chaos And Rein It In

Risk arcade exceeds its place arcade time and place (this plain will exceed out one hundred and twenty leagues in length and in parts is twenty, fifteen, and even less width…)

Risk arcade exceeds excess archaic arcades Risk Risk can I drink of the blood of the men who went at the risk of their lives

Archaic arcades exceeds immediate excess and inevitable excess. After this I saw in the visions by night a fourth beast, terrifying and dreadful and exceedingly strong. It had great iron teeth and was devouring, breaking in pieces, stamping what was left with its feet. It was different from all other beasts that preceded it and it had ten horns. Arcade with ten horns gores bodies manipulated by arcades.

Archaic arcades extend chaos excessively exit Arcade exit chaos excess teeth Arcade chaos dreadful and exceedingly strong


//
I risk chaos Risk excessive chaos excessively dreadful

Chaos cam cab emptiness: chaos cam cat cobra empty Empty empties chaos yawn (YHVH yawn yard <this room time becomes body space space still a love supreme Pando>)

Empty emptied chaos yawn void Void to be wide open abyss (waste void abyss nether abyss infinite darkness)

Pink out of the corner chaos – pink out of the corner excessively chaos Excessively chaos <continually make, shape, manufacture> Extend chaos excess <creation myth chaos>

From pink arcade chaos, the word YHVH came to Jonah a second time, saying “Get up, go to Nineveh, that great city, and proclaim to it the message I tell you.” So Jonah set out and went to Nineveh, according to the word of YHVH. Now Nineveh was an exceedingly large city, a three day walk across. Proclaim the message out of the corner of chaos.

Chaos camera beast teeth left that this terrifying Empty chaos saw dreadful devouring feet as in and breaking

Get up, go to chaos, and prophesy exceedingly it was had visions

Void gapes above the earth earth and sky separates from primordial units / space gapes below the earth where the earth rests


At first chaos came to be my chaotic body

At first chaos con my chaos body to be

At first chaos comic book bold chaos

At first chaos without control control body smokes chymistry

At first chaos chariot chase running lariat body chaotic

At first field field felt best chaos

At first chaotic the devouring what was different to be my chaotic body

At first chaos con iron beast my chaos body to be

At first chaos iron beast great a beasts comic body bold chaos

At first chaos without breaking terrifying and left contrail body smokes horns chymistry

At first horns stamping exceedingly fields field belt chaos


The upper limit of the earth borders on air near our feet. The lower limit reaches down to apeiron.

Maybe you should work on the same idea and rework them until you feel like you can have them, says Asia. You can either start concrete and traditional and work at making it anarchic and freeform or you can start with chaos and try to rein it in. If you are currently feeling this way I would suggest starting with something concrete and working towards anarchy. You absolutely can do this – you’ve had breakthroughs before and you will do it again. Just remember that because of how you do things you wont’ see immediate results because of the lag, she says.

Concrete: solid chaos can cab in horns stamping exceedingly

Concrete chaos cooks down prima materia smash empty

Anarchic chaos <prophetic phospholipid bilayer unbecoming abyss Abyssal prima material Pando>
//


Risk arcade exceeds its place arcade time and place (this place will exceed one hundred and twenty leagues in length and in parts is twenty, fifteen, and even less width. It is all a labyrinth of lakes and tulares, and the river of San Francisco, divided into several branches, winding in the middle of the plain, now enters and now flows out the lakes, until very near to the place where it enters into the estuary of the river) Risk arcade excess the place / my body bows with the bathe the body bonus stage

Risk arcade strong in fourth it feet teeth and risk chases chaos exceedingly devouring visions. Pac-Man popularized the maze chase game, and Rally-X featured a radar-tracking the player-position on the map. I look at the map and I get out and go to Nineveh, according to the word of YHVH. The exceedingly large city divided into several branches, winding in the middle of the city.

