(Painted grasshoppers pulverize
this particular purple)
Purple penetrates pungent purple
Purple pupates a purple
Pink metamorphosis
Purple metamorphoses pack
perpendicular purple pink
Painted tiger moth pink puddles
(Palmetto weevils grind phosphors
into this particular purple)
Purple paints fluorescent
pink-patched and pink-
fringed impasto
Purple arborescences bloom
Manyflower grasspink
Peak plume perfumes
(Planthoppers pour punch pitcher
into this particular purple)
Purple metamorphosis plays
Pure purple pop petals
Perennial pomegranate purple
Transparent peat purple
Pulsates swamp punk pup
Pink-spotted hawkmoth purple
(Pipevine swallowtails pool panic
into this particular purple)
Brilliant Blue And Bottomless Pit Blue
The Divine Name has both a revealed and an undisclosed form
The Divine Name deletes desert but desert ultramarine stains from beneath brilliant blue underneath (I submerge myself in deleted blue desert I bathe in blue desert baptism baptismos and abyssos)
Divine Names nurse a blue desert enamel and I advocate for abyss I advocate with abyss and I mediate between blue: blue blue electric blue that’s the color of my room I move room more room for desert ultramarine and ultramarine desert I nurse a blue bathers desert
I nurse her Divine Names in nude blue light, ultramarine desert staining from underneath I nurse her Divine Names she lights the lights lapis lazuli (I grind lapis lazuli into nude light and nude blues, my transparent body ben hinnom) I grind and wash her divine names ultramarine pigment and I paint blue pigment pornographic panels (Every soldier needs his piece! TANYA She’ll make you join the sexual liberation She’s a four-stage general in the war for carnal knowledge)
I obsess with blue. I love blue and I want to see all blue and all blues green in blue. I love brilliant blue and I improvise modal kind of blue. I obsess with blue and I paint blue bathers as an impressionistic twelve-bar blues. I obsess blue down to the desert underneath, a blue trapdoor to the bottomless pit. I obsess a boundless blue that fill and overflows a bottomless pit.
I’m thinking of getting a blue horse tattoo, says Asia. Like Franz Marc? I say. Yes. Yes, I love his work! Where would you get it? Probably on my arm. It will be one based off the one from the Brown Bear Brown Bear What Did You See book. A paper look would be rad, says Asia. I like the idea, I say. I think you should do it!
The Divine Name has both a revealed and an undisclosed form
Divine disguises Divine in the desert drone of blue Divine Name camouflages with the coat cloak blue cataract chasm (chasm blue chases cathedral blue cicada fanfares) Divine disguises divine in wilderness drove blue women and I divide blue between long bows and blue birds bare desert I dangle blue in the dissolve of dinosaurs and birds I dangle hip bone blue viper name: viper vines blue visions Blue name deletes blue desert wilderness remnant: I remain blue wilderness
There is a massive blue jay in my backyard trying to land on my tiny bird feeder, says Asia. And there is the fattest woodpecker. THERE ARE TWO BLUE JAYS. THREE. I have a bigger feeder – I’ll have to put it out. I need more birds, says Asia.
The Divine Name has both a revealed name and an undisclosed name. Both the revealed name and hidden name resemble blue jays. Blue jays fly jagged maps that reveal new names and new scriptures.
Divine Names flock a frame drum divination and I dance blue trance / blue horses I dream the frame of the Divine Name maps underneath blue scripture / cave wall stained glass deer blue
Strongylium cupipenne, I say. Cool beetle, says Asia. I like his blue legs, she says
The Divine Name has both a revealed and an undisclosed form and name nose host noose blue bodies / blue chutes and ladders snake shaker ladder-back chairs
Divine Name stains blue underneath doorstep trapdoor / Taryn swallows blue bodies whole Taryn bites bodies slight blue slow subterranean / subterranean homesick blues Taryn swallows slow subterranean blue strata strata divine names (Name dreams divine desert deletion body gone abalone My bull gown body blue blue balloon a loon too soon dripping blue)
Divine name bubbles blue velvet Divine Name boils blue velvet vertical vertigo (vertigo ultramarine insects impact emergent phantom bodies / phantom bodies burst body blue) Emergent blue bodies cluster cicadas and cicadas secret divine names blue castle (blue castle divine names do the mashed potato)
I inscribe revealed divine names dressed blue vertigo viscous vellum bodies Body inscribes and reinscribes body bold blue rescue bodies Body recedes rescue raven rrr ochre and blue rrr (ochre residue ultramarine traces) Body receives Divine Name blue napalm anointing (my skull oily fire fevers forest body blue frame frame frequent ben burning) My skull burns river bank candles or crane cobalt blue
The Divine Name has both a revealed and an undisclosed name, a name luminous blue and supernal blue black-purple
I obsess blue. I obsess brilliant blue, dark and hidden blue, the supernal blue black, and each blue stains divine name. Blue stains blue divine name and blue beetle body stations of the cross. I obsess bottomless pit blue, and the abyssal blue reveals blue bereshit. With beginning, blue creates beginning, a polysemous blue.
