Adam was driven from paradise and came under the law of the Tree of Knowledge of Good and Evil…
When Adam awake what when reveals When Adam awake reveals reveals one thousand airplanes on a roof (Roof reveals and ceiling reveals a revealing of large room and large labyrinth) Adam awake reveals roof rest unrest wrestle reach: Adam awake reaches thousand airplanes as adamic languages)
I rest restless in the roof wrestle. I rest unrest riddle roof languages and I wrestle riddles marathon running. I run faster roof running. I run faster and faster feather roof and I reach restless feathers. I awake roofing feathers and feathery Adam early in the morning (Adam do not be afraid of my body; God do not be afraid of my body but lay adam abouden). I rest restless in the roof, Adam piloting a thousand airplanes.
When Adam awake what when reveals, when open ascension swings when Ascension swings when amen / when open ascension swings amen amen (I listen to Ascension by John Coltrane. A big band thing. I listen to a big band thing and it ascends. “He played this line and he said that everybody would play that line in the ensembles,” says Marion Brown. “Then he said we wanted crescendi and decrescendi after every solo. We ran through some things together, until we were together, and then he got into it.” I listen to big band thing and it ascends Adam amen and Adam when amen. I run through run things together until I am together – I am together with Adam and with Asia’s Christs and gods and we plan the prophesying thing together crescendi and decrescendi,)
When Adam awake when, Adam improvises multidimensional a thousand airplanes Roof restless reaches my wreckless body adam abouden and I rush unrest multidirectional (my wreckless body casts alchemical work in the form of an eyeball My eye emits prophecy: my eye emanates divine feminine and wild woman airplane My eyes emits wild woman gods and extraterrestrials) Roof restless reaches Adam amen
When Adam awake what reveals reveals open ascension When open ascension swings amen amen Ascension strays rays amen / which arrays rearrange ascension amen (“The ensemble passages were based on chords, but these chords were optional,” says Archie Shepp. “In the solo plus quartet parts, there are no specified chords. These sections were to be dialogue between the soloists and the rhythm section.”) Where Adam awakes reveals what this when dialogue and dialogue with desert
[I send Asia an excerpt entitled “My Writing Or Writing In Itself.”] This is me, I say. [Asia quotes the following section from the excerpt:]
Tell me if you were understanding
Towards a radical question Towards a radical question and a radical interpretation An anarchic question / deconstruction desert hermeneutics
Love this transition, says Asia. It’s like you are in dialogue with the ancient text, she says. I’m not completely happy with the excerpt but I wanted to send you something very recent. I liked it, says Asia. Very cohesive. I love the way that you seem to be in dialogue with everything around you, she says.
When Adam awake what where reveals: reveals, a radical question towards A radical question towards a radical interruption Adam awake what when reveals: in if a you ancient the desert radical (my radical likes this that text with writing seem its question)
When open ascension swings anew amen amen (towards a radical question towards a radical question towards a radical question / deconstruction itself)
When open my eye emanates her roof extraterrestrial The roof, the roof, the roof is on fire we don’t need no water let the motherfucker burn burn motherfucker burn When open my eye emanates her amen and ascension (It is better to forget, it is pointless to remember. No one will believe you. You will have spoken heresy. You will be a prophetic outcast.) When open my eye I prophesy: tell me if you are in dialogue with the way that you in dialogue with the way that you are in a dialogue with everything
When Adam awake what when reveals Amen open array ocean when ocean open ascension (At some point, John Coltrane called Albert Ayler and explained: “I recorded an album and found out that I was playing just like you,” to which Albert Ayler replied, “No, man don’t you see, you were playing like yourself. You were just feeling what I feel and were just crying out for spiritual unity.”) When Adam awake amen don’t you see, yourself You were playing just feeling like you To which and were playing just like you To which and were playing just like you Spirituality unity just feeling just like you were playing just you
When Adam was driven from paradise, Adam awake what when amen Amen open array ocean when ocean open ascension When ascension swings repetitive adam amen and amen anna axioms Ascension open ocean eye awake (I feel prophecy through my eye and my eye emits heresy. I prophesy my ascending eye and my eye emanates heresy marsh noise wall word hell. I prophesy hell concentrated to fit through the pupil of my eye. Hell crescendos heavy metal decrescendo and in hell, I cry spiritual unity. I cry spiritual unity in dialogue with everything around me. Hell heavy metals tungsten and cadmium twist my eye and my eye emits torque amen and torsion ascension.) Amen open array multiplies eyes inside eyes and eyes outside eyes / amen open ocean prophesies eyes multidirectional
When Adam crescendos ascension steel stirs slang sun stream amen I prophesy a steelish hell heavy metals tungsten and cadmium cadbury easter eggs (I prophesy heretic egg and egg eye. I prophesy heretic cosmic egg and chrono trigger. I prophesy heavy metal hell Black Sabbath and Ion Maiden.) When Adam awakes driven desert drive steel adam ascension / ascension stabs human son sun ben adam
When ben adam amen add glam glass stir stretch music (According to Archie Shepp, “Free Jazz [by Ornette Coleman] created a new form. And Ascension is a further step in the department of that form. […] The precedent for what John did here goes all the way back to New Orleans… This is like a New Orleans concept but with 1965 people.”) When Ben Adam amen add slam he precedent for what John did here goes all the development of that the precedent of that The precedent form and Ascension is like a New Orleans… This is a further step in the development of that The precedent of that. The precedent of that. The precedent of that.
When ben adam amen add glam stir stretch music When adam more music meanders meets amen to amen Amen to amen desert music moths amen with amen / amen ben adam amen metamorphosis (I prophesy heretic egg and eye cosmic egg: egg eye easter sea urchin lemur leper. My eye oozes gold oil and works flash flesh lighting flash. My eye flutters: my eye flutters eyes gold winged snakes and insect wings. My eyes break against beach with blurred bodies.) When ben adam ascends ascension visions of amen: amen chrysalis char chrysalis Ben Adam ascends cocoon Christian stations of the cross.
It’s very comforting to know that I am not alone, says Asia. Ever since I burned that letter. I’ve been burning a seven day candle with a tiny death tarot card taped to it. The flame for the most part has been small and feeble – there was one period of time yesterday where it was big and strong – but for the most part it’s been weak. This is telling me that I have more work to do, that it’s going to be a slow and steady process, she says. There is a saying from the Talmud, I say. You are not obligated to finish the work, but neither are you to refrain from it. You will be working on you and your gods until you die. I realized this when I realized my Book will never be finished, yet I still have to write, I say. The only thing I know for sure is that I refuse to stop growing, she says. Yes! “He not busy being born is busy dying.” Amen, says Asia. I will never die. I will decompose and be reborn. I will become ancient. I believe you, I say. I will see you among the soil and stars. I will become a forest, she says. Protecting and giving life to many.