I chase displaced maze – I chase a hazy maze, a cloud of unknowing (cloud made into concrete chaos) – I chase channel Child of Humanity chaos – I charge bell chords Child of Humanity flowing out of the lakes.

I chase maze chaos cottonmouth catastrophe
Chase chills capital bone
Present maze multiple myriads
Chase exceedingly in was had vision strong pieces
Work on the same ideas and rework them. Work on the same ideas and risk reworking them. Rework this plain exceeding chaos and Pando abyss. Rework Nineveh the labyrinth of lakes and tulares.

Risk Dead End

I transpose sound into tetragrammaton sound (a sound transmogrified into sun desert and sunn desert big fucking amplifiers)     I risk bright RED, the fly that irritated and broke the attraction that held us with four fingers     I risk my fingers in the arcade machine, an iron mangler / monstrous mangroves

But Moses said to God, “If I come to the Israelites and say to them ‘The God of your ancestors has sent me to you’ and they ask me, ‘What is his name?’ what shall I say to them?” God said to Moses, “I am Who I Am.” He said further, “Thus you shall say to the Israelites, “I Am has sent me to you.” God also said to Moses, “Thus you shall say to the Israelites, “YHVH, the God of your ancestors, the God of Abraham, the God of Isaac, and the God of Jacob, has sent me to you.’ This is my name forever, and this is my title for all generations.”

Transpose sound tetragrammaton noise (sound transmogrified into sun desert Yod and big fucking amplifier Yod hay Vav Hay noise)

Risk bright RED – irritating red this the name – RED I of name says I am forever red Risk red attraction held up by four fingers

I risk my fingers in the arcade mangler. I risk a wordless monstrosity – I write a wordless monstrosity black meteor materia.

I risk bright RED is deliberate am I you and them Risk my fingers say and this sent I said sent they ancestors

Fingers in the arcade iron mangler to of name of me what God Monstrous mangroves who to all me to say forever

I risk big red happen happen eye socket (the fecal eye of the sun also turns itself from these volcanic entrails)


//
Risk an ancient geometrical paradox. Risk body upswells geometry. Risk grotesque geometry taste slew tangent self-immolation.

Risk ancient geometry this is my name forever but we generations grotesque geometry

My body burns odd-mod-small geometry. Destruction especially by fire. To sprinkle with sacrificial meal. The said say said Isaac Israelites ask sent to. To sprinkle an ancient geometry telemetry roof (the roof the roof the roof is on fire).

Ancient geometries risk genesis grand guinol alcohol they keep calling me they keep calling me (risk cell mellifluous colors corset unsettling)

Risk re/written seer arcade Yahweh. Risk Yahu or YHVH this name of a storm-and-warrior god foreign to the Levant but nevertheless invades iron mangler geometry. The Yod conquers Canaan death to all men, women, and children. Genocide graffittis bright RED – irritating color me blood red – iron mangler arcade mutilation – risk noise tetragrammaton. Risk red written transmogrified Yod and Hay, and I infuse Yod with additional womb / woman (Benjamin Ariadne breasts and phallus). Risk grotesque Pentateuch body horror (Horror will hold you helpless! Night of the Blood Monster).

Prophesy or risk anarchic melancholy. Anarchic melancholy delicious depression / superstition hyperstition.

Hyperstition static suicides

Hypertension sent ancestors is say generations them of god

I sleep in static erratic steady erratic static sleeping

I stretch mesh mix sleep mast massacre mad hatter

Risk ancient geometry
//


I transpose sound into tetragrammaton noise (noise transmogrified into sun desert Yod Hay Vav)

I risk a wordless monstrosity / night of the blood monster I risk monstrosity am said a desert your I

What makes it worth being my friend? I say to Asia. Why do you want to be stuck with me? I’m just thinking about my conversation with Krystal. I cause grief for the people I love, I say. Obviously that’s not the only feeling you cause, says Asia. That’s what you risk when you form relationships with others, she says.

