Content Warning: brief mentions of suicide

The orchestra is set vertically on stage towards the audience and the instruments are put into four groups: alpha, beta, gamma, and delta / alpha aurochs alien, a crossbar cenofante, and I file halves backspacer brontosaurus     Beta burglary blasts black flag my war wushu or wire fu and I leap from tree top to tree top a donkey kong country level     Gamma gambles and gamels game charleston chance and I chew synaphai connexities cadenza chanson     Delta dogfights doll parts and doll eyes, dripping dust daggers or imitation ivory     Unlike a traditional concerto, the piano is integrated into the texture of the work, and is given equal footing with other instruments; however, it also plays a prominent role given its new continuous presence and the virtuosic nature of the piano writing     Concerto caxtons book closers or crayon canyon the clay continuity between red and orange rare red rock / ochre raphael renaissance renewal or eternal return and sometimes it’s difficult to accept that eternal receiver or Poincare's Recurrence Theorem     Concerto cymbal rolls orchestra ouroboros rock and roll, and I slice Centipede arcade and I arachnid the iron-and-glass covered arcades, a prism collage collection     Concerto collects in the corners, and I fan folios furniture music and Satie sings or severs solemn Socrate the Socratic Method, the slab solar anus annulus annual interest arcanum     I vlog virtuoso vision, a visitor to the vinegar volcano, and it erupts science project science fair, a vulture for variables     I vision vibrato, shaking signature science language or language  scripture, and Book vaults as above so below     The piano part is of extreme difficulty and is written on ten staves, one for each of the pianist’s fingers (the pianist plays all lines, if he can)     Difficulty develops density, a diamond defense     Difficulty draws a hammerklavier destruction, the superimposition of meteor motifs and miracle matter     Ten quantum tunnels the concrete tumble Taryn, and I tower ten tower of numbers Graham’s Number massacre medallions     Ten Bobby Timmons’ Moanin Art Blakey and the Jazz Messengers and I binge blues ten blues basket ballad     The Unknown Woman of the Seine salts sonar dream, and I dream death dollars the school cafeteria or autumn auditorium assembling revolver round robotics     The Unknown Woman saturates raw radium, sea salamander suicide, and I drown dryad or sea nymphet, the fool jumping off a cliff canister crocodile     Her suicide swims nothing, the long vivir river one battles in Metal Gear Solid 3 against The Sorrow     Her suicide sin waves woman sorcerer and slinks across the Sonny Rollins Bridge barstool and I sit sister suicide     I dip drowning the direct drop druid stalker stonehenge, and the rocks round themselves on human skulls     The L’Inconnue became the erotic ideal of the period, as Bardot was for the 1950’s / suicide provokes a pornographic horror (you wear two lavender orchids, one in your hair and one on your hip)     Suicide compacts paradox, the erotic afterlife or number annihilation

I jasper jazz juniper, and my suicide serros improvisation     The Gospel of John gyroscopes jazz, a chord change equilibrium, and in the beginning was the Word MUSIC and sound sinks slate blue like a flying saucer / UFO linguistics     The Word Yahweh of Hosts inhabits hard bop and I listen to Moanin’ by Art Blakey and the Jazz Messengers     I jazz june and die soon napalm poetry and all that jazz jams journey and I disassociate psychopomp and discord Death / one among the Fays     Much of the piano writing produces aboresences, where germinal shapes proliferate into a variety of branching lines     Aboresences attract automotive atmosphere and the absorption lines loop linear activators or flywheel rock and roll     Aboresences accelerate fractal fever and word wars Word ambassador     Benjamin branches blesses rapid transit bifurcation, my flesh cobweb racing wicked     Benjamin bellies blankets a liquid yet strongly linear sonority and I stretch the language as a self or mirror concerto     Benjamin granfalloons god gorgon geography and evryali escapades exit escape vash vehoma     Gorgon gupsiferous floats geotectonic Taryn and she terrifies ancient eldritch abomination     The Gorgon extends back to at least 6000 BCE as a ceramic mask from the Sesklo Culture     I greet the Gorgon as a terrific or tyrannic baroness, and she groundsheets my granite globeflower / Earth Evryali     The legend of Perseus beheading Medusa means, specifically, that the Hellenes overran the goddess’s chief shrines and stripped her priestesses of their Gorgon masks, the latter being apotropaic faces worn to frighten away the profane / I mint Medusa in my metabolism, Grammar Gorgon and Medusa motorcycle magic     I talk Medusa microphone, a monument or meditation medication and I spiral cylinder serpent, snakes hairline fracture furniture     Gorgon gastropods opus octopus and her octane blends or camouflage     About her shoulders she flung the tasselated aegis, fraught with terror… and