Your Work Prophesies

<Your work prophesies humanity, says Christina.  How to learn and participate in humanity in a way that is aesthetic and real.

Your work prophesies Human One and Child of Humanity Ben Adam

Participate humanity new Palm Tree Garden plantings.
Learn true light from true light and true god from true god Kindred

I see the Kindred as a relationship, says Christina. Not an entity.

Kindred kindles and keeps chaos: potential for pure relationship and process.

I typically use prophecy as a verb a human does, says Christina.

Kindred prophesies in the beginning was the verb
Ur-writing
Ur-language
Ur-speech
Primordial prophecy originates in Kindred chaos

Kindred prophesies Human One chaos Child of Humanity: Kindred

Kindred Ben Adam Christina Marie verb>

Work prophesies humanity: verb Human Christina Work prophesies Christina with different changes as she takes a new chorus: choir Savior immovable and ineffable verb

The Savior said: “He Who Is is ineffable. No principle knew him, no authority, no subjection, nor any creature from the foundation of the world until now, except he alone, and anyone to whom he wants to make revelation through him who is from First Light. From now on, I am the Great Savior. For he is immortal and eternal. Now he is eternal, having no birth, for everyone who has birth will perish. He is unbegotten, having no beginning; for everyone who has a beginning has an end. Since no one rules over him, for he has no name; for whoever has a name is the creation of another.

<Work prophesies> name no name kindles kindred verb
<Work prophesies> Kindred verb with more variable and various chord changes behind the verb melody

It until the had has creation
Is until the eternal has from birth
Has it will who light it of knew

The liquor read “He who is it ineffable. So principle knew her. So authority, so subjective, few any creature from the foundation of the world until now, except her alone”

<Participate Humanity new> Through Her, Her alone, <true god from true god Kindred> Through her, her alone, and any creature of another is external

No principle knew her No birth <not an entity> <I see the Kindred as a relationship> whom she has a beginning <not an entity>

For everyone from whom she had birth; for who has birth for everyone rules
For she has birth for who has birth for everyone for who she is the creation <I see the Kindred as a relationship. Not an entity.>

<Your work prophesies> Book and Book betrays


//
<Your work prophesies> Book and Book plays a video arcade radar

Book plays an experiment videotape press play instant coffee Press play an experimental pornography
They took the girls from the sea and hell exploded
on the ship. The Sea Waifs.

I betray the Book with the kiss (God became a man completely, a man to the point of being reprehensible – all the way to the abyss. He chose an infamous destiny: He was Judas.)

Participate humanity new Palm Tree Garden plantings and betray Book Book having no birth betrays Book with a kiss

Book point play pack cat on the mat math method Book point math method myth without method for everyone who has birth will perish

(We have left our frustrated shores behind and embarked on your Book You have not left the Book since You could not have But sometimes the space between the lines is so large that you seem to tread on new ground The margins are so wide… The Book chains us together)

The Book chains me to the Book and I do not leave the frustrated shore of Edmond Jabès I steal and stir the shores and Book shares – through perish wants Book but I chain the Book betrays with a kiss

Book betrays Jesus / Judas shores Book Book betrays kenotic kisses Book crucifixions I embark on the body the Book: cross <New Palm Tree Garden plantings> Book beginning no the world ineffable perish cross forest
A place of forests
Cross a place of forests ben
Flat bones sphere barges since no an Her cross a place forests

<Work prophesies aesthetic and real> forested places boxer-puncher body-ben gehenna

<Your work prophesies> betray the Book and I have not left the Book since
//


The of first birth end Savior the light since

She until now who one is except I birth over and haven’t left the Book since

<Kindred prophesies in the beginning was the verb> Verb a savior said she who isn’t isn’t ineffable. No principle got her, no authority, no subjugation, no any creature from any foundation, from a hand towel until now, except her ecstatic verb, and anyone from whom she halves from make revelation through her. Who isn’t from the first light.