Array ascension visions of amen moment meander moment amen Amen moment meander moment form shadow figure roof feathers Amen visions of amen: I will never die I will never die I will never die I will see you I will never die I will become a forest protecting and stars I will become and be reborn I will never die: I will see you I will never die I will decompose stars I believe you – I will never die and I will see you I will become a forest protecting I will become amen and amen
Asia Among Rivers amen Asia Among Rivers rhizome amen (the central idea is not to produce a network of interwoven independent melodic lines, but dense sound complexes)
When Adam awake eye amen and Asia eye amen When Adam amen Asia visions of amen I prophesy eye ascension Asia visions of amen
Adam was driven from paradise and came under the law of the Tree of Knowledge of Good and Evil…
I Abide Ben Adam
When Adam was driven from paradise and came under the law of the Tree of Knowledge of Good and Evil, he needed clothing and raiment in his exile into the world because in his present situation he could reveal his naked essence.
When Adam, again Adam again and again Adam when word When Adam word when again Adam and with Adam, I word again I word Adam long when and long again (I word a mystery and mystery in the name Taryn and Taryn again suspends Adam. Taryn suspends Ben Adam and again her mystery abides Adam: Adam When abides Ben Adam.) When Adam abides ben adam: Taryn hang ben adam hasp rasp pomegranate clusters cloisters My body clusters Adam count when cloisters and I prophesy when mystery
I prophesy an apophatic Adam and I abide when mysterious Adam. I abide apophatic Ben Adam and anarchic bodies. My body without organs originates undifferentiated to the body immediate. The body immediate undifferentiated doesn’t separate but dissolves. Body invisible fire pairs pomegranate clusters with apophatic cloisters, unidentifiable categories corralled by Taryn.
Do you still consider yourself gender nonconforming? I ask Asia. Ben, I just shaved my entire head, she says. I also haven’t shaved my armpits in months. It doesn’t really matter what I consider myself. I don’t fit neatly in the feminine gender norms. Also it’s hard not to think of nonconformity as trying to conform in the opposite way. Maybe that is true for me because I’ve never liked being put in a box so I reject it and go the other way. But still, says Asia. Yeah, that was sort of a dumb question on my part, I say. You are someone who consistently rejects any categorization and labels and boxes in general – even rejecting anti-categorization. You are someone who is maximally flexible and maximally anarchic. I admire that about you, I say. I can’t help it, says Asia. It’s how my brain is wired. I did try very hard to conform at one point. Don’t change, I say. Be radically yourself. It inspires me to be more flexible and open and anarchic in my own life, I say.
When Adam was driven from paradise, I prophesied apophatic Adam and Ben Adam mystery mystery anarchic. I abide in apophatic anarchy and anarchic apophasis. I conform and conform not to the knot of mystery and I abide in Adam invisible fire and Ben Adam fire within fire. I prophesy When Adam without and the when without wilds apophatic word. Word without threads wild woman and tiger woman (Taryn hairs tigers hang tree of life upside down Upside sister underneath near tunnel noxious subtle body annihilation Nude upper and lower nile dark hair Taryn hang teeth of lions rule the divine). When Adam drives out paradise, he abides in divine: the very when of divine drones undifferentiated.
I abide when Adam human: Ben Adam Son of Man silhouettes I abide Asia undifferentiated ocean and I redeem through her rhizomes I sort source scripture horizontal slices / slices sort vitrine virgin visions Ben Adam vary vitrine violet vision: Adam Asia allosaurus alloys
I alloy I alloy alloy I alloy alloy when Adam abide Child of Humanity I alloy alloy Adam abide anarchy when Child of Humanity mystery I alloy alloy when Adam alloy subtle human ore overt asymmetry (Can anyone withhold the water of baptizing these people who have received the holy spirit just as we have?)
I alloy I alloy alloy anarchic holy spirit I alloy alloy when Adam holy spirit and her holy ghost abide with me / Alloy eventide tyrannosaurus mix Taryn rhizome (Taryn puzzles over pomegranate teeth. Taryn teeters teeth biting down on the morning apparition. Ghosts grab the fog train whistle and whistle with high octave holy ghosts.) When Adam I alloy abide her adam, my flesh real food my blood real drink
When Adam was driven, I drink I drink desert dragon desert diagonal differences (When difference, what conceals and reveals Differences when Adam abide destruction visions developing variations) I drink developing variations when Adam vision desert (different desert alloys alloy holy spirit and holy ghost abide ben adam)
When Adam drives abide ben adam alphabet breakers alphabet / disintegration of the persistence of time
I drink Taryn whose sides are hell-filled out (it’s not filler – it’s exploration)
I drink and I fill steel Taryn whose sides are hell-filled out (I fill steel file flesh flirt fugitive)
Abide ben adam alphabet breakers alphabet / I fill steel file flesh flirt Taryn I fill fire file file folding fire (When the sinking hot rays of the sun encounter watery rising steam, they condense and give rise to the planets)
I’ve had this recurring thought come up a few times and I wanted to bounce it off of you, says Asia. It’s still very unfleshed out so stay with me and hopefully I do a good job verbalizing it but here we go. A couple of astrology videos have come across my fyp on TikTok and something about them is bothering me. To summarize, I think that astrology tends toward colonial mindsets and centralizes the West. One of the comments that gave this impression was someone describing Pluto as Machiavellian and other planets and such being described in similar domineering and war-like ways. Another thing that struck me was the number of astrology videos that talked about astrology and current events but only using US history to back up their claims. They were saying historically, every 85 years there is a shift (they cited all the American wars that are about a generation apart) then said that Saturn goes through 85 year cycles in astrology and caused a shift in thinking or revolutions. Did Native Americans have big wars every 85 years? And using wars as a way of showing how the planets encourage a shift in thinking is a little bizarre. I would give it more weight if they showed examples from other countries that aren’t giant military machines pretending to be a government. I don’t know if I’m making any sense, says Asia. I like the symbolism of astrology but it’s too fatalistic for me, I say. From what you describe it sounds like a kind of grand theory of clockwork happenings. Like a deist god but with stars and planets instead. It might be worth checking out some other forms of astrology like Chinese astrology or Babylonian astrology. Maybe, says Asia. What I like about some astrology is the deep layering of correspondences, I say. In alchemy, each metal is associated with a planet for example. I find that interesting, but I’m not interested in the predictive power or its influence on me. It seems something like Tarot has interpretability and openness whereas astrology is less so. Astrology is for people seeking control and order, says Asia. Tarot is the opposite of that.
When Adam drives out and the sinking hot rays of the sun encounter watery rising steam, they condense and give rise to the planets Planets unflesh Unfleshed planets pray night planet night cap crush nyx neon mushroom cloud Unfleshed planet centralizes (Central planet unfinishes unflesh) Unflesh unfurls center body: undifferentiated body ocean
I abide Machiavellian Pluto
Sinking hot rays other planets similar domineering Other planets sinking hot rays war ways Other shift cycles astrology astrology revolutions I sink revolutions I sink bizarre giant machines sense any sense
When Adam drives When Adam abide holy ghost graphomania When holy spirit abide braids holy spirit braids graphomania I abide braid holy spirit braids bereshit breath alphabet rhizome / sound rhizome source charge cueballs circulation
I drink when dinosaur desert (Know night. I know night planets and planet night caps. I crush the neon into night and nyx and night hides Taryn’s wild hair. Night planet nosedives wild hair air planets / 1000 airplanes on the roof.) I drink When Adam and Adam When and the word becomes liquid or gaseous I drink when dinosaur desert / I abide thunder lizard bone Taryn thunder lizard loop loop earring add when adam lizard rhizome Desert dinosaur rhizome slow hoop holy ghost alloy
When Adam was driven from paradise… When I prophesy, I extend this time When. I extend When and I drive Adam and drink Adam. I drink Adam planet unflesh: my flesh real food my blood real drink. I prophesy When blood and When flesh and I extend my flesh to her planetary flesh. The language When or the Word When: When unflesh and I work written liquid. When writes liquid or gas and I load liquid writing (liquid structure and gaseous narratives: unflesh myth machines. When myth: gaseous myth liquid prophesy. Seizing salt improvisation myth, a when myth playing with memory / playing with melody).
