Diamond dogs deliver denim doorway: wave way her demiurge Demiurge urgent as the desert dream city destroyer deconstructed syntax Dog draws drawl syntax syntax doublets Diamond dog divorces dogma and demiurge disappears but I drive still urgent desert Diamond dogs syntax trace deconstruct syntax dizzy up the girl Diamond dogs dizzy up the girl decry demiurge earthworks I work the earth firedogs slow flame syntax Earthworks wallop word demiurge doorway winged whalebone Earthworks wyrd woman walking bass earthworks / water dog diamond dogs Diamond dogs din digs Francis Bacon a performing dog
Diamond dog degas drags benjamin ballerina desert ballrooms
Their dogs drop dodgeballs: their dogs drop large iron spheres from skyscrapers
I dislike dogs – no, I like dogs, but I could never befriend a dog I cannot walk the dog as a yo-yo trick and I cannot walk the dog as a dachshund or german shepherd I do not telephone dogs and the dial drops dead I steal the phrase diamond dog from the David Bowie album (conceived during a period of uncertainty over where his career was headed, Diamond Dogs is the result of multiple projects Bowie envisioned at the time: a scrapped musical based on Ziggy Stardust (1972); an adaptation of George Orwell’s novel Nineteen Eighty-Four (1949); and an urban apocalyptic scenario based on the writings of William S. Burroughs) I adore David Bowie and his willingness to shift and experiment I do not feel uncertainty in my future creativity but I do feel a drive towards rhizome and multiplicities: I realize the rhizome in John Coltrane’s dictum of both direction at once and in the Oblique Strategies suggestion of when faced with a choice do both I write rhizome multidirection I write multidirection expansive time drums Rashied Ali multidirectional I motion and gesture motion painting multidirectional diamond dogs with no distance I explore no distance dog star rhythm rubato rhizome multidirectional
I do not telephone dogs and the dial drones dead Rotate rotary phone rancid robbery / Pink Floyd’s Dogs as the dial tone Dogs drift digital darkness at the edge of town Their dogs drive snow idiosyncratic iditarod / my idiopathic dog brain blushes blast processing
Brain blast processes arkanoid blast processing Brain cedar beam balance bark film One recurring theme of the film: many objects seen vibrate such as forks and bells Brain bells blast processing arkanoid blast processing vibrates Brain blast vibrates processing summa incisors /brain bites brain fine dog scissor cuts Fine dog forks vibrate David Gilmour vibrato
One recurring theme of the film many objects seen vibrating such as forks and bells This film blends yakuza stories with ghost stories, bizarre vignettes, and urban legends
My brain bells ghost dogs and black dogs vibrations in black forests I find forks stabbed into oak / a witch’s silhouette in chalk
I burned bodies that I buried in the backyard
Black dogs appear as superimposed ghosts on the film film bizarre vignettes
In the backwards, I listen to Rumble by Link Wray and His Ray Men It has a rough sound and sounds like a street fight Black dogs devour my body Ghost dogs devour my body bizarre vignettes
I visit more phrases from Jean-Michel Basquiat’s notebook / semantic field: Milling in crowd Today he admitted to being foolish Ran into the train beat out the flames They fallen asleep and were inhaling the smoke Slight crack in the gas line
A tedious aspect of my method of writing: every line and even every word I want to explore and rewrite and reinterpret through every possible permutation and combination In this way, my method has similarities to John Coltrane’s method of improvisation, and Coltrane details this in the April 12, 1962 article in Downbeat titled “John Coltrane and Eric Dolphy Answer the Jazz Critics”: “They're long because all the soloists try to explore all the avenues that the tune offers. They try to use all their resources in their solos. Everybody has quite a bit to work on…”
I try to explore all the avenues the tune (text) offers Sometimes the text overwhelms me and I can only offer tedious variations or repetitions that stall and stagnate rather than express and surprise rhizome breakers For the time being, I put working with these Jean-Michel Basquiat phrases on hold, and record them in another notebook to revisit them later
Miles Davis used to tell his musicians, when you play the music, don’t play the idea that’s there, play the next idea. Wait. Wait another beat, maybe two, and maybe you’ll have something that’s more fresh. Don’t just play from the top of your head, but listen and try to play a little deeper…
When I write diamond dogs, I try not to resort to my well-used word-images such as desert or my well-trodden verbs of dig and dream unless done in a manner that surprises me or reveals a deep connection that disturbs me Sometimes I get stuck and rely on cliches and past vocabulary but I hope I can combine my cliches into something like the way Charlie Parker fit and refit his motifs into new contexts I desire to invent anew but sometimes my long-exhausted languages wont’ stay dead (They won’t stay dead! NIGHT OF THE LIVING DEAD They keep coming back in a blood-thirsty lust for human flesh! Pits the dead against the living for a struggle for survival!)
Don’t play what’s there, play what’s not there (diamond dogs devour my body) Don't listen to what’s there, listen to what’s not there (diamond dogs divide my body prayer parcels for demiurges)
Write real ghost dogs / ghosts there and not there but waits words
Ghost lights illuminate black dogs and abandoned boom towns Ghost light calcium night light lines black dog mothlight Ghost light assorted diatoms drum distant dogs (Assorted diatoms as seen through a microscope. These specimens were living between crystals of annual sea ice in McMurdo Sound, Antarctica. The image digitized from original 35mm ektachrome slide. These phyloplankton are encased within a silicate cell wall)
I play rhizome ghosts and ghost rhizome I play root of an unfocus / fixed point tossed as if it is untroubled I play ghost dog spontaneous earth (I sometimes forget in the exploration and experiment, the element of PLAY) (What are your experiences reading my Book? I ask Asia. How do you engage with it and how do you feel afterwards? I like how your work experiments with language and associations, says Asia. Reading your work is like walking into an antique store – I don’t know what I’m going to find or stumble on, says Asia)
I write the Bacchanale quickly and with the excitement continual discovery provided (three or four days to invent a new instrument) (three or four pages to invent a new language) (I inverse dogs god language ben adam invention / inverse ben inverted dome dogs) (so much repetition) (so much repetition but I invent I rid myself of the first 10,000 drawings I write John Cage Ten Thousand Things)
I try to write diamond dogs sound ghosts and ghost drawings copper mine
I manipulate similar musical time into time multiplied by ghosts I machine an arbitrary ghost time tremor amber ambient and I fill the orange glow ambient with sound and movement I fill each page with a different kind of sound and continuity
I continue between dog sound and ghost sound sensual son of man I mime time trail tail haunted: minimal monochrome, deliberately shifting lines of color, moto perpetuo complex rhythms created by the interplay of timbres (Timbre Taryn troubles time tossed trickster timber timbres)
I teeter twisted timbers Taryn Trickster / twirling optic rotor reliefs I float flat expanses of music matching plotless and actionless cinema I simmer cinema vibrating forks and bells and I die from the emptiness of cautious and clever people Often I trick the language too clever and it lacks creative play Play furious fluxus and a text score scraped trickster palimpsest / illuminated manuscript
Diamond dogs twist door doe timbre and multiplied ghosts modulate antler sentence hangar
I start with sentence sentence fragment incomplete sentence ore or ore start sentence stranger: sentence stay starcade world wrestling championship starcade Nick Arcade arcades project people Das Passagenwerk earthwork my monumental rain My monumental rain ruin rain circular ruins and I rain theater starcade Starcade theater struggles Cosmia pyralina pirouette pyralina passagenwork wall walk woman walking bass I play walking bass line little linen loops and my sentences press play cassette tape Taryn Trickster
I read this sentence and the next sentence diamond dogs das passagenwork Ghost dog dirk das passagenwerk lunar-spotted pinion (forewing dull or bight red brown or pinker ground; generally darkened with olive fuscous; first line blackish, oblique, not white-edged, angled outwards between and inwards on the veins…)