therein is the head of the dread monster, the Gorgon, dread and awful…     Gorgon gunpowder genealogies, human-monster and monster-human and Gorgon heals the hessecate of my wounds: wolf wounds, wolverine wounds, the graveyard guesswork of Woman     Gorgon oxidizes aether, an awful gap or medium masturbating mustard burns and Gorgon flash gordons glassware cracking skeletons, a Loony Tunes anvil     I listen to Evryali for solo piano and composed by Iannis Xenakis, and its aboresences atlas asunder, a melodic anatomic afternoon / meshes of the afternoon melody mimicking Medusa and she molts serpent multitudes     She monarchs serpent mixed multitude and the seraph surgeons sonorous, the blood burst Benjamin     Blood drops or blood bath brandish aboresences (proliferation of melodic lines created from a generative contour) and I ring ring cycle rhizomes and I write rhizomes and aboresences / branching branching     burning burning     
Here is the piece: look at it, and if you think you can do something with it, play it     I play the piece pivot pierce posture and the position itself proliferates     The position prays paskahelion or panic purer angelic passages / fixed rhythmic passages stochastic clouds     polyphonic aboresences     monophonic waves     silence     I mask multiplicity as the divergence from canonical gospels to noncanonical gospels or the Nag Hammadi Scriptures     I gospel of mark mathematic miniatures, the multiplicity of ensembles     orchestras     concertos     choirs sing beach shore waves and a wave Galilee     I open the Nag Hammadi Scriptures and I read The Gospel of Philip: Three Marys walked with the Lord: His mother, his sister, and Mary of Magdala, his companion.  His sister and mother and companion were Mary     I marry Mary Mara a Medusa and she gardens gorgon the grenadilla of flowers     Mary merchants a pearl of great price or the hymn of the pearl and mothers macabre, the Christian catacomb of skulls     Mary murders motorhead minimalism, field color canvases carved from bone battle hawkblades     Mary Marie modulates Christina metropolis, pincer movement machines, and Christina tines the tuning fork earth vibration vision     Mary Magdalene millimeters mysterious, and she masons methane Christina oracle ouroboros / Circle and Snake: Circle and Snake     Dirt Road Blues was improvised from a country-blues song of indeterminate origin…  He made me pull out the original cassette, sample sixteen bars and we all played over that…     I dig dirt road blues, a dante dissonance and I live comedy cicada Christina, Benjamin’s broods     I dissect dirt road blues, a discordant devil diabolical and I play Diablo II on my computer, always a necromancer     Dirt Road Blues barstows desert, the Mojave Mother Mary, and I braindrill desert disaster, flecks of fallout / the future’s so bright I got to wear shades     Dirt road blues binoculars bipolar disorder blacksmith biology / bellwether bombardier break open breastbone     We treated the voice almost like a harmonica when you overdrive it through a small guitar amplifier      voice candles the warp, winter music woman     Voice vehicles videotape, tempest twelve-bar blues, and I barre chord dominant seventh chaos or Alice blues changes and she sugars through the looking glass     Voice arcades the Visalia Mall’s Cyberstation inhabited by Namco properties, and I realize I’m fucking old; I can’t even handle roller coasters anymore     Everything amplifies evangelion automatic and I mutate Mara Magdala tomb architecture     The cathedral connects charlotte chromatic childhood and the cardboard castle cocktails carnivals and bounce houses     House hags folk horror, Yahweh of Hosts hauntology     House splatters woman wallpaper blank bodies blended Zebra zombie brain hurricane     One of those nearness-of-death albums and the music mouths Mary Marie Christina bone shakers     Dead mall marlboros and I smoke Holy Spirit spider spinning wheel / urban prairie and urban decay     I feel nostalgic for 1980s consumerism / consumerism keeps me alive     Music compositions keep me alive and I melt the Marriage of Heaven and Hell with Iannis Xenakis’s Herma, a stringing together and foundation     Rintrah roars and shakes his fires in the burdened air and Herma hikes hermeneutics     I interpret the Bible through musical grammars or the name Christina and I piano algebra that infernal energy / Benjamin Boolean or symbolic logics     Boolean algebra is the main mathematical principle behind Herma / the mathematics manslaughter marriage     mathematics multicolored multilayered multichanneled repeats the proverbs of Hell     mathematics metroids meteorite monopoly: the eternal Hell revives retail apocalypse and anchor store anarchy     The Eternal Hell revives revelation redemption revolution and Hell holds me rabbit erector set stochastic     Hell Herma handsprings Benjamin hysterical hermeticism     Hell hemorrhages Hermes Trismegistus, and he hydraulics horizontal the Emerald Tablet tipsy Taryn Tetragrammaton     Herma hypnosis nodes nephrons networks Hell summer civilization