Do you believe in hell? I ask Christina. No, says C. Do you? Maybe. Not a sulfur and brimstone hell but some other hell. Jorge Luis Borges wrote a poem about how heaven and hell are exactly the same: gazing on the face of God. For those in heaven, it is sublime beauty. For those in hell, it is unimaginable torment, I say. No hell I think, says Christina. I don’t know if we get to keep our consciousness. I think we might need both body and soul to make consciousness work. What do you think? she says. I think a prophet has to know hell, I say. CG Jung wrote in The Red Book: “No one knows what happened during the three days in Hell. I have experienced it.” Dietrich Bonhoeffer wrote: “God would have us know that we must live as men who manage our lives without him. The God is with us is the God who forsakes us (Mark 15:34). The God who lets us live in the world without the working hypothesis of God is the God before whom we stand continually. Before God and with God we live without God.” … I think Bonhoeffer hints at the full empty potential of hell in Christ’s words of the cross. Eloi Eloi lema sabachthani, I say. I feel more of an impetus to live and prophesy when I think about consciousness, body and soul all ceasing at the same time, says C. What are your goals of prophecy? I say. Make being a human more tolerable I think. Tolerable to oneself. Others to themselves, she says. How have you contributed to Ben being more tolerable to Ben? I say. The outcome isn’t my business, says Christina. I just do what God tells me, she says.

<Your work prophesies>
<Kindred prophesies in the beginning as the verb>

I do not know how I prophesy or the source of my prophecy – to give it a name would to make it an idol and image and name (since no one rules her, she has no name; for whoever has a name is a creation of another). I do not know how I prophesy but in my <beginning was the verb: ur-writing ur-langauge ur-speech>. I prophesy from hell and I have known it: Book kisses and Book betrayal.

Anyone revelation – everyone from is beginning had immortal beginning She of world her her light of the unbegotten on make no savior

The first of birth end savior the light for since

She is unbegotten having no beginning / in my beginning is my end Story no beginning <prophesies in the beginning was the verb>

The first of birth <participate humanity new Palm Tree Garden plantings>

She is unbegotten having no beginning / in my beginning is my end Story no beginning (For the end will be where the beginning is. Blessed is the person who stands at rest in the beginning. And that person will be acquainted with the end and will not taste death).

<Your work prophesies>

Making One Hell

I


Hell thicket polytope constellation confronted
Hell easy traceries markings canals pits space

Wilderness

In a sort of hell now trace
Earth picked mud frozen
Plant branch plant fern root
Making one hell


II


Hell thicket polyamorous constellation
Confront poem electric facets stereos

Surround hell traceries markings canals pits

Tracery tomb sorcerer
Marking missile tarot reading
Canal cadaver concoction
Pit pipe organ agent orange

Wilderness

Sort of hell plant grass bog beetle
Fern earthworms turn leaf soil
Making one hell easy roots branches

Hell Simmers Through The Slits of Sheol

Sheol shakes ecstatic shakes sheol snail graveyard melodies
Sheol shake handles snakes signs gospel graveyard

Sheol unshackled shutters saddlepoint plots window narratives
Sheol slakes weaving wyvern window word hers hell gospels

Hell simmers slender through the slits of sheol and sheol shakes a boundary -
Border ebullient sheol
Hell surrounds sheol surprise sermon to the dead and my speech revives
Violent brimstone hell and sulfur

(This sulfur purifies and connects the high and low
through evaporations and dissolution)

Hell smokes shimmer simmers surprise the more talking to the dead
Hell smokes shimmers simmers slit gut Gehenna
(Ben Hinnom hustles here in the hanging garden)

Sheol snakes summer shaking cold heat cross with wheat field
Shaking sheol ships rips sulfur sheol / sheol slips dips evaporates
brimstone sheol ecstatic sermon hell shimmer

Snake sulfur endless shakes makes partakes sheol
Husk musk holy ghost ox
Shake sermon endless snakes partakes hell sheol slit to its guts

Faints Few To The Flesh

Faints few to the flesh   frights fell to folds
Infolding enfolding flesh finds on female

Faints few maiden cut cross few Christ reconciles
Fork offers find flesh maiden female Christina

Fork halt Christ enter hell halt Christina descends Hades
Inferno infolding enfolding fill iron female file

Maiden life hell fork female female casts into hell off fork
Maiden quenches fire face to face merge male female

I Live In Hell

Pressed word fossils: fossils pressed arrest mess cardiac arrest.  Pressed ischemia.  Ischemic intimacy: intimate compression socks.

I press into my chest imitative polyphony (I imitate polyphonic blood vessels vehicle soil arteries)

Pressed dressed quiet maps pelt melt margins quiet. Press myself quiet. Press quiet which gives silence – silent vision and vision slices splices syrup. Press quiet tree stump and blossoms silence. Word melts into the melt counterpoint. All word melts counterpoint melt word. I melt with quiet column catastrophe / infinitude intensities.
Quiet try to sleep see large bright pink
Quiet centipede the most beautiful anthills ever heard
Press myself quiet / I hear the marriage of heaven and hell.