Diamond dogs dust diamond wings wig butterfly powder and word hourglasses
I love words that function as adverbs and prepositions A long term project involved studying all these words that make up this category and using them in a new and confidently inventive manner
I plan to incorporate more insects and more insect facts and descriptions into the Book because Asia loves insects: the difficult part involves making facts and descriptions into an inventive improvisational language and a novel language that renames gods into darkling beetles and diamond dogs
Bright red brown or a pinker ground jumps outward dark dog word ghosts (a red brown diamond dog a pinker ground diamond dog)
Bright red brown dog ben body blast processes on a pinker ground (a pinker ground diamond dog bulldoze outward diamond dog sentence)
Bright red brown rhizome jets red baron ben hinnom tao hum (dogs hum ghosts wire tonality diamond)
Stars appear as diamond dogs and gestural paintbrush strokes
Sentence stone structureless star stratas stars strange dogs Sentence stone stars stalactites my flesh magma and meteor (my magma blackish angles outwards between and inwards) Sentences sandsnow signs dog gospel Sentences stink flesh funk dark diamond dogs / ben body decays and dances Michael Jackson’s Thriller Sentence salts stars staggered sentences / out line preceded by darker shade serpents Serpent sentence edged with white white light bright brown red
Sentences appear as diamond dogs and gestural paintbrush strokes a pinker ground
Sentence salts cobalt bomb ben body Sentence salts spirals staircase cast bone bone spirals into my diamond forehead (Sentences speak in spirals and diamond dog dialectics Dialectics edge dog white, the white diffused on costa and joined to the whiter streak before the submarginal line line spirals pinker sentences)
Sentences spiral last supper calcium strange light / ben body stretched owl light between dog stars
I Repeat The Same Experiment With Slightly Different Results
I write the Bacchanale quickly and with the excitement continual discovery provides
I write the Book barcarolle and the Book abyss Book pluck plumb abyss new (new composition requires new techniques)
I write the Bacchanale quickly and with the excitement continual discovery provides I discover difference I discover distance difference deciduous: lawn long dawn darts undress difference Lucian Freud portrait paintings I paint Taryn bartender braid drift raid rhizome Drop dial dark I discover deep variation: antler draws dare jam experiment Desert continually drifts experiment: excite experiment bare shoulder shaker / cold meteor shower desert
Experiment excites edit earth edit Experiment doubles and triples repetition vision voynich manuscript
I only want to write a series of experiments
I only write a series of experiments but how does one experiment relate to another experiment How does this infinite series cohere (perhaps only in their summation) (experiment diverges to the infinitely flat desert)
In three or four days I invent new instruments Look this language plays harlots and harlequins Look language laugh invent languages as the play / theater thirsts Taryn
In there or four days I invent root of an unfocus / Taryn tossed as if untroubled
Rhizome so much repetition
Experiment architecture and advertisements
Breton brut benjamin back blue black night language / the texture seen representative of the framework sued to cash the concrete
A card from Oblique Strategies by Brian Eno and Peter Schmidt states: Faced with a choice do both (attributed to Diter Rot) I write both choices and I write both directions at once: toward the experimental and the romantic, towards invention and tradition A long-term area of research for the Book (in addition to many other topics like geology and pornography): research and architecture To a certain extent, I look at the Book as brutalist because I leave its form and structure bare and obvious, and part of the design and theme of the Book itself (I have been writing in the first person more often and writing meta-commentaries like you suggested, I say. I’m glad! says Asia. It took me awhile, I say, but I had to wait until it felt natural to me, and it feels more natural to me now)
Breton brut benjamin surreal concrete music concrete capstone (the texture seen representative of the framework used to cast concrete) (close-up the corrugated pattern breton brut benjamin body)
I write the Bacchanale quickly and with the excitement continual discovery provides (three or four days to invent new instruments) (so much repetition) I repeat the same experiment with slightly different results: I do not seek replication but rather a rhizome of discovery / discoveries
I agree on a common arbitrary time structure and then I fill the structure with sound and movement I fill each section with a different kind of sound and continuity
Time structure common time I agree common common time thatch attack thrash: fast thrash experiments throw tow Time structure orbits orbit conic / syntax fuck Syntax fuck I fuck syntax Syntax fuck fork fork fit unfocus: root of an unfocus the unavailable memory of mercury Focus syntax cinch synchronize sodom
Faced with a choice do both I choose with repetition with difference: I repeat messy experiments excessive experiences
Architectural fragments bat brick creole concrete I pour fragments pack vat pour out repetition I pout syntax fuck flock fuck syntax Syntax slack stax stratocaster fuck syntax Cast syntax concrete pour honeysmacks Cast clash syntax C.R.E.A.M. get the money dollar dollar bills ya’ll (one column in the page body, with slighting indented right margin and with paragraph divisions, and often with stare in the life margin; the rest of the manuscript and appears in the form of graphics)
Flat fragment flint roof root of an unfocus The unavailable memory of machine body and machine making / the factory fills fragments I fill that structure with sound fragments and fragment movement
Flat time titers abyss original The origin sheds flat definite and indeterminate The upper limit earth borders on air: the lower limit reaches down apeiron The origin shards ____ definite and indeterminate: the divine what has no origin or end (Colour ink, a bit crust, used for painting the figures, probably later than time of creation of the text and the outlines themselves)
In the experiment between the experiments break language languages I lilt tiered tarn tuplets archangel trumpets
In the experiments beat experiment sound then silence experiment slopes towards constructed languages language constellations
Experiment coheres and doesn't cohere both directions at once / faced with a choice do both
I dislike this experiment segment but I keep sculpting an arbitrary time structure and see far out the sound and silence can wander away and comeback to the time structure / structure flat time All I want to hear is time and I experiment time even if I dislike the end results of the experiments I recall a passage from the Bhagavad Gita: To work alone you have the right, and not to the fruits. Do not allow rewards to be your motive for action. Nor be attached in action… Abandoning attachment and established in Yoga, perform works, viewing success and failure with an even mind. Equipose is said to be Yoga… I continue to work alone and I do not attach myself in action but I experiment and work through and between failures with an even mind
Experiment origin definite and indeterminate The upper limit earth borders on air experiment Air experiment aether edit earth upper Upper edit earth explicit what hag no origin or end
I experiment architecture and advertisements I advertise pigments and experiments excess architecture
Experiment archaea archaic human hoof horse archegrammar haunted houses
Methanogaeta harandinacta 6ac, a methanogenic archaeon, products carboxylated actyl homoserine lactone compound that facilitate the transition from growth and short cells to growth as filaments
Ant paths built pheromone traces
An advertisement for soda (the cod-neck bottle invented in 1872 provided an effective seal, preventing the soda drinks from going flat) Flat time circles soda spiral flask mixed mass Flat soda locomotives structure time munitions / mastodon diesel experiments Soda straw snort flask flash snow (speleothem in the form of a hollow mineral cylinder tube)
I sort straws surprise snow (The cave making up the hardmen’s Gut System conduct canal cadavers compose compose entirety of former or still active stream caves Taryn tunnels underneath washing out the limestone by water action)