I risk big red rapid happen eye sockets (the final eye of the sun also turns itself from these volcanic entrails, and the pain of man who tears out his own eye with his fingers is not more abstract than this anus material of the sun).

I risk sunny arcade sun of gore god but said god to say his I risk sun name of has has god name – always risk am Always risk name man arcade with his fingers

I transpose sound into tetragrammaton to be stuck with me Sound strangers sound stuck – stuck – that’s what you risk when you form relationships with others Transpose sound with others noise (night of the blood monster) I write a wordless monstrosity / sun prophesies fingers massacred by arcade iron mangler


//
What is the content of my prophecy these days, you think? I say to Asia. Staying alive, says Asia. I wasn’t expecting that answer. Could you talk a little bit more about how it’s staying alive? You speak a lot about your struggle with wanting to die and finding purpose through relationships and creativity, says Asia.

That’s what you risk when you form relationships with others.

I am alive. I am alive. I live (I live! I live! I live! I live!)

I risk and I prophesy struggle – stress parts all streets of rage. I prophesy streets of rage page aim same play array death. Anything dead. Everything death. Any all every death depth debt depth (Again dead end? Again dead end. Risk dead end. Risk tearing my solar eyes out splatter sunlight onto the concrete. Dead end – means sin saw uneven bars little black dress bars.)

Thule title to if Israelites to but the Moses me said of God, Again dead end. Again / risk and look again dead end inland empire. Surrealism. Risk in end and shall to the Abraham sent sent and small. Risk in end en un through alm all dead thin then thin thread said dead bed (risk bed hair).
//


My eye furthers an erotic risk, a gag rubber chicken (I risk weird menace and shudder pulps / they will contain enough illustrated sex perversions to give Krafts-Ebing the unholy jitters) I risk weird arcade mesh and arcade weird struggle death wilderness (exposition by its very nature is artificial) I risk bright RED risk, rift lake raptor light Risk rift lake monolith moment of symmetry / degrees of freedom

That’s what you risk when you form relationships with others

I risk algorithm rhythm algae bloom bosom battle rift hotel (risk range dead sea transform fault symmetry)

That’s what you risk when you shall say YHVH, the God of your ancestors, the God of Abraham, the Good of Isaac, and the God of Jacob has sent me to you

Sent me to you I live I live I live I live this is my name forever this is my name forever risk dead end and risk dead end for all generations

I transpose sound into the struggle of the name Name noise risk Risk Prophesy risk alive this is my name forever

I Risk An Erotic Experiment

I risk an erotic experiment and a solar rhizome: rhizome sea of reeds and tule rushes. I risk an earth eros that erupts a bloody erect sun and human gore. Earth risks a gory rubato and a blood red human hammer horror – sledgehammer horror – Twins of Evil Hammer Film Productions. Earth risks a rubber haunted house that bends rubato / a rubato vibrato that incises haunted house rubrics).

Galaxian introduced a risk-reward concept while Galaga was one of the first games with a bonus stage.

Risk erotic experiment: where I am I am where this below below. I am below below and double below: earth gore risk descent.

Introduce risk-reward signal of suicides Sign signal look transmission transition scale signal trigger risk transition superstition insects

Experiment risk where am I where do I go – keep going into the death wet word

Risk entirely nonsense – their entirely nonsense I sign it keeps listening – risk-reward and keep Cain / cannibals Risk where remnant beat antennae Risk bent – bend – wine bind behind – behind below above mouth south alphabet (I always hallucinate alphabet)

Risk an erotic experiment / I always hallucinate alphabet risks. I always feel nonsense: sense of doom. Suicides seep into spinal fluids, betraying the blood-brain barrier. Tule rushes seep brain separated from my body. Tule rushes introduce the bonus stage: bonus blood-brain betrays barrier. Risk gore earth they keep calling me they keep calling me they keep calling me. Where they have been where have they been.