The Divine Name has both a revealed name and an undisclosed form, and each name reveals further divine names, bottomless pit blue
The Divine Name Has An Undisclosed Form
The Divine Name has both a revealed and an undisclosed form
The Divine Name delete desert but desert ultramarine Divine name desert enamel nurse names: she lights the lights lapis lazuli (I grind lapis lazuli into blue ben gods and blue god ben adam ben hinnom) I grind and wash the divine name ultramarine pigment and I paint the robes of mary mother of god / grind god grander blue and gorge blue I grapple blue grand guinol grandiose god gore / glow glowing levant genocide
I meditate on the permutations of the Divine Name, and the letters emanate the form of the prophet and the prophet looks like me. The Prophet of the Letters speaks to me of letters and she reveals the hidden and revealed forms of the letters. She reveals to me the open form and closed forms of the Divine Name and Divine Names. I meditate of her forms which resemble my forms, and her speech spins the spans and suspensions of the Book. All the forms of her letters and names, hidden and revealed, build the Book and build the Book Babel. I become a steward of the Book, and participate in the Book as my kerygma.
Does my writing justify its difficult language? I say. That is, is the language I use, often difficult and idiosyncratic, necessary to what the Book is trying to express? I mean, the difficult language doesn’t take away from it I think, but I don’t think it’s necessary, says Asia. How would you rewrite it where it had different language but it didn’t change the meaning? I say. Depends on what message you’re trying to get across, she says. Do you think everything can be expressed in easy language? I say. No, says Asia. Maybe. Depends, she says. You told me: “I do think that you try to say many things at once and that makes it harder to simplify.” Do you think the many voices at once of the Book can be made easy? Depends on if it needs to say everything at once, says Asia. I feel reality is multiplicity and the Book reflects that reality, I say. One way to express that multiplicity is through multiplicity of voices. There’s also narrative, conversation, and fragment-constellations used to reflect that. Many different techniques coming together… You’ve made me think very deeply about this and I appreciate that. Do you have any feedback on my assumptions and themes of the Book? No, says Asia. I think you have a better idea of the direction it should go then I do, she says. I accept that, I say. I want you to know even though we have fundamentally different aesthetics in poetry, still highly value your participation in the creation of the book, I say. I’m glad, says Asia.
The Divine Name has both revealed and an undisclosed form
The Divine Name doubles desert dark ultramarine Divine Name knocks desert enamel charge names nexus: her nexus and spore network lights the lights lapis lazuli (I grind the lapis lazuli into brilliant blue and ben brilliant gold I ingest an alchemical gold and an accumulation of gold, and this gold glows blue blue) I grind and wash the divine name ultramarine pigment gold machine machines blue I paint the rose rhizome homeless Mary Mother of God I paint pale blue brilliant gold bodies and I grapple body as blue I grapple blue grand guinol grandiose god and gold god hypomania I grind a grandiose gold name and blue name names neon nexus
I like things to be streamline, says Asia. How would you streamline the Book? I say. Why does it have to be streamlined? says Asia. You like things to be streamlined and I feel your feedback to the Book is essential, I say. Just because that’s how I like things doesn’t mean that’s how everything has to be, says Asia. That’s true, I say. I’m not trying to conform the Book to your vision or to have it all Asia-like. I ask for your feedback because I value your opinion as a fellow creative person. Even if I don’t change my approach from your feedback, you help me ground my reasons more firmly. You help me find why I do things so I don’t do them mindlessly, I say. That’s pretty valid, says Asia. I accept that, she says. When I asked you this morning if you felt it was necessary for the Book to be difficult, I expected you to say yes, because the style and themes were inseparable. When you said it didn’t have to be difficult, I was like, oh, what would it look like if I wrote differently? Why do I write the way I do? I still don’t think it’s completely resolved but that discussion helped clarify why I write many voices simultaneously and I appreciate that, I say. I didn’t interpret the question to be “Should it be difficult?” says Asia. More like “Can you communicate the same things differently?” and so that’s why I said yes, she says. I meant more like, is the language I use for the Book expressing and reinforcing its themes? I say. I think so, says Asia.