Soda oxide over garden graduated cylinder Sodium hydroxide hiss hundred hyle lye and caustic soda Sodium bicarbonate boil black painting monochromatic bubonic plague Sodium carbonate rib cage catch my body is a cage / I wash cage with ash and cut crystal Soda lime lick what lips my lips have kissed and why Soda lark lactates crystal lake loot boob camp blood
Their dogs their harpoons their wives
Their dogs repeat dogs peat bogs Their dogs dine deterritorialization Taryn rhizome tent peg totems
Their dogs dig dogs daguerreotype flat plate silver Taryn Silver dog criminal experiment daguerreotype black iron prison Their dogs do not discriminate demiurge urgent doppelganger black iron prison Prison pose experiment position (I pose prison dog star pharmakon and I kill jail bars black star staccato)
Their dog their harpoons their wives mold diamond dogs Diamond dog din drink this ain’t rock n’ roll this is genocide Diamond dog draw dog fog bog dynamite Diamond dog deem bean desert fog show machine snow / we’ll buy some drugs and watch a band then jump in a river hold hands
Destruction derby drone diamond dogs inverted dome Diamond dome dog door death drama: I die dream drunk dunk radar eraserhead happening Happen industrial dog diamond monochromatic industry (I shall never let myself be rescued, nor shall I ever rescue anybody)
Diamond dog dex dye decay decalogue and decalogue decay My body decays dense library My body decays alpha radiation library leviathan Look leviathan dusty looks beer hop hangover hangman / harlots hang we car hop dog drive-thru Horselover fat hangs harlot habits and he harbor holy ghost (I love the word HARBOR which I immediately connect to Tom Waits’ Lost In The Harbor I live lost most harbors and over here they want diamonds to wear but there aren't any here I live lost language and I taste HARBOR and then I can comedown to the harbor / little fish big fish swimming in the waters come back here man give me daughter)
Interlude Stolen From Myung Mi Kim
Triale-paced Paced ben hinnom triune align experiment adrift Connect cut calculus everything is fire Fire six surreal circus fragment
I push towards the fragment simultaneous long line I push porous panic play / mystery play cafeteria tray I play fragment agon long line and geologies and sacred geometries
Traile-paced Root of an unfocus Tossed as if it were untroubled The unavailable memory of Totem ancestor Spontaneous earth
Fragment entails human body fragment entail human body heads or tails Tail fragment rock face face / god geologies Fragment fugitive runaway horses / rhizome root of an unfocus
Unfocus fragment tail root rhizome root rhizome Fragment unfocus unfurl underground sown ground geology / Yoshi ground pound
I do not fear the fragment but I fold it over and over like Japanese steel I fold fragment a woman who took a little leaven, hid it in the dough, and made it into large leaves of bread
Silence And Sounds Crossover Slowly
Silence and sounds crossover slowly I simulate slow sound and secrete sound dirk dark shark secret dusk I decide dusk as sound silent cupboard or scabbard
Sow silence and slow sound track tack crossover thrash Sound thrash thresher silent threshold and threshing floor I roll and I tumble threshing floor transmuted killing floor Killing floor fletchers flesh blood flashes / the wold shadow The wold shadow threshes south shade shade wald wold wenld wald forests Forests infest killing floor
(Down on the killing floor – that means a woman has you down, she went out of her way to try and kill you. She at the peak of doing it, and you got away now… You know people have wished they was dead – you have been treated so bad that sometimes you just say, oh lord have mercy. You’d rather be six feet in the ground)
Silence and sounds crossover slow killing floor Killing floor fluctuates similar sounds wave tone hallucinations / Lord knows I should’ve been gone and I wouldn’t been here, down on the killing floor
I summon slow sound in a silent way and slow sound sorcerer I conjure prophecy in sound as equally as I receive it passive passions I summon witch word wald shadow as her sound prophesies ben-hinnom bewitched
Silence and sounds crossover slow serpents / the wold shadow shines witch word serpent I sit with serpent sound and her harmonies hang human hallucinations Taryn trades fours medieval forest and she tones serpent tenet hallucinations Taryn rolls and tumbles different serpent spaces different stretch tines surrounding surrounding Taryn approximate apophatic arms altitudes and atmospheres slowed changes wave dizziness Dizzy stretches different serpents / desert dizzy up the girl Dizzy dusts drama undressed serpent mystery plays Dizzy plays summer storm surge dramatic waves
I write a slow sound that crashes and cooperates dizzy dissonance and serpent consonance I immerse in sounds and serpents, and I love the serpent for the same reason I love the fires: they EVOKE INVOKE CONJURE I see fires flare in my skull and my skull swarms serpents and darkling beetles I beetle forests burst ben hinnom and my skull settles son of man: son of man serpents and child of humanity repeated hanging hallucinations Hanging hints at my writing attending the body forest and forest fosters serpents and fires
The wold shadow Wald wold weld wald forest: her word
Word burns long tomb birds Birds bell bath word candle citadel / cathedral time
I tune totems: time-lapse photography of books, paintings, reflections, and light falling on textures, shot entirely through a glass ash-tray
Apeiron ant art new complexity (note to self: research new complexity, new simplicity, new sincerity) Apeiron provokes new complexity and I posit particle polyphony polar polyphony Philip K. Dick judean desert disintegration I descend Philip K. Dick deterioration I descend Philip K. Dick deterioration deterritorialization / desert desert desert their wives Desert dandelion damsel-in-distress stag surge demiurge their wives Desert day etching imitate earthworks she fucks their wives
Conversations With Asia 07/14/2020 3:14 AM
[I send Asia some writing]
You shall burst forth right and left a becoming one
You yule yue to the yoke of Yahweh: you use up to underworld, the Word. Shall shocks char sharp, the share with stars: shall shakes sum sun, the snail by slime. Burst beer and beef behind, a belated belinda by bells, and bells bay boolean and beowolf. My belly bursts buttons and boots, and the guts guy God. Forth fortress the flexible flesh stretching structure and flash: forth fear gears the phantoms field the female, and to the right, riches and humanity's rib. And to the left, levee and levity, the fin of Leviathan. Leviathan fins rib, one man and woman, male and female created, and creatures crow God. Elephants elegant squeam Elohim.
Did you write this today? says Asia. Yeah. I like it, she says. I was kind of experimenting with it, I say. Let the language loose, and not worry about semantics so much. Yeah it seemed different, says Asia. It has a very nice flow. Thanks! I am going to experiment a bit and find a new direction, I say.
I see continuity between the writing of You Shall Burst Forth Right.. and my current writing It seems these experiments with looser language indeed established a new direction for me Now, I explore both directions at once: the Philip K. Dick polyphonic apeiron and an apophatic accessible An experiment and a continuity of experiment, and the experiment elucidates ellipsis and eclipse (I do not want my metacommentaries and meditations to close off and define a certain hermeneutics but to open up a method, methods, or methodless method analogous to a religionless religion that necessarily invites one to participate and invent new texts in dialectics and conversations I also see a need to experiment further: I continue to explore – slow sounds and slow silences crossing over – I witness the open genealogy and heritage between the You Shall Burst Forth Right from almost 4 years ago and this writing, and its similarity and differences both disturb and astound me I continue to work the genealogies but also transform them into something only recognizable by examining its branching historical rhizome I explore both direction at once / rhizome sprawl dissolves cells disintegrating
Desert dry etches cheap imitation cheap imitation earthworks Earthworks weave wives hull hell (hell itself hell split flexion purgation existence is sing) (LESBIAN HELL the twilight world of lesbians – fugitive lovers ensnared in a web of lust, degradation and debauchery)
Apeiron unlimited lick butt lift boundless booty call endless solar anus infinite intercourse (The girls taught each other about love! PRIVATE SCHOOL Every parent should read this shocking novel of adolescent girls who first tolerated vice – then embraced it – then would not be without it!)