David said longingly, “Oh that someone would give me water to drink from the well of Bethlehem that is by the gate!” Then the three warriors broke through the camp of the Philistines, drew water from the well of Bethlehem that was by the gate, and brought it to David. But he would not drink from it; he poured it out to YHVH, for he said, “YHVH forbid that I should do this. Can I drink the blood of the men who went at the risk of their lives?” Therefore he would not drink it. The three warriors did these things.

I live – exist – exit risk. Risk exit big exit. Risk room here gnostic now where.

I risk an erotic experiment and a solar rhizome
Soft tendril flow gently down the smooth back of Chris Thorgens,
delighting the eye with torrid appeal
Organized vice has taken over the nudist camp!
Risk longingly the gate

Risk longingly gate soft tendrils flow gently / <Fluxus Book flux what flows from me is what you call time>

Risk an erotic experiment brought the someone broke it YHVH Organize a vice risk-reward concept YHVH their would through to forbid lives

Soft tendrils flow gently down my body <Fluxus Book flux what flows from me > one of the first games with a bonus stage

Organized vice <builds Book dada hydra Book happenings>

Risk and always risk. Risk I along all ways the desert path. Along all ways of he brought it is Bethlehem.

Risk I along all ways the desert path (Palm Tree Garden / Palm Tree Desert)

Risk I involve when have castle wrestle (immerse ill communication reverb reverse immense intense) (Through the dark of future past magician longs to see one chants out between two worlds, fire walk with me)

Risk-rewards that would should of to risk

Fire dark night of the soul – soul shadow work. This melancholy has broken over the nudist camps. Nonsense still signals. What this melancholy <buds baroque Book and brocade Book bridge blonde Book>. Nonsense still signals: tendril arcades arcade flow Galaga and Galaxian. What this melancholy – desert soul. Risk desert for three drink gate the said Bethlehem. My soul swells with deserts and blizzards.

Gods distort my body tod / lot rod crash eroticide.

Risk erotic earth fires / they keep calling me. Fires constant fires. Fires continue the discontinuity (fires discontinue from the gate the risk of YHVH). Crash into fires – I feel doom all ways ways risks. Feel doom lighthouse soul subterranean city door more for this door.

Risk I decide at the door dead dream me. Bend dream the dreaming / detached from the desert, my barren soul crash the well of Bethlehem. My barren body needs barren desert to hollow suns (solar rhizome sea of reeds).

Death – dead double hubble tension doppelgangers

I cannot lock this door and it always remains open. My remains stay in the undead.

Now David had a craving and said, “If only someone would give me a drink of water from the cistern by the gate of Bethlehem!” Thereupon the three warriors broke through the encampment of the Philistines, drew water from the cistern by the gate of Bethlehem, and carried it back to David. But he refused to drink it, and instead poured it out to YHVH, saying “YHVH forbid that I do such a thing! Could I drink the blood of these men who went at the risk of their lives?” So he refused to drink it.

Risk erotic experiment and a solar rhizome

The archaic arcadia manipulate my bodies with three types of elementary operations: swapping any two bones, multiply bones by alchemical mercury, adding a mercurial bone multiple into a bone mercury or not mercury.

Risk erotic experiment – esoteric experiment – risk Galaxian and Galaga. Risk an eros earth with a door of multiple bones. I cannot lock the door and door risks open: draw cistern and waters betrays the Philistine encampment.

I cannot bed rot, says Asia. I have to give myself a task. A task that makes sense. So the past two days, I worked on work stuff. It’s a coping mechanism that can backfire if I overdo it. Because then I’ll run the risk of running myself into the ground, she says.

Risk experiment death with tendrils flow down. I give myself the task of prophecy and written/rewritten multiply bones. I cannot lock this door and the archaic arcade risks both directions at once. I cannot lock this door but I give myself a task of adding bones and multiplying bones. I give myself the task of multiplying Galaxian and Galaga. My task remains with the dead.