Pressed word fossils fidget hell deep geology

Press pressed word fossil fucked hell verb (melt verb verbed melt risk hell)

If your hand or your foot causes you to sin, cut it off and throw it away; it is better for you to enter life maimed or lame than to have two hands or two feet and to be thrown into the eternal fire. And if your eye causes you to sin, tear it out and throw it away; it is better for you to enter life with one eye than to have two eyes and to be thrown into the hell of fire.


//
I exist in hell. I live in hell and I descend to hell and hell exists I always exists hell. I exist hell melancholy and hell gods and hell this is not a dream beware between and I live verily hell.

I live in hell and I salsa dance with my own confusion

The worms are waiting! The night Evelyn came out of the grave

I live in hell and tango with my doppelganger tortured Tartarus

I walk street depths aware hell beware hell come and see the blood on the streets. I walk wonder street height walking her hell. Hitman hell hollow. I descend hell hells hallways hurry.

Hurry hell hail and ice. Ascend hell glacier my body frozen tenth circle (I circle into the view camera cameras).

Monsters walk the earth in ravishing rampage of clawing fury! Giants of the ages run amok in icy death attack controlled by alien brains! Invasion of the Animal People

Go to hell. Go to hell waylays. Do I know hell I know hell here. I ask hell into my heart. I ask Christina immediately hell into my heart. Hell heats / Sun so hot I froze to death Susanna don’t you cry. Oh Susanna. Scary stories to tell in the dark hell.

I live in dark hell and light hell. I live hell ascent and descent. Hell elongates and sleeps in my bed. God hell Christ hell not a martyr but hell machine. I live underworld word hell walk wonder wonder all hell. Always hell – always gods.

Crime and violence in America. Has brutality replaced baseball as the national sport?

Christina resembles hell and reflects hell and mirrors hell and hells hell. I sabbath in Christina hell and Christianity hell and hell distorts fuzz pedal pedal point organum powerpoint presentation (Powerpoint presentation projects hell lights hell no points pointillism. Arcade projects hell active hell spout / imitative polyphony).

I sabbath Christina hell and Christina hell always underworld. Christina netherworld walks height in hell hello hell. YHVH of Hosts hell.

I live in hell you’re like a doll in a dream. I live like dream and I live hell awake awakened hell alive Christina alive summons me to hell hell underneath).
//


Pressed word fossils (hell ice – glacier brimstone – hail sulfur)

If your hand or your foot causes you to sin, cut it off and throw it away; it is better for you to enter life maimed or lame than to have two hands or two feet than to be thrown into the eternal fire. If your eye causes you to sin, tear it out and throw it away; it is better for you to enter life with one eye than to have two eyes and to be thrown into the hell of fire.

I press into my chest imitative polyphony (I imitate polyphonic hell hell vehicle visions)

Press point pint point dark hell I ponder pink secret point bright pink prima materia
If it feet eye
Hell your is and tear than hell
Polyphonic hand better it to hell
I ponder pink secret point bright pink pink prima materia (fossilized material – archaeological matter – plain pink) Pink your you thrown and two foot to into throw eyes

Ponder pink pressed chest hell

Pink press hell point against point (the transformational voices vary from small interior elaboration and ornamentation of the line using fragments, paraphrases, and thematic variations to large-scale polyphony and extreme gestural and structural alterations) Press pink word fossils: pink pride displaced pink piledriver prima materia
Sleep sea large bright pink bath prima materia
Sleep than enter sin is throw sin better be eye
See large hands is and for lame for foot fire pink
I play pink pucker pink pomegranate pink out of the corner

Press friable clay (friable: the tendency of a solid substance to break into smaller pieces under stress or contact, especially by rubbing)

Than tear causes eternal the away enter

Freddy’s Nightmare On Elm Street A Marvel magazine Illustrated for mature readers Don’t fall asleep – ‘cause Freddy’s back! Fright-filled first issue! All new stories

Hands to and is if cut two throw you Hands cut Freddy glove for mature readers Friable hand dream Press pink for than throw for hell Hell Hell Hand for than throw your hell

Pressed friable clay arrays: anchors away bide with me. Pressed stretch irrationals. Pressed precise clay (clay array armies)

I See Seer Language

I see     I see seer language

I see I see seer language I seer seer serpent ghost sun sighs / I improvise infinitesimals and ingest infinities

I see I see shift language sit: sit shift swift salt I see multiple salt language sine waves simulate waves short salt

I see and I see a sacred language and a liturgical language. I see an experimental sacred language and languages experimental scripture. Scriptures set through to my languages anew, revived in salt and other spices. I see the language as a liturgical developing variations. Language experiments many scriptures and amassed explorations of the catholic mass.