Apeiron pat unlimited pornographic plane / lust body without organs Desert dry etched erotic earthworks and I work boundless body nude belly / belly bottomless pit bombardment
Experiments Stolen From Jean-Michel Basquiat’s Notebooks
I fire flexed flesh I flirt flesh fluxus furtive flings / / exoskeleton complete with spongy matter Spongy water wade spongy matter desert bone dorsiflexion I waterproof bone plier eyeball pileworks water pry / I pry water wyrd dorsiflexion
I drink texts body porous / drink text flex flesh
An advertisement for soda
Penguins are more likely to stay with the same mate for months (crossed out)
Fire will attract more attention than any other cry for help (crossed out)
Their dogs their harpoons their wives (crossed out)
I want to write more like Jean-Michel Basquiat: the page-canvas-plane as semantic field semantic constellations Word language ursa minor ursa major tales from the darkside glowing red eye Teddy
I want to write resonant to repel ghosts I write resonant to repel ghosts mary magadalene mistaking the resurrected body as the garden gardener body (my body erupts gardens and orchards My body sprouts and pomegranates) I write revenant rhizome eruption: erupt abrupt earth goldbeater’s skin My skin sculpts spirit contact improvisation to repel ghosts
An advertisement for soda carbonates holy spirit An advertisement for soda god geysers hot spring holy ghost ghost garbage I advertise alternate histories / her avenues alloy cryptic alphabet Christ Her avenues alloy rhizome aleph Christ assisted opening (I interpret the languages absurd advertisements tales from the dark side red eye teddy roosevelt remington rooster revolver) I advertise alloys agony agon allegory: corpous hypercubus Christi I tracer-cut carbonated paper snowflake outline logarithm / biofilms spiral carnival romp
I woke up with my daughter's head in my armpit and Wolfgang laying on my chest, says Asia. I was trapped. How did you manage to escape such an impossible trap? I say. I had to gently turn until Wolfgang got off, then carefully remove myself from my daughter’s head, says Asia. You’re a master escape artist, I say. Houdini would be proud. I don't think Houdini ever tried to escape from the confinement of a cat and child. Because he was a pussy, says Asia.
Soda seattle library Soda fountain gibson flying v I solo distinct distortion farming the oceans, the moon, and antarctica Soda syrup slot salt shaker an era of manifestations / a period of dance, gift drawings, and gift songs inspired by spiritual revelation
(A forest across the pond, with part of the moon appearing over the horizon in the gap of the trees)
An advertisement avenges a vala lava for summer splash damage soda
(Chromasepia print behind glass in artist’s frame)
Penguin pierrot lunaire likely lesbians to stay with the same coffee mate for mouths and I drink copious carbonated coffee
Fire flanger flagella forced tailwhip harpoon Fire flanges finger food flesh strokes throat cilia when swallowed Fire forks advertisements tau cross floods and floods arc great attractor unidentified flying object / attractor amorous attention (I listen to the Boris album Attention Please and I draw dream pop drive dot desert ontological objects Desert hot rod objects dream unidentified ontologies Attention Please amplifier ontologies Appear obscure ontology and an occult ontology Appear an occluded eye ontology within the eclipse of occult / unidentified)
I write the Book with an ontological multiplicity in mind, and that multiplicity (multiplicity of multiplicities compact into the flat immediate multiplicity)
Unidentified flying objects musculate obvious diversion / desert red herring Hera Red herring bone hera horoscope body horror (They were only dolls… stupid dolls made out of flesh and bone! TORSO) UFOs simulate lens flares UFOs simulate latex laboratories / imaginary lens flare brain poke parties I infer UFO and I cry keqrops calamity jane doe kabbalah desert I infer UFO and my body inherits exile (my doll body divergent waste land desert torso) I cry creole crows cranium casserole (my brain stirs castle soup stones / marsh motor oil gravy)
I hope to always experiment and I always experiment with sound and the surreal / absurd in languages I want to experiment and discover unidentified and weird wilderness I experiment additional eye myth any key language
Eye myth In the eyes, constantly, eyes flare with little stories little forms little shapes Eye myth minotaur: machine eye minotaur mass Not word myth nor mouth myth but eye myth I make eye myth pure vision
I wrote this in my brainstorming notebook, I say to Asia. Writing for Asia should become a process: an anarchic process, a collaborative process a process possessed by the unconditional To write for Asia means to write our unconditional: an unconditional that’s not an end goal but a continual process and daily renewing I like that, says Asia.
I want to prophesy our friendship as an example of a creative work in progress, one that confronts and embraces the unconditional, I say. What do you think? I think that’s a pretty good idea, says Asia.
Their dogs their harpoons their wives shadow their dogs their harpoons their wives I wife word their wives holy spirit harpoons Holy ghost to repel ghosts harpoon ben hinnom (In hinnom all this time with your heart in mind didn’t you edit In hinnom)
Apeiron Apeiron aura Apeiron solar anus aura / cock Christina cast iron cask Cock Christina climb catacombs anal abyss Apeiron axe atom asia amok Harp amok olive asshole alabaster My asshole aches lavender scare scarborough faire Apeiron axial apex aloof strongylium purpurripenne aporia: I desert dark gospel darling beetle ben hinnom hinnom harpoon light peaks preeminent I expose my private parts dark air harbor / Morey’s Piers
Metallic tree darkling beetles beach my dreams desert ben hinnom Darkling beetles beak beat body barricade swarm ben hinnom (strangers scattering neither passage in the mind off pennant tension ring) Darkling darling dune dense dark deep jungle beetle benjamin / beetle ben hinnom armor down the wettest ground I bird beetle Taryn tenebroso and Christina chiaroscuro
My 11-segmented moniliform chants monophonic harpoon languages My first abdominal sternite entire and not divides by the hind coxae crowns chiaroscuro My eyes notched by a frontal ridge ridge racer volcanic eye myth and my myth ruptures eye antennae My tarsi have four segments in the hind pair and fie in the front and mid legs, and I walk word wives harpoon waves
Harpoons repel ghosts above a certain catchweight
Catch sieve salve Sieve salve prime number gnosis (what kind of listening is it gnosis what kind of listening is it: Asia Rhizome rainfall fresh)
I catch ghost harpoon speaking spirit cross enclosed in the cross of glory
Bare bottle pudibundity can of use nanoworlds Harpoon chevron a diatreta jawbations belletrisms ferrous dimensionally
An advertisement for soda book pudibund submarine marietta nanomachines
Silence and sounds cross over slowly / fluctuations of sounds similar soundwaves wave tone hallucinations Submarine sounds and silences sieve aleatoric outside aleatoric / indeterminate harpoons (I don’t jump from one place to anywhere too high, says Toshimaru Nakamura. I have been gradually changing. I keep going with tiny steps. Or perhaps I am moving around but staying in a very small area while doing so) (For a few years I closely followed the EAI / onkyo / reductionist scene and both its experiments and improvised nature greatly influenced my creative output Although I usually create with maximalist tendencies rather than the spare and sparse landscapes of EAI, I feel a paradoxical parallel gesture and movement with it Even my maximal confines the area I work in, and I move around but staying in a very small area while doing so A future project might involve exploring those truly minimal worlds and spaces) (silences) (I see the sieve as salve and I apply spare sounds and copious silences)
Silences and sounds cross over slowly I slow the sounds of repeated languages and rhizome languages: their dogs their harpoons their wives
I speak the word dog and dog appears dew dust dust mystical rose The dog language surprises me spoken word blue variable stars Dog dual disk disk sound and silences catch sieve salve / salve vision eye myth Their dogs open door detail doors and she opens book exploration bitches brew / bitches brew big butchers
I Do Not Simplify The Subject But Sign Subject Strange
Content Warning: brief mentions of suicide and emotional abuse
I condense color: I condense color color cubist I collect color and I arrange color cube cute Cube cut queer cute cataract to cataract and cataclysm to cataclysm: I collect baroque orange apocalypse
I condense color color compact mauve membranes I keep color pink from the corner and I couple collected fluorescent light tubes I tape light bulbs together mixtape human bodies
Art acts odd anarchy, a sort of unidentified flying object or cryptid sighting sighting that streams stampedes into my brain bashed by amoebas and amphibian meningitis
I sell art stella by starlight / the marooned soldier and the fighting girls of stalingrad I clip art clean colour then colour coupled compact / human body cassette tape Tape loops long light strike star stippled surfaces
ben body crayon curves canvas celluloid eclipse / camera conic sections
I cover my body in medium purples pinwheel gospel of mark: gospel of matthew golden ratio radio gargoyles
Ghoul green gods glue ghosts grass assemblages
Paintings with light colours sell more quickly than paintings with dark colours
(I experience an intense deja vu sensation writing the previous line: it’s certainly possible I’ve copied it before in a different context months ago, but I now relish in repetition Repetitions reveal apocalypse orange rinds and pomegranate remainders I experience the open orchard through the ritual of repetition)
Paintings with light colors sell more quickly than paintings with dark colors
