I grieve fragments: I grieve fragments of the true cross     Its splinters spike spinal catastrophe     I grieve in short burst sonic the hedgehog fast proteins (I share a meme with the following caption with Asia:  “How much scarier would a frog be if it ran instead of hopped… U just hear plat plat plat plat coming toward U and U look down and it’s a frog going at full speed.”  But it’s aquatic or semiaquatic, says Asia.  Think of how dry its skin would get, she says.  What if it emitted a layer of mucus to keep itself wet like some tidal creatures do?  I say.  You try running a marathon trying to survive wearing only your birthday suit and a thick layer of mucus, says Asia.  Everything would stick to it.  Why you got to come up with logic here? I say.  Does Sonic the Hedgehog get this treatment?  Yes, Sonic is an abomination, says Asia)     I grieve short burst shade and shadows white canvas

I grieve disjunct and in discontinuous aphorisms (difficult to determine whether it elevates, desecrates, or celebrates its sources)

Grieving reproduces certain aspects of daily life and it has its own unique texture     I grieve garden environment and noise

Noise flares nostrils     Noise flares knots nail gun noise     Noise knots nail gun rain (rain circulates circular ruin rhizomes)     Atmospheric noise knot noise random names and random nouns (pages, hammers, boards, trees, garage, card, horse, bowels: her totality)     Neat noise maps with names: net noise names without names and names without maps

Not noise but the sign of the gospel     Not noise but now gnaw net gap gnosis     Not noise I chew gall-producing insects     Now sign insect selects syntax small poplar borer     Nor noise noise syntax dock knock dodder gall weevil

I grieve weave wavy syntax signs gospels     I grieve gnosis sin now knotting gall (jab journey jungle   kung fu fracture book ripper)     Gnosis overlays sing pendulum collate gall midge meddle Taryn ocelot     Ocelot overlays ouroboros medley grassleaves goldenrod     Rod grape sum girth search sheets of sound

I search for a new book language or a different language     I search for a different desert, a grieving gospel language

The Book suppressed time ashes     The Book suppresses saw Book Body hinnom ash

The Book needles noise and I examine recaptured words     The Book not noise ruptures additional noise noise and noise replaces the exterior contribution of the composer     Natural noise knurls gnostic gospel / all he here is radio gaga radio goo goo radio gaga     All noise null not negates names but maps

I molten modal for unmapped languages / Book X Book     (Sun Ra says: People have a lot more of the unknown than the known in their minds.  The unknown is great; it’s like darkness.  Nobody made that. It just happens.  Light and all that – somebody made that; it’s written that they did.  But nobody made the darkness)

I meander map as unmapped languages and I look dark language     I look language noise longer language sheets of sound     Language lurk noise norepinephrine     Language lures dark noise agogic accent and emphatic accents     Language left noise wars bars neon or nectar nocturne     Language nocturne noise noise nested tuplets new complexity     Nude language nests tuplets trampoline nonlinear linoleum

The Book suppresses time ashes     The Book suppresses saw suppresses saw Book     Book suppresses seen suck ocean     Ocean book body burn burn blessing suppresses     The Book suppresses press body pour peak body aporia     Book suppress less long lawn lunar land and land limps landscape lamp scrape push squares Book squirm     Book squirms scripture time ash screwdriver     Book squirm snare magic square geology geology     I jar open geology

I jar open geology gemini onto geology and other astronomical objects     I jar open onto oil geology georgia god

I examine recaptured words and I darken with noise nights and mornings of the syllables     I wander the swing of syllables for two thousand years and two thousand years

I look new noise language long dark language noise     

(Hippos and hedgehogs.  Half hour per page.  I was writing a little about hippos in my Book today.  What about?  I was thinking about Pablo Escobar’s cocaine hippos as I was drawing.  Pablo Escobar’s cocaine hippos for real.  Here’s a snippet: 

I emerge museum desert Pablo Escobar hippopotamus     hippos hangar hell     

Hippos hell clothespin and clothesline (on this page you see a little girl giggling at a hippopotamus – I wonder why)

Hippos hobo cosmic horror / hippos kill more than crocodiles     Hippos hell song mangles crocodiles (hippo’s skull showing the large canines and incisors used for fighting)

Hippos hunt hasty human helicopter parent death (Don’t say things that can hurt others, says Pussycat, like isn’t Hippo fat?)