I see I see seer language Salt shift language intermedia model soft: soft shot shift snow seer language Language shoots sheets of sound snare snap Language snaps hi-hat host (I host harsh host land language)

I see I seer serpent ghosts sun light / I improvise infinitesimal ghosts and ingot ghost infinities

About your question, says Asia. I think that consciousness is material because it’s based in our material world. We use the world around us to understand the world within us, she says. Are you a materialist? I say. I don’t know what that is and I don’t like labels, says Asia. Like every thing that there is to know about the universe is physical / material, I say. There is nothing outside the physical world. I guess so? says Asia. That’s a hard question. We are material, our world we live in and experience is material – except ghosts! says Asia.

I see I seer serpent ghosts sunlight and I improvise with solar ghosts I improvise ghosts ghosts infernal infinite impossible light / sheet and snow in water prophetic time I see sheet and snow ghosts in the gulf water writing

I see and seer prophet time and prophetic time puncture ben body taryn teeth (I taste you much better off teeth taste of white skin on red leather)

I see and I see in the sleep of language I sleep in language sight and seeing clock tower I see and see in sleep and I swim in snow language and I see the liturgical language and I slow salt language improvised snow and ghosts I see ghosts and I prophesy ghosts, and the ghosts gestate a new language / language of secrets

I see and seer serpent sea urchin I seer serpent sea urchin shaman underneath / underneath the sea metal mathematics

I see and I do not see. I see and I do not see but the writing sees. Book sees without me. Book sees without ben adam and Book sees without me. I see and I do not see. I see and I do not see and I experiment I see and do not see. I experiment do not see and I do not see. My seeing swings sea seer (underneath, many sea urchins) but I cannot see. I feel out the salt sea languages without seeing.

I do not see seer serpent sea urchin shaman underneath: underneath sea, the needle meteor mathematics Meteorological mathematics, microscope material underneath he hangs the earth nothing

I do not see and I see nothing I see nothing ghost blue infinitesimals I see nothing ghost sheets of sound sun rhythm I see sun rhythm son of man rhythm ghost / son of man ghost rhythm middle rubber rubble (rubble rhythm ruin: serpent ruin rhythm serpent circular ruins rhythm: cumulative serpent rhythm assembles cloud and articulated cloud) I see sun rhythm son of man serpents

I see and I do not see. I see nothing hooked into nothing and nothing mapped into the interior castle of nothing. I see the nothing knot into the assembled cloud and the articulated cloud. Cloud clots into cloud the knot of mere vapor, the hevel nothing. Nothing knits a serpent sheet sheets of sound nothing but molted skin. I see and do not see.

I think a lot of Bible studies that I did led me leaving the church and leaving Christianity, says Asia. Especially the studies I did on hell. I used to do very in depth Bible studies. I was pretty obsessed about it. What struck me was that the Bible was not consistent or specific about hell. I dealt with too many Biblical fundamentalists and I just got tired of constantly trying to use their interpretation of the Bible to argue for basic human rights. Studying Satan and the devil in the Bible also led to my decline, says Asia. You know how you told me stories change the world? I say. I think the Bible is a story that has changed the world par excellence, I say. It has definitely changed the world, says Asia. I don’t think people should really look for god in a book or the sky. We should look for god in others: we should look for god in other people and in the world around us. If Jesus really is the culmination of all god wanted then god wanted to be human, says Asia. Yes! I say. The story can lead to the gods though, I say. What I said was heresy, says Asia. Heresy is good. Is it? Yes, Jesus was a heretic, I say. Do you believe that knowledge can be evil? says Asia. Knowledge in itself? No, I say. In some gnostic myths, the Tree of Knowledge of Good Evil opened Adam and Eve’s eyes to gnosis and spiritual awakening, I say. I never quite understood why in fundamentalist circle, certain knowledge is off limits, says Asia. You were supposed to be afraid of things without even knowing why. I think the most dangerous thing in the world is fear and that fear leads to hatred, says Asia. Yoda says something like that, I say. Yoda can go fuck himself, says Asia. Dang what did Yoda ever do to you? I don’t like Yoda, she says. He isn’t nearly as smart as he wants people to think he is. He was alive for hundreds of years and what did he actually accomplish? Nothing. Just a bunch of emotionally damaged magic boys, says Asia. There was this whole Yoda rant inside of you and I unleashed it, I say. More trouble than what’s he worth, says Asia. Oh, and he’s ugly. Jim Henson has designed way better puppets, says Asia.