I paint dark desert / I paint light labyrinth I forget to sell but I still paint
Sell selling solar eclipse cyclops Sell seed celluloid starfish beach shore massacre Beach sow sandbar snow starfish and sand dollars Sell she sells sea shells by the sea shore Sea shell show snell’s law
Sell sea side spur sell cell seaside sparrows Sell sea slope slow sea slug paints salt I paint salt desert slow skin soul-funk / future beaches (I listen to the song Snowbirds and Townies by Further Seems Forever: Fountains and fluorescent lights the season has come the snowbirds are crowding the nights The townies are tired of their beaches and bars being packed so tight The bridges and traffic and in this selecting their flight… In my nostalgia, I recall watching soapy WB – now CW – television like Dawson’s Creek and Roswell, and later watching Gilmore Girls with Christina I realize I feel the last nostalgic I’ve ever been because I do not feel fond of my past behavior and transgressions I feel healthier and in better relationships now, despite my anxieties and mental illness)
Sell seaside storm surge seaside sparrows Sell sea slate sing sea slug salt pigment I apply pigment as salt last supper and supper stews soul-funk flesh I stain canvas soul-funk pigment fat infatuated / fat funk groove human flesh flat anarchy Flat canvas anarchic revive beach sheets
Sometimes selling out is waking up Sometimes selling out is waking up we take ourselves too seriously we sneak in as many politics as we can but who will be last to realize that sometimes selling out is waking up
I sell out over under other I sell nothing not even this language and I laugh these languages absurd storm drag claw catastrophe Absurd massages language lobster telephone or desert dragon desert dragon queen mongolian death worm languages I amp absurd silver age language fat cat batarang: language lamppost pile passages aporia I lip sync leviathan liturgy augment absurd tiamat triads I strike tiamat triads trine taryn the turk tetragrammaton Last supper lathes sea star sapphires: sea tangle sea steps
Sell bell cell gel gall gut gnosis Sell ring them bells monastery cells shells quill clatter I clatter clang moral kiosk catechism I kiss catechism cataclysm coupled light colors colors
My coteacher is getting a divorce, don’t know if that’s something you want to talk about though, says Asia. That's a bummer, I say. I’m OK talking about it if you want to and need to express thoughts about it. It’s just wild because this is the second person I know in the past few months that was in a situation where the man threatened to kill himself when the woman said that they were unhappy in the relationship, says Asia. Both situations they were offered chances or couples therapy and the guys refused. In this situation, the man told her that he didn’t need therapy: she was the one with issues not him, says Asia. I feel bad for her I say. I will say as someone who has been both suicidal and emotionally abusive in the past with my relationships, it’s a shitty thing. There’s a lot of self-hatred and self-destruction and I feel like: I want someone to save me from myself. But there’s no one who can save me. What I mean is, my friends love me, but that doesn’t help me because I don’t love me. I feel in the past when I was suicidal, I was abusive with that self-hatred with others. I try really hard not to do that now. Even if I do feel suicidal, I try not to be in a place where I say: live for me, save me, I say. I know that you try hard, says Asia. I think you’ve been doing a good job, she says. Thanks. I feel even though I have been spiraling a lot recently, I have noticed our friendship remains a lot more steady and secure despite this. There is nothing morally around about having suicidal ideation, says Asia. But there is something messed up about weaponizing it against people who care about you. I don’t get it, she says. I agree with you, I say. And I know I have done that in the past. But you learned and grew, says Asia.
Subjects that sell well: madonna and child, landscapes, flower paintings, still lifes (free of morbid props – dead birds, etc), nudes, marine pictures, abstracts and surrealism
I do not simplify the subject but sign subject strange Strange subject jabs sorcery, a madonna and child magic Magic improvises modal over milestones: sign stone human
Subject splits bottomless pit: abyss alice abyss
I study subject – the general concept of subject and not just painting subjects that sell well – and I subject subject to the subjected accented and against rhythm Subject stabs secret rhythm / horn hits hell honey Subject shadow casts center subject acentered An acentered subject subject sells well the exterior form of a rupture and redoubling I double study body double pentateuch doublets I steady study subject – my subjects repeat interjections and interrogations
I subject the subject to odd interrogation (gatling gun hunter-gatherer acentered Acenter accents cut coupled colors concentric circles)
I study subject subjective and injective harmonic partial orgasms Modes of the harmonic minor improvise over madonna masonry / free mason free jazz
The Madonna appears to me vision and she screams straight edge with minor threat
Subject scalar shows speed speed shred ten-speed bicycle Subject resembles blacksmith’s gunpowder smithereen anvil chorus Chorus screams chainsaw madonna noise pedal point millipede / velocipede
I install reality in a form of bricolage out of available materials
I recast deliberate meteorite into accidental meteorite / heavy iron stone landscape I toss coins and recast Man in the High Castle with a deliberate tarot Madonna and Child The Madonna carries her meteorite and mirror / I recast meteorite into mirror sword shekinah skekinah subject
I pull a new major arcana from an undreamed tarot deck and it reveals Meteor / intermedia black materia Meteor mutates my body madonna meteorite Meteorite rips irregular rhythm more regular / Lady Madonna children at your feet wonder how you manage to make ends meet
Meteorite photogeological jump start jump cut chant streets by sandbars
Venereological vision vent vertical hairlessness
Vision melting nesses pressurizes stretched-cut dorsiflection
The Book Highlights Hell
I prophesy parable and parable play mystery of mystery and mystery within mystery I prophesy parable event when omen amen Kingdom keeps perpetual play / cross orbits eons and ages ages kingdoms
I prophesy no transition needed between a place outside (such as a forest or a park or a beach) and an interior room I perform parables as action across different physical spaces
I improvise the parable no transition ended and I introduce strong swinging pulse highlighted by candenzas that sweep across the entire keyboard I introduce showing no transition and Taryn Trickster transforms myth Taryn Trickster breaths upon water surfaces World of Myth / World of Creation Taryn Trickster no transition tags World of Myth / World of Creation drone transformer altered chords tuned in preparation for the World to Come (no transition but Taryn eschaton) I earth eschaton immediate khora I tinker earth topsoil immediate Krystal and her Kingdom / I attempt to retrieve my wife from the world of the dead Tracing underneath dead, chipmunks gnaw my phallus to pieces and the pieces sprout edible roots and berries
I frequently write about parables and with parables because parables always have more to reveal I can never exhaust the parable Parable perpetually plays and the play interpenetration reinterpretation repetition and I repeat the parable as my body rewritten I write the Book itself as Big Parable and Long Parable and I do not eucahrist its meaning but it continues to prophesy myth kingdom woman / Taryn Trickster transformations
I approach non-approach Non-approach no no transition but jagged steppe eschaton I create irrational creation haphazard rotations and the Book evangelizes Lynchian dreams / kafkaesque khora (And he dreamed, and beheld, a ladder set up on the earth and its top reached heaven, and behold, messengers of God ascending and descending on it)
Taryn Trickster performs parable and ritual connecting otherworld to happen world, and she creates new myth and new transformation
I taste trace trickster word and Taryn Trickster world I table or tooth transformations world of myth transformations I root my powers in liminality: her lights which lights between books and between bodies cross marginal I perform the liminal in antinomian parables and strange acts / I explore the hollow the tree root-into-rhizome heretic Christianities I conjure rhizome heresy of the free spirit, and the cross strikes my body Book lightning and spirit conduit Taryn ghost conduit lights the lights / medium mirrors malchut
I conjure heresies and hells Hells hike herringbone hells horn heterocyclics Hells hearse hemispheres Hells hunt hagiographies Hells harp hypertensive homosexuals Hells hope heartbreaker hermeneutic
Each hell pocket protects a different page of the Book (This Book of Secrets and this Book of Parables – and sometimes even Book of Sand and Book of Questions) Hells holes holds many hearts ben-hinnom mixed multitudes I herd hermeneutics through hell hermaphrodite / cave mouth kaleidoscope
I think a reason I’m having writer’s block is because I’m not sure how to deal with continuity and connection, I say to Asia. I wrote this in my notebook last night:
Stop worrying about continuity: if you find connections make the connections, but if not just make each section its own thing, even if it's short
I’m not sure how I’m going to mark each section yet though – I mean I just need to be less afraid and risk more. Maybe on some short narratives about my friendships and incorporate them as collages, I say. I think changing things up and trying some narrative type pieces or short poems would be good for you, says Asia. There's a journaling technique that I want to try where you can write about a part of your day as if it were a narrative with a complex plot, says Asia.