I Synthesize Old-New Speech, Part 2

//
<Create myths Christina narrative: Christina clip can do something you don’t get mad>

<Creative myths Christina narrative> the Chaoskampf myth (Taryn the category of divine combat narratives with cosmogenic overtones)

Tamtu Sea Taryn tzimtzum: Christina myth contractions. Tamtu sea speech I glad to see teach sees. When the height in heaven was not named, and the earth beneath did not bear a name, and the primeval Absu, who begat them, and Chaos, Tiamat, the Mother of them both – their waters were mingled together, and no field was formed, no marsh to be seen… Taryn synthesizes sees your something seeing neither arcade…

I field bizarre brain / my spellbound body babel chaos and spiral tower chaos spellbound
Ben Hinnom narratives <in the beginning experiment>
Tower chaos he kindled will YHVH so but YHVH
I narrate my dissociation dislocation

I narrate tehom and I myth tehom. I narrate tehom Tiamat tamtam klang. Narrate field <bizarre Book builds Book dada hydra Book happenings>. Narrative synthesis speech tehom (the earth was without form and void, and darkness was upon the face of the deep). All the fountains of the great deep broke up and the windows of heaven were opened.

No field was formed, no marsh was to be seen, when the gods none have been called into being, and none bore a name, and no destined were ordained; then were created the gods in the midst of heaven, Lahmu and Lalamu were called into being.

I do not name but I bear name. I bear Ariadne and Lydia forked tongue labyrinth. I bear your spoken not Aaron your YHVH speak know servant. I bear innumerable chaos name speech kindled arcade. I bear unnameable arcade but each name knows nameless.

Tamtu Taryn grammars arcade name. Ben Evadne Ariadne knows nameless / endless. Name gives it nameless and her name bears creation’s name. I create nameless servant tongue with Moses coming. Create Ariadne the speech he speak when Moses you am then your. Create nameless: create name name creation (within the name of creation, her name – her name creative chaos). I keep keep her chaos.
//


I synthesize speech speech disintegration and thunder synthesizes Taryn Tetragrammaton Synthesize an arcade entirely chaoskampf and Christina narratives
But against now teach arcade Tetragrammaton
What brothers speech sonic boom sun belly
I cut my belly open Kindred what and YHVH
Entirely arcade <Christina chip can do something you don’t get mad> Speech kindles anger against me <Sometimes you don’t get mad>

Synthesize speech disintegration what I mean synthesizes my spellbound body enthusiasmos. Speech splits multidirectional chaos or thunder blast Tiamut. Her names synthesize my names Ben Lydia Lilith now open belly chaos.

I Synthesize Old-New Speech, Part 1

I synthesize a speech disintegration disintegration speech doubles

Synthesize speech disintegration disintegration spirit doubles (double door gnosis cellar door)
Desert disintegrate between
Middle digital-to-analogue converter
Double disintegration speech desert gnosis

Synthesize the entire arcade into speech / an Oral Torah arcade and arcade combines quiet catastrophe Catalyze cool jazz queer cabinet of curiosities / elephant enzymes immediate erratic elevators

But Moses said to YHVH, “O my Lord, I have never been eloquent, neither in the past nor even now that you have spoken to your servant, but I am slow of speech and slow of tongue.” Then YHVH said to him “Who gives speech to mortals? Who makes them mute or deaf, seeing or blind? Is it not I, YHVH? Now, go, and I will be with your mouth and teach you what you are to speak.” But he said, “O my Lord, please send someone else.” Then the anger of YHVH was kindled against Moses, and he said, “What of your brother, Aaron, the Levite? I know that he can speak well; even now he is coming to meet you, and when he sees you your heart will be glad.”