I see I see seer language nothing I language nothing the marriage of heaven and hell I see the marriage of heaven and hell and its hell nothing navigated nothing I see hell

I see and I do not see: I do not see hell hacks with without contraries no progression

I do not see but I experiment hell. I experiment hell seen and not seen and this hell seeing serpents. I experiment serpents of hell and without contraries no progression. Progress to the hell I do not see (I read the Bible in its infernal or diabolical sense / one law for lion and ox is oppression). I see hell. I see the devil and hell, and her hell reads a Bible new wine and new wineskins.

I see I see seer serpent ghost serpent sight Ghost serpent sight suns numbers literal seeing devices

I see to and through the spectral hell of languages

I see I see seer serpent ghost serpent sight Ghost serpent sight sums numbers literal looking devices: the positions of sun, moon and stars

I see I see seer ghost prisoner black sea sweep solar wind sea of reeds Reeds rhythm rough locusts / locust rhythm resin unrest rhythm Locust rhythm unrest rest injected molded plastic: plastic black iron prison metal breakers metal beakers bird beak bebop

I see the sinew glue gun skeleton stew story: I see and do not see stories that change the world. I see the stories but I do not see Christina. Christina still surprises me as ghosts: this nothing ghost or this ghost prisoner in my interior of my skull, in the inside corner of my eye socket. Ghosts too tell stories. I see word witch of endor and with my bag of ob, I speak Christina shaman and underneath. I speak Christian Shaman and among sea of reeds and sea urchin. I continue to story-tell Christina and I see Christina and I do not see Christina. I see Christina assembled cloud and articulated cloud. Christina speaks to me the Bible of Hell which the world shall have whether they will it or not.

I see I see seer serpent ghosts sun sight / I sight Christian in nuclear fusion shadows huddle shade I see shade underneath and subterranean I see shade and I work shade as rolled lead or other malleable metals I sculpt metal molten more weld word I work metal: I work with the crater first and I basically work as a dresser drawer

I work dresser drawer: move it around and see what happens on every side

I see I see and do not see I see the dresser drawer work and I see what happens on every side

If it makes you feel better, says Asia, my partner kept asking me where the pull-ups were and my brain wouldn’t give me the word for dresser. Then I finally wrestled the word out of my brain and she’s like “What drawer?” and I was like “PLEASE NO MORE QUESTIONS.” This was right before she tried to get me to explain where the tweezers were, says Asia.

I see I see seer serpentwork carved in dresser drawers I move the text around and see what happens on every side I simmer side ceramics serpent sculpture Serpent sculpts sphinx sphere tunnel / serpent spirits compress spring open sphere Sphere tunnel teeth top hat serpent (enigmatic tubular and frond-shaped organisms sessile frond-shaped phallus cosmopolis)

I see I see and do not see and I see seer language swarm of serpents




Hell Cycle, Part 2

I hide in her hell hooded pitcher plant

Hell hides my bog body long tubular stalks of hollow leaves

Curved urns dissolve the soft parts of my body leaving the skeletal remains at the bottom

Bones soak slow pitch drop experiments bottomless pit


I hide in her hell a horizontal head across networking ribs My wide wings split downward

I hide in her yellow sulfur surface bronze red The curved bristles directed downward drink my body pit nectar

Hell hides horizontal underground and the poor nutrient soil splits pit hairy bodies

Hell soaks false windows long tubules with hollow leaves


I hide in her hell rosettes of smaller pitchers Waxy slippery walls line my head in cells

Yellow feathers grow from my face and pitch cooks it down to froth and feelers

Hell throws my pliable body pitch ditch bottomless pit

Light shines through the patches splits my face further into the pitcher

The Hell Cycle, Part 1

The ha her hell
A hell the hell her
The hook her hell
The hell hook her

The ha her hell harsh
Harsh hell the here her
The ha harsh hell hook
A hook to look her hell

Ha her hell look hook left
Her look hook left ha right
Hell ha hook harsh her cuts
Uppercuts look her hell

Her hook happens hell her
And hell the hell look her
Ha here her hell look thirst
Harsh thirst hooks look hell

Look hell thirst a hell the
Hell happen left thirst her
Ha harsh look her a hell
The hell a hell sharp hook

Her hell here ha hook
Her thirst here hell left
Left right hell left her
Her hell look hook here

A ha her hell
Hell a hell her
Here hook her hell
Hell look left her