Book babel babel inferno intersection circles of hells Book no transition hurtles hells hermaphrodite a beheaded king and queen play parable peacock quills
Book babel babel ben-hinnom hermeneutics / hells hells entrails Hells inscape scarped Book body scatter galilee / ben galilee guts grin gospel narrative
When I was young, all I thought about was art and music. Now I’m 36 and all I think about is money.
Whether the Book highlights hell or binges bel canto stations of the cross, I hope it always plays: play young and naive and even fingerpainting messy, men through selling out is sometimes waking up I sometime resist Asia’s advice for accessibility and self-contained narrative because I do not want to concern myself with audience, but my audience is Asia I watch a video by musician Ben Levin and he gives the following advice for making one's music relatable for other people He states write for one person: “Just think about what one person is going to think about your music, a specific person in your head, someone who encourages you. Who is excited about creativity… It’s not about making music they will like, but it’s more about surprising them, a metamusical conversation with them through your work. Show them a part of yourself they don’t often see. As a result, your music will feel very communicative, very connected, but specific to you”. Asia resides in my brain as that specific person who encourages me and feels excited about my creativity, and although we often disagree about particular aspects of the Book, creating the Book with her participation makes me feel more connected with her
I want you to be proud of me and my creativity, I say. I am proud of you and your creativity, says Asia. You are? Yeah, she says. Even if I have a hard time getting through it sometimes, I think you have a very unique and dynamic style that has made me look at literature differently, she says.
I write young my dinner with andre and I want my hell herta hell stutter huddles hell hermeneutics partitions / my creative prayers and my heretical prayers Middle-aged thirty-nine I don’t want to lose my experimental edge (I’m losing my edge the kids are coming up from behind)
Several pockets of hell feature improvised performances and experimental theaters
I write more My Dinner with Andre Film fill well hell page pockets book babel
Look at the subject as if you have never seen it before. Examine it from every side. Draw its outline with your eyes or in the air within your hand and saturate yourself with it.
I examine egg air eve eva I examine egg air eve aether eden I examine egg egg elder outer agency / sleeper agent ominous animations I examine elk elm famine soda acid architect mammon / grand leon grand guinol
I examine backgammon king salmon smoked salmon aether Examine and extract episode bottle body
I always experiment and sometimes that means failure I fail in grammar and grammar jumps granular gut continuum / no continuity no transition I experiment camera photograph film and although I am older than thirty-six, I try to continue thinking and speaking all art and music I sometimes fail at this too but I eat art to survive I survive ox experiments and I explore transition no transition both directions at once I feel myself transition-no-transition participating in creative conversations with Asia
Look at the subject as if you have never seen it before
Look hook brutal book ladder Look hook horses horses horses book choruses / polychoral Christina psychoses Play polychordal little back dress pythagorean comma psychotic Christianities: look hook horses the cross
Look loom light loon bird lure lavender Lavender hook desert heather leather left: left loon lake Left loon lake link Book Look Book nooks intense horses Intense invent horse book intersection Look later latter Book lateral light unleveled rubbles I rubble rhizome rent rain Asia among rivers
I engage in word play and poetic techniques because I believe transforming language transforms thinking and being Surreal language with surreal connections loosens the brain to more open association (an anarchic arcade not against but with) I write a with rather slap an against or contrast because the between and through reveals the parable: Child of Humanity
(I tinker with time and rhythm I tinker with look time look rhythm add look rhythm) (I tinker twinkle twinkle little star how I wonder what) (What whiplash whirlwind weapon word weapon look logos) (Logos leviathan logos unleveled leviathan) I look not lack but ligth then look light inner organ lasers
Conversations With Asia 07/10/2020 2:53 AM
I am having birth pangs writing this section, I say. Want to critique it? Sure. It’s an improvisation from the Gospel of Mark Chapter 12
And the second took her, and died, neither left he any seed; and the third likewise. Second clusters cable to cast salmon leaping as Sampson: Second combats and conquers the jordan jawbone of an ass. Scourge, second: shield sphere and subtle; sprint, second: scavenge savage in vision. I see myself second, the First flayed from my flesh, a second Sabbatai: I feel frank face to face various facets flummoxed as fasciitis. The messianic incarnation inches inflammation, an internal flame that flashes enfolding fire. Body barns the bore down to the bone, muscles macerated and mocked by machinations. Messiah dies, Firstborn of the Dead, and I serpent second. Messiah crucifies, a second Human, and I seed third with Taryn.
I think I like it but it was hard to write so I want a second (ha) opinion. It’s missing something, says Asia. I don’t know if it’s the flow or if there could be another stanza to wrap it all together. I will write another stanza, I say. Maybe it needs a “third” expanded on:
And the second took her, and died, neither left he any seed; and the third likewise. Second clusters cable to cast salmon leaping as Sampson: Second combats and conquers the jordan jawbone of an ass. Scourge, second: shield sphere and subtle; sprint, second: scavenge savage in vision. I see myself second, the First flayed from my flesh, a second Sabbatai: I feel frank face to face various facets flummoxed as fasciitis. The messianic incarnation inches inflammation, an internal flame that flashes enfolding fire. Body barns the bore down to the bone, muscles macerated and mocked by machinations. Messiah dies, Firstborn of the Dead, and I serpent second. Messiah crucifies, a second Human, and I seed third with Taryn. Taryn thirds and triples, a triplicate and triptych with Trinity: Taryn trines and triads, Yahweh with KRYSXTRYN.
I like it, says Asia. Alright! Sometimes the writing requires a lot of labor. That's true, says Asia.
The writing requires a lot of labor I accept the labor and I wrestle the writing as Jacob wrestle angel of YHWH
When I was young, all I thought about has about art and music. Now I’m 36 and all I think about is money.