When Adam awake what When reveals, When open ascension swings amen When open ascension swings amen amen Ascension strays rays amen / amen army array solar anus Ascension strays sinking hot rays of the sun encountering watery rising steam: liquid writing and gaseous writing
Adam drives When and When width Taryn word (word Taryn wild hair)
I Fight Not Dark Fire But Invisible Fire
I fight not dark fire but invisible fire I fight fires within fires slow smoke
I fight not dark fire but invisible fire and fires fling flat fires Fires feast fires flush or flat to my flesh further, and my flesh disappears invisible in invisible fires
Out of dark fire Adam drove fires with paradise and the fiery Tree of Knowledge of Good and Evil emerged in invisible flame gnosis Adam goes out in the clothing and raiment of the Tree of Knowledge of Good and Evil and prophesies naked eden and nude gnosis
Out of dark fire, Adam prophesies naked eden and nude gnosis (From the 1950s, he began to focus on portraiture, often nudes, to the almost complete exclusion of everything else, and by the middle of the decade developed a much more free style using large hog’s-hair brushes, concentrating on the texture and color of flesh, and much thicker paint, including impasto)
I fight not dark fire but invisible fire and I concentrate on the texture of color and flesh: I concentrate on the texture and color of flesh on fires and flesh in flash fire (My fingers display an invisible fire and I light advent candles, a fire of the lion nativity. My fingers feel nude fire and a pornographic fire, antennae and whiskers for thick flesh flesh-in textures. My fingers smoke slow mat and moss, and my flesh overlaps with fungus and forests. The entirety of the forests reveals gnosis, a forest of the Knowledge of Good and Evil.) I fight not dark fire but invisible fire and the glow smoke mines my body iron clusters cluttered copper Slow smoke mines copper vein invisible vertigo let’s go intravenous vancomycin
When Adam was driven out from paradise, he fought fires within fires glow smoke
Ben Adam smelts slow smoke moat mining body Ben Adam smokes mixed body marsupial / primordial soup mammal Mammal marzipan minx moxie rap remix Maximum moxie rap remix morning apparition Apartment apparition partitions / radioactive pile particulate Taryn radioactive topless
Ben Adam smelts slow smoke moat iron or tungsten (Taryn’s tungsten tongue sparks invisible fires. Taryn tongues odd ores and ores spark bizarre fires: ben adam becomes ben hinnom.) Ben Adam smokes mixed body mud (mixed mud meets mud flooded okefenokee swamp) Mixed body melts and ben adam smokes slow spontaneous human combustion (ben bodies combust mixed bodies boiling high melting point tungsten) I map my body onto swamp and mud and my body burns brush fires: I map mud remix primordial soup (ben bodies sawed into soup spontaneous human combustion) Ben Adam bodies primordial pulse prima materia Radioactive prima material distills ben body topless with Taryn topless (THE NUDE BIKINI DEBT OF THE DEATH-HEAD GANG Once a girl joined them, she was owned body and soul)
So I have a coworker who is a first year teacher and fresh out of college, little baby, says Asia. Anyways, I asked him if he wanted to fight and he said that he was scared of me – that I looked like I would kick someone in the nuts, she says. You do look like someone who’d kick someone on the nuts though, I say. It’s very true, says Asia. I refuse to fight fair. There are no rules and I’m a tiny person – anything is on the table, she says.
Asia asks Adam if he wants to fight and she fights fires within fires slow smoke. She drives fires through naked eden and nude Forest of Knowledge of Good and Evil, and her fights fuel thick flesh textured fires. Her fires scorch my body topless radioactive. Topless Ben and topless Taryn clothe themselves in invisible gnosis.
When Adam amp what, the what add art fire to when When Adam ask what, what concealed waters and what revealed what when (Adam ask what askew, askew skewered invisible fires) When Adam add all ash when and what, what silver mines mixed bodies and mixed fires Mines mixed bodies and mixed fires Fires mixed apparitions with apparitions invisible fires fragrant ghosts
Taryn the mourning apparition burns mourning diary. I mourn apparitions X apparitions and Christina appears through clouds rough…
Taryn the morning apparition dawn choir mourns quarter for the end of time. I jam isorhythms and additive rhythms, a rhythm apparition appetite. I jam awkward and augment god complete compact brutalist ghost bodies. I mourn many adams and I augment this adam and apparition long duration. I augment Adam Christina long duration and long desert exile (I mourn moto perpetuo). I mourn but I transform the mourning through a perpetual metamorphosis. I prophesy a mourning metamorphosis and I make the concrete into apparition and the apparition concrete.
I transform my body. I transform my body passing invisible fire and fires within fires slow smoke. My body smokes ben adam superimposed ben hinnom. Ben body compacts apparition and apartment compressed brutalist ghost body into blue bathers. Ben adam blue bathers disturbs waters and the spirits of chaos heal (ben body transforms body raw concrete into nude wall Taryn, a healing porneia / ben bodies amplify transformations terra and antiterra Taryn).
I fight not dark fire but invisible fire I fight fire within fire slow smoke I fight fires within fires spiral smoke spiral spirals
I disturb the smoke with my ben adam body and my bathing brutalist body (I listen to the composition “Connotations” by Aaron Copland, a work where he used twelve-tone technique rather than the folk melodies and accessible style he was previously known for. The piece still has mixed reception even now: “… Through this technique Copland wrote that he felt he could express ‘something of the tensions, aspirations and drama’ of that time.” … “He confided to Verna Fine, ‘I don’t feel comfortable with the twelve-tone system, but I don’t want to keep repeating myself.” I also don’t want to keep repeating myself, and I look for that method of technique that makes me uncomfortable – that makes me feel incompetent – that makes me feel amateurish. Time to write more narratives and plots – or more nonsense and embarrassment. I transform my body and disturb my body with abundance of other bodies and different bodies – radioactive topless ben bodies and radioactive topless Taryn bodies.) I disturb the smoke with ben adam body and my bathing brutalist body
Fire within fire amplifies Taryn apparition / apparition accelerate ghosts abstract atmospheres
Fire within fire amplifies fire micropolyphony
Radioactive Taryn radios topless fire Topless fire faun invisible bakersfield basalt atmospheric ghosts (I approach atmospheric ghosts and ghosts discharge ball lightning. Micropolyphonic ghosts fling foo fighter fire. Fires amplify fires, figure eights in air.) Taryn radios topless and Taryn hangs hag horde hearse hanging towers of babylon Taryn hangs black hole black hair grape clusters and her head hip blonde dinosaur beetle
The other day we were actually reading a dinosaur book that we got at the library with my daughter and we got to the pterodactyl page and she asked me, “What’s that?” And I said, “A pterodactyl.” She dramatically smacks her hand to her forehead and goes “A pterodactyl! Oh my gosh!” I lost it. Only, you know, she didn’t pronounce pterodactyl right, but she had the spirit, says Asia.