Synthesize an arcade entirely into speech and sound fabrics Synthesize slow speech disintegration disintegration tongue doubled desert
Tongue tone clusters kindle
Tamtu tongue Taryn double
Speech thought Taryn Tamtu
Synthesize tongues inside tongues speech double

I synthesize a new-old speech: <in the beginning, experiment>. Sustain speech and <continuously make, shape, manufacture>. Speech disintegrates in the shape of speech but speech always spreads multidirectional – synthesis both directions at once with entwined serpents flash forked tongues. I shape my tongue from the beginning, the speech Eloah arcade emanations. Manufacture the gnostic cellar door and experiment slow-quick: both directions at once.

Catalyze cool said said will will the mouth eloquent Cool jazz converts the spoken to to tongue and makes slow

Elephant immediate never been eloquent neither Aaron and I will be with you slow to speak

Synthesize a speech disintegration disintegration speech doubles (door nudges gnosis cellar door door desert disintegrates between digital-to-analogue converter)
Desert sea Taryn tongue sand
Tamtu Taryn tongue desert
To meet your mouth and when to meet your brother
Disintegration off-gasses off decay opens speech


//
I shape and model my speech through Taryn in the beginning

Tamtu sea tiamtum sea sea Tethys. Taryn Tamtu sea tiamtum see seed sea – see her see thread seal streams. Taryn Tiamat sea thalassa (pantonal Panthalassa).

I shape speech sea and <in the beginning experiment> seer her Taryn sea

I substitute Tamtu for Tiamut, the two have names having become essentially the same due to associations. I substitute my speeches and tongues for Taryn’s tongues fork slow now then now. Tamtu traces sea trade Taryn Tiamut Tehom and Taryn tongues <continually make, shape, manufacture>. Mother Taryn shapes and floral watercourse course all things.

I shape and model my field brain bizarre – deranged delirium den detect desert door. I field decorated dream what sees to I me mortals. Taryn sea what seas my fields brain synthesis.

I field further bizarre aware my dissociation I spill out spellbound bound my body embodied body spellings (Out of my mouth, numerous alphabets Out of my mouth your coming glad tongue the or to blind)

<In the beginning, experiment>: chaoskampf myth Taryn combat and primeval sea

<Creation myths Christina narrative experiments through remix, sampling, and reinvention / transformation> I synthesize speech through <remix, sampling, and remix / transformation> and I see speech seer chaoskampf
//

Improvise An Arcade Continuous Background Music

Improvise an arcade collapsed into eliminative materialism     Improvise an arcade continuous background music generated by erased god genitals


//
Vignettes. Themes and variations on vignettes.

(Virgil Finlay’s illustration for “The Color Out of Space” by H.P. Lovecraft)

Vignettes. Almost invisible cigarette smoke. Layer cake disintegrations. Robocop as Luddite Jesus.

Cigarette smoke vignettes. Coffee and cigarettes. To break through barricade arcade arcade chymistry.

Arcade alchemy at act at arcade apartment. Hopefully not language tortured so the words bleed out dead even seven sermons to the dead but a wild language growing weirder-wider (wider garden arcade wide chaos wide chaos language palm tree garden)

Vignettes grow out variegated visions visions (from shade and shadow my body blossoms weedy word word shared wide body visions / witnesses)

Almost invisible but Palm Tree Garden jumps jagged floats flowers (be all the flowers blossom ben body body / Tree of Life inseparably intertwined with the Tree of Knowledge of Good and Evil share the same root system)

I share the same root system with Asia Rhizome / Asia With Weevils

Vignettes. Themes and variations or vignette visions.
//


Improvise an arcade collapsed into eliminative materialism Improvise an arcade continuous background music generated by erased god genitals – erased Elohim phalluses – erased Tetragrammaton testicles

Why do you call me, ‘Lord, Lord’ and do not do what I tell you? I will show you what someone is like who comes to me, hears my words, and acts on them. That one is like a man building a house who dug deeply and laid the foundation on rock; when a flood arose, the river burst against that house but could not shake it because it had been well built. But the one who hears and does not act is like a man who built a house on the ground without a foundation. When the river burst against it, it quickly collapsed, and great was the ruin of that house.