The Divine Name has both a revealed name and an undisclosed formation
Divine disguise divine name disguise Divine name disguise drone wilderness razorback dive driveway Divine name disguise dinosaur drone hipbone wilderness dissolve birds I dangle hip bone blue bone viper name Name deletes name wilderness remnant: I remain wilderness
I dig dinosaur bone divine names. I inscribe the bone with a divine name and the bone matrix mixes an open name and a closed name. I inscribe the bone with gold water and I wade in the oceanic names, a bone abyss. I dig dinosaur bone and I inscribe magic names and secret names in the stone bone and stone drones a divine name desert.
Name deletes name wilderness, a wild bone word Divine name doses dementia no dilution frame drum trance I dissolve in names and I dissolve in bone, a leaking limestone
The Divine Name has both a revealed and an undisclosed form
I Hang From Heretic Nails
I hang from a particular hell superimposed on haunted house repetition-in-difference
I hang from a specific hell that repeats ghosts and swung axes (Ghosts continue to follow routes they used when alive, even if that house has been rebuilt since that time. This is why they seem to climb stairs that no longer exist.)
I hang from a door hinge that falls as an axe head Hands hinge axe head hospitals Hands hinge axes smash a heretic acid and acid burrows downward through hells Heretic hail and heretic acid superimpose fat earth onto fat earth I hang from door hinge hinge door more acid hell I hang from nailed heretics: a heretic nail mail haunter gut gengar graves
I hang from heretic nails and my hands swing and axes. My hands swing door hinges and walk through the door anyways and ghosts. My hands think they are ghost-type Pokemon Haunter and Gengar. I hang from heretic nails and my hands wander off like Baal at the bottom of the latrine. My hands swing an axe sheol. I shape an axehead sheol and sheol unfurls as a scroll. Sheol superimposes a speech scroll onto a written scroll, a ghostly oral Torah and written Torah. My hands hang heretic nails and reveal sheol as a shaped canvas and shaped crevasse. The shaped canvas of sheol shows the scroll of my skull. I hang from the skull scroll as a door hinge.
I shape an axehead sheol Sheol canvas scrape skull grain grain palimpsest Sheol canvas cuts skull grain crevasse Sheol canvas cut skull grain gland gush guts body grapple I scrape sharpen saw sequence cinder sequenza six crows
I hand from a particular hell superimposed on haunted house repetition I hang from axe scrapings and axe sharpenings and I saw a machine hell I saw a circular saw hell and this particular hell hangs sharpened saw sequenzas Sequenza snows hell six crows
I continually search for new sheets of sound. I search for a particular unifying sound, a sound that vibrates with axe skulls, and scroll shakes sympathetically, perhaps as a sympathetic magic or a tone cluster contagion. I search for a sounding repetition that bricoleurs communion and communities, and I attempt to prophesy an Albert Ayler more form in the free form and music is the healing force of the universe. I prophesy a Sun Ra God is more love can ever be, and God self-destructs into continuous universe, a continuum of multiverse vision. I repeat repeat vision and vibration multiverse word word and woman woman sheets of sound.
I hang from a particular hell and I squeeze snow from six crows Sit crows sow sequenzas saw mill sequences I hang from a particular crow hell snowing nails
Snow parts six crows Snow parts crow came pitched to the last Snow parts face crow pillar show parts crow punk ice pitch pack ice pink I pick pink ice immersion six crows I ice open crow snow sling I ice open snow crow body: body bring me coffee or tea
I Swing Axe Anew
Axe asks anarchic Axe flowers minuscule ficus / axe arks anarchic I paw at impossible language and long impossible language: axe furs fragrant flowers Axe furs fish scale ski slopes transformed by Taryn tensors (Taryn transforms tours Taryn transforms tours tar tur tamarind / times rhizomes tungsten turpentine fur flower tapestries)
Axe arks anarchic and its fur fires flat Flat fire swordfish fire-fan frequent axe falls
I swing axe anew. I swing axe anew swung triplets. I swing axe anew and it falls full on stone and axe (Where there are three, they are without God, and where there is but a single one, I say that I am with him. Lift up the stone, and you will find me there. Split the piece of wood, and I am there.) I split the piece of wood and I find her word. I find her face in axe stone. I swing her axe anew and I hear her axe flower. I swing her axe anew and her axe flowers freak folk and fork electric circus bodies. I swing her axe anew, an anarchic ark.