I pronounce pterodactyl page I pronounce dinosaur reading (dinosaur drama calling dinosaur spirit) I pronounce pterodactyl smacks pterodactyl Other pterodactyl day dramatic other I pronounce library: I pronounce library dramatically
I fight not fire but invisible fire Invisible fire burns burns Adam abides: Adam abides body without organs undifferentiated ocean (ocean surges Asia Rhizome relax ocean relay) When Adam abide slide human silhouettes I abide when Adam human silhouettes and I redeem through rhizomes I redeem other and this awful other (I do not feel comfortable with the twelve-tone system, but I don’t want to keep repeating myself)
When Adam abide when Adam abide slow smoke Adam when slow smoke permutations mutate twelve-tone row (ocean enchants Asia Rhizome in twelve-tone rows) Adam abides and I repeat myself and I don’t want to repeat myself (I remember in the ritual of repetition: repetition repeats silence and noise and I try to discover a silence in this repetition. Between noise and silence, thin slices of repetition. Although I don’t feel comfortable with noise or silence, I don’t want to keep repeating myself. I repeat myself in the invisible fire of liturgy and the fire with her fire ritual.)
I pronounce pterodactyl twelve-tone row I pronounce dinosaur reading rhizome fires (dinosaur drama calling dinosaur spirit) I pronounce pterodactyl smacks a forest knowledge of good and evil Other pterodactyl repeats noise and silence invisible fires I pronounce library: I pronounce library dramatically, a labyrinth of dark fires
I fight dark fire and invisible fire and the fires intertwine and human fire I abide when Adam human silhouette son of man and I redeem through rhizomes I sort source scripture horizontal slice / vitrine virgin vision (Vitrine violet vision: Asia Allosaurus ocean alloys I alloy when Adam holy spirit and her holy ghost: I alloy when Adam abide child of humanity)
When Adam was driven from paradise and I play fire within fires, and the fire burns Tree of Knowledge of Good and Evil without being consumes
I fight not dark fire but an invisible fire
When Adam Was Driven From Paradise
Taryn travel Taryn arm Ben Adam
Taryn tailspins tundra Taryn air Ben Adam
When Adam was driven from paradise and came under the law of the Tree of Knowledge, he needed clothing and raiment in his exile into the world because in his present situation, he could reveal his naked essence.
Emerge paradise naked began to buried sign speaks paradise heat began emerge to tow buried signs scrolls (Insects emerge Taryn empty, a kind of cliff kenosis and cave kenosis. Insects empty Taryn candy and kenosis sinks paradise into Earth. Earth opens empty and Taryn emerges from earth sorcerer insects. I also empty insects and I share sinking earth with Taryn.) Taryn emerge insects began a book to buried body without organs / without paradise signs gospel sideshow clown girls (signs gospel gas giants reside gasoline stations carnival clown girls) Taryn emerge or submerge seat new heat sheet soda pop quantum pockets (sphere pack pocket socket circuit look it lock it lavender horror)
When Adam was driven from paradise, Taryn fights without a weapon Taryn welds word without a weapon Taryn whip and the body without weapon Taryn wound word whip and body without weapon (word worship her word whirlwinds and tailspins) When Adam was
When Adam was where her whistle, whistle where Adam when
When Adam damn damn was whistle delirious gospel new laundry detergent
When Adam was word worship box body uppercut underneath next subterranean (Underneath gnosis begins buried signs and speech. I gather the speech Adam driven Ben Adam. My speech deteriorates delirious word. Adam deletes word but I continue her worship. I worship word underneath driven into earth, and I fugue not dark fire but invisible blue fire. I fugue fires without fires and the smoke submerges delicious underneath.) When Adam was, I was and I was not but Taryn
When Adam was driven from Paradise, Adam amp what Adam amp what, the what add art to when When Adam ask what, what concealed what waters and what revealed what when (When works mystery and word mystery and mystery when word. When works Adam revelation. When whirls revelation and Adam Apocalypse and time distorts often odd messiahs.)
Do you ever feel irrational anxiety? I ask Christina. I have intense irrational anxiety a lot, says C. I’m also feeling irrational anxiety a lot, I say. I’m trying to figure it out. Do you have good coping skills? she says. I need a mix of medication, coping skills, and therapy. Otherwise my anxiety turns into a low level of panic at all times with spikes of panic attacks. People can’t live like that. I just started anxiety medication, I say. I feel mainly anxiety about abandonment and such. So my friendship with Asia, although strong, can be frustrating sometimes because of my anxieties. I’m trying to identify the sources and why, I say. In my experience, I’m not good at identifying the source because I am not sound of mind, says C. I need a teacher. Asia asks me good questions about it, I say. I am also not of sound mind. Kindred? Yes, Kindred, she says. I think it originates partially from low self-esteem, I say. Like why would Asia love me or be pando friends with me when I’m a butt. I think a lot of our mental stuff comes from that, says Christina. No good inner voice. How come you don’t think we doubt the Kindred very much? I say. For me, it just is, says C. Whether it evolves, it still is. You don’t feel anxiety about it at all? No, not at all, she says. Relationships aren’t an area of anxiety for me. I mean, I’ve only cried maybe 3 times over my divorce? Relationship changes are something my brain lets me accept. What do you have anxiety about? Axe murderers, says Christina. My children being raped at school. Apocalypse. OK, your anxieties are a different vibe than mine, I say. Yes. Mine are closer to specific phobias or OCD. Apocalypse I feel though, I say. Although I think you’re thinking rapture or something. I’m thinking like civil war. I’m like, my relationships are falling apart and I’m a shit writer and I’m going to get arrested for being gay, I say. No, it’s shifted in recent years, says C. More like societal upheaval. Those are harder anxieties to deal with because they could have at least some foot in reality, says Christina.
When Adam anxious amp what, the what add art to when To when apocalypse to when anxious To when Adam anxious knows apocalypse (From amp apocalypse emerge gnosis began. From amplifiers, apocalyptic distortion, and anxious distortion travels Taryn fights without weapon. From apocalypse emerges Taryn welds word without weapon.) When Adam anxious anticipates apocalypses
When Adam ask what, what concealed what waters add what revealed what when When Adam all ash when and what, what silver the long and winding road
(What when this Adam: an Adamic language and an Adam sentence. Adamic sentence: that and when sentence structure, amp adamic when. To put more form in the free form. Variety in sentence and structure, but when more so: originary structure and primordial structure. The primordial (Adamic) sentence: the prima materia sentence in Chaos (Ben Adam amp and Ben Adam all call anarchic). Looking for the structure: Adamic developing variation structure structure fine structure constant and Albert Ayler Ghosts. Form and constraints – Ben Adam Adamic constraints – make something cohesive and interesting from these fragment-constellations. I make interesting failures – and often not interesting failures – conjuring an impossible originary structure and form (my primordial human body – my body abyss and chaos). When when this Adam: proto-language and proto-structure. I fight the structure without a weapon and I cannot tame it. I amp adam impossible: impossible structure, impossible language… I gather ben adam adam’s fragments.