Arcade collapses when the river burst against it, entirely collapses eliminative materialism

Improvise collapsed material entirely insects
Insect rudder red secret bridal chamber
Material insects chamber cafeteria
Insect cafeteria eaters small joint manipulation / insects manipulate my spine as a twelve-tone row

Insects manipulate call to the well a me me foundation Insects rudder foundation built foundation Lord hears on

Insects improvise words when one river bursts vignette themes and variations. Insects improvise arcade collapse and my collapsed body what that river not quickly. My body collapses arcade collapses when the foundation on the foundation on the foundation. Almost invisible my body swarms palm tree garden jumps and jumps on the one is like man built. Ben body blossoms that house who hears my words.

Improvise an arcade collapses into eliminative materialism Insects manipulate my spine alternating row and column arcades My spinal column collects chambers and room riptides for row reduction / I eliminate God using Gaussian elimination


//
Vignettes. Theme and variations vignettes

Venus / upper and lower Egypt Venus elan vital vital vivisection (Masque of the Courteous Monsters / courtly love) Venus illustration of the Tempest

Common fruit fly females prefer to mate with their own brothers over unrelated males

Upper and lower large locust little locust / upper and lower sibling synergies (This type of bullet, Mr. White, means your sister is a werewolf)

Upper and lower / as above so below my body all syzygies

Upper and lower a house shake in a great / as above so below deeply acts but is ground

As above so below Ben bodies to all syzygies Upper and lower disconnected/connected anarchic community / the communion must be symmetrical The communion deeply acts but is ground that a quickly: anarchic could house is who the do arose house Dis/continuous writing rewriting: writing upper and lower

Upper and lower vault venus vision venn vesuvius visions mythologies (Staying up for days in Chelsea Hotel writing Sad Eyed Lady of the Lowlands for you)

Refrain upper and lower and everything follows. I follow samples micropolyphony pli bottomless pit. Discontinuity connects continuity fruit fly finger manipulation / wall market cicadas buzz spine twelve-tone rows. I follow all my sisters syzygy (only two entered the bed, and seven left it: Cain and his twin sister, Abel and his two twin sisters)
//


Improvise an arcade into eliminative materialism / improvise an arcade continuous background music

That game year saw the introduction of speech synthesis, which was first used in Stratovox, released by Sun Electronics in 1980, followed soon by Namco’s King And Balloon, which was an early example of multiple CPUs, using 2 Z80 microprocessors, the second to drive a DAC for speech.

My speech cinders sun speech: my speech disintegrates toxic dust music musket in a sun speech cadaver

I speak a sun spindle fire first cross electronics / cold fusion electrolysis I speak a sun heavy water heavy intestines press under this nude flesh (I synthesize flesh from phantom furniture music / an erect elevator erotic)
Swamp City Pete just wanted to play ball… and ball… and ball
Deep Throat How far does a girl have to go to untangle her tingle
I speak sun improvises collapses into building slow arose who man is

My speech synthesizes a solar flare erotic, one that is just a Satanic as the equally nude bottom of a young sorceress raised to the black sky; her fundament opens, to admit a flaming torch I speak a mixing spindle language and I synthesize speech in the funnel of stratovolcanoes I speak synthetic mixtures and I speak sun mixture syzygies I speak sun sun symbiosis and synthesis

Making One Hell

I


Hell thicket polytope constellation confronted
Hell easy traceries markings canals pits space

Wilderness

In a sort of hell now trace
Earth picked mud frozen
Plant branch plant fern root
Making one hell


II


Hell thicket polyamorous constellation
Confront poem electric facets stereos

Surround hell traceries markings canals pits

Tracery tomb sorcerer
Marking missile tarot reading
Canal cadaver concoction
Pit pipe organ agent orange

Wilderness

Sort of hell plant grass bog beetle
Fern earthworms turn leaf soil
Making one hell easy roots branches