Axe arks anarchic and I hear her bread that looks like him I hear bread looks like her, an anarchic axe and the axe early animated Her bread looks him her hooks hands hell heals the hanged man Her bread looks him an anarchic ark with axe hooks
I hang axe flowers fingers float hook hallucinations
I hang axe slack flowers fan fingers hook hallucinations
I hallucinate these hermetic fingers, these fingers concealed in fire-fan
I assemble axes in collage and montage. The axe repetition reveals. I hang axes on the wall an abstract metropolis. The necropolis plunges into peculiar wolf pack twilight. I hang axe houses ceiling hospitals. I hang axes from the hospital ceiling and axes swing down on the ark of my skull.
Axe Flowers Spectacular Failure
I ask axe big amperes I ask axe ash ash amplifiers (axe traps between amp language and arc language) I ask axe amp ark big amplifiers I ask axe arch arc electric hermetic (I hatch shut a trap door language)
I ask axe axe flowers fish scale fluxus / flowers flux neutrino flux fluxus blossoms I ask axe axe flowers fire scratch static
(This axe acts on me agon and contra and I trace the taste axe axe again and again. This axe acts and it arcs over and over / my fingers feel its worrystones. Something about this flowering axe intrigues and frustrates simultaneously. This axe snaps both directions at once. I explore the axe and experiment the axe until I stop failing at this experiment. Axe eludes me.)
Axe flowers fish scale body taryn tensor Axe furthers flowers fish scale skeleton…
I ask axe big amperes / axe pliers flowers pli selon pli platypus (Look at the order in which you do things) I ask axe order disorder (I fail at this axe experiment but I refuse to let go of the axe. Try again, fail again, fail better.)
I worry the hell out of this axe language
Axe flowers a taryn tensor mermaid (Taryn touts tar tun tungsten – pour turpentine on Taryn Tiamat and thin out her pink pigment chaos) This axe acts amplifying chaos: cut chaos crimped chaos cap crutches The axe chaos circuits failed experiment
I hope my axe flowers failure as a spectacular failure
Axe flowers flat fire swordfish (look at the order in which you do things) Flowers axe fire flat fishing for swords (look at the order in which you do things – order of words, order of sentences or order of paragraphs) Axe flowers a swordfish flat fire free configurations
The axe writing doesn’t work but I try to figure out why. I write and rewrite big cut chaos. May darkness and gloom claim it, clouds settle upon it, blackness of day affright it. I curse the axe, the axe cursing the sea, the axe skilled at disturbing leviathan.
I fail in hearing this flowering axe / look at the order in which you do things I hear the axe has flowered freak folk or famish electric circus bodies
I fail in hearing this flowering axe but I hear the axe flowered
Axe flowers as axises / strata and slates of silt and sediment I recall a conversion with Asia concerning my writing process:
I have been working on several notebooks at once, I say. Today I was working from two notebooks. First one I was editing was about the Book of Judges. Tent peg going through the head. The second one was on Colossus Cave. I was weaving and interleaving the two using dialogue and snippets and things. Somehow they both converged on axes. The different layers and strata made me think of Elliot Carter’s stratification and counterpoint of whole sections, I say. That is interesting, says Asia. Are they going to be edited into one piece or posted as two separate pieces? Edited into one piece, I say. Like having two different character’s viewpoints but instead of divided by chapter (e.g. one chapter per viewpoint), it’s interwoven and plays off each other, I say. I’m interested in seeing how it turns out, says Asia.