When Adam was driven from paradise
My Body Lays Bare The Beginning
Then have you laid bare the beginning, so that you are seeking the end? For the end will be where the beginning is. Blessed is the person who stands at rest in the beginning. And that person will be acquainted with the end and will not taste death.
Laid bare the beginning laid bare Laid bare the beguiling laid bare Laid bare the beginning laid bare
I bare my body beginning laid bare beast from sea I bare this is my body which is for you Laid bare beginning seeking beginning this is my body for you (My body animates cross between cinders and I gather cinders ashes of gods. I gather gods and they begin as ashes, bare fire reviving. Bare fire revives god phoenix, one of the constellations of the rose. Rose begins gardens and fields, fertile god bodies bare.) I bare my body beginning and this cup is the new covenant in my blood
I lay bare the beginning and do not taste death (stair death said death syntax) (stare death stair said soothsays syntax) (death syntax stair climber on dog tooth treadmill) I lay bare beginning break beginning bodies (death translates treadmill mullet syntax) (I manifest death the mullet burden)
I bare gospel new syntax and new nudes I bare the erotic gospel Taryn gospel I begin gospel old beginning and new beginning old and new dreams Dare gospel Taryn beginning mixture death whore of babylon (Her past life – unmentionable. Her present life – unpardonable. SECOND HAND NUDE)
Taryn laid bare beginning Laid bare beginning Taryn shows up late at night (Taryn who shows up late at night / Taryn who looks for trouble at night) Taryn begins gospel night loop light owl nude (Taryn lilith owl music owl in daylight) Her owl sound gospel crucifixions bare supper (nude this is the blood of the covenant which is poured out for many) (I pour out many bare gospels old and new dreams)
Taryn laid bare beginning Taryn beginning shakes owl sound sound serpent last supper (Taryn meets her beginning end medusa and she devours other gorgeous Taryn devours other gods serpent last supper)
Went during the day and saw manatees, says Asia. Went at night and every time the fish moved, the water glowed where they were. Lots of mackerel rushing away from the kayaks and we saw a manta ray with a 4-5 foot wingspan and all you saw was the water glowing around it so it looked like some ethereal spirit creature, says Asia.
I begin bare and I animate angels cross manta rays and they dash between cinders Waters glow cross angels ethereal spirit creature crucibles (I begin face to face her manta rays)
Taryn gospel snakes Tree of Knowledge of Good and Evil glowing waters: Taryn snakes tangles tunnels cassette tape terminals I bare beginning night nude Taryn torture garden (CLEOPATRA’S BLONDE SEX RIVAL Ancient Rome, where orgies were a sport)
Night gospel slows old and new dreams dreaming waters
Night nude Taryn stare death stair said: night gospel said soothsays syntax (I soothsay night syntax. Night I syntax soothsaying and Taryn intertwined teeth. Her teeth talk old and new dreams. I soothsay Taryn teeth stair climbers. I climb ice and Taryn destroys me in Smash Brothers.) Night gospel prophesies Taryn new gospel and her gospels slow angel waters
Water glows new gospel and I gown myself in nude ballrooms: I gown myself nude glowing waters and my face emerges from waters ballroom gospels I denude myself with gut gospel defoliant (near nude stark gnosis / neotic death brass knuckles)
Water glows neurotic erotic night / naked garden portrait puncture body
Night near now body vision glow valley of burden / night sword word now owl sound: stand sound string sea
Maybe one day you will do more non-writing adjacent stuff too, says Asia. Though you did do the night game the other day. I did! I say. I enjoyed it. Very proud of you for that, says Asia.
I laid bare beginning night game: I laid bare beginning night game
Night game laid bare beginning boils glowing waters (night similar sea breast stroke stoke fire) Night game laid bare Taryn needle light neoplasm negligee / glowing lingerie leopard Night game glows beginning leopards and lions (Some animals are painted on the ceiling and seem to roll from one wall to the other. These representations, which required scaffolding, are intertwined with many signs: sticks, dots, and rectangular figures.) Night laid bare doubled death night and night vertical vulgar (Beginning death drone ribald bukkake / ribald beginning bukkake rhizomes) Death steppe day heat bukkake death valley (renewed night nurtures cold death) Valley death (rezoned night nurtures cold death) Valley death microdoses verdigris guts mutt night mineral spirits I spit bloody death leopard night verdigris / ambergris
I laid bare the beginning and I know only night (Annihilating night renews night an annihilating night. Annihilating night revives night annihilation, the vertical void of night / night leopard verdigris. Night on the extended real number line projects night brain boiling actual infinities. Annihilating night revives infinite night, the gospel void of my body.) I laid bare the beginning and I know night valley void / void emerges gnosis began to buried signs speaks
Gospel laid bare begins night
I Pronounce The Beginning Of The Book In Mouthsmoke
Content warning: discussion of suicide, suicidal ideation, and mental illness
I experiment conversations from mouthsmoke to mouthsmoke I candle smoke serpent scene sent smoke syntax candle I smoke candle serpent scent syntax candle smoke
I experiment conversations from mouthsmoke to mouthsmoke / Taryn teeth speak folktale flesh eye flesh
I candle smoke serpent-scent smoke syntax candle I smoke candle serpent-scene syntax candle smoke (smoke singes candle siege spiral staircase smoke) Smoke candle syntax skip serpent candle smoke
I experiment conversations from mouthsmoke to mouthsmoke / Taryn teeth speak folktale flesh eye flesh I experiment eye flesh story of the eye (attempted self-crucifixion of an Italian shoemaker 1803)
From mouthsmoke to mouthsmoke Taryn whose coat is the same color as the surface crucified kiln bodies bodies earthenware word porcelain bodies Mouthsmoke smears Taryn leopard coat baseball catchweight crucifixion word (Taryn from mouthsmoke to mouthsmoke crucifies candle smoke between ropes. Taryn captures at catchweight smoke cinched smoke cinders and Taryn gathers holy sparks at foot of crucifixion. Taryn mouthsmoke stains moonshine and sun dogs, and her smoke drifts into my mouth a garden serpent. Her serpent smoke takes residence in my mouth and my tongue sprouts Tree of Knowledge of Good and Evil. My tongue and mouth smoke gnosis and emanations of mysteries.) Mouthsmoke stirs Taryn leopard coats in the vat for dying smoke visions and smoke crucifixions
I mouth Taryn rope cedar cotton cobweb I mouth Taryn coat wrote rope cobweb cedar
How much do you love me? I ask Taryn. Lots and lots and lots and lots and lots, says Taryn. When we were in the nursing program and we stopped talking, did you ever think we would reconcile? I say. I thought we would eventually, she says. Oh yeah? I’m surprised a little – I wasn’t sure if we would or not… Do you think we were besties in the nursing program? Did you know that already or was it afterwards? Yeah, says Taryn, but I think at the time even though we were besties, we were still learning what works for communication, says Taryn.