I feel lucky enough to continue thinking about art I think about John Baldessari and art with money
Tips for artists who want to sell Generally speaking, paintings with light colors, sell more quickly than paint things with dark colors
I want my writing to be freely available and under a copyleft license or in the public domain so others can easily steal and make it their own just as I steal and make other texts my own However, if a publisher wants to offer me a lot of money to sell out, I would do it; thankfully, this remains highly unlikely and my supposed integrity can remain intact
I do not want to sell (unless it’s $$$$$$) but I concern myself with color I cobble colors in a form of bricolage out of available materials
I recast color deliberate meteorite I recast light color carve dark color coin toss deliberate tarot more meteorite Meteorite writes Asia among riverfronts: meteorite cross color field crafts and first evangelists
I couple cadmium orange with candy pink I compare closer cadmium orange camera octopus candy pink laser beam
God Invades Book Desert Dislocation
Divine Invasion veers vulpine turnpike venous return Divine Invasion smears vulpine and sometimes one came here to my window, attracted by my light, barked a vulpine curse at me, and then retreated Divine Invasion dig human heart hermit: hermit serpent hiss appear god god gulp ben body surf god gulp stripes transformer ben surf between variety of invasions Various invasion variegated plumb vapor: hevel shovel vapor workshed I share the shed with various languages My languages lagoon in vapor: sinuous snake crawling and symmetrical ben coral Language lagoon asymmetrical: radial asymmetry divine invasion I experiment fantastic flora florid counterpoint invasions agon and agon agent press against again dialectics (I nomad in dialectical desert and urgent desert draws body drop book emergent I meander golden mean and golden spiral split through dialectics and desert devours invasive vapor / vulpine body)
God invades Book desert dislocation and ben body barchan disembarks dislocation I keep the sabbath shared with serpents I crescent-shape dunes draw dune patrol I patrol desert perimeters / paranoid diaspora
Divine Invasion meanders strict then slack syntax and I pursue a dialectical language I word golden spiral
Either one grammar to support a variety of idiolects or a new system each time with new conditions to evolve through the novel universe: I choose both directions at once I write a singular grammar and a new grammar simultaneous: simultaneous I carry my cross and die daily I invade my own language both direction at once (I wouldn't know where to begin though. There is no beginning: you start in the middle and work your way both directions at once)
I meander blue and green music and music invasion variety brew vertical Contrasts shade woodshed variety vertical hard and soft edges Near edge but not end, I jump meanders I jump meander geometric forms forms foam kinetic rhythm and movement
I invade standing wave grammars / words kinetic constructions I layer pigments as desert invasion and my voice cries out in the wilderness deliberate scratches on the surface on the film film unintelligible birth
I read this particular segment (end segment? my past self who wrote down this segment did not make note of its location in the story) from “A Medieval Romance” by Mark Twain:
The remainder of this thrilling and eventful story will not be found in this or any other publication, either now or at any further time. The truth is, I have got my hero (or heroine) into such a particular close place that I do not see how I am ever going to get him (or her) out of it again, and therefore I will wash my hands of the whole business, and leave the person to get out the best way that offers – or else stay there. I thought it was going to be very easy enough and straighten out that little difficulty, but it looks different now…
I stew stuck stuck bitches brew: fusion but no passion and no human funk Funk flails guerrilla skirmishes and scratched canvas dirty war but my word continues out the reach of romance Word pressures me and I try to find all the connections and campaigns between words and languages and the rhizome romance overwhelms me I fail to transform language into body funk and lived flesh experience I experience my body full funk mobile animal anarchy Full flesh funk antinomian an animism An animism spills spirits spread sprite triangles tetragrammatons Sprite triangle tetragrammaton iron girder gallop gillie suit / stations of the cross camouflage Christina reacts connection chymistry camouflage crosses I stew stuck several strands and I stick standard model polymeters / I stir Stygian stem cells stuck bitches brew HeLa cells cob body horror / heretic hacksaw horror Hacksaw horror I hovel book acid attack (I adams on my creative acid jazz and joyless orgasms I abandon Book born on a bay on overused bog bodies I use the bog and abandon the hidden myth aftermath I animate aftermath radiations / I am the grass let me work)
Abandon book abandon ship you sunk my battleship
I abandon Book metathemes-mythemes-metafictions for raw materials material bare ugly: UGLY music concrete monopoles pulse bodies Not against ugly but with ugly naked bus body / ben body bewilders befuddles, and confuses Sometimes selling out is waking up I wake up desert word further desert Further desert well hell blonde bunkers as found art and ribald readymades Readymade marks ben bodies tunnel aerodynamic testing
I write wrought iron raw ugly I write ugly rust never sleeps / I sleep rust loaded lavender loaded lavender leviathan
I write raw ribcage exposed by napalm psalms Exposed Book breton brut and art brut Brut brute brawl bastards I venture desert hell I venture further desert hell hosts here hell hospital / hell nag hag hyperreal Hell hag no hope no fear fuck flesh haemoagglutination and I barf blood Blood concrete write raw wraith writhe ice Book hub hyperbrutalism now found gnosis
Book bar visible I-beams over windows / Book widows exposed brick inside and outside outside other windows
I worship at winged windows: window pour concrete several rooms where tongue-and-groove broad patterns build forms visible I worship visible windows through a scanner darkly
Now the window opens language bourbon neat benjamin Window exposed my language and I create new window Window exposes window ben brutalist / raw rhizome written and rewritten Raw rhizome repetition writes and rewrites open window: my body ben-hinnom (I frequently wrestle with my creative process and the Book – I document this well in the Book and sometimes I tire of it as a theme I aspire to create as John Coltrane or Igor Stravinsky continually searching for new expression and always experimenting Re-invention and continual self-transformation isn’t easy and doesn’t end – then David Bowie released a non-significant number of bad albums Write ugly when ugly, write beautiful when beautiful – but continue YOU ARE THE ONE WHO WRITES AND THE ONE WHO IS WRITTEN No end – only writing and if lucky, transformations)
I pour windows liquid slag into the corners of the Book: on the corner window plastic window pusher Pour concrete incomplete exposed wire: I write the wire winter music Write exposed wire word wide matrix: matrix mixes tongue-and-groove patterns play water pour
Open window draw door transition: omen ouroboros amen I take the transition and tack open windows and open parables to its exterior: Amen, I say to you, there is a no one who has given up house or wife or brother or parent or children for the sake of the kingdom of god who will not receive an overabundant return this present age and eternal life in the age to come
From Where Its Roots Run
From where its roots run From where its roots run sprawls rampant Root refers and defers rhizome
I’ve lost my vision and I’ve lost my passion John the Revelator writes to me: I also know that you are enduring patiently and bearing up for the sake of my name, and that you have not grown weary but I have this against you, that you have abandoned the love you had at first The Vision and the love leave me vision vanish vacuum no room for them at the inn (In 1976 I tried to kill myself because Elijah had left me. I felt him leave and it was awful… There is nothing worse in the world, no punishment greater than to have known god and no longer to know him… The voices stopped talking to me… I didn’t care if I lived or died)
From where its roots run: no room for me at the inn In inn invasion I ire interior to desert Desert interviews invasions from where the roots run I know that I hung in a windy tree nine nights, wounded with a spear, dedicated to Odin, myself to myself, on that tree of which no man knows from where its roots run Roots reach rhizome red rood and I interpret the tree of life upside down as the Cross of Christ Roots crucify desert copy the coy bore of my cranium and skull scramble round dance of the cross
Tree troubles me trailing point punch punch poinsettia Poinsettia clash clock punch performance art Tree troubles me march seventeenth harassed by noise Noise name unname marsh fifth three days in bed
Roots reach mystical rose / rose unreliable narrator the same dialectic
I lose my first love, the written dialectic desert diacritic / international phonetic alphabet adventures (Apophatic three aqueous events ice water steam)
I lose my first love but in the divine invasion the game dialectic reappears Not the polarities of god but the polarities of my prophecy and creative process: that destructive negative solar heat warring word and the loving, playful, tender prophecy with bells and flowers (Albert Ayler Devil And Witches) I’ve forgotten to play but she plays She (KRYSXTRYN? Asia Rhizome?) plays and I lost my first love of play First love play passion roots rhizome my flesh reach rock cliff no roots but mycorrhiza
When language begins to break down a little bit, it becomes exciting
What unifies the two at last: play What unifies Ben and Asia Rhizome: play Play X Play: X plays plays aporia mystery / a passion for the impossible
Is writing about the writing different from the writing itself? I say. Yes, says Asia. In what ways? Because if you are writing, you aren’t writing the same thing as the writing itself, she says. I am thinking about the activity of writing itself, I say. Like that quote I showed you earlier that Bruce Nauman said: If he did something in the art studio, it became part, including the process of making art itself. What if I’m just writing one giant book, one that even reflects its own process of coming into being? I say.