Somehow they both converged on axes / axes flower and axises Axes strata serpentwide gnaw maw axes gnosis: somehow they both converged on aesthetic
I hear the axe has flowered freak folk hosts bodies Axes famish furniture body I hear the bread that looks at them I axe bread looks bread hooks hands, heals the hanged man (I hang axe flowers fingers float hook hallucinations I hang axe art necropolis neon he do the police in different voices)
The axes converge on ritualized action
Axe acts ash all air and I narrate the falling ash and aleph. Axe acts ash smashes air ash any axes and the axes converge on my skull. I fail at this axe and I look at the order in which I do things. The order of the axe converges on the order of the axe / the disorder of the axe stirs the chaos of Taryn Tiamat. I look at the order in which I do things, and the theme theaters chaotic axe falls. I hang the axe fall and it plunges deep porous geology. Axe acts ash all air geologies.
I hang axe flowers fingers flat hook hallucinations I hang axe art necropolis my plunge pack-light peculiar I hang axes houses ceiling hospitals
Petals Fall From My Eyes
I hear the axe has flowered
I hear the axe flower fuller ritual I hear the axe flower full moon and I flower more room I flower more room rush feel full moon I feel ritual full flowers and axe to fall / Do you ever get that feeling that you’re sinking – I do
I feel sinking sink sinks her axe crushes bone Her axe cushions fuller bone bone moon and I look moon ritual
I feel myself sinking spirals: I spiral flower petals and axe faces
I hear the axe somewhat anarchic and my anarchic ear spreads a noisy speed. My anarchic ear sprawls unfurling flower noise and petal noise, and I repeat the noise. Axe flowers noise and I follow the noise to self-annihilation. I hear the axe somewhat serpentine and the axe face resembles her face. The axe face fills the curves and shadows of her face, and her face flowers in my face dreaming. I dream the axe flower deep space, and her face displaces where time becomes space. I hear the axe and I sink into the axe blossoms, petals of my own blood. I hear the axe dig for blonde blood, and I continue the ritual repetition and vision variations. I develop the visionary variations on the face of the axe.
Did you sell all your cookies? I say. I did, says Asia. I’m glad! You are a baking god. There should be a refrain about how you are a baking god somewhere, I say. I am the god of baking, says Asia. You’ll never believe all these cookies I’m making. You better tread carefully or prepare to be smited. Or something like that, I don’t know, says Asia. Do you weld a hammer made of cookie dough to smite? I say. I was writing about delta flower scarabs in my brainstorm notebook today, I say. The business teacher sells cookies from store-bought cookie dough, says Asia. One of my students said, “Your cookies are better than Mrs. Rutherford’s cookies” and I was like, “Yeah well hers aren’t from scratch” and they were like, “You make your cookies from scratch?!”. You are a baking god! I say. You can make cookies from scratch! From Old Scratch, the devil. You sold your soul to the devil to make god cookies, I say. One of the teachers I work with has a son who cannot eat anything with dairy in it at all; he’s very allergic. She brought him one of my cookies and it’s changed his life. Now every time he sees me, he asks when I’m going to make cookies again, says Asia.
Axe flowers fish scales and scales flower delta scarabs Axe flowers fish scale body Taryn tensor and Taryn transforms as a tension / tetragrammaton delta scarabs
Delta flower scarabs fall from my eyes as scales Scales flower riverrun delta the and to the petals fall from my eyes as scarabs
Axe flowers scarab flat scales, a free blowing mixolydian Mixolydian buzzes fish scale body taryn tensor (Taryn tour tar the tungsten tungsten turpentine turpentine flowers)
I feel the flowers and I sink into spectral cusps and cuffs. My mind-forged manacles meet me in the turpentine metric and tungsten distance. I fight the measure of fuller flowers – a full moon axe face – and I fail at the faces. I meditate on the delta flower scarabs or the flowering delta scarabs, but I have not sold my soul to Old Scratch like Asia or Robert Johnson. I sink into the flowery Book as an overwhelmed hercules beetle. I feel the flowers swallow me and my body transmogrifies into flower flat scales and delta flower scarab beetles.