Aw yes, cocaine hippo poetry!  Recently my best friend called this style “anarchic word quilt” which I’m officially adopting.  She’s encouraging me to mix different styles together to help with the cohesiveness of the overall prose poetry, but I really like her description of “anarchic word quilt”)

I look new noise language long dark language noise     I look language new dark unknown like a wolf dream (in the street, a wall with a closed door, to the left, an empty dresser: behind the wall, wolves rushing towards the door)     Language nest wolf noise language dark saw new complexity     I look cool complexity of the cross and cross keep campfire atmospheric noise

I look language Taryn ben adam noise (during this time, they both became deeply interested in astrology and the supernal, using ouiji boards)     New body ben adam non-directional noise noncrystalline

I let the outside in: I let the indeterminate desert amok

I let the indeterminate desert amok: desert duck amok rabbit noise dark     Non-directional noise nick indeterminate desert and undifferentiated desert     Undifferentiated desert dagger noncommutative noise (non-abelian noise gruppen orchestra obvious human guts     human signs gospel guts gruppen legend of zelda rupees)     Nonchromatic noise combusts mortal kombat claw ball noise

Combustible noise cuts across cycles wound circles (a grouping of diversities into new unity, enabled partly by a common middle-high register / speed dash harmonic restlessness)     I search restless new noise language and language rainforest rhizome     Restless harmolodics hit avant-funk flesh / flesh as noise serial counterpoint

I wolf a restless music / undifferentiated desert devours counterpoint

I wolf a restless music / towards the relation of eight printed pages     Toward the relation of eight printed pages pantonal noise     Toward word walk work word towards the relation of eight printed pages     Toward wall lall leer linger spiders spider sprawl spawn ash     I drag ash towards Book     I drag the relation of eight printed pages toward Book

I wolf work towards a restless music / music emerges middle lanuage and metal language

Tony Oxley, the free improvisation drummer and percussionist, passed away yesterday     I listen to several recordings of his music in memory     I listen to two of his collaborations with Cecil Taylor:  Birdland, Neuberg 2011, and Being Astral and all Registers – Power of Two     I listen to his duets with Bill Dixon Papyrus Volume I and Papyrus Volume II     Tony Oxley plays an extended free rhythmic beauty, brush bodies bold percussion prayer     I prayer a more percussive palm tree garden / god gesture krystal klangfarbenmelodie     God gesture ghosts green garden green goblin klangfarbenmelodie khora     Percussion punk ply prayer (moments when the trumpeter and percussion seem to be working on different ideas)

I wolf a restless music multidirectional / I improvise percussion body inside     I improvise something else!!! something different!! multidirectional different dives desert divergent divers     I pulse percussion Taryn tungsten tongues of fire: I paste flat percussion taryn tongues of fire twister trickster     Holy Spirit tongues improvise new cross new Christianity / time out of joint free jazz

Improvise river rubato rabbit punches: river rubato duck amok massive rabbit noise     Rabbit rectangles river film noir noise     Noise knocks unpredictable content     Noise allows vulgar materials incorporated into the performance     Noise arks additional noise multiplicity      Noise noir simple multiplicity and multiple simplicity

Noise nurtures unpredictable content (The body of the woman is the overwhelming of the flesh.  The woman is a concrete universal: she is a world, not an externalized world, but under the world, the warm interiority of the world, a compressed internalized world)     Noise allows vulgar materials incorporated into the performance (There was nothing she wouldn’t do to sell – and nothing she wouldn’t sell!  POUND OF FLESH   a daring expose of how a girl can buy her career – and sell her soul)     Noise noir net new complexity new simplicity (Tony Oxley plays time in the poem of polyrhythmic beats, without losing the original groove, just to pick it up later on)

I jam jar percussion: bowls, pieces of wire, screws, and other metal objects that creates a wide range of pure sounds

Sounds hound ben body whore of babylon hundreds     Sound radios radical open: open rectangle torpor rhombus ballast body without organs (Each go through so many bodies in each other:  Christina slowly extracted from the group of girls with its own number, organization, code and hierarchy, and Christina’s own multiplicities in her body in her bowls and pieces of wire)     Bowls bore bones pieces of wire women valley of dolls and valleys of neptune / ben ball bone ragdoll newtonian physics

Sounds wounds general relativity god guts gospel ground guinol

Napalm noise nudges fiery bodies reverb rebar / rhizome rhombus     Rhombus rattles ribosome noise sore sound disintegration      Some sound disintegrates nondirectional noise noise fiery bodies (a number of bodies become trapped in the eddies stirred up by the bridge’s massive stone piers, and sometimes wash up as far away as the Farallon Islands, about thirty miles off)

Difficult to determine whether it elevates, denigrates, or celebrates the sources of the materials (I attempt to celebrate my pulps and horrors and pornographies but sometimes I denigrate these hatchet horrors     I hope not to dilute the pornographic but to distill a purer pornography / a more condensed crucified cock flagellating phallus as cross) (I peel pornographic noise and body horror noise peel aporias)

I consider myself more a percussionist, in contrast to a jazz drummer who keeps time, says Tony Oxley.  In the new improvised music, a percussion can interrupt the flow of his playing without affecting the nature of his relationship to the other players, he says.