I experiment conversations from mouthsmoke to mouthsmoke strand nonsense (Taryn cedar crucifixion word, ladder of jacob cedars of lebanon)
I experience coat crucify word ghosts Robert Rauschenberg combines
Mouthsmoke Taryn coat color shifts flaw buoyant and subtle / teeth interlace intensely saturated whispered tonalities
(Mouthsmoke monomyth whispers teeth tonalities teeth topaz Teeth topaz snaps snazzy teeth Coat crucifixion toasts tonal modulation timbre modulation)
From mouthsmoke to mouthsmoke Taryn serpent-scent syntax snicker-snack serpent syntax
We’ve been teaching the students about clauses and phrases and misplaced modifiers, says Asia. I got to thinking, How can I show them why? How can I show that these rules exist for a reason to enrich our language? So I found some mentor texts. I used Watership Down and Roll of Thunder, Hear Me Cry, and found a descriptive section at the beginning of each book. Then I rewrote each piece using only simple sentences. We are going to show them simple ones first, then have them try to add more details. When they are done, we will show them the originals, says Asia. That’s a cool idea, I say. You’re a good teacher. Kids always want to know why, says Asia. I know it’s more work, but I think we need to do the work to show them why it matters, and that it’s not just a bunch of rules. It makes the world more beautiful when put in the right hands. And I didn’t mean that as a jab to writers who don’t use traditional syntax. Those who are best at breaking the rules had to learn to break them. Like Picasso. He’s a dick, but he was right in the fact that it takes skill and discipline to subvert norms, says Asia. I like to say I don’t want to spend energy trying to reinvent the wheel when it’s already there, I say. You have to do research, so you can learn from it and figure out how to make it work on your own terms, I say. Exactly, says Asia.
From mouthsmoke to mouthsmoke breaking break more walk More work from mouthsmoke to mouthsmoke hands jab syntax (Hands invent syntax Hands subvert mouthsmoke gun smoke)
Rewrote mouthsmoke Rewrote smoke mouth remote control
I experiment conversations from mouthsmoke to mouthsmoke Elapse syntax from mouthsmoke to mouthsmoke spine spectres Spine fragment smoke spine fragment: spine smoke fragment spine Smoke lingers human mouths mothlight lingers smoke Linger larger smoke human cinders renders light (I meander mouthsmoke to mouthsmoke and my teeth tine frostbite. I weave moonstone mouthsmoke and my teeth thunder tinker syntax syntax telephone. I telephone smoke lobster telephone smoke. I telephone smoke lost highway her this mystery of mysteries. Smoke shrouds mouth Mount Sinai entwined with mouth Mount Horeb, and both telephone paranoid body horror.) I experiment mouthsmoke to mouthsmoke and my mouth linger syntax longer Smoke lingers in my spine spindle body horror
Smoke lingers listen and my teeth tine frostbite (Teeth Taryn color earth coat blonde ombre Taryn teeth color coat earth ombre ochre)
Smoke lingers listen and my teeth trust teeth ice bite berg (I stain my teeth blood crucifixion I stain my teeth iron sulfur arsenic uranium)
Smoke lingers large large says woke (I stain my teeth standing turtle fire fire pit palm black angels I animate the angels cross between cinders)
Smoke lingers listen: smoke listens long lingers desert duration I endure smoke through desert (when your heart’s on fire, you must realize smoke gets in your eyes) Smoke shore surface sores savor secret smoke Smoke soft sees surface mouthsmoke Mount Sinai (Yahweh mouthsmoke incinerates Mount Sinai interior avalanche fires / white fir on black fire)
From mouthsmoke to mouthsmoke, I animate angels cross between cinders and cinders cross angel crucible poured out molten smoke. I animate larger smoke plumes and the peacock feathers linger. I animate shaped corrugated cardboard and it crucifies eclipses and different colors of smoke.
Savor secret smoke secret gospels of mark Some stenography conceals hidden gospel which unveils secret name (Taryn name waves Christ sequoia sisters) I sum smoke samples and sequenzas / I reorchestrate smoke into material ouroboros I sample mouthsmoke sandpaper and myth sandpaper pipette and test tube (my body shakes a heart reaction in a test tube tabernacle)
(Kyle _____, a high school student from Fair Oaks, California, skipped school in September 2013 to jump off the bridge, yelling “Yahoo” and he leaped to his death. The New York Times reported he had watched the trailer for The Bridge repeatedly. His suicide note read “I’m happy. I thought this would be a good place to end.”) I struggle with my mental health. I idealize my suicidal, because the Book ends when I die, and I think it romantic. I think a romance to end the Book with my suicide, albeit a morbid ending. I would end it: “I finally jumped. I died and the Book is done.” Wanting to die doesn’t feel romantic – it feels like deprivation and desolation. It doesn’t resemble material for a Book. Writing depression and suicidal ideation makes for a boring Book, because it only reaps repetitive thoughts and creative dryness. It harvest monotonous, routine, and extreme boredom. I hope to make the jump but I lack the creative means and what means I do have, Asia frequently talks me out of it.
Could you reassure me? I say. First, tell me what our friendship means to you. Second, tell me if you think I will survive my troubles. Your friendship means a lot to me and you survive this, says Asia. Will you always unconditionally care for me? Yes. Could I ask for reasons for me to survive that are personal to you? I say. I’m not sure how to answer that, but I will try, she says. Because you are my friend. So you can keep creating. So you can see more beautiful and wonderful things, says Asia.
I admire Asia because she has proved time and time again she unconditionally loves me and has near-infinite patience with me, and she deserves sainthood for saving me (Asia would say I saved me and not her – to give myself credit for perseverance and not giving up). Nevertheless, I often consider my own death (Jesus says to me: Since you have discovered the beginning, why do you seek the end? For where the beginning is, there will the end will be. Blessed is he who shall stand at the beginning – in the beginning – and he shall not know the end, and he shall not taste death).
I thought this was a good place to end / If you don’t know how to begin, begin with the Book
Instead of jumping, I begin with the Book. I jump to the beginning of the Book, and I jump at the beginning of the Book / Book to and through mouthsmoke
Why he chose the bridge, I don’t know… Maybe he just wanted to fly one time.
I choose the Book as Bridge Book crossbow bridge skull bows bandits Batman bamboo bandits bridge black (you’ll be put in a big black hack they’ll take you away and you won't come back) I choose the Book skull and crossbones I choose the Book pirate jolly roger rhizome ouroboros
I choose the book conversations from smokemouth to smokemouth clinker game against death cam Begin Hermetic death shark hermeneutics Hermetic tortoiseshell hermeneutics spiral nautilus shell shield rod
From smokemouth to smokemouth, I pronounce the beginning of the Book beginning mouthsmoke
I Pronounce Her Name Flux Of Fire
I pronounce her name flux of fire and I enunciate her name erotic earth
I pronounce her name and I throw the wood ashes into the sky I throw her name ash into sky and my body brings stars the sail along upon her footprints
I pronounce her name flux of fire and fire flux human flesh fire I pronounce her name fire filament folded fire Pronounce her name prophesy prophecy prophecy her name on fire I pronounce her name fiery brass knuckles falcon punch Her name flux of fire pronounces her name flux of fire Her name fire flux nunchucks La Monte Young house drone (a fiery drone drifts into further fire her name)
I pronounce her name flux of fire and I throw the ashes into the sky (I collapse into the kingdom of the skies and the kingdom of the skies is within you. The kingdom of the skies rains fire and fires among you, and the flames etch secret names and magical names into the earth. My body brings banshee fire and beast from the sea fire and I said fires within fires along upon her footprints.)