(What do you call the wife of a hippie? Mississippi, I say. You can’t use the same word, says Christina. Maybe, what do you call a counterculture mom? She says. What do you call your best friend who critiques your very funny joke? I say. A cunt. LOLOLOL, says C.)
I lack play and I lack passions / Spirit of Elijah leaves me I lack a passion for the impossible but I search for it through the process of writing
Is that all? That is all. Is there no expression of the mystery of the Haunted Hotel? Ask yourself if there is any explanation of the mystery of your own life and death – farewell.
Minimal mystery Minimal mystery: maximal mystery mystery of material Mystery maximum transition Transition interstitial polystyrene Transition eyelid intestines Transition eyelid sour cream stomach Distressed transition burns department store star ash Transition dead departure invalid litter detective story Story starmen steppe stimmung / stalactite testicles
Maximal mystery motorhead migration Migration medicine ball blast cap Inconsistent protohistory materials mast material: light tower case study blizzard book shelves Blizzard butter batters mystery psychohistory and psychogeography Mystery massage massacre gospel message minerals Mystery mop language marge eight songs for mad king Maxwell murder mystery mystery marquis de sade
Play From Angel Series
Dear Scarab, my father, I honor you, blessed be your work – in eternity – amen The desert seems to absolutely demand prayers
Amen, vision devours benjamin a ravenous wolf Vision devours Visions of Amen and Amen I tell you, vision surrounds you vision Vision as developing variations devours its prey in the evening and I shared out spoils
I inhale vapor vision various beetles / scarab of morning Morning scarab scrambles mirror light sandpaper / vision videotape trasks abrasives worn bone brain
Visions vibrate violent divine invasion and my brain boils new gods
Vision bows abrupt and I bank abrupt fire difficult vision and divided vision: nevertheless, I experience vision and I experiment vision I experiment abrupt vision and vision amen dislocates deserts but the divine invasion spills irrational blood splatter splatter stone ben hinnom
In visions my face appears a devil’s face My face peels away in dark blue fires and reveals a demon’s face My face fuck bash boombox skull black box / the nonfunctional jukebox shouts sexually aggressive ballads and burlesques Ben body burlesque beats outside my body crucifies figure and deity I experience or experiment an Isaiah throne throat vision and seraphs scrape chalk palimpsest holy holy holy Serpents sharpen salmon fire holy holy holy hallucination cosmic aether I vigilante angels practice hamon line alchemy I modify my body heavy metal alchemy / flesh faun fall songs from folklore Folklore spikes my body lawn spikes oh susanna she lights the lights Folklore spikes my brain spikenard times square neon Time square square wave neon / metropolis angels evangelize xenon eva amen I tell you
In Divine Invasion this same dialectic reappears and this time is stated to be the two sides of God (rather than world order; that is, in Divine Invasion, it is now correctly seen to be within God himself!)
Vision invades and devours ben-hinnom ben body vapor Vision invades vapor hevel boll weevil word
Vision evades and then invades and I’m the very dream I witness the same dialectic: god god ghost ghosts shore midnight Reach midnight shore birds ben dream gods as gods / desert water dialectic
Vision evades invades brain varnish / violent brush turpentine vision virus
Vision invades and repeats: lift your eyes on high and see See divine language and divine dream and I dream ben-hinnom bodyless god (It is now between Emmanuel who is terrible, destroying, solar heat warring side, writes PKD, and Zina who is loving, playful, tender, associated with bells and flowers; and what unifies the two at last is play)
What unifies Ben and Asia Rhizome: Play What unifies the Book, Ben, and Asia: Play X Play The X plays prays aporia mystery / a passion for the impossible
(I remember guys would look at Monk’s music and say, we can’t play this, but by the end of the rehearsal everybody was playing it anyways, says Sonny Rollins)
What unifies the two at last (by the way, it is SHE who takes the lead in restoring memory and enacting unification; Emmanuel is the side that has forgotten and is impaired; she has not and is not impaired) – is play. She plays and Emmanuel has the secret desire to play… Asia takes the lead in restoring my memory and she unifies our friendship in creativity She plays and creates from the insect absurd, and I participate in her play and mystery I remember our fiery searcher past lives and our beetle burrows and bearings
And I had forgotten how to read music I could no longer play, I could now play by instinct Then at one point I did not need to translates the notes; they went directly to my hands
I could no longer play but I trust my hand in visions
I should get an eye tattoo on the back of my neck, says Asia. Why an eye? Like to ward off evil? Surprise bomb, she says. Because it would look cool as fuck. What kind of eye you thinking? Just a cool looking eye. I’ll ask a tattoo artist to draw it… Did I tell you about the time I carved Napoleon Bonaparte’s face into a banana during art class? she says. No you didn’t! We were supposed to carve a portrait into a piece of black scratch paper, like the kind you scratch at and it’s gold underneath. I was going to do a portrait of Napoleon Bonaparte on the scratch paper… But I also had a banana and a scratch tool so I spent the whole class carving his face into a banana. At the end my friend took the banana to show the teacher and I was embarrassed because it was proof that I slacked off all class period. He loved it though, she says.
Eye extends emergency vision and ambulance invasion eye excess shakes holy spirit vision / divine invasion express
In visions, I expect angels Angels eye play eros embed topos / angels surround play
From angel series From angel series serial angels From angel series serial dodecaphonic desert from a series on angels From a series on angels annulus on being an angel On being an angel number one space squared I eye space space eye dropper desert distal bone angel Space eye search sheets of sound immediate space improvisation (I improvise space angels automatic machine gun writing)
On being an angel number one house number three house number four
Angel four fork flesh house number four Angel number three Taryn tans leather chromium / chromium chromatic vegetables
I had been avoiding geometry: I had been avoid ruled lines
I seclude angels attic arctic polar bear blues I seclude or select additive identity angels / Yahweh of Armies An angel adjacent jar jax angel an and An angel at acid angel acid bath bit blue An angel acid at blue butterflies (I met an angel with a sawed off shot gun wanted by the FBI He dropped some acid, killed his parents, then he hit the road)
Ativan angels ark anxious animations Angel graph grab god gut amputate angels Angel gar gat glint granite night angel hexes I hex nyx hip now night angels fly dailight savings time
Assorted angels assess asset scorpions Scorpions scald scalene triangle anthills Anthill harsh noise noise wall woman awake wall wall clock body Body dye rye rhizome body angel apartment angels Body dip depth desk raven ray body: radar buzzard vision Angel vertical canvas discharge be beat rain rattle repulsion Disk desk distance driver angel ampule amplifier Angel asia arson arsenic solar anus psychosis Art angel camera eye embolism / schism angels
Anarchic art amino acid angels
Angel angel alien allan armor ardour compact axe angels Angel angel asia among rivers return of the living dead rabbit resurrections Asia among rivers wrench wrath rood red red run angels Run magus mourning diary (Who knows? Maybe something valuable in these notes?) Maybe something valuable in these notes These notes notate nacht nothing cafeteria tray teets I confess night I confess night night now (I spend most every night beneath the light of a neon moon) I confess night flesh flesh right dark now angels Angel angel arch neon dark the assembly and assemblage of angels
What unifies the two at last: Play What unifies Ben and Asia: Play