Axe flowers fish scale scale flat body Taryn tensors (Taryn rotates flowers flower transformations and translations Taryn rotates tour tar tur tungsten: tungsten rotates tungsten turpentine flower tapestries)
Hell Cycle, Part 2
I hide in her hell hooded pitcher plant
Hell hides my bog body long tubular stalks of hollow leaves
Curved urns dissolve the soft parts of my body leaving the skeletal remains at the bottom
Bones soak slow pitch drop experiments bottomless pit
I hide in her hell a horizontal head across networking ribs My wide wings split downward
I hide in her yellow sulfur surface bronze red The curved bristles directed downward drink my body pit nectar
Hell hides horizontal underground and the poor nutrient soil splits pit hairy bodies
Hell soaks false windows long tubules with hollow leaves
I hide in her hell rosettes of smaller pitchers Waxy slippery walls line my head in cells
Yellow feathers grow from my face and pitch cooks it down to froth and feelers
Hell throws my pliable body pitch ditch bottomless pit
Light shines through the patches splits my face further into the pitcher
I Hear The Hermetic Flower Bloom
I hear the axe flower I hear the axe flower
I hear the hand axe flower I hear the hand axe flower
I hear the axe flower hours and the hours accent a cut time metric modulation
Axe flowers single file floating filaments and the axe blossoms outward word file fires (I film the fires with flower filaments) I film my eyes through cellophane filaments, the flood of bat wings and walking mothlight: my eye experiments at the light My eye experiments beyond the human light and behind shiplight
I film the axe flowers in coal seams and my eyes burn rainbows My eyes enter a flat film desert documenting and detail hell (Hell flowers hand axe and icepick maidenhead)
I hear the axe flower I hear the axe flower I hear the hand axe flower I hear the hand axe flowered
I document the axe in doubles. I document the axe in axe doublets and axe doppelgangers. An axe is also an apparition and thus it flowers ghosts. Axes appear in dreaming land dreaming and the ground sprouts axes. The ground flowers fires and an axe hits my eyes with ghost fires. I document the eye, the axe, and the fire in different degrees of light.
I film an axe flower in collage and montage and I hear the axe flower
I hear the axe flower Pharoah Sanders free jazz The hand axe unfurls a furious free jazz, a long jam blossom sheets of sound
I hear the axe flower Sonny Sharrock, the horn player with a really fucked up axe
An axe flowers anarchic community free jazz and I bloom a free blowing brothers of breath and globe unity orchestra I free blow my own fucked free jazz fractals and I improvise impossible objects: I construct penrose stairs and penrose triangles, impossibility in its purest form I improvise an impossible trident tetragrammaton
I hear the hermetic flower bloom in the hermeticism of the bridal chamber
I hear the hermetic bridal chamber axe flower and axe blossom full flower free jazz
The Background Red Wants To Be Something
I reveal red. I reveal rapid red and river red the very red. I reveal red revels in rhizome red.
Red ripens ugly ochre / ochre ferments underneath a rotten red Red vine ripens ugly ochre / ochre ferments a fertile umber, a dried blood red fertilizing Bone Book
(Red ripens as a red Book, a Liber Novis, and I preserve the folio numbering)
Ugly ochre undulates umber: undress an umber shadow I undress in red shadows and almost-real shadows I shade in the Book a raw red An ugly ochre manages a manganese iron red: it colors my cutter brutalist body
I reveal my brutalist body broad red umber body bag brutalist charcoal I reveal my body red red ben body bare building materials (A charcoal Christina exposes my body a bizarre charcoal red) Christina exposes ben charcoal bodies bare building materials / structuralist elements instead of decorative design I design body elements charcoal contamination
I reveal red. I reveal a rare red and a ruby red, and this red bursts through more rigid reds. I reveal a flexible red: a flexible reed red, and I stew this long red sea of reeds. I salt red with sea an altered state red sea. I reveal a red sea and redder sea and I brush my bones with salt red. I brush the Book red bone and red blood, and I spread the red across. I spread red through red and this red reveals a raw memory-work.
I reveal red and I design body element, charcoal red contamination Ben a red brutalist body rudders red onion play pastiche
I reveal a grotesque red, almost as overwhelming as Henri Matisse’s The Dessert: Harmony In Red (The Red Room)
I reveal a red pastiche and I sample red I sample red degrades to a less brilliant red (red fades and I revive red with my alchemical blood)
I reveal a grotesque red, almost as overwhelming as Marc Chagall’s Les amourex au village sur fond rouge
I cover my body in a gargoyle red or torture garden red (I had compass in mind but it got away from me, I say. Lost your sense of direction! says Asia. I kinda like it. The background red almost wants to be something, says Asia.)