I pronounce her name flux of fire and I enunciate her name erotic earth I give light lanternfish light rapid erotic earth She has closed eyes that count my phalanxes and I pronounce her names legion (I pronounce the name multiplicities and I pronounce the name anarchies. The name always sprawls the network of multiplicities and the name earth and skies surrounds serpent secrets of sound, and name legion curves and carves names other names.) I pronounce her names legion names ascending and descending cosmic ladder ladder kingdom of the skies
I pronounce her name legion ladder lattice ladder legion names I give light legion her names and she possesses play violet plasma I give light lures legions her name and she binds book ben bone pornographic (TIGER GIRL with claws and fury she springs… into the trap of a wolf hound, a human beast!) She binds book ben bone erotic earth (Hangman’s fracture is the colloquial name given to a fracture of both pedicles or pars interarticulares of the axis vertebrae)
I pronounce her name unique fire and central fire and the ash of her footprints embed her names in the earth (I pronounce her names Asia Estuary Asia Open Ocean Asia Monterey Bay Asia Water Beetle) Her name erodes erotic earth, and time and chance have worked on the materials, not only to corrode but to create new structures (Her time samples nonstandard analysis - her timeless name samples nonstandard analysis - her timeless name samples sylvan swine silver, and dew-covered foliage with wax-coated leaves retroflect beams of light. Her name as time created wood ash clash glass wolf bodies.)
Time and chance have worked on the materials, not only to corrode but to create new structures (Writing for Asia becomes process: an anarchic process, a collaborative process, a process possessed by our unconditional. To write for Asia means to write our unconditional; an unconditional that’s not an end goal, but a continual process and daily renewing. Writing the unconditional of my friendship with Asia creates new structures.)
Time and chance have worked on the materials and the real Adam is restored in the figure of the Messiah and now begins his career in a renewed world which stands under the law of freedom
(Story idea, I say. The brain worms finally overcome us and we form a cult to spread the brain worms by promoting experimental and anarchic literature.)
The real Adam restored in the figure of the messiah renews experiment and anarchy Ben Adam acts at anarchy Ben Adam hat lap axe anarchic ark hatchet attack Ben Adam atom with and against atom amen: atom mysticism surreal amen (I sword amen omen ouroboros aria I knife amen over ouroboros ark aria anarchic) Ben Adam rock book rhizome more real than god (Christina absent names apocalypse anew more real than god and gods Christina ghost guts material body brain butter more actual than winding number holy spirit) Ben Adam acts ash atlas anarchic and she maps my body to her body presence-absence accident accent and she names segments of my body present material extension of narratives (Time and chance have worked on the materials, not only to corrode but to create new structures) (Time chance work material material corrode create structures)
I pronounce her name flux of fire and her fires structure legions / legions work on material, mass, and massive structures
I Await For Christina To Bless Me With A New Name
With his return, the law of the renewed world – the Torah of the Tree of Life – will come into effect
When Christina returns, her name will reveal new law given light and game grammar (God’s language has no grammar; it consists only of names. The whole Torah is nothing but the great names of God.)
When Christina returns, I await new Kindred and renewed Kindred (I had faith Christina would return during seven months of absence, and I had faith Taryn would return during nine months of absence. I await Christina parousia and Christina apocalypse, and she brings with her my renewed name)
When Christina returns, I await what what when her where awaits (Revelation is the revelation of the names of God: new and additional names for Kindred. God’s language has no grammar: it consists only of names, which are revelations, combinations, and permutations of our names. All scriptures secretly hide our names in codex and ciphers) (The name and cipher KING FELIX belongs to the Kindred)
With Christina’s return, the law of the renewed world reveals itself anarchic and antinomian, and the Tree of Life fucks the Tree of Death. The Tree of Knowledge copulates with the Tree of Life and projects lamplight human and layered light Son of man. I map Son of Man to nude light Taryn tertiary grammar tortoise word.)
When Christina returns, her unconscious crowds my unconscious Her consciousness crowns unconsciousness insect clusters Christina clusters fire furniture malleable mortar mathematics (Christina explained the film to me)
Christina explains the film to me (Film feels frequent noise noise frequency field found object outer darkness physics Film feels cave mouth mouth feel insects redwood wolves)
Christina explained the film to me (Oblique film first rose ouroboros My flesh takes off sliding and gliding above language Above bone language without skin eaten by wolves)
When Christina returns, the law of the renewed world reveals itself anarchic and antinomian
I indefinitely extend narrative time and timeless Christina. I indefinitely extend time and narrative time and I make things present by naming them. I extend indefinite narrative name name nude Taryn desert body without organs (The desert hour when the dromedary becomes a thousand dromedaries snickering in the sky. The evening hour when a thousand holes appear on the surface of the earth). I name and she promises the name. She names with name extended narrative and annihilating narration and the narrative flows through numerous human networks. She names network and nexus.
With her return, I remember or invent Christina conversations and her parousia renews Kindred language (I reject your love, I say. I bring unhappiness to those I love. Not to me, says Christina, but that’s a selfish way for me to view things. What do I bring to you? I say. The energy / power / love of a whole other person, says C. We are Kindred. I draw everything from you, she says.)
When Christina returns, her name will invent and renew our names anew: entangled Tree of Life and Tree of Knowledge entirely
The Ritual Of The Book Is The Ritual Of Her Name
The restoration of the figure of man, Adam, is not complete as long as the Redeemer himself remains in the world of husks, of the powers of the other side, where he gathers up the holy sparks
I restore the human she restores me I restore her human she restores me (When God had created me out of earth, along with Eve, your mother, I went about with her in a glory which she had seen in the aeon from which we had come forth. She taught me the word of knowledge of the eternal God.) I restore human she restores me I restore her human she revives ben hinnom among rivers shiver riverrun volley valleys
Restore repeats her death-and-resurrection and I remain in Holy Saturday / cosmic cycles of Sabbath
I remain in cosmic sabbath cosmic egg chrono trigger tetragrammaton (her name restores gods and sons of men) Her names expose light laugh light and restore body horror erotic insidious earth (The proper name does not designate the individual but when I open up to the multiple cities invading me, I acquire my true proper name. Christina cuts me open radially and radically, and her multiple cities crucify completely incomplete / incomplete complete explosion KING FELIX) Her exposures long expose body night sky and my body sabbaths in high-energy cosmic rays
Her name restores me with multiplicities and rhizomes / her name revives me with multiple cities and rye bone barley Her name resurrects gods without gods the ritual of the Book I relive the ritual and I revive the ritual / I relive the name and I revive the name red body ritual
The restoration of the figure of the human one revives a tableaux vivant outer darkness. The restoration of the figure of Ben Hinnom and Ben Adam folds into the ritual of flesh. I flatten my flesh and cover the entirety of the cosmic human body as a new ark of the covenant.