I cover my body a panic red and my brutalist body crushes red red particles playing possums I crush a red pigment pastiche and I brush block chord body coro ochre I chord cords red coro and choruses / crane red taryn torsions I color and contort a red tack khora / a corrupt aurora pastiche
I’m feeling pretty low today and I haven’t been able to write much either, I say. I feel at times I would like to die rather than live. Could you help me find evidence to suggest I should live rather than die? I say. What kind of evidence would convince you? says Asia. You feel like you want to die right now and that’s the strongest force currently to you. There are a lot of things around you. Random wild flower blooms, a conversation with friends, a good meal, the view of the sky. It goes on, she says. I’m not sure I could ever be convinced permanently, I say. I just mean right now help me change my thoughts a little bit. Sometimes I want to be a force for change and I feel I can’t change things, I say. Says who? says Asia. Me, like me not writing, I say. There’s a quote from A Little Piece Of Ground “perseverance takes courage”, says Asia. You are convinced you are useless so you look for evidence. Let me tell you, as a teacher, being “a force of change” is usually tedious as hell and takes a lot of work but you are always doing more than you think. And it’s not about the fucking writing, it’s about your relationships with others, the world around you and yourself. Without those things, your writing would be empty, says Asia. I’m asking you for help to look for evidence for not useless, I say. You have your friends who love you and you impact their lives in a positive way, says Asia. There’s your evidence, she says. I accept your evidence, I say.
I reveal red. I reveal rapid red and river red, a riverrun Asia Among Red Rainforests. I reveal red revels in a rhizomic red, the very red, and the background red almost looks like it wants to be something. Random wild flowers bloom a brilliant red.
I hear the axe has flowered: I hear the axe bloom red Axe blooms red my flowering brutalist body Axe flowers a file red red rhizome files and I sharpen the axe with flower files / feathered steel Axe flowers file fire flood flat film red (I film a flowing red and a rudder rain red)
(What color will you paint your nails? I haven’t decided, says Asia. Either yellow, light blue, or dark red.)
(Can I ask you a question? says Asia. Do you think Jung was a prophet? Yes, I say. At the very least he is a true mystic and visionary. I started reading Jung’s Red Book again, says Asia, and his visions and experiences reminded me of a prophets. Yes, he invoked the lineage of prophets I think, I say. My guess is he also thought of himself as a prophet.)
(My splurge will be to get my nails redone, says Asia. Exciting! What color will you get? I’m thinking maybe a wine red. It’s a seasonal color but also a witchy bad bitch color. Really needing some of that bad bitch energy right now, says Asia. What does it mean to be a bad bitch? I say. It means I’m POWERFUL and confident and not a sad sack, says Asia. I am feeling sad sack energy, I say. Go get your nails painted, says Asia.)
I reveal red and I prophesy red. I prophesy a redder red: red body and red Book. Books flower bright red rubber and Books bloom hand axes and industries of archaic numbers.
I hear the axe has flowered Axe flowers a Book red and I prophesy red axe I prophesy red axe and red algae, and it blossoms red body
I prophesy red paint: I prophesy a yellow or dark red pigment I prophesy red wine file fire wine word-images
Axe flowers free file flood flat film then film red collage (my body collage bricoleur axe red) I prophesy axe red and deep red giallo
The background red almost looks like it wants to be something. The red wants real red and random red, and this red flowers ben body blooms.
The background red almost looks like it wants to be something: the red coagulates into coral collage and coltrane sheets of sound solar red sheets of sound mushroom red (I flower red more room: I room rush feeler red)
I room more red and the background red foregrounds abrupt: this red ruptures through flowers (I flow from red to red looking for bad bitch nail polish) Flowers fragment red feelers (Do you ever get that feeling that you’re sinking? I do)
This red reddens a foreground mystery and the mystery flowers robust red. This red bursts from the background into a redder foreground, and the red rubs more room mystery. The red envelopes me. This red envelopes me and devours, a total red desert. Red evades me but then saturates my skull a bold bone red. This red applies itself as an esoteric nail polish.
I reveal red. I reveal rapid red and river red the very red nail polish of bad bitch Asia. Her background red looks like it wants to be something and her red saturates the Book a total prophecy red book.
Her red axe flowers fish scale red Her red axe flowers fish fire and scale scratches a red palimpsest into my skull interior Axe shatters my skull, the red background becoming something