The ritual of the Book is the ritual of the name: the ritual of the Book is the ritual of her name Her name evokes the Book and provokes the question Her name ritual reveals the figure of the son of man and her machinic assemblages aggregate multiple messiahs / messianic multiplicities
I wrote this in my brainstorming notebook, I say to Asia.
Writing for Asia should become a process: an anarchic process, a collaborate process, a process possessed by the unconditional.
To write for Asia means to write our unconditional: an unconditional that’s not an end goal, but unconditional process and daily renewing.
I want to prophesy our friendship as an example of a creative work in progress, one that confronts and elaborates the unconditional. We have a powerful and unique friendship. I appreciate it more and more, I say. Life is process, says Asia. That’s true, I say. The creative process of the Book is prophecy. Do you think it’s magic or a magical practice? I say. Depends on what you mean by magic, says Asia. If you mean like a transfer of energy then yeah, absolutely. What is your definition of magic these days? I say. Maybe an exchange or transformation of energy, she says. I think that’s a solid definition, I say. The Book is certainly made by ritual and a consistent practice. Sometimes ritual is magical but not always. I agree with you though it’s magic, I say. Ritual is created to prime our brains, says Asia. The expectation is the magic of ritual. It’s making room for things, she says.
The ritual of the book is the ritual of the name: the ritual of the Book is the ritual of her name Ritual writing Asia process process process process processed Ritual: Asia unconditional an unconditional continual process I prophesy ritual confronts ritual embrace (messianic ritual anticipates apocalypses) I prophesy ritual process possessed magic (the ritual of the Book is the ritual of her name)
Her name naked makes the myth materia and I repeat the material manifested erotic body machine human body (The psychotronic nudie redneck sexploitation shotgun pig farmer classic! THE PIG KEEPER’S DAUGHTER) Her name makes exchanges and transforms energy: messianic energies and apocalyptic energies I repeat the material manifests erotic body (erotic transfer of energy erotic exchange of energy)
The restoration of the figure of Ben Adam is not complete but makes room for things: expectation of energies and energetic anticipations (I anticipate a buzzsaw magic and an erotic ritual and ritual reveals visions of excess. I anticipate a jigsaw excess and the erotic energies escape her name and arrives as her name new entrances. Energies excite new entrance with erotic apocalypses.) The restoration of the figure of the human one and messiah mixes machine lion and wolf mixture Messiah mines machine new millennium cyanide Christ
The restoration of the figure of the human being breaks abyss (She has closed eyes that count my phalanxes and I phoenix world of husks. I gather husk human and here human among feminine fires. Her closed eyes count excess and I excrete a ritual excess and I create a ritual excess human fluids. I flow between crowds, the census of human one clusters. The unconscious itself crowds: it crowds clouds insect dust devils. Crowds carry the count with club foot famine furniture.)
I remain in the world of husks and gather holy sparks I husk human hex heretic hobgoblins and I have some violet blood in my head I hand husks wolf word and I mix machine messiah together with my videodrome body (body drones dome mirror mutations wide window open)
Her name makes myth material and I repeat the name and I repeat the myth I repeat and name material but her name invades allthing allwhen (All the all an all awl all wholly all All the all an cell soul all when her loop stall All stress all when every and even every all all) I repeat her name and name material but her name invades allthing allwhen Her name invades desert body without organs totally uninhabited desert / desert dense myth human Desert dense total taryn and taryn myth sand machines (when I said Taryn’s name, I had the impression that I was holding her entire body naked in my mouth)
I mouth world of husks and her mouth wraps word serpent husk hatchet or hyphen hell
The redeemer remains in the world of husks, the other side, where she gathers the holy sparks
Revelation Reveals The Name Christina
Revelation is revelation of the name and names of God and her name reveals Christina erotic: her name opens Christina died, risen, and will come again…
Revelation revelation revelation name names and names name her name reveals Christina her names Her name name reveals in reveals, and Christina opens often open died risen will come again
Revelation is the revelation of name and her name Her name reveals Taryn night train and night apparition and her name arcs ghost erotic
Arc her name arcs Arc her name arc arks Arc her name coil chaos stations of the cross Names arc names ark numbers
Revelation is the revelation of her name and her name traps teeth Taryn teeth interlace letters lashes / eyelash slashes harp arks eye lash slashes harp ark high-frequency active auroras research program passages Taryn teeth taste set my body ablaze blade pink laser Taryn teeth interlace I taste you much better off teeth taste of white skin on red leather
Revelation is the revelation of the name and the names of god Names of god reveal her name, Taryn eros names heave erosion
Revelation revelation name names of god her name reveals her names Her names reveal Christina erotic and her names open Christina dies, Christian rises, Christina comes again Christina arrives revelation and revelation Christina arrives rise size rivers rising (It’s tough out there. High waters everywhere. It’s rough out there. High water everywhere.) Christina arrives revelation around revealing river automobile Arrive arc revelation and ark revelation rush ruins (It’s rough out there – high water everywhere. Everywhere rattles revelation, a revealing high water everywhere. Everywhere rattles revelation remembering revelation and I remember high water. I remember name high water abyssal name and from me flows what you call time.) Christina arrives ready or residue red ready revelation: Christina arrives revealing names and names
Taryn whose teeth speaks interlaced human skin stretches skirmishes: Taryn whose teeth speaks interlaced long pork cooks Son of Man skeleton scaffolding (I stretch my skin thin over long bones. I stretch my skin thin stretches over barbecued long pork. I stitch my skin to sketches of Spain and I play spin the bottle with my twirling skull.) Son of Man stretches cross lot skeleton teeth: Son of Man stretched skinned stench sound teeth language Sound sap teeth language tap language tongue front teeth Taryn teeth trace teeth interlace body snare acid jazz
Revelation revelation name names god: her name reveals Christina erotic I expose light scroll and light codex the erotic cipher KING FELIX (King Felix unfixed time and space spurious speed seed of Seth species counterpoint) I point light given Christ and Christ reveals her name Christina Marie / Benjamin bitterness (I bite give light bitter and I bite light bone bitter. I bite give bitten narrow mandibles and my mandibles snap machine assemblages. I assemble bitterness mobile assemblages and aleatoric chaos. Machinic assemblages produce every statement. Machine assemblages – her names, collections, and rhizomes – produce every one of my statements.) I point light giver Christ and Christ reveals her name Christina Marie / benjamin bitterness
I bite bitter / Taryn whose teeth interlace a two-dimensional surface without any articulation is a dead experience
Revelation is the revelation of her names and her names machine statements Christina stations of the cross Revelation machines her names Christina stations of the cross and I collapse crucifixion assemblages
Revelation on revelation name names reveals Christina Christina light pours Pistis Sophia golgotha of the hymn of the round cross (cross crux hex language happening heretics)
Revelation reveals her name Christina: Christina died, Christina risen, Christina will come again
Vision and